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    <title>The Purple Heart's Recent Activity - Spout</title>
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      <title>Film:The Purple Heart</title>
      <link>http://www.spout.com/films/The_Purple_Heart/27722/default.aspx</link><description><![CDATA[<table width='100%' style='font:10px/10px Helvetica, Arial, sans-serif;'><tr><td><img align='left' src='http://www.spout.com/ProductImages/u33358w5rg9.jpg' hspace='10' style='height:80px;' /></td>
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<strong>Title:</strong> The Purple Heart<br/>
<strong>Year:</strong> 1944<br/>
<strong>Director:</strong> Lewis Milestone<br/>
<strong>Plot:</strong> The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain <a href="/players/P_____1708/default.aspx" style='text-decoration:underline'>Dana Andrews</a> speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director <a href="/players/P___102806/default.aspx" style='text-decoration:underline'>Lewis Milestone</a> with the same fervor that he'd expended on his anti-war masterpiece <a href=/films/906/default.aspx style='text-decoration:underline'>All Quiet on the Western Front</a> (1930). ~ Hal Erickson, All Movie Guide<br/>
<strong>Number of Lists:</strong> 1<br/>
<strong>Number of blog posts:</strong> 1<br/>
</td></tr></table>]]></description><pubDate>Thu, 25 Jun 2009 13:01:39 GMT</pubDate><spout:Title>The Purple Heart</spout:Title><spout:Year>1944</spout:Year><spout:Director>Lewis Milestone</spout:Director><spout:Plot>The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain &lt;a href="/players/P_____1708/default.aspx" style='text-decoration:underline'&gt;Dana Andrews&lt;/a&gt; speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director &lt;a href="/players/P___102806/default.aspx" style='text-decoration:underline'&gt;Lewis Milestone&lt;/a&gt; with the same fervor that he'd expended on his anti-war masterpiece &lt;a href=/films/906/default.aspx style='text-decoration:underline'&gt;All Quiet on the Western Front&lt;/a&gt; (1930). ~ Hal Erickson, All Movie Guide</spout:Plot><spout:Numberoflists>1</spout:Numberoflists><spout:NumberOfBlogPosts>1</spout:NumberOfBlogPosts><spout:FilmCoverURL>http://www.spout.com/ProductImages/u33358w5rg9.jpg</spout:FilmCoverURL><spout:SpoutFilmDetailURL>http://www.spout.com/films/The_Purple_Heart/27722/default.aspx</spout:SpoutFilmDetailURL><spout:type>Film</spout:type></item>
    <item>
      <title>Spout Post: The Purple Heart (1944)</title>
      <link>http://www.spout.com/blogs/warmovieblog/archive/2009/6/25/42800.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/u33358w5rg9.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/127748/default.aspx'>WarMovieBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/warmovieblog/default.aspx'>WarMovieBlog Blog</a><br/>
<strong>Post Date:</strong> 6/25/2009 9:01:39 AM<br/>
<strong>Body:</strong> The Purple Heart (1944)


  IMDB



    
    The Purple Heart is of course the medal given to servicemen wounded in the line of duty.  The movie of the same name, really doesn't seem to have anything to do with the medal.  At least not what I could tell.What it is, though is a perfect example of a World War II "propaganda" movie, again, for lack of a better term.A Bomber crew is taken captive by the Japanese after they crash land in China after the infamous Doolittle raid.  What follows in this film is their "trial" by the Japanese, witnessed by a group of international journalists. But the entire thing is just plain ridiculous to watch.  I can't think of a good way to say it.  Everyone is caricatured in blazing stereotypes so thick you'd need an axe to get through it.  From the Japanese, to the Chinese governor and his son, to the German reporters covering the trial (who seem to be there just to cement the fact that we're dealing with Axis powers, not simply Japanese ones....)  they're all laughably over the top.And unfortunately the same goes for our "heroes" the bomber crew.  Headed by Capt. Ross (Dana Andrews) they are so unbelievably gung-ho patriotic to the very end, that it hurts more than helps.  It also doesn't hurt the patriotic cause of the film to have our men tortured at every opportunity.  And of course, who should arrive but a Swiss delegate from the Red Cross to help bring some civility to these heathens.... sigh.On the one hand, you've got to realize that films like this exist.  They're not inherently bad, and historically speaking they went a long way towards keeping the folks at home in that "fighting spirit" that we needed to see the thing through.  Inaccurate, overplayed, you name it, its there in