list http://www.spout.com/ Recent community activity around Mister Lonely on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Mister_Lonely/282411/default.aspx Title: Mister Lonely
Year: 2008
Director: Harmony Korine
Plot: When a Michael Jackson impersonator (Diego Luna) living in Paris falls for a Marilyn Monroe impersonator (Samantha Morton) during a performance at a retirement home, the lovestruck pair retreats to a seaside castle in the Scottish highlands populated by a commune of reclusive impersonators. Earning a living can be a difficult endeavor in the City of Lights, and in order to make ends meet one man has turned to mimicking the King of Pop. One day, while doing the moonwalk in an old folks home, Michael meets a beautiful Marilyn Monroe look-alike. When Marilyn suggests that Michael joins her in traveling to the Scottish Highlands and moving into a castle populated entirely by celebrity doppelgangers, the would-be gloved one readily accepts her invitation. Shortly after arriving at the castle, Michael and Marilyn find the commune preparing for their first-ever gala - a lavish affair featuring appearances by Abe Lincoln, The Three Stooges, Buckwheat, Shirley Temple, Madonna, Sammy Davis, Jr., and Charlie Chaplin. ~ Jason Buchanan, All Movie Guide
Times Tagged: 35
Number of Lists: 9
Number of blog posts: 10
SpoutRating: 2
]]>Tue, 19 May 2009 00:12:43 GMTMister Lonely2008Harmony KorineWhen a <a href="/players/P____95684/default.aspx" style='text-decoration:underline'>Michael Jackson</a> impersonator (<a href="/players/P___196831/default.aspx" style='text-decoration:underline'>Diego Luna</a>) living in Paris falls for a <a href="/players/P____50065/default.aspx" style='text-decoration:underline'>Marilyn Monroe</a> impersonator (<a href="/players/P___230665/default.aspx" style='text-decoration:underline'>Samantha Morton</a>) during a performance at a retirement home, the lovestruck pair retreats to a seaside castle in the Scottish highlands populated by a commune of reclusive impersonators. Earning a living can be a difficult endeavor in the City of Lights, and in order to make ends meet one man has turned to mimicking the King of Pop. One day, while doing the moonwalk in an old folks home, Michael meets a beautiful <a href="/players/P____50065/default.aspx" style='text-decoration:underline'>Marilyn Monroe</a> look-alike. When Marilyn suggests that Michael joins her in traveling to the Scottish Highlands and moving into a castle populated entirely by celebrity doppelgangers, the would-be gloved one readily accepts her invitation. Shortly after arriving at the castle, Michael and Marilyn find the commune preparing for their first-ever gala - a lavish affair featuring appearances by Abe Lincoln, <a href="/players/P____70872/default.aspx" style='text-decoration:underline'>The Three Stooges</a>, Buckwheat, <a href="/players/P____70237/default.aspx" style='text-decoration:underline'>Shirley Temple</a>, <a href="/players/P___100711/default.aspx" style='text-decoration:underline'>Madonna</a>, Sammy Davis, Jr., and <a href="/players/P___271670/default.aspx" style='text-decoration:underline'>Charlie Chaplin</a>. ~ Jason Buchanan, All Movie Guide35Tag Target (>10)9102http://www.spout.com/ProductImages/s282411.jpghttp://www.spout.com/films/Mister_Lonely/282411/default.aspxFilm http://www.spout.com/blogs/karina/archive/2008/12/17/38486.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 12/17/2008 12:01:43 PM
Body: As I hinted at a bit yesterday when I posted about some of the best undistributed films of the year, I have a love/hate relationship with the idea of movie ranking. The idea that any of us––critic, blogger, professional, amateur…to the extent that any of those words mean anything anymore––could be indisputably “correct” in our individual execution of such an activity is insane; and of course, any attempt to draw each of our subjective takes on The Year in Movies into a consensus waters down everything that makes an individual list idiosyncratic and thus interesting. But in the end, I do believe that what’s valuable about these activities is valuable enough to outweigh what’s annoying: if you read this blog regularly and have come to draw a bead on my tastes in relation to your own, maybe seeing a list of my favorite New York theatrical releases of 2008 will help jog your memory about films you meant to see (or avoid), and now that many of these are available on DVD, maybe you’ll make it happen (or not). My full ballot is posted at indieWIRE now. I chose not to rank the titles from 1-10, but they did reel out of my brain in a particular order, and that has to mean something. Below the jump, my theatrical favorites, with links back to previous coverage, and notes on where/how each film can currently be seen. A Christmas Tale Reviewed on November 11, 2008: “A Christmas Tale reunites [Emanuelle] Devos and [Mathieu] Amalric as an oil and water romantic unit, as if giving their doomed lovers from Kings the last chance that narrative logic wouldn’t previously let them have.  