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    <title>The Foot Fist Way's Recent Activity - Spout</title>
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      <title>Film:The Foot Fist Way</title>
      <link>http://www.spout.com/films/The_Foot_Fist_Way/278690/default.aspx</link><description><![CDATA[<table width='100%' style='font:10px/10px Helvetica, Arial, sans-serif;'><tr><td><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' /></td>
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<strong>Title:</strong> The Foot Fist Way<br/>
<strong>Year:</strong> 2008<br/>
<strong>Director:</strong> Jody Hill<br/>
<strong>Plot:</strong> A new hero of martial arts rises from a North Carolina strip mall in this independent comedy. Fred Simmons is one of the world's most gifted practitioners of the Korean fighting style known as <I>Tae Kwan Do</I> -- or at least that's what he likes to tell people. Despite his supposed skills, Fred teaches students out of a shabby <I>dojo</I>, where for the most part, he browbeats kids into learning the aggressive points of the martial arts without having much understanding of the philosophy or reasoning behind it. Not that most folks care -- in the small town where he teaches, Fred is considered to be the real deal, and his talent as a fighter earns him plenty of respect. But Fred's reputation (and ego) takes a serious blow when he learns his wife, Suzie (Mary Jane Bostwick), has been fooling around with another man, and Fred challenges him to a fight that doesn't go well. Falling into an emotional tailspin, Fred goes on a pilgrimage to meet his hero and role model, martial arts celebrity Chuck "The Truck" Wallace (Ben Best). The Foot Fist Way was the first feature film from writer and director Jody Hill. ~ Mark Deming, All Movie Guide<br/>
<strong>Number of Lists:</strong> 5<br/>
<strong>Number of blog posts:</strong> 5<br/>
<strong>Number of discussion threads:</strong> 1<br/>
<strong>SpoutRating:</strong> 3<br/>
</td></tr></table>]]></description><pubDate>Mon, 08 Jun 2009 05:47:46 GMT</pubDate><spout:Title>The Foot Fist Way</spout:Title><spout:Year>2008</spout:Year><spout:Director>Jody Hill</spout:Director><spout:Plot>A new hero of martial arts rises from a North Carolina strip mall in this independent comedy. Fred Simmons is one of the world's most gifted practitioners of the Korean fighting style known as &lt;I&gt;Tae Kwan Do&lt;/I&gt; -- or at least that's what he likes to tell people. Despite his supposed skills, Fred teaches students out of a shabby &lt;I&gt;dojo&lt;/I&gt;, where for the most part, he browbeats kids into learning the aggressive points of the martial arts without having much understanding of the philosophy or reasoning behind it. Not that most folks care -- in the small town where he teaches, Fred is considered to be the real deal, and his talent as a fighter earns him plenty of respect. But Fred's reputation (and ego) takes a serious blow when he learns his wife, Suzie (Mary Jane Bostwick), has been fooling around with another man, and Fred challenges him to a fight that doesn't go well. Falling into an emotional tailspin, Fred goes on a pilgrimage to meet his hero and role model, martial arts celebrity Chuck "The Truck" Wallace (Ben Best). The Foot Fist Way was the first feature film from writer and director Jody Hill. ~ Mark Deming, All Movie Guide</spout:Plot><spout:Numberoflists>5</spout:Numberoflists><spout:NumberOfBlogPosts>5</spout:NumberOfBlogPosts><spout:NumberOfDiscussionThreads>1</spout:NumberOfDiscussionThreads><spout:SpoutRating>3</spout:SpoutRating><spout:FilmCoverURL>http://www.spout.com/ProductImages/s278690.jpg</spout:FilmCoverURL><spout:SpoutFilmDetailURL>http://www.spout.com/films/The_Foot_Fist_Way/278690/default.aspx</spout:SpoutFilmDetailURL><spout:type>Film</spout:type></item>
    <item>
      <title>Spout Post: 10 Supporting Characters Who Deserve Their Own Spin Off</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2009/2/27/40720.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 2/27/2009 6:02:11 PM<br/>
<strong>Body:</strong> If Tyler Perry gets an Oscar nomination for his acting in Madea Goes to Jail, can a washed-up actress scold him for taking away female roles? Actually, could it just be Cuba Gooding Jr. in drag, a la Boat Trip?
Seriously, though, Madea won’t be up for any Academy Awards next year, but damn is Perry’s character popular. Enough that the sassy matriarch has now evolved from a supporting character into the star of her own vehicle (which gave the filmmaker his biggest opening yet this past weekend). Yes, it’s true that Madea is a central figure in most of Perry’s films and has previously been the main protagonist in his plays (including the one Madea Goes to Jail is based on), but in the movie world she was introduced as a secondary role in Diary of a Mad Black Woman. So, now she belongs in that small club of supporting characters who’ve earned their own film(s); other members of which include Jay and Silent Bob, Bruce and Lloyd, Cousin Eddie, Marshal Samuel Gerard, the Scorpion King and Wolverine.
And Madea is one of the very few female characters to belong to the club, which is another good reason for an actress to scold Perry. But the problem also lies with the people who write woman characters, apparently, since in coming up with ten other supporting characters who deserve their own spin off, we managed to only include two females on our list. Perhaps if we’d permitted classic film characters there’d be more to choose from — though even then we might be more likely to include a Peter Lorre or a William Demarest role than a Thelma Ritter or Eve Arden.


