list http://www.spout.com/ Recent community activity around Revolution '67 on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Revolution_67/279346/default.aspx Title: Revolution '67
Year: 2006
Director: Marylou Tibaldo-Bongiorno
Plot: In the summer of 1967, political unrest began to ferment in America's major cities and college campuses as civil rights, free speech and the war in Vietnam grew into hot button issues. Against this backdrop, an African-American cab driver, John Smith, was pulled over by traffic police in Newark, New Jersey on July 12, 1967. A discussion of a traffic offense grew into an argument, and Smith was severely beaten by arresting officers. News of the incident spread like wildfire through Newark's black ghetto, and when a false rumor alleging that Smith had died in custody started circulating, years of anger over Newark's often violent police department erupted in an explosion. Riots broke out that lasted for six days, leaving 26 people dead and 725 injured, while nearly 1,500 were arrested. Filmmaker Marylou Tibaldo-Bongiorno, a native of Newark, explores what was one of the first and most dramatic of the violent acts of rebellion that would mark the later years of the 1960's in Revolution '67, a documentary that uses newsreel footage and interviews with people who witnessed the Newark riots to tell the true story of a deadly and controversial moment in American history. ~ Mark Deming, All Movie Guide
Number of blog posts: 1
]]>Sun, 24 Jun 2007 23:00:32 GMTRevolution '672006Marylou Tibaldo-BongiornoIn the summer of 1967, political unrest began to ferment in America's major cities and college campuses as civil rights, free speech and the war in Vietnam grew into hot button issues. Against this backdrop, an African-American cab driver, <a href="/players/P___111908/default.aspx" style='text-decoration:underline'>John Smith</a>, was pulled over by traffic police in Newark, New Jersey on July 12, 1967. A discussion of a traffic offense grew into an argument, and Smith was severely beaten by arresting officers. News of the incident spread like wildfire through Newark's black ghetto, and when a false rumor alleging that Smith had died in custody started circulating, years of anger over Newark's often violent police department erupted in an explosion. Riots broke out that lasted for six days, leaving 26 people dead and 725 injured, while nearly 1,500 were arrested. Filmmaker Marylou Tibaldo-Bongiorno, a native of Newark, explores what was one of the first and most dramatic of the violent acts of rebellion that would mark the later years of the 1960's in Revolution '67, a documentary that uses newsreel footage and interviews with people who witnessed the Newark riots to tell the true story of a deadly and controversial moment in American history. ~ Mark Deming, All Movie Guide1http://www.spout.com/images/no_image.jpghttp://www.spout.com/films/Revolution_67/279346/default.aspxFilm http://www.spout.com/blogs/thefilmpanelnotetaker/archive/2007/6/24/11987.aspxPost By: thefilmpanelnotetaker
Post To: thefilmpanelnotetaker Blog
Post Date: 6/24/2007 7:00:32 PM
Body: On Saturday, I saw an important documentary at the Museum of the Moving Image (MMI) called Revolution '67, about one of the many riots that took place in several urban areas throughout the U.S. in the 196os, this one in particular in Newark, New Jersey, where racial tensions, economic disparities and political corruption were among many other elements that lead to the tragic days in the summer of 1967. According to a press release, "After six days, 26 people lay dead, 725 people were injured, and close to 1,500 people had been arrested." Revolution '67 is a production of Newark-based husband-and-wife filmmakers Marylou Tibaldo-Bongiorno and Jermone Bongiorno. They document the account of various people from all sides of the story who lived through the tragic days with animated charts of statistical data and re-enactments. Revolution '67 will air on the PBS television series P.O.V. as part of its 20th season on July 10. Check your local listings. (Left to right: Revolution '67 Filmmakers Jerome Bongiorno & Marylou Tibaldo-Bongiorno with MMI's David Schwartz)On a side note, after the Q&A, I spoke with Marylou and Jerome outside the museum where I talked with Marylou about one of the other cities where riots ensued during the '60s mentioned in the film, that being Rochester, NY, where my father grew up and