list http://www.spout.com/ Recent community activity around Repulsion on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Repulsion/28637/default.aspx Title: Repulsion
Year: 1965
Director: Roman Polanski
Plot: The first English-language film of director Roman Polanski is a psychological thriller in the vein of Alfred Hitchcock's Psycho (1960) and his own later film Rosemary's Baby (1968). Catherine Deneuve stars as Carol Ledoux, a Belgian manicurist living with her sister, Helen (Yvonne Furneaux), in a London flat. Simultaneously attracted and repulsed by sex, Carol is a virgin who finds her sister's relationship with a married man, Michael (Ian Hendry), extremely disturbing. When her sister and Michael go on holiday, Carol begins to disintegrate mentally, hallucinating bizarre encounters, being forced into taking a sabbatical from her job and ultimately committing a pair of murders in her deranged state. ~ Karl Williams, All Movie Guide
Times Tagged: 5
Number of Lists: 15
Number of blog posts: 3
Number of discussion threads: 3
SpoutRating: 3
]]>Sat, 08 Aug 2009 16:23:49 GMTRepulsion1965Roman PolanskiThe first English-language film of director <a href="/players/P___106743/default.aspx" style='text-decoration:underline'>Roman Polanski</a> is a psychological thriller in the vein of <a href="/players/P____94487/default.aspx" style='text-decoration:underline'>Alfred Hitchcock</a>'s <a href=/films/27630/default.aspx style='text-decoration:underline'>Psycho</a> (1960) and his own later film <a href=/films/29519/default.aspx style='text-decoration:underline'>Rosemary's Baby</a> (1968). <a href="/players/P____18574/default.aspx" style='text-decoration:underline'>Catherine Deneuve</a> stars as Carol Ledoux, a Belgian manicurist living with her sister, Helen (<a href="/players/P____25380/default.aspx" style='text-decoration:underline'>Yvonne Furneaux</a>), in a London flat. Simultaneously attracted and repulsed by sex, Carol is a virgin who finds her sister's relationship with a married man, Michael (<a href="/players/P____31756/default.aspx" style='text-decoration:underline'>Ian Hendry</a>), extremely disturbing. When her sister and Michael go on holiday, Carol begins to disintegrate mentally, hallucinating bizarre encounters, being forced into taking a sabbatical from her job and ultimately committing a pair of murders in her deranged state. ~ Karl Williams, All Movie Guide5Slightly Tagged (1-5)15333http://www.spout.com/ProductImages/t58108hner6.jpghttp://www.spout.com/films/Repulsion/28637/default.aspxFilm http://www.spout.com/blogs/karina/archive/2008/11/14/37303.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 11/14/2008 12:00:57 PM
Body: Still impossibly gorgeous and chic at age 65, Catherine Deneuve is the ultimate living emblem of the lasting romance of French film.  She’s also amongst the busiest international female stars over the age of fifty, and while Deneuve has made the occasional questionable move since hitting that marker of age (dueting with a post-post-post Sex Pistols Malcolm McLaren; playing “herself” in I Want to See, a dramatized document of her visit to war-torn Lebanon), Melissa Anderson is right to note that for the most part, over the last decade and a half, “she has shown a fearlessness in her roles—no matter how small.” That fearlessness is on display in A Christmas Tale, where Deneuve is at her best rocking a borderline incestuously playful love-hate with her wicked charmer of a son (and potential lifesaver) Matthieu Amalric. With that film hitting theaters tomorrow, here’s a look back at a few iconic Catherine Deneuve moments, all readily available via YouTube. “Chanson Des Jumelles,” from Les Demoiselles de Rochefort Of the two Jacques Demy musicals in which Deneuve appeared in the 60s, I prefer the darker, more bittersweet Les Parapluies de Cherbourg, in which Deneuve’s mother encourages her to marry a rich diamond salesmen when her great love knocks her up then goes off to war. But this early number in Demy’s tribute to the Hollywood light musical comedy (featuring an aging Gene Kelly as the love interest for Deneuve’s sister, Françoise Dorléac) is a better advertisement for Demy’s charms. Dressed in matching tennis dresses and ridiculous Easter bonnets, Deneuve and Dorleac sing a jaunty tune full of back story, touching on everything from their single mom’s frites stand to the moles the sisters inherited from their absentee dad, while still reminding us every third line that they’re looking for