Rev. Gustav Briegleb (John Malkovich), from Changeling
Angelina Jolie got the entire spotlight for this film, earning an undeserved Oscar nomination among other things, but the only person truly worth watching in Clint Eastwood’s period piece is John Malkovich. He’s not exactly good in the role, but he looks amazing (and more creepy than ever) with his Marcel Wave hairdo and little mustache. The radio reverend could continue in a series of films in which he helps out other characters with their problems while constantly going up against the corrupt LAPD.

Bust-Ass (Danny McBride), from All the Real Girls
Danny McBride is starting to become a household name thanks to scene-stealing roles in last year’s Pineapple Express and Tropic Thunder and his new HBO series Eastbound & Down, which he co-created with his Foot Fist Way collaborators Jody Hill and Ben Best. Yet his funniest performance is still arguably as Bust-Ass in All the Real Girls. So, even though that films’ director, David Gordon Green, has helmed episodes of Eastbound, we’d actually prefer the filmmaker go back and make a spin off to All the Real Girls starring the parka-wearing putz.

Anton Chigurh (Javier Bardem), from No Country for Old Men 
We could probably select just about any supporting character from a Coen brothers film (here’s a related list, to get some ideas); most would be good for a spin off of their own. But the character that won Javier Bardem an Oscar seems the most easily appropriated to any number of new situations. While Hollywood might prefer to be consistent by ruining the character’s mystique with a prequel explaining Anton Chigurh’s background, we think it’d be more fun to see any one (or number) of the following unconnected tales: Anton Goes to Jail; Anton Saves Christmas; Anton Takes Manhattan.

John Givings (Michael Shannon), from Revolutionary Road
John Givings functions perfectly as a minor plot device for the Wheeler’s story in Revolutionary Road, and he probably wouldn’t work as well at feature-length capacity in a film all of his own. But he could at least serve the same purpose in other stories, the way that Silent Bob functioned similarly throughout a number of Kevin Smith’s films. Then, maybe after a few more titles in which he’s still merely a supporting character he can finally get his own co-spin off, which will costar an also-deserving Kathy Bates. Currently, we like the title John Givings and His Mom Strike Back.

Jeffrey Goines (Brad Pitt), from 12 Monkeys
Like Danny McBride, Brad Pitt needs to go back to his greatest performance, which was undoubtedly as the loony Jeffrey Goines, from Terry Gilliam’s underrated sci-fi masterpiece. A spin off (or franchise) would have to do away with the original film’s time travel angle, but it would still be interesting following Goines on other crazed adventures in animal activism. Plus, for Pitt it would mean another chance at winning an Oscar for his most deserved role, yet this time it could be for Best Actor (actually a number of actors on this list could do the Al Pacino-as-Michael Corleone Oscar promotion). Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Fri, 27 Feb 2009 23:02:11 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>2/27/2009 6:02:11 PM</spout:postdate><spout:body>If Tyler Perry gets an Oscar nomination for his acting in Madea Goes to Jail, can a washed-up actress scold him for taking away female roles? Actually, could it just be Cuba Gooding Jr. in drag, a la Boat Trip?
Seriously, though, Madea won’t be up for any Academy Awards next year, but damn is Perry’s character popular. Enough that the sassy matriarch has now evolved from a supporting character into the star of her own vehicle (which gave the filmmaker his biggest opening yet this past weekend). Yes, it’s true that Madea is a central figure in most of Perry’s films and has previously been the main protagonist in his plays (including the one Madea Goes to Jail is based on), but in the movie world she was introduced as a secondary role in Diary of a Mad Black Woman. So, now she belongs in that small club of supporting characters who’ve earned their own film(s); other members of which include Jay and Silent Bob, Bruce and Lloyd, Cousin Eddie, Marshal Samuel Gerard, the Scorpion King and Wolverine.
And Madea is one of the very few female characters to belong to the club, which is another good reason for an actress to scold Perry. But the problem also lies with the people who write woman characters, apparently, since in coming up with ten other supporting characters who deserve their own spin off, we managed to only include two females on our list. Perhaps if we’d permitted classic film characters there’d be more to choose from — though even then we might be more likely to include a Peter Lorre or a William Demarest role than a Thelma Ritter or Eve Arden.