Devos is a sideline character in Christmas, but an important one: her unfathomably calm tolerance of Henri’s uncontrollable impulse for destruction is an emblem of Desplechin’s unique humanism.” Where can you see it? It’s currently in limited release, and on IFC On Demand. Synecdoche, NY Reviewed on October 23, 2008: “[It's] about the fear of death, the impossibility of romance in the absence of longing, the instinct to project our desires on to others and to seek answers about ourselves in mirror images. In other words, as theater director Caden Cotard (Philip Seymour Hoffman) says of his own life’s work, ‘It’s about everything.’” Where can you see it? Currently on about 100 screens nationwide, it should be out on DVD in the spring. Build a Ship, Sail to Sadness Reviewed briefly on February 7, 2008: “Laurin Federlein’s highly-improvised, Hi8-sourced, sorta-doc/sorta-musical…is the kind of balls-out, so independent it’s essentially handmade work of art that’s notably missing from festivals like Sundance.” I also discussed it on this episode of FIlmCouch. Where can you see it? Good question. It screened for one week in New York almost a year ago. Now, Netflix has a page for it…which says its DVD release date is unknown. My Winnipeg Reviewed on June 13, 2008: “One could be generous, and praise [Guy] Maddin for effectively tapping into the muddied logic of the small town in endless winter, where physical numbness from the inhuman external elements often leads to a kind of booze-aided intellectual numbness. There, so many frigid anti-socials rock a kind of mutual indifference that, when it gets really bad, borders on inhumane (I’ve never been to Winnipeg, but I did spend three winters in Chicago). One could also recalibrate that as a pejorative: you could just say that Maddin directs like a drunk.” Where can you see it? A UK DVD is already out; Amazon suggests that a US version is on its way. Woman on the Beach I never reviewed Hong Sang Soo’s release, which opened at the very beginning of 2008 after the indieWIRE Critics’ Poll declared it the best undistributed film of 2007. But Manohla Dargis did: “As usual in Mr. Hong’s films, everyone will consume too much alcohol, insults will be exchanged, and confessions will be made. A man and a woman will have fumbling, embarrassed and terribly sad sex, the memory of which will haunt them and the story and probably you. Only the rooms will be shabby, never the sentiment.” Where can you see it? New Yorker will release a new DVD on December 30. Rachel Getting Married Reviewed on October 3, 2008: “[Anne] Hathaway’s vulnerability in this tricky role is stunning, but slyly so: as a viewer you can loathe her presence, as some of the personalities in the film speace seem to, and then with a single cut realize that she’s gone from a scene and not only miss her, but actually, actively worry about where she is and what she’s up to.” See also notes on The Liberal Guilt Thing. Where can you see it? On 150 screens after nearly three months in release, if Hathaway gets her expected Best Actress nomination the release will likely expand. La France Reviewed on July 9, 2008: “It’s a musical with just one song, performed by non-performers in a handful of mutations throughout the film. And it’s a love story, soaked in romantic delusion but ultimately fatalist in regards to the actual odds that love can overcome existential crisis….Is this France––or was it? An empty space on which the lonely and lost draw their own impossibly romantic fantasies, only to wander towards inevitable disappointments with heads and hearts infected by the deceptively simple beauty of pop?” Where can you see it: There is a French DVD. Again, Netflix has a page, but it’s unclear when there will be a US release for them to do something with it. Mister Lonely Reviewed on March 16, 2008: “Making movies just seems to be an extension of [Harmony Korine's] primary goal of slipping in and out of identities, of nailing us before we can nail him. I know this, and yet I throw up my hands and give in to it, because with Mister Lonely, the process and the product seem to fuse. Consider me suckered. Where can I see it? It’s available on DVD. Flight of the Red Balloon I saw Hou Hsiao-Hsien’s dreamy take-off on the children’s short The Red Balloon once in 2007 and once in 2008, but somehow I’ve never written about it. That’s okay, because Andrew O’Hehir has: Where can I see it? It’s on DVD. Encounters at the End of the World I caught Werner Herzog’s travelogue some time after Paul reviewed it at its Telluride premiere, so I didn’t publish my own review, but over the months I’ve become convinced that, in producing a not-very-thinly-veiled work of autobiography about insanity and the human instinct to conquer unknown worlds and make them their own, Herzog has wittingly or not made a companion film to his friend Harmony Korine’s Mister Lonely. More on that theory in 2009, perhaps. Where can I see it? It’s on DVD. Originally posted on:SpoutBlog » Karina Longworth