my late grandmother worked at the city's public library. I told Marylou that my family has a collection of books from the city's late historian, which I have yet to read, and I'm interested to find out if they talk about the riots that occurred there. I plan to look through these books next time I go home to visit my family.And on an even less related, but not too far between note, Marylou introduced me to her friend Luci, who I recognized from somewhere, and so I asked Marylou if the guy Luci came with was Scott, she said yes, and I realized they were Luci Westphal and Scott Solary of Good Hard Working People, the folks that shot The Reeler TV videos during the Tribeca Film Festival. Big thanks to their friend who gave me a lift back with them to Brooklyn.My notes from the Q&A follow.POV 20 - "Revolution '67" Museum of the Moving Image Astoria, NY June 23, 2007David: (Marylou) grew up in Newark. What did you know of the riots of 1967?Marylou: I don't have a memory of it. I was only four years old. I grew up in the shadow of city that was scarred, but the events that took place were palpable.David: What did you learn from making Revolution '67?Marylou: It was very much an eye opener. It wasn't just about a single day. It stemmed back several decades.Jerome: Before making the documentary, we made a short film at NYU called "1967" about a black sniper shooting at vigilantes. We thought it was true. People asked us to re-examine the facts of the events.David: What did you learn from going back in history?Marylou: Went back as far as slavery. Never heard of bank redlining before. This put everything into an economic perspective.David: Can you talk about the music choices in the film?Jerome: The music was very important. It added inspiration. We used a lot of jazz, because Newark is a big jazz town.The music is eclectic, from all over the world. It made for a hard job for Jerome to edit the film.David: How long was the process of making the documentary?Marylou: It took us four years. Every interviewee led us to someone else.David: In the film, you show a map of other cities where riots occurred in the 1960s. What's this film saying about that?Marylou: There were 150 cities in 1967 alone. 3,000 altogether in the 1960s. We're trying to get the federal government to help situations in cities where there's poverty, which is a big issue.David: Can you talk about how the documentary is being adapted into a narrative feature film? What will be different about the narrative version?Marylou: Before the documentary, we made a short film at NYU. Spike Lee was my teacher. The script for the feature has been written, and Spike Lee is the executive producer. The narrative version will have more characters.Audience Q&AQ: Where did you get the archival footage from? Were there any problems getting it?Marylou: Just the cost. Most of it is from ABC News, because we negotiated a rate with them instead of having to go to many other networks. Also got some footage from Internet Archive, which has free images in the public domain. Got some photos from the Library of Congress and National Archives, all free. The footage of the National Guard in Newark in '67 firing at an apartment building was from Universal Newsreel.Q: How did you get funding?Marylou: We started modestly. Received grants from the New Jersey Historical Commission for $3,000. Did some grass roots efforts in Newark with local corporations there. First was with Prudential. ITVS came in later with a larger grant, then P.O.V. came aboard as a co-producer.Cynthia Lopez (VP of P.O.V. in audience): You can go to the "for producers" page at pov.org and pbs.org to learn about ways to apply for public funding.Q: How has the Newark community accepted the documentary?Marylou: People have been really emotional. At other screenings in Newark, there really haven't been any Q&As. People talked more about the anger they had in an open dialogue. Some people suggested the film should be shown in schools. The Mayor of Newark will have free screenings of it in the Central Ward.Q: Did you have an idea of what you wanted the story to be about before you began?Marylou: It changed a great deal. It started out all being chronological, but then became more epic by adding more dimensions.Jerome: What's on screen was our own education of what the riots meant. Originally posted on:The Film Panel Notetaker - Miss a panel discussion? Don't worry! We took notes for you.