Rev. Gustav Briegleb (John Malkovich), from Changeling
Angelina Jolie got the entire spotlight for this film, earning an undeserved Oscar nomination among other things, but the only person truly worth watching in Clint Eastwood’s period piece is John Malkovich. He’s not exactly good in the role, but he looks amazing (and more creepy than ever) with his Marcel Wave hairdo and little mustache. The radio reverend could continue in a series of films in which he helps out other characters with their problems while constantly going up against the corrupt LAPD.

Bust-Ass (Danny McBride), from All the Real Girls
Danny McBride is starting to become a household name thanks to scene-stealing roles in last year’s Pineapple Express and Tropic Thunder and his new HBO series Eastbound &amp; Down, which he co-created with his Foot Fist Way collaborators Jody Hill and Ben Best. Yet his funniest performance is still arguably as Bust-Ass in All the Real Girls. So, even though that films’ director, David Gordon Green, has helmed episodes of Eastbound, we’d actually prefer the filmmaker go back and make a spin off to All the Real Girls starring the parka-wearing putz.

Anton Chigurh (Javier Bardem), from No Country for Old Men 
We could probably select just about any supporting character from a Coen brothers film (here’s a related list, to get some ideas); most would be good for a spin off of their own. But the character that won Javier Bardem an Oscar seems the most easily appropriated to any number of new situations. While Hollywood might prefer to be consistent by ruining the character’s mystique with a prequel explaining Anton Chigurh’s background, we think it’d be more fun to see any one (or number) of the following unconnected tales: Anton Goes to Jail; Anton Saves Christmas; Anton Takes Manhattan.

John Givings (Michael Shannon), from Revolutionary Road
John Givings functions perfectly as a minor plot device for the Wheeler’s story in Revolutionary Road, and he probably wouldn’t work as well at feature-length capacity in a film all of his own. But he could at least serve the same purpose in other stories, the way that Silent Bob functioned similarly throughout a number of Kevin Smith’s films. Then, maybe after a few more titles in which he’s still merely a supporting character he can finally get his own co-spin off, which will costar an also-deserving Kathy Bates. Currently, we like the title John Givings and His Mom Strike Back.