husbands. But in a dreamy, adorable and not at all contemporary pathetic way! Factory Dancing, Dancer in the Dark Deneuve plays a more reluctant song-and-dance participant in this first big number from Lars Von Trier’s experimental musical tragedy. But it’s her initial resistance and arms-folded impatience with the potentially dangerous childlike fancies of almost-blind Selma (Bjork) that make the thing, when Deneuve finally surrenders. Lipstick after murder before imaginary hallway grope, Repulsion The bit where Deneuve dreams she’s attacked by hands reaching through the walls of her apartment is oft cited as the most memorable image of Roman Polanski’s stark 1965 thriller, but as the above clip shows, that moment is the punctuation on a string of visual ideas. My favorite is when the delusional Deneuve–in between killing her landlord when he tries to rape her, and falling to the hands in the hallway–rises from bed, applies a generous coat of lipstick, and then returns to bed, where another attack, this one imaginary, leaves lipstick streaks on her pillow. A Lesbian Vampire’s Guide to Picking up Women, The Hunger This clip from Tony Scott’s 1983 vampire movie isn’t embeddable, but it’s so good that we’re willing to lose you to the click through. The impossibly regal Deneuve pours her housegeust Susan Sarandon a glass of “2,000 year old sherry,” then sits at the piano and calmly plays while Sarandon essentially talks to herself for while. Eventually, there scene takes a turn for Graduate-esque “are you trying to seduce me?” territory, at which point accidentally Sarandon spills a bit of sherry on her white t-shirt, which she very obviously is wearing nothing underneath. Whoops! Originally posted on:SpoutBlog » Karina Longworth
]]>Fri, 14 Nov 2008 17:00:57 GMTKarinaKarina on SpoutBlog11/14/2008 12:00:57 PMStill impossibly gorgeous and chic at age 65, Catherine Deneuve is the ultimate living emblem of the lasting romance of French film.  She’s also amongst the busiest international female stars over the age of fifty, and while Deneuve has made the occasional questionable move since hitting that marker of age (dueting with a post-post-post Sex Pistols Malcolm McLaren; playing “herself” in I Want to See, a dramatized document of her visit to war-torn Lebanon), Melissa Anderson is right to note that for the most part, over the last decade and a half, “she has shown a fearlessness in her roles—no matter how small.” That fearlessness is on display in A Christmas Tale, where Deneuve is at her best rocking a borderline incestuously playful love-hate with her wicked charmer of a son (and potential lifesaver) Matthieu Amalric. With that film hitting theaters tomorrow, here’s a look back at a few iconic Catherine Deneuve moments, all readily available via YouTube. “Chanson Des Jumelles,” from Les Demoiselles de Rochefort Of the two Jacques Demy musicals in which Deneuve appeared in the 60s, I prefer the darker, more bittersweet Les Parapluies de Cherbourg, in which Deneuve’s mother encourages her to marry a rich diamond salesmen when her great love knocks her up then goes off to war. But this early number in Demy’s tribute to the Hollywood light musical comedy (featuring an aging Gene Kelly as the love interest for Deneuve’s sister, Françoise Dorléac) is a better advertisement for Demy’s charms. Dressed in matching tennis dresses and ridiculous Easter bonnets, Deneuve and Dorleac sing a jaunty tune full of back story, touching on everything from their single mom’s frites stand to the moles the sisters inherited from their absentee dad, while still reminding us every third line that they’re looking for husbands. But in a dreamy, adorable and not at all contemporary pathetic way! Factory Dancing, Dancer in the Dark Deneuve plays a more reluctant song-and-dance participant in this first big number from Lars Von Trier’s experimental musical tragedy. But it’s her initial resistance and arms-folded impatience with the potentially dangerous childlike fancies of almost-blind Selma (Bjork) that make the thing, when Deneuve finally surrenders. Lipstick after murder before imaginary hallway grope, Repulsion The bit where Deneuve dreams she’s attacked by hands reaching through the walls of her apartment is oft cited as the most memorable image of Roman Polanski’s stark 1965 thriller, but as the above clip shows, that moment is the punctuation on a string of visual ideas. My favorite is when the delusional Deneuve–in between killing her landlord when he tries