]]>Sun, 24 Jun 2007 23:00:32 GMTthefilmpanelnotetakerthefilmpanelnotetaker Blog6/24/2007 7:00:32 PMOn Saturday, I saw an important documentary at the Museum of the Moving Image (MMI) called Revolution '67, about one of the many riots that took place in several urban areas throughout the U.S. in the 196os, this one in particular in Newark, New Jersey, where racial tensions, economic disparities and political corruption were among many other elements that lead to the tragic days in the summer of 1967. According to a press release, "After six days, 26 people lay dead, 725 people were injured, and close to 1,500 people had been arrested." Revolution '67 is a production of Newark-based husband-and-wife filmmakers Marylou Tibaldo-Bongiorno and Jermone Bongiorno. They document the account of various people from all sides of the story who lived through the tragic days with animated charts of statistical data and re-enactments. Revolution '67 will air on the PBS television series P.O.V. as part of its 20th season on July 10. Check your local listings. (Left to right: Revolution '67 Filmmakers Jerome Bongiorno & Marylou Tibaldo-Bongiorno with MMI's David Schwartz)On a side note, after the Q&A, I spoke with Marylou and Jerome outside the museum where I talked with Marylou about one of the other cities where riots ensued during the '60s mentioned in the film, that being Rochester, NY, where my father grew up and my late grandmother worked at the city's public library. I told Marylou that my family has a collection of books from the city's late historian, which I have yet to read, and I'm interested to find out if they talk about the riots that occurred there. I plan to look through these books next time I go home to visit my family.And on an even less related, but not too far between note, Marylou introduced me to her friend Luci, who I recognized from somewhere, and so I asked Marylou if the guy Luci came with was Scott, she said yes, and I realized they were Luci Westphal and Scott Solary of Good Hard Working People, the folks that shot The Reeler TV videos during the Tribeca Film Festival. Big thanks to their friend who gave me a lift back with them to Brooklyn.My notes from the Q&A follow.POV 20 - "Revolution '67" Museum of the Moving Image Astoria, NY June 23, 2007David: (Marylou) grew up in Newark. What did you know of the riots of 1967?Marylou: I don't have a memory of it. I was only four years old. I grew up in the shadow of city that was scarred, but the events that took place were palpable.David: What did you learn from making Revolution '67?Marylou: It was very much an eye opener. It wasn't just about a single day. It stemmed back several decades.Jerome: Before making the documentary, we made a short film at NYU called "1967" about a black sniper shooting at vigilantes. We thought it was true. People asked us to re-examine the facts of the events.David: What did you learn from going back in history?Marylou: Went back as far as slavery. Never heard of bank redlining before. This put everything into an economic perspective.David: Can you talk about the music choices in the film?Jerome: The music was very important. It added inspiration. We used a lot of jazz, because Newark is a big jazz town.The music is eclectic, from all over the world. It made for a hard job for Jerome to edit the film.David: How long was the process of making the documentary?Marylou: It took us four years. Every interviewee led us to someone else.David: In the film, you show a map of other cities where riots occurred in the 1960s. What's this film saying about that?Marylou: There were 150 cities in 1967 alone. 3,000 altogether in the 1960s. We're trying to get the federal government to help situations in cities where there's poverty, which is a big issue.David: Can you talk about how the documentary is being adapted into a narrative feature film? What will be different about the narrative version?Marylou: Before the documentary, we made a short film at NYU. Spike Lee was my teacher. The script for the feature has been written, and Spike Lee is the executive producer. The narrative version will have more characters.Audience Q&AQ: Where did you get the archival footage from? Were there any problems getting it?Marylou: Just the cost. Most of it is from ABC News, because we negotiated a rate with them instead of having to go to many other networks. Also got some footage from Internet Archive, which has free images in the public domain. Got some photos from the Library of Congress and National Archives, all free. The footage of the National Guard in Newark in '67 firing at an apartment building was from Universal Newsreel.Q: How did you get funding?Marylou: We started modestly. Received grants from the New Jersey Historical Commission for $3,000. Did some grass roots efforts in Newark with local corporations there. First was with Prudential. ITVS came in later with a larger grant, then P.O.V. came aboard as a co-producer.Cynthia Lopez (VP of P.O.V. in audience): You can go to the "for producers" page at pov.org and pbs.org to learn about ways to apply for public funding.Q: How has the Newark community accepted the documentary?Marylou: People have been really emotional. At other screenings in Newark, there really haven't been any Q&As. People talked more about the anger they had in an open dialogue. Some people suggested the film should be shown in schools. The Mayor of Newark will have free screenings of it in the Central Ward.Q: Did you have an idea of what you wanted the story to be about before you began?Marylou: It changed a great deal. It started out all being chronological, but then became more epic by adding more dimensions.Jerome: What's on screen was our own education of what the riots meant. Originally posted on:The Film Panel Notetaker - Miss a panel discussion? Don't worry! We took notes for you.