]]>Wed, 17 Dec 2008 17:01:43 GMTKarinaKarina on SpoutBlog12/17/2008 12:01:43 PMAs I hinted at a bit yesterday when I posted about some of the best undistributed films of the year, I have a love/hate relationship with the idea of movie ranking. The idea that any of us––critic, blogger, professional, amateur…to the extent that any of those words mean anything anymore––could be indisputably “correct” in our individual execution of such an activity is insane; and of course, any attempt to draw each of our subjective takes on The Year in Movies into a consensus waters down everything that makes an individual list idiosyncratic and thus interesting. But in the end, I do believe that what’s valuable about these activities is valuable enough to outweigh what’s annoying: if you read this blog regularly and have come to draw a bead on my tastes in relation to your own, maybe seeing a list of my favorite New York theatrical releases of 2008 will help jog your memory about films you meant to see (or avoid), and now that many of these are available on DVD, maybe you’ll make it happen (or not). My full ballot is posted at indieWIRE now. I chose not to rank the titles from 1-10, but they did reel out of my brain in a particular order, and that has to mean something. Below the jump, my theatrical favorites, with links back to previous coverage, and notes on where/how each film can currently be seen. A Christmas Tale Reviewed on November 11, 2008: “A Christmas Tale reunites [Emanuelle] Devos and [Mathieu] Amalric as an oil and water romantic unit, as if giving their doomed lovers from Kings the last chance that narrative logic wouldn’t previously let them have.  Devos is a sideline character in Christmas, but an important one: her unfathomably calm tolerance of Henri’s uncontrollable impulse for destruction is an emblem of Desplechin’s unique humanism.” Where can you see it? It’s currently in limited release, and on IFC On Demand. Synecdoche, NY Reviewed on October 23, 2008: “[It's] about the fear of death, the impossibility of romance in the absence of longing, the instinct to project our desires on to others and to seek answers about ourselves in mirror images. In other words, as theater director Caden Cotard (Philip Seymour Hoffman) says of his own life’s work, ‘It’s about everything.’” Where can you see it? Currently on about 100 screens nationwide, it should be out on DVD in the spring. Build a Ship, Sail to Sadness Reviewed briefly on February 7, 2008: “Laurin Federlein’s highly-improvised, Hi8-sourced, sorta-doc/sorta-musical…is the kind of balls-out, so independent it’s essentially handmade work of art that’s notably missing from festivals like Sundance.” I also discussed it on this episode of FIlmCouch. Where can you see it? Good question. It screened for one week in New York almost a year ago. Now, Netflix has a page for it…which says its DVD release date is unknown. My Winnipeg Reviewed on June 13, 2008: “One could be generous, and praise [Guy] Maddin for effectively tapping into the muddied logic of the small town in endless winter, where physical numbness from the inhuman external elements often leads to a kind of booze-aided intellectual numbness. There, so many frigid anti-socials rock a kind of mutual indifference that, when it gets really bad, borders on inhumane (I’ve never been to Winnipeg, but I did spend three winters in Chicago). One could also recalibrate that as a pejorative: you could just say that Maddin directs like a drunk.” Where can you see it? A UK DVD is already out; Amazon suggests that a US version is on its way. Woman on the Beach I never reviewed Hong Sang Soo’s release, which opened at the very beginning of 2008 after the indieWIRE Critics’ Poll declared it the best undistributed film of 2007. But Manohla Dargis did: “As usual in Mr. Hong’s films, everyone will consume too much alcohol, insults will be exchanged, and confessions will be made. A man and a woman will have fumbling, embarrassed and terribly sad sex, the memory of which will haunt them and the story and probably you. Only the rooms will be shabby, never the sentiment.” Where can you see it? New Yorker will release a new DVD on December 30. Rachel Getting Married Reviewed on October 3, 2008: “[Anne] Hathaway’s vulnerability in this tricky role is stunning, but slyly so: as a viewer you can loathe her presence, as some of the personalities in the film speace seem to, and then with a single cut realize that she’s gone from a scene and not only miss her, but actually, actively worry about where she is and what she’s up to.” See also notes on The Liberal Guilt Thing. Where can you see it? On 150 screens after nearly three months in release, if Hathaway gets her expected Best Actress nomination the release will likely expand. La France Reviewed on July 9, 2008: “It’s a musical with just one song, performed by non-performers in a handful of mutations throughout the film. And it’s a love story, soaked in romantic delusion but ultimately fatalist in regards to the actual odds that love can overcome existential crisis….Is this France––or was it? An empty space on which the lonely and lost draw their own impossibly romantic fantasies, only to wander towards inevitable disappointments with heads and hearts infected by the deceptively simple beauty of pop?” Where can you see it: There is a French DVD. Again, Netflix has a page, but it’s unclear when there will be a US release for them to do something with it. Mister Lonely Reviewed on March 16, 2008: “Making movies just seems to be an extension of [Harmony Korine's] primary goal of slipping in and out of identities, of nailing us before we can nail him. I know this, and yet I throw up my hands and give in to it, because with Mister