to rape her, and falling to the hands in the hallway–rises from bed, applies a generous coat of lipstick, and then returns to bed, where another attack, this one imaginary, leaves lipstick streaks on her pillow. A Lesbian Vampire’s Guide to Picking up Women, The Hunger This clip from Tony Scott’s 1983 vampire movie isn’t embeddable, but it’s so good that we’re willing to lose you to the click through. The impossibly regal Deneuve pours her housegeust Susan Sarandon a glass of “2,000 year old sherry,” then sits at the piano and calmly plays while Sarandon essentially talks to herself for while. Eventually, there scene takes a turn for Graduate-esque “are you trying to seduce me?” territory, at which point accidentally Sarandon spills a bit of sherry on her white t-shirt, which she very obviously is wearing nothing underneath. Whoops! Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/11/14/37302.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/14/2008 12:00:40 PM
Body: Still impossibly gorgeous and chic at age 65, Catherine Deneuve is the ultimate living emblem of the lasting romance of French film.  She’s also amongst the busiest international female stars over the age of fifty, and while Deneuve has made the occasional questionable move since hitting that marker of age (dueting with a post-post-post Sex Pistols Malcolm McLaren; playing “herself” in I Want to See, a dramatized document of her visit to war-torn Lebanon), Melissa Anderson is right to note that for the most part, over the last decade and a half, “she has shown a fearlessness in her roles—no matter how small.” That fearlessness is on display in A Christmas Tale, where Deneuve is at her best rocking a borderline incestuously playful love-hate with her wicked charmer of a son (and potential lifesaver) Matthieu Amalric. With that film hitting theaters tomorrow, here’s a look back at a few iconic Catherine Deneuve moments, all readily available via YouTube. “Chanson Des Jumelles,” from Les Demoiselles de Rochefort Of the two Jacques Demy musicals in which Deneuve appeared in the 60s, I prefer the darker, more bittersweet Les Parapluies de Cherbourg, in which Deneuve’s mother encourages her to marry a rich diamond salesmen when her great love knocks her up then goes off to war. But this early number in Demy’s tribute to the Hollywood light musical comedy (featuring an aging Gene Kelly as the love interest for Deneuve’s sister, Françoise Dorléac) is a better advertisement for Demy’s charms. Dressed in matching tennis dresses and ridiculous Easter bonnets, Deneuve and Dorleac sing a jaunty tune full of back story, touching on everything from their single mom’s frites stand to the moles the sisters inherited from their absentee dad, while still reminding us every third line that they’re looking for husbands. But in a dreamy, adorable and not at all contemporary pathetic way! Factory Dancing, Dancer in the Dark Deneuve plays a more reluctant song-and-dance participant in this first big number from Lars Von Trier’s experimental musical tragedy. But it’s her initial resistance and arms-folded impatience with the potentially dangerous childlike fancies of almost-blind Selma (Bjork) that make the thing, when Deneuve finally surrenders. Lipstick after murder before imaginary hallway grope, Repulsion The bit where Deneuve dreams she’s attacked by hands reaching through the walls of her apartment is oft cited as the most memorable image of Roman Polanski’s stark 1965 thriller, but as the above clip shows, that moment is the punctuation on a string of visual ideas. My favorite is when the delusional Deneuve–in between killing her landlord when he tries to rape her, and falling to the hands in the hallway–rises from bed, applies a generous coat of lipstick, and then returns to bed, where another attack, this one imaginary, leaves lipstick streaks on her pillow. A Lesbian Vampire’s Guide to Picking up Women, The Hunger This clip from Tony Scott’s 1983 vampire movie isn’t embeddable, but it’s so good that we’re willing to lose you to the click through. The impossibly regal Deneuve pours her housegeust Susan Sarandon a glass of “2,000 year old sherry,” then sits at the piano and calmly plays while Sarandon essentially talks to herself for while. Eventually, there scene takes a turn for Graduate-esque “are you trying to seduce me?” territory, at which point accidentally Sarandon spills a bit of sherry on her white t-shirt, which she very obviously is wearing nothing underneath. Whoops! Originally posted on:SpoutBlog