Jeffrey Goines (Brad Pitt), from 12 Monkeys
Like Danny McBride, Brad Pitt needs to go back to his greatest performance, which was undoubtedly as the loony Jeffrey Goines, from Terry Gilliam’s underrated sci-fi masterpiece. A spin off (or franchise) would have to do away with the original film’s time travel angle, but it would still be interesting following Goines on other crazed adventures in animal activism. Plus, for Pitt it would mean another chance at winning an Oscar for his most deserved role, yet this time it could be for Best Actor (actually a number of actors on this list could do the Al Pacino-as-Michael Corleone Oscar promotion). Originally posted on:SpoutBlog</spout:body></item>
    <item>
      <title>Spout Post: New Movies 2/13 -- Get your date movie on!</title>
      <link>http://www.spout.com/groups/Coming_Soon/New_Movies_2_13_Get_your_date_movie_on/216/40390/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/2126/default.aspx'>spout</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Coming_Soon/216/discussions.aspx'>Coming Soon</a><br/>
<strong>Post Date:</strong> 2/10/2009 10:29:01 PM<br/>
<strong>Body:</strong> NEW TO THEATERS 2/13  Friday the 13th -- Watch the trailer. Did you know that hospitals are busiest on full moons? Yeah, weird but true. Do you know what buildings are busiest on Friday the 13th? Tents and cabins in the wilderness. Weird, huh?  The International -- Watch the trailer. I've heard some rumors that this is suprisingly good. I'm intrigued by the premise, that a large multi-national bank would use its (our) funds to support terrorists and other criminals. And hey, two winners heading the show: Naomi Watts and Clive Owen.  Confessions of a Shopaholic -- Watch the trailer. Hmm. I haven't read the book, but I have bought it several times. Anyone looking forward to this?  Two Lovers (limited) -- Watch the trailer. Did you know that Joaquin Phoenix has retired from acting? It's true. And now for something that's not true: Two Lovers is the first installment in a teen-fantasy-based trilogy, completed by I Beat Up the Bully In Front of Everyone and I Win The Talent Show With My Own Power Ballad.     Gomorrah (limited) -- Watch the trailer. This mafia movie set in modern-day Naples won the Grand Jury Prize at Cannes, and its American release is sponsored by Martin Scorsese. This movie looks like it can boast authenticity from its head to its toes...three of the actors are tied to mob activity, and the author of Gomorrah (the book this is based on) has been living under 24-hour protection since the book's release. NEW TO DVD 2/10 Blindness -- Watch the trailer. Sort of like Children of Men, but is it as good? Listen to Filmcouch. Burn After Reading -- Watch the trailer.  Foot Fist Way -- Watch the trailer. I liked this one a lot. Listen to the review. Frozen River -- Watch the trailer. Won Grand Jury Prize for Best Dramatic Feature at Sundance 2008. Miracle at St. Anna -- Watch the trailer. Just a heads-up, I haven't heard one good thing about this movie.  Son of Rambow -- Watch the trailer. Soul Men -- Watch the trailer. The final film performances of Isaak Hayes and Bernie Mac. W. -- Watch the trailer. Eh, it was so-so.    <br/>
</div>]]></description><pubDate>Wed, 11 Feb 2009 03:29:01 GMT</pubDate><spout:postby>spout</spout:postby><spout:postto>Coming Soon</spout:postto><spout:postdate>2/10/2009 10:29:01 PM</spout:postdate><spout:body>NEW TO THEATERS 2/13  Friday the 13th -- Watch the trailer. Did you know that hospitals are busiest on full moons? Yeah, weird but true. Do you know what buildings are busiest on Friday the 13th? Tents and cabins in the wilderness. Weird, huh?  The International -- Watch the trailer. I've heard some rumors that this is suprisingly good. I'm intrigued by the premise, that a large multi-national bank would use its (our) funds to support terrorists and other criminals. And hey, two winners heading the show: Naomi Watts and Clive Owen.  Confessions of a Shopaholic -- Watch the trailer. Hmm. I haven't read the book, but I have bought it several times. Anyone looking forward to this?  Two Lovers (limited) -- Watch the trailer. Did you know that Joaquin Phoenix has retired from acting? It's true. And now for something that's not true: Two Lovers is the first installment in a teen-fantasy-based trilogy, completed by I Beat Up the Bully In Front of Everyone and I Win The Talent Show With My Own Power Ballad.     Gomorrah (limited) -- Watch the trailer. This mafia movie set in modern-day Naples won the Grand Jury Prize at Cannes, and its American release is sponsored by Martin Scorsese. This movie looks like it can boast authenticity from its head to its toes...three of the actors are tied to mob activity, and the author of Gomorrah (the book this is based on) has been living under 24-hour protection since the book's release. NEW TO DVD 2/10 Blindness -- Watch the trailer. Sort of like Children of Men, but is it as good? Listen to Filmcouch. Burn After Reading -- Watch the trailer.  Foot Fist Way -- Watch the trailer. I liked this one a lot. Listen to the review. Frozen River -- Watch the trailer. Won Grand Jury Prize for Best Dramatic Feature at Sundance 2008. Miracle at St. Anna -- Watch the trailer. Just a heads-up, I haven't heard one good thing about this movie.  Son of Rambow -- Watch the trailer. Soul Men -- Watch the trailer. The final film performances of Isaak Hayes and Bernie Mac. W. -- Watch the trailer. Eh, it was so-so.    </spout:body></item>
    <item>
      <title>Spout Post: DVD Review: The Foot Fist Way</title>
      <link>http://www.spout.com/blogs/christhilk/archive/2008/9/19/35331.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/73625/default.aspx'>ChrisThilk</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/christhilk/default.aspx'>ChrisThilk Blog</a><br/>
<strong>Post Date:</strong> 9/19/2008 8:00:47 PM<br/>
<strong>Body:</strong> Let me start off by saying this: The Foot Fist Way is a lot funnier than its marketing campaign made it out to be.
The primary source of the comedy in the movie comes from the fact that no one is acting like they’re in a comedy. Everyone plays it completely straight and the performances actually have more in common with a drama than anything else. In fact it would only take a small tweak to everyone’s take on their characters to turn this into that potential drama. That means no one is over-playing how ridiculous their characters are but instead let the humor naturally flow from the ridiculous situations they find themselves in.
Danny McBride stars as the head of a Tae Kwon Do studio who fancies himself as some sort of noble master. His ego is completely outsized to what he actually does. All the insane goings on inside the studio, whether its his interactions with his students or something happening in his personal life, are completely deflated by the occasional shots of the exterior, which positions the studio in the middle of a bland, generic strip-mall.
The movie follows McBride’s character through some tumultuous times in his life. He’s having problems with his way-too-hot-for-him wife and finds himself pursuing a chance to meet his professional idol, a meeting that winds up not turning out how he expected it to on a number of levels. It’s never out and out funny in an obvious way, but the humor comes unexpectedly and, in most case, awkwardly as you watch a collection of relative idiots bumble their way through their lives trying to be bigger than they really are.
           