Lonely, the process and the product seem to fuse. Consider me suckered. Where can I see it? It’s available on DVD. Flight of the Red Balloon I saw Hou Hsiao-Hsien’s dreamy take-off on the children’s short The Red Balloon once in 2007 and once in 2008, but somehow I’ve never written about it. That’s okay, because Andrew O’Hehir has: Where can I see it? It’s on DVD. Encounters at the End of the World I caught Werner Herzog’s travelogue some time after Paul reviewed it at its Telluride premiere, so I didn’t publish my own review, but over the months I’ve become convinced that, in producing a not-very-thinly-veiled work of autobiography about insanity and the human instinct to conquer unknown worlds and make them their own, Herzog has wittingly or not made a companion film to his friend Harmony Korine’s Mister Lonely. More on that theory in 2009, perhaps. Where can I see it? It’s on DVD. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/12/17/38485.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 12/17/2008 12:01:26 PM
Body: As I hinted at a bit yesterday when I posted about some of the best undistributed films of the year, I have a love/hate relationship with the idea of movie ranking. The idea that any of us––critic, blogger, professional, amateur…to the extent that any of those words mean anything anymore––could be indisputably “correct” in our individual execution of such an activity is insane; and of course, any attempt to draw each of our subjective takes on The Year in Movies into a consensus waters down everything that makes an individual list idiosyncratic and thus interesting. But in the end, I do believe that what’s valuable about these activities is valuable enough to outweigh what’s annoying: if you read this blog regularly and have come to draw a bead on my tastes in relation to your own, maybe seeing a list of my favorite New York theatrical releases of 2008 will help jog your memory about films you meant to see (or avoid), and now that many of these are available on DVD, maybe you’ll make it happen (or not). My full ballot is posted at indieWIRE now. I chose not to rank the titles from 1-10, but they did reel out of my brain in a particular order, and that has to mean something. Below the jump, my theatrical favorites, with links back to previous coverage, and notes on where/how each film can currently be seen. A Christmas Tale Reviewed on November 11, 2008: “A Christmas Tale reunites [Emanuelle] Devos and [Mathieu] Amalric as an oil and water romantic unit, as if giving their doomed lovers from Kings the last chance that narrative logic wouldn’t previously let them have.  Devos is a sideline character in Christmas, but an important one: her unfathomably calm tolerance of Henri’s uncontrollable impulse for destruction is an emblem of Desplechin’s unique humanism.” Where can you see it? It’s currently in limited release, and on IFC On Demand. Synecdoche, NY Reviewed on October 23, 2008: “[It's] about the fear of death, the impossibility of romance in the absence of longing, the instinct to project our desires on to others and to seek answers about ourselves in mirror images. In other words, as theater director Caden Cotard (Philip Seymour Hoffman) says of his own life’s work, ‘It’s about everything.’” Where can you see it? Currently on about 100 screens nationwide, it should be out on DVD in the spring. Build a Ship, Sail to Sadness Reviewed briefly on February 7, 2008: “Laurin Federlein’s highly-improvised, Hi8-sourced, sorta-doc/sorta-musical…is the kind of balls-out, so independent it’s essentially handmade work of art that’s notably missing from festivals like Sundance.” I also discussed it on this episode of FIlmCouch. Where can you see it? Good question. It screened for one week in New York almost a year ago. Now, Netflix has a page for it…which says its DVD release date is unknown. My Winnipeg Reviewed on June 13, 2008: “One could be generous, and praise [Guy] Maddin for effectively tapping into the muddied logic of the small town in endless winter, where physical numbness from the inhuman external elements often leads to a kind of booze-aided intellectual numbness. There, so many frigid anti-socials rock a kind of mutual indifference that, when it gets really bad, borders on inhumane (I’ve never been to Winnipeg, but I did spend three winters in Chicago). One could also recalibrate that as a pejorative: you could just say that Maddin directs like a drunk.” Where can you see it? A UK DVD is already out; Amazon suggests that a US version is on its way. Woman on the Beach I never reviewed Hong Sang Soo’s release, which opened at the very beginning of 2008 after the indieWIRE Critics’ Poll declared it the best undistributed film of 2007. But Manohla Dargis did: “As usual in Mr. Hong’s films, everyone will consume too much alcohol, insults will be exchanged, and confessions will be made. A man and a woman will have fumbling, embarrassed and terribly sad sex, the memory of which will haunt them and the story and probably you. Only the rooms will be shabby, never the sentiment.” Where can you see it? New Yorker will release a new DVD on December 30. Rachel Getting Married Reviewed on October 3, 2008: “[Anne] Hathaway’s vulnerability in this tricky role is stunning, but