]]>Fri, 14 Nov 2008 17:00:40 GMTSpoutBlogSpoutBlog on spout.com11/14/2008 12:00:40 PMStill impossibly gorgeous and chic at age 65, Catherine Deneuve is the ultimate living emblem of the lasting romance of French film.  She’s also amongst the busiest international female stars over the age of fifty, and while Deneuve has made the occasional questionable move since hitting that marker of age (dueting with a post-post-post Sex Pistols Malcolm McLaren; playing “herself” in I Want to See, a dramatized document of her visit to war-torn Lebanon), Melissa Anderson is right to note that for the most part, over the last decade and a half, “she has shown a fearlessness in her roles—no matter how small.” That fearlessness is on display in A Christmas Tale, where Deneuve is at her best rocking a borderline incestuously playful love-hate with her wicked charmer of a son (and potential lifesaver) Matthieu Amalric. With that film hitting theaters tomorrow, here’s a look back at a few iconic Catherine Deneuve moments, all readily available via YouTube. “Chanson Des Jumelles,” from Les Demoiselles de Rochefort Of the two Jacques Demy musicals in which Deneuve appeared in the 60s, I prefer the darker, more bittersweet Les Parapluies de Cherbourg, in which Deneuve’s mother encourages her to marry a rich diamond salesmen when her great love knocks her up then goes off to war. But this early number in Demy’s tribute to the Hollywood light musical comedy (featuring an aging Gene Kelly as the love interest for Deneuve’s sister, Françoise Dorléac) is a better advertisement for Demy’s charms. Dressed in matching tennis dresses and ridiculous Easter bonnets, Deneuve and Dorleac sing a jaunty tune full of back story, touching on everything from their single mom’s frites stand to the moles the sisters inherited from their absentee dad, while still reminding us every third line that they’re looking for husbands. But in a dreamy, adorable and not at all contemporary pathetic way! Factory Dancing, Dancer in the Dark Deneuve plays a more reluctant song-and-dance participant in this first big number from Lars Von Trier’s experimental musical tragedy. But it’s her initial resistance and arms-folded impatience with the potentially dangerous childlike fancies of almost-blind Selma (Bjork) that make the thing, when Deneuve finally surrenders. Lipstick after murder before imaginary hallway grope, Repulsion The bit where Deneuve dreams she’s attacked by hands reaching through the walls of her apartment is oft cited as the most memorable image of Roman Polanski’s stark 1965 thriller, but as the above clip shows, that moment is the punctuation on a string of visual ideas. My favorite is when the delusional Deneuve–in between killing her landlord when he tries to rape her, and falling to the hands in the hallway–rises from bed, applies a generous coat of lipstick, and then returns to bed, where another attack, this one imaginary, leaves lipstick streaks on her pillow. A Lesbian Vampire’s Guide to Picking up Women, The Hunger This clip from Tony Scott’s 1983 vampire movie isn’t embeddable, but it’s so good that we’re willing to lose you to the click through. The impossibly regal Deneuve pours her housegeust Susan Sarandon a glass of “2,000 year old sherry,” then sits at the piano and calmly plays while Sarandon essentially talks to herself for while. Eventually, there scene takes a turn for Graduate-esque “are you trying to seduce me?” territory, at which point accidentally Sarandon spills a bit of sherry on her white t-shirt, which she very obviously is wearing nothing underneath. Whoops! Originally posted on:SpoutBlog http://www.spout.com/groups/HORROR_MOVIES_101/Re_New_wave_french_horror/222/35504/1/ShowPost.aspx Post By: Risselada
Post To: HORROR MOVIES 101
Post Date: 9/24/2008 3:26:46 PM
Body: [quote user="divinemsjunebug"] Actually, I just thought about this...Repulsion wasn't a French film and it was in English. I guess I was thinking that since Catherine Deneuve was in it, it was a French film... [quote user="divinemsjunebug"] I am going to put those movies on my Netflix Queue, sounds really good. I just watched an old French Film with Catherine Deneuve (aren't they all with her) from the 60's called Repulsion - I thought the whole time she imagined everything but it looks like she didn't... It's so cool to see how other countries perceive horror...I can't wait to watch those movies.[/quote] [/quote] And the director is Polish.