 Originally posted on:Chris Thilk<br/>
</div>]]></description><pubDate>Sat, 20 Sep 2008 00:00:47 GMT</pubDate><spout:postby>ChrisThilk</spout:postby><spout:postto>ChrisThilk Blog</spout:postto><spout:postdate>9/19/2008 8:00:47 PM</spout:postdate><spout:body>Let me start off by saying this: The Foot Fist Way is a lot funnier than its marketing campaign made it out to be.
The primary source of the comedy in the movie comes from the fact that no one is acting like they’re in a comedy. Everyone plays it completely straight and the performances actually have more in common with a drama than anything else. In fact it would only take a small tweak to everyone’s take on their characters to turn this into that potential drama. That means no one is over-playing how ridiculous their characters are but instead let the humor naturally flow from the ridiculous situations they find themselves in.
Danny McBride stars as the head of a Tae Kwon Do studio who fancies himself as some sort of noble master. His ego is completely outsized to what he actually does. All the insane goings on inside the studio, whether its his interactions with his students or something happening in his personal life, are completely deflated by the occasional shots of the exterior, which positions the studio in the middle of a bland, generic strip-mall.
The movie follows McBride’s character through some tumultuous times in his life. He’s having problems with his way-too-hot-for-him wife and finds himself pursuing a chance to meet his professional idol, a meeting that winds up not turning out how he expected it to on a number of levels. It’s never out and out funny in an obvious way, but the humor comes unexpectedly and, in most case, awkwardly as you watch a collection of relative idiots bumble their way through their lives trying to be bigger than they really are.
           
 Originally posted on:Chris Thilk</spout:body></item>
    <item>
      <title>Spout Post: FilmCouch #82: Pineapple Express and Foot Fist Way</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/8/8/33744.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 8/8/2008 10:00:29 AM<br/>
<strong>Body:</strong> 
Rogen and Franco are hilarious in Pineapple Express, but the pothead to really watch out for is Danny McBride. Often relegated to brilliant and all-too-brief supporting roles, McBride stars in The Foot Fist Way, which is finally getting a gradual release thanks to Will Ferrell and Adam McKay. McBride’s magic lies in his ability to be a complete asshole 100% of the time on screen, while still charming the viewer. How does he do that?
ALSO, a call to Karina brings us back to the mid-twentieth century with some great television. What is it that makes AMC’s Mad Men so addictive? Need an excuse to not leave the house for the rest of the summer? Try TCM’s Summer Under the Stars.

(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)
filmcouch-82
Pineapple Express, TheFoot Fist Way Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Fri, 08 Aug 2008 14:00:29 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>8/8/2008 10:00:29 AM</spout:postdate><spout:body>
Rogen and Franco are hilarious in Pineapple Express, but the pothead to really watch out for is Danny McBride. Often relegated to brilliant and all-too-brief supporting roles, McBride stars in The Foot Fist Way, which is finally getting a gradual release thanks to Will Ferrell and Adam McKay. McBride’s magic lies in his ability to be a complete asshole 100% of the time on screen, while still charming the viewer. How does he do that?
ALSO, a call to Karina brings us back to the mid-twentieth century with some great television. What is it that makes AMC’s Mad Men so addictive? Need an excuse to not leave the house for the rest of the summer? Try TCM’s Summer Under the Stars.

(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)
filmcouch-82
Pineapple Express, TheFoot Fist Way Originally posted on:SpoutBlog</spout:body></item>
    <item>
      <title>Spout Post: Summer Time is Here</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/4/18/27485.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 4/18/2008 5:01:01 PM<br/>
<strong>Body:</strong> Never mind the fact that my school just let out for spring break. It’s a beautiful 77 degrees in New York City today, the outdoor bars are open and I’m wearing shorts for the first time this year. Plus, the Entertainment Weekly Summer Movie Preview just arrived in my mailbox, giving me the signal that it is officially the blockbuster season. Sure, May 2nd isn’t for two more weeks, when technically Iron Man begins the summer movie stretch (can’t we just pretend The Forbidden Kingdom is the first summer action flick?), but nothing says, “break out the beach ball,” like the bible of blockbuster buzz.
Yet there’s something strange about this year’s issue. There’s a little less marketing-agency-fueled promotion and a little more reality checking. Maybe it’s because these days, thanks to the web, most moviegoers have already heard about the big releases. That would explain why EW devotes most of its two-page spread on The Incredible Hulk to describing its troubles:

On March 11, Nikki Finke’s industry blog, Deadline Hollywood Daily, broke news of the scuffle between Marvel and Norton, declaring it a “feud.” And suddenly it was. Communication between Norton and Marvel seems to have stopped. “”The press is what kept Edward and Marvel from talking to each other,” Leterrier says. “[The argument] was nothing, but then it became something big.”
And that chunk comes after already setting up some less than exciting words about the movie:
It’s unfortunate that Hulk has been generating negative publicity lately, because there’s a lot at stake for Marvel: The company’s first two films, Iron Man and The Incredible Hulk, are being released this summer. Marvel’s decision to cast Norton as Banner was a gutsy choice in more ways than one. Norton is an enormously respected actor, but the Fight Club star also has a reputation for being an intense presence behind the scenes.
Considering EW is typically one of the bigger places for publicizing movies, the negativity of the article is “unfortunate” indeed. And it’s not just Hulk that gets the bad buzz treatment. The first sentence for the Sex and the City spot reads: “The Sex and the City movie was supposed to come out ages ago. Remember?” Way to point out the problem of post-relevancy, EW. Can’t you be more up, as in the case of the first sentence for Wall-E (”Pixar has never had a flop.”)?
At least the preview does have a new kind of highlighter box, in which a number of just-off-the-radar movies are given due attention. Entitled “What the #@!* Is … “, we now get the goods on such significant yet smaller summer movies as The Foot Fist Way, The Mother of Tears, Hamlet 2 and … umm … Space Chimps.
In case you actually think this summer is going to be filled with awesome popcorn flicks, pick up the magazine, on newsstands now. Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Fri, 18 Apr 2008 21:01:01 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>4/18/2008 5:01:01 PM</spout:postdate><spout:body>Never mind the fact that my school just let out for spring break. It’s a beautiful 77 degrees in New York City today, the outdoor bars are open and I’m wearing shorts for the first time this year. Plus, the Entertainment Weekly Summer Movie Preview just arrived in my mailbox, giving me the signal that it is officially the blockbuster season. Sure, May 2nd isn’t for two more weeks, when technically Iron Man begins the summer movie stretch (can’t we just pretend The Forbidden Kingdom is the first summer action flick?), but nothing says, “break out the beach ball,” like the bible of blockbuster buzz.
Yet there’s something strange about this year’s issue. There’s a little less marketing-agency-fueled promotion and a little more reality checking. Maybe it’s because these days, thanks to the web, most moviegoers have already heard about the big releases. That would explain why EW devotes most of its two-page spread on The Incredible Hulk to describing its troubles:

On March 11, Nikki Finke’s industry blog, Deadline Hollywood Daily, broke news of the scuffle between Marvel and Norton, declaring it a “feud.” And suddenly it was. Communication between Norton and Marvel seems to have stopped. “”The press is what kept Edward and Marvel from talking to each other,” Leterrier says. “[The argument] was nothing, but then it became something big.”
And that chunk comes after already setting up some less than exciting words about the movie:
It’s unfortunate that Hulk has been generating negative publicity lately, because there’s a lot at stake for Marvel: The company’s first two films, Iron Man and The Incredible Hulk, are being released this summer. Marvel’s decision to cast Norton as Banner was a gutsy choice in more ways than one. Norton is an enormously respected actor, but the Fight Club star also has a reputation for being an intense presence behind the scenes.
Considering EW is typically one of the bigger places for publicizing movies, the negativity of the article is “unfortunate” indeed. And it’s not just Hulk that gets the bad buzz treatment. The first sentence for the Sex and the City spot reads: “The Sex and the City movie was supposed to come out ages ago. Remember?” Way to point out the problem of post-relevancy, EW. Can’t you be more up, as in the case of the first sentence for Wall-E (”Pixar has never had a flop.”)?
At least the preview does have a new kind of highlighter box, in which a number of just-off-the-radar movies are given due attention. Entitled “What the #@!* Is … “, we now get the goods on such significant yet smaller summer movies as The Foot Fist Way, The Mother of Tears, Hamlet 2 and … umm … Space Chimps.
In case you actually think this summer is going to be filled with awesome popcorn flicks, pick up the magazine, on newsstands now. Originally posted on:SpoutBlog</spout:body></item>
    <item>
      <title>Spout Post: The Foot Fist Way Trailer</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/3/5/25891.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s278690.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 3/5/2008 1:01:13 PM<br/>
<strong>Body:</strong> 


I don’t know what I’m happier about, the fact that “Bust-Ass” from All the Real Girls has been getting a lot of supporting roles in big comedies (Hot Rod, The Heartbreak Kid, Pineapple Express, Drillbit Taylor, Tropic Thunder) or that he’s got the starring role in this little comedy, which ought to receive a decent theatrical run courtesy of Paramount Vantage. I’ll tell the truth, though; I hadn’t heard of The Foot Fist Way until I was directed [via ComingSoon.net] to the movie’s new “restricted” trailer. Apparently it was quite popular when it screened at Sundance in 2007, and it so far has a rating of 9.7 stars out of 10 on its IMDb page (though only 29 people have rated it so far).
This trailer does something interesting that isn’t seen much in the world of movie marketing. It employs a sort of peer-recommendation that we’re used to seeing on book jackets. The trailer mentions the fact that it has been watched by Will Ferrell and Adam McKay at least 20 times, that it has been quoted by them and that they obsess over it. The only thing it’s missing is an actual appearance from the pair, or at least a direct statement from them. I feel like something less second-hand would be more effective.
The Foot Fist Way is scheduled to open April 11. Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Wed, 05 Mar 2008 18:01:13 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>3/5/2008 1:01:13 PM</spout:postdate><spout:body>


I don’t know what I’m happier about, the fact that “Bust-Ass” from All the Real Girls has been getting a lot of supporting roles in big comedies (Hot Rod, The Heartbreak Kid, Pineapple Express, Drillbit Taylor, Tropic Thunder) or that he’s got the starring role in this little comedy, which ought to receive a decent theatrical run courtesy of Paramount Vantage. I’ll tell the truth, though; I hadn’t heard of The Foot Fist Way until I was directed [via ComingSoon.net] to the movie’s new “restricted” trailer. Apparently it was quite popular when it screened at Sundance in 2007, and it so far has a rating of 9.7 stars out of 10 on its IMDb page (though only 29 people have rated it so far).
This trailer does something interesting that isn’t seen much in the world of movie marketing. It employs a sort of peer-recommendation that we’re used to seeing on book jackets. The trailer mentions the fact that it has been watched by Will Ferrell and Adam McKay at least 20 times, that it has been quoted by them and that they obsess over it. The only thing it’s missing is an actual appearance from the pair, or at least a direct statement from them. I feel like something less second-hand would be more effective.
The Foot Fist Way is scheduled to open April 11. Originally posted on:SpoutBlog</spout:body></item>
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      <title>Spout Tag:extramaritalaffair</title>
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      <title>Spout Tag:taekwondo</title>
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