slyly so: as a viewer you can loathe her presence, as some of the personalities in the film speace seem to, and then with a single cut realize that she’s gone from a scene and not only miss her, but actually, actively worry about where she is and what she’s up to.” See also notes on The Liberal Guilt Thing. Where can you see it? On 150 screens after nearly three months in release, if Hathaway gets her expected Best Actress nomination the release will likely expand. La France Reviewed on July 9, 2008: “It’s a musical with just one song, performed by non-performers in a handful of mutations throughout the film. And it’s a love story, soaked in romantic delusion but ultimately fatalist in regards to the actual odds that love can overcome existential crisis….Is this France––or was it? An empty space on which the lonely and lost draw their own impossibly romantic fantasies, only to wander towards inevitable disappointments with heads and hearts infected by the deceptively simple beauty of pop?” Where can you see it: There is a French DVD. Again, Netflix has a page, but it’s unclear when there will be a US release for them to do something with it. Mister Lonely Reviewed on March 16, 2008: “Making movies just seems to be an extension of [Harmony Korine's] primary goal of slipping in and out of identities, of nailing us before we can nail him. I know this, and yet I throw up my hands and give in to it, because with Mister Lonely, the process and the product seem to fuse. Consider me suckered. Where can I see it? It’s available on DVD. Flight of the Red Balloon I saw Hou Hsiao-Hsien’s dreamy take-off on the children’s short The Red Balloon once in 2007 and once in 2008, but somehow I’ve never written about it. That’s okay, because Andrew O’Hehir has: Where can I see it? It’s on DVD. Encounters at the End of the World I caught Werner Herzog’s travelogue some time after Paul reviewed it at its Telluride premiere, so I didn’t publish my own review, but over the months I’ve become convinced that, in producing a not-very-thinly-veiled work of autobiography about insanity and the human instinct to conquer unknown worlds and make them their own, Herzog has wittingly or not made a companion film to his friend Harmony Korine’s Mister Lonely. More on that theory in 2009, perhaps. Where can I see it? It’s on DVD. Originally posted on:SpoutBlog
]]>Wed, 17 Dec 2008 17:01:26 GMTSpoutBlogSpoutBlog on spout.com12/17/2008 12:01:26 PMAs I hinted at a bit yesterday when I posted about some of the best undistributed films of the year, I have a love/hate relationship with the idea of movie ranking. The idea that any of us––critic, blogger, professional, amateur…to the extent that any of those words mean anything anymore––could be indisputably “correct” in our individual execution of such an activity is insane; and of course, any attempt to draw each of our subjective takes on The Year in Movies into a consensus waters down everything that makes an individual list idiosyncratic and thus interesting. But in the end, I do believe that what’s valuable about these activities is valuable enough to outweigh what’s annoying: if you read this blog regularly and have come to draw a bead on my tastes in relation to your own, maybe seeing a list of my favorite New York theatrical releases of 2008 will help jog your memory about films you meant to see (or avoid), and now that many of these are available on DVD, maybe you’ll make it happen (or not). My full ballot is posted at indieWIRE now. I chose not to rank the titles from 1-10, but they did reel out of my brain in a particular order, and that has to mean something. Below the jump, my theatrical favorites, with links back to previous coverage, and notes on where/how each film can currently be seen. A Christmas Tale Reviewed on November 11, 2008: “A Christmas Tale reunites [Emanuelle] Devos and [Mathieu] Amalric as an oil and water romantic unit, as if giving their doomed lovers from Kings the last chance that narrative logic wouldn’t previously let them have.  Devos is a sideline character in Christmas, but an important one: her unfathomably calm tolerance of Henri’s uncontrollable impulse for destruction is an emblem of Desplechin’s unique humanism.” Where can you see it? It’s currently in limited release, and on IFC On Demand. Synecdoche, NY Reviewed on October 23, 2008: “[It's] about the fear of death, the impossibility of romance in the absence of longing, the instinct to project our desires on to others and to seek answers about ourselves in mirror images. In other words, as theater director Caden Cotard (Philip Seymour Hoffman) says of his own life’s work, ‘It’s about everything.’” Where can you see it? Currently on about 100 screens nationwide, it should be out on DVD in the spring. Build a Ship, Sail to Sadness Reviewed briefly on February 7, 2008: “Laurin Federlein’s highly-improvised, Hi8-sourced, sorta-doc/sorta-musical…is the kind of balls-out, so independent it’s essentially handmade work of art that’s notably missing from festivals like Sundance.” I also discussed it on this episode of FIlmCouch. Where can you see it? Good question. It screened for one week in New York almost a year ago. Now, Netflix has a page for it…which says its DVD release date is unknown. My