]]>Wed, 24 Sep 2008 19:26:46 GMTRisseladaHORROR MOVIES 1019/24/2008 3:26:46 PM[quote user="divinemsjunebug"] Actually, I just thought about this...Repulsion wasn't a French film and it was in English. I guess I was thinking that since Catherine Deneuve was in it, it was a French film... [quote user="divinemsjunebug"] I am going to put those movies on my Netflix Queue, sounds really good. I just watched an old French Film with Catherine Deneuve (aren't they all with her) from the 60's called Repulsion - I thought the whole time she imagined everything but it looks like she didn't... It's so cool to see how other countries perceive horror...I can't wait to watch those movies.[/quote] [/quote] And the director is Polish. http://www.spout.com/groups/HORROR_MOVIES_101/Re_New_wave_french_horror/222/35440/1/ShowPost.aspx Post By: divinemsjunebug
Post To: HORROR MOVIES 101
Post Date: 9/23/2008 12:57:45 PM
Body: Actually, I just thought about this...Repulsion wasn't a French film and it was in English. I guess I was thinking that since Catherine Deneuve was in it, it was a French film... [quote user="divinemsjunebug"] I am going to put those movies on my Netflix Queue, sounds really good. I just watched an old French Film with Catherine Deneuve (aren't they all with her) from the 60's called Repulsion - I thought the whole time she imagined everything but it looks like she didn't... It's so cool to see how other countries perceive horror...I can't wait to watch those movies. [quote user="Stinger839"] I know this were posted a while ago, but I'm too damn passionate about these movies to not reply. 'Haute Tension' was my intro to this modern phenomenon, and I boldly declare that it is a magnum opus and a sublime reworking of the slasher film. I haven't seen 'Mirrors' yet, but so far I'm of the belief that Aja and Levasseur could be the saviors of contemporary horror if they continue on with such strong work. Calvaire has an atmosphere of creepiness that is wholly unique, and A L'Interieur was just plain fun and some of the coolest most inventive gore I've seen since Lucio Fulci. I'm SO EXCITED to find out about Malefique, I Stand Alone, Sheitan, and Trouble Every Day. Another recent flick for this genre (which I can't find here on SPOUT): Frontière(s) [/quote] [/quote]
]]>Tue, 23 Sep 2008 16:57:45 GMTdivinemsjunebugHORROR MOVIES 1019/23/2008 12:57:45 PMActually, I just thought about this...Repulsion wasn't a French film and it was in English. I guess I was thinking that since Catherine Deneuve was in it, it was a French film... [quote user="divinemsjunebug"] I am going to put those movies on my Netflix Queue, sounds really good. I just watched an old French Film with Catherine Deneuve (aren't they all with her) from the 60's called Repulsion - I thought the whole time she imagined everything but it looks like she didn't... It's so cool to see how other countries perceive horror...I can't wait to watch those movies. [quote user="Stinger839"] I know this were posted a while ago, but I'm too damn passionate about these movies to not reply. 'Haute Tension' was my intro to this modern phenomenon, and I boldly declare that it is a magnum opus and a sublime reworking of the slasher film. I haven't seen 'Mirrors' yet, but so far I'm of the belief that Aja and Levasseur could be the saviors of contemporary horror if they continue on with such strong work. Calvaire has an atmosphere of creepiness that is wholly unique, and A L'Interieur was just plain fun and some of the coolest most inventive gore I've seen since Lucio Fulci. I'm SO EXCITED to find out about Malefique, I Stand Alone, Sheitan, and Trouble Every Day. Another recent flick for this genre (which I can't find here on SPOUT): Fronti&egrave;re(s) [/quote] [/quote] http://www.spout.com/groups/HORROR_MOVIES_101/Re_New_wave_french_horror/222/35439/1/ShowPost.aspx Post By: divinemsjunebug
Post To: HORROR MOVIES 101
Post Date: 9/23/2008 12:54:42 PM