Winnipeg Reviewed on June 13, 2008: “One could be generous, and praise [Guy] Maddin for effectively tapping into the muddied logic of the small town in endless winter, where physical numbness from the inhuman external elements often leads to a kind of booze-aided intellectual numbness. There, so many frigid anti-socials rock a kind of mutual indifference that, when it gets really bad, borders on inhumane (I’ve never been to Winnipeg, but I did spend three winters in Chicago). One could also recalibrate that as a pejorative: you could just say that Maddin directs like a drunk.” Where can you see it? A UK DVD is already out; Amazon suggests that a US version is on its way. Woman on the Beach I never reviewed Hong Sang Soo’s release, which opened at the very beginning of 2008 after the indieWIRE Critics’ Poll declared it the best undistributed film of 2007. But Manohla Dargis did: “As usual in Mr. Hong’s films, everyone will consume too much alcohol, insults will be exchanged, and confessions will be made. A man and a woman will have fumbling, embarrassed and terribly sad sex, the memory of which will haunt them and the story and probably you. Only the rooms will be shabby, never the sentiment.” Where can you see it? New Yorker will release a new DVD on December 30. Rachel Getting Married Reviewed on October 3, 2008: “[Anne] Hathaway’s vulnerability in this tricky role is stunning, but slyly so: as a viewer you can loathe her presence, as some of the personalities in the film speace seem to, and then with a single cut realize that she’s gone from a scene and not only miss her, but actually, actively worry about where she is and what she’s up to.” See also notes on The Liberal Guilt Thing. Where can you see it? On 150 screens after nearly three months in release, if Hathaway gets her expected Best Actress nomination the release will likely expand. La France Reviewed on July 9, 2008: “It’s a musical with just one song, performed by non-performers in a handful of mutations throughout the film. And it’s a love story, soaked in romantic delusion but ultimately fatalist in regards to the actual odds that love can overcome existential crisis….Is this France––or was it? An empty space on which the lonely and lost draw their own impossibly romantic fantasies, only to wander towards inevitable disappointments with heads and hearts infected by the deceptively simple beauty of pop?” Where can you see it: There is a French DVD. Again, Netflix has a page, but it’s unclear when there will be a US release for them to do something with it. Mister Lonely Reviewed on March 16, 2008: “Making movies just seems to be an extension of [Harmony Korine's] primary goal of slipping in and out of identities, of nailing us before we can nail him. I know this, and yet I throw up my hands and give in to it, because with Mister Lonely, the process and the product seem to fuse. Consider me suckered. Where can I see it? It’s available on DVD. Flight of the Red Balloon I saw Hou Hsiao-Hsien’s dreamy take-off on the children’s short The Red Balloon once in 2007 and once in 2008, but somehow I’ve never written about it. That’s okay, because Andrew O’Hehir has: Where can I see it? It’s on DVD. Encounters at the End of the World I caught Werner Herzog’s travelogue some time after Paul reviewed it at its Telluride premiere, so I didn’t publish my own review, but over the months I’ve become convinced that, in producing a not-very-thinly-veiled work of autobiography about insanity and the human instinct to conquer unknown worlds and make them their own, Herzog has wittingly or not made a companion film to his friend Harmony Korine’s Mister Lonely. More on that theory in 2009, perhaps. Where can I see it? It’s on DVD. Originally posted on:SpoutBlog http://www.spout.com/blogs/karina/archive/2008/5/6/28253.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 5/6/2008 2:01:36 PM
Body: According to indieWIRE’s specialty box office report, Harmony Korine’s Mister Lonely made more money last weekend per-screen than any other film in limited release. The IFC release took in $16,769 in its single engagement at the IFC Center in New York, which is pretty astounding when you consider that a) he hasn’t released a movie in almost ten years, and b) Korine’s last film, julien donkey-boy, made just $85,400 in its entire run. Because today is Lazy Video Link Day, let’s celebrate Harmony’s big-money victory by watching the scene from julien in which Werner Herzog spends some quality time with a bottle of cough syrup. Oh, and we reviewed Mister Lonely and talked to Harmony about obscene Southern rap and his favorite YouTube videos, too. Originally posted on:SpoutBlog » Karina Longworth
]]>Tue, 06 May 2008 18:01:36 GMTKarinaKarina on SpoutBlog5/6/2008 2:01:36 PM According to indieWIRE’s specialty box office report, Harmony Korine’s Mister Lonely made more money last weekend per-screen than any other film in limited release. The IFC release took in $16,769 in its single engagement at the IFC Center in New York, which is pretty astounding when you consider that a) he hasn’t released a movie in almost ten years, and b) Korine’s last film, julien donkey-boy, made just $85,400 in its entire run. Because today is Lazy Video Link Day, let’s celebrate Harmony’s big-money victory by watching the scene from julien in which Werner Herzog spends some quality time with a bottle of cough syrup. Oh, and we reviewed Mister Lonely and talked to Harmony about obscene Southern rap and his favorite YouTube videos, too. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/5/6/28252.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 5/6/2008 2:01:23 PM