Body: I am going to put those movies on my Netflix Queue, sounds really good. I just watched an old French Film with Catherine Deneuve (aren't they all with her) from the 60's called Repulsion - I thought the whole time she imagined everything but it looks like she didn't... It's so cool to see how other countries perceive horror...I can't wait to watch those movies. [quote user="Stinger839"] I know this were posted a while ago, but I'm too damn passionate about these movies to not reply. 'Haute Tension' was my intro to this modern phenomenon, and I boldly declare that it is a magnum opus and a sublime reworking of the slasher film. I haven't seen 'Mirrors' yet, but so far I'm of the belief that Aja and Levasseur could be the saviors of contemporary horror if they continue on with such strong work. Calvaire has an atmosphere of creepiness that is wholly unique, and A L'Interieur was just plain fun and some of the coolest most inventive gore I've seen since Lucio Fulci. I'm SO EXCITED to find out about Malefique, I Stand Alone, Sheitan, and Trouble Every Day. Another recent flick for this genre (which I can't find here on SPOUT): Frontière(s) [/quote]
]]>Tue, 23 Sep 2008 16:54:42 GMTdivinemsjunebugHORROR MOVIES 1019/23/2008 12:54:42 PMI am going to put those movies on my Netflix Queue, sounds really good. I just watched an old French Film with Catherine Deneuve (aren't they all with her) from the 60's called Repulsion - I thought the whole time she imagined everything but it looks like she didn't... It's so cool to see how other countries perceive horror...I can't wait to watch those movies. [quote user="Stinger839"] I know this were posted a while ago, but I'm too damn passionate about these movies to not reply. 'Haute Tension' was my intro to this modern phenomenon, and I boldly declare that it is a magnum opus and a sublime reworking of the slasher film. I haven't seen 'Mirrors' yet, but so far I'm of the belief that Aja and Levasseur could be the saviors of contemporary horror if they continue on with such strong work. Calvaire has an atmosphere of creepiness that is wholly unique, and A L'Interieur was just plain fun and some of the coolest most inventive gore I've seen since Lucio Fulci. I'm SO EXCITED to find out about Malefique, I Stand Alone, Sheitan, and Trouble Every Day. Another recent flick for this genre (which I can't find here on SPOUT): Fronti&egrave;re(s) [/quote] http://www.spout.com/blogs/hairylime/archive/2007/2/11/5368.aspx Post By: HairyLime
Post To: HairyLime Blog
Post Date: 2/11/2007 11:22:00 PM
Body: Caught this one on Sundance the other afternoon after work purely by chance. I'm not a very big 'horror' fan, and I'm sure this would disappoint the 'blood and guts' crowd. I like a movie that can get under your skin with a suggestion of terror rather than the full fledged hatchet to the forehead. Creepy and atmospheric, with some great soundtrack music and sound effects which squeezes a lot of mileage out of a drippy spot on the ceiling and a child's little red plastic purse. I haven't seen the remake that came out this past summer, but I heard it was pretty soggy (don't you love movies that write their own reviews? - "all wet", "all washed up", "limp as a wet dishrag"). Other recommendations of good creepy psychological thrillers: Repulsion, The Others, Eraserhead, The Haunting, Rosemary's Baby
]]>Mon, 12 Feb 2007 04:22:00 GMTHairyLimeHairyLime Blog2/11/2007 11:22:00 PMCaught this one on Sundance the other afternoon after work purely by chance. I&#39;m not a very big &#39;horror&#39; fan, and I&#39;m sure this would disappoint the &#39;blood and guts&#39; crowd. I like a movie that can get under your skin with a suggestion of terror rather than the full fledged hatchet to the forehead. Creepy and atmospheric, with some great soundtrack music and sound effects which squeezes a lot of mileage out of a drippy spot on the ceiling and a child&#39;s little red plastic purse. I haven&#39;t seen the remake that came out this past summer, but I heard it was pretty soggy (don&#39;t you love movies that write their own reviews? - "all wet", "all washed up", "limp as a wet dishrag"). Other recommendations of good creepy psychological thrillers: Repulsion, The Others, Eraserhead, The Haunting, Rosemary&#39;s Baby http://www.spout.com/members/0/tags/murder/MemberTagFilms.aspxmurder
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