Body: According to indieWIRE’s specialty box office report, Harmony Korine’s Mister Lonely made more money last weekend per-screen than any other film in limited release. The IFC release took in $16,769 in its single engagement at the IFC Center in New York, which is pretty astounding when you consider that a) he hasn’t released a movie in almost ten years, and b) Korine’s last film, julien donkey-boy, made just $85,400 in its entire run. Because today is Lazy Video Link Day, let’s celebrate Harmony’s big-money victory by watching the scene from julien in which Werner Herzog spends some quality time with a bottle of cough syrup. Oh, and we reviewed Mister Lonely and talked to Harmony about obscene Southern rap and his favorite YouTube videos, too. Originally posted on:SpoutBlog
]]>Tue, 06 May 2008 18:01:23 GMTSpoutBlogSpoutBlog on spout.com5/6/2008 2:01:23 PM According to indieWIRE’s specialty box office report, Harmony Korine’s Mister Lonely made more money last weekend per-screen than any other film in limited release. The IFC release took in $16,769 in its single engagement at the IFC Center in New York, which is pretty astounding when you consider that a) he hasn’t released a movie in almost ten years, and b) Korine’s last film, julien donkey-boy, made just $85,400 in its entire run. Because today is Lazy Video Link Day, let’s celebrate Harmony’s big-money victory by watching the scene from julien in which Werner Herzog spends some quality time with a bottle of cough syrup. Oh, and we reviewed Mister Lonely and talked to Harmony about obscene Southern rap and his favorite YouTube videos, too. Originally posted on:SpoutBlog http://www.spout.com/blogs/karina/archive/2008/4/21/27594.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 4/21/2008 2:00:56 PM
Body: Michael Tully, who interviewed Mister Lonely director Harmony Korine for the upcoming issue of FILMMAKER Magazine, points to Korine’s latest work for hire, a series of British TV commercials for Budweiser. There are four short clips, featuring two members of the Silver Jews, and they can all be watched at Bud’s UK website. Originally posted on:SpoutBlog » Karina Longworth
]]>Mon, 21 Apr 2008 18:00:56 GMTKarinaKarina on SpoutBlog4/21/2008 2:00:56 PM Michael Tully, who interviewed Mister Lonely director Harmony Korine for the upcoming issue of FILMMAKER Magazine, points to Korine’s latest work for hire, a series of British TV commercials for Budweiser. There are four short clips, featuring two members of the Silver Jews, and they can all be watched at Bud’s UK website. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/4/21/27593.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 4/21/2008 2:00:40 PM
Body: Michael Tully, who interviewed Mister Lonely director Harmony Korine for the upcoming issue of FILMMAKER Magazine, points to Korine’s latest work for hire, a series of British TV commercials for Budweiser. There are four short clips, featuring two members of the Silver Jews, and they can all be watched at Bud’s UK website. Originally posted on:SpoutBlog
]]>Mon, 21 Apr 2008 18:00:40 GMTSpoutBlogSpoutBlog on spout.com4/21/2008 2:00:40 PM Michael Tully, who interviewed Mister Lonely director Harmony Korine for the upcoming issue of FILMMAKER Magazine, points to Korine’s latest work for hire, a series of British TV commercials for Budweiser. There are four short clips, featuring two members of the Silver Jews, and they can all be watched at Bud’s UK website. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/4/8/27099.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 4/8/2008 2:00:41 PM
Body: Cool Hunting has a preview of a beautiful book that’s out in the UK in the conjunction with the release there of Harmony Korine’s Mister Lonely (which I reviewed at SXSW, and loved). The book includes the shooting script, by Harmony and his brother Avi Korine, as well as photographs from the set, some taken by Harmony’s wife Rachel. According to Amazon, the book won’t be available until August 2008, but you can pre-order it now. Via BuzzFeed. Originally posted on:SpoutBlog
]]>Tue, 08 Apr 2008 18:00:41 GMTSpoutBlogSpoutBlog on spout.com4/8/2008 2:00:41 PMCool Hunting has a preview of a beautiful book that’s out in the UK in the conjunction with the release there of Harmony Korine’s Mister Lonely (which I reviewed at SXSW, and loved). The book includes the shooting script, by Harmony and his brother Avi Korine, as well as photographs from the set, some taken by Harmony’s wife Rachel. According to Amazon, the book won’t be available until August 2008, but you can pre-order it now. Via BuzzFeed. Originally posted on:SpoutBlog http://www.spout.com/blogs/karina/archive/2008/4/8/27096.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 4/8/2008 1:02:57 PM
Body: Cool Hunting has a preview of a beautiful book that’s out in the UK in the conjunction with the release there of Harmony Korine’s Mister Lonely (which I reviewed at SXSW, and loved). The book includes the shooting script, by Harmony and his brother Avi Korine, as well as photographs from the set, some taken by Harmony’s wife Rachel. According to Amazon, the book won’t be available until August 2008, but you can pre-order it now. Via BuzzFeed. Originally posted on:SpoutBlog » Karina Longworth
]]>Tue, 08 Apr 2008 17:02:57 GMTKarinaKarina on SpoutBlog4/8/2008 1:02:57 PMCool Hunting has a preview of a beautiful book that’s out in the UK in the conjunction with the release there of Harmony Korine’s Mister Lonely (which I reviewed at SXSW, and loved). The book includes the shooting script, by Harmony and his brother Avi Korine, as well as photographs from the set, some taken by Harmony’s wife Rachel. According to Amazon, the book won’t be available until August 2008, but you can pre-order it now. Via BuzzFeed. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2007/10/18/20918.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 10/18/2007 3:37:24 PM
Body: Where has Harmony Korine been in the eight years between his 1999 Dogme 95 effort Julien Donkey-Boy, and his IFC-acquired, Cannes/Toronto entry Mister Lonely? It has something to do with a fire, a screenplay about pigs, and a cult of Amazonian fishermen called The Malingerers. He talks all about all of that, and also why he’ll never make “genre films”, in this video interview (which doesn’t seem to be embeddable, but if you can figure it out, let me know). Is it truth, or some kind of Herzogian fantasy? You decide. [Via Movie City Indie] Originally posted on:SpoutBlog's blog
]]>Thu, 18 Oct 2007 19:37:24 GMTSpoutBlogSpoutBlog on spout.com10/18/2007 3:37:24 PMWhere has Harmony Korine been in the eight years between his 1999 Dogme 95 effort Julien Donkey-Boy, and his IFC-acquired, Cannes/Toronto entry Mister Lonely? It has something to do with a fire, a screenplay about pigs, and a cult of Amazonian fishermen called The Malingerers. He talks all about all of that, and also why he’ll never make “genre films”, in this video interview (which doesn’t seem to be embeddable, but if you can figure it out, let me know). Is it truth, or some kind of Herzogian fantasy? You decide. [Via Movie City Indie] Originally posted on:SpoutBlog's blog http://www.spout.com/blogs/spoutblog/archive/2007/8/23/18593.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/23/2007 11:02:02 AM
Body: Robert Greenwald, who has made a living making unabashedly partisan documentaries about Wal-Mart and Iraq since scratching Xanadu off his resume, has teamed with Senator Bernie Sanders to launch a viral video campaign against Fox News. The first video, which you can see at FoxAttacks.com, calls for viewers to put pressure on the mainstream media to put pressure on the Bush administration. My favorite line from the Hollywood Reporter story: “One media observer said the video lacked balance and journalistic credibility.” IFC has picked up three films expected to screen at the Toronto Film Festival, including Harmony Korine’s Mister Lonely. In keeping with their previously announced plan to focus their attention on the First Take initiative, IFC will release all of these new acquisitions simultaneously in theaters and on VOD. “Jeff Goldblum and his hometown of Pittsburgh, whether it likes it or not, have combined to create a surprising summer delight,” effuses an un-bylined AP story floating over at The Hollywood Reporter. That’s an, uh, interesting way to introduce the pay-cable debut of a film that made its festival debut 15 months ago and hasn’t been heard from since. Originally posted on:Spoutblog
]]>Thu, 23 Aug 2007 15:02:02 GMTSpoutBlogSpoutBlog on spout.com8/23/2007 11:02:02 AM Robert Greenwald, who has made a living making unabashedly partisan documentaries about Wal-Mart and Iraq since scratching Xanadu off his resume, has teamed with Senator Bernie Sanders to launch a viral video campaign against Fox News. The first video, which you can see at FoxAttacks.com, calls for viewers to put pressure on the mainstream media to put pressure on the Bush administration. My favorite line from the Hollywood Reporter story: “One media observer said the video lacked balance and journalistic credibility.” IFC has picked up three films expected to screen at the Toronto Film Festival, including Harmony Korine’s Mister Lonely. In keeping with their previously announced plan to focus their attention on the First Take initiative, IFC will release all of these new acquisitions simultaneously in theaters and on VOD. “Jeff Goldblum and his hometown of Pittsburgh, whether it likes it or not, have combined to create a surprising summer delight,” effuses an un-bylined AP story floating over at The Hollywood Reporter. That’s an, uh, interesting way to introduce the pay-cable debut of a film that made its festival debut 15 months ago and hasn’t been heard from since. Originally posted on:Spoutblog http://www.spout.com/members/0/tags/love/MemberTagFilms.aspxlove
Number of films tagged: 12477

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]]>Tue, 28 Jul 2009 13:02:37 GMT7877Tag http://www.spout.com/members/0/tags/commune/MemberTagFilms.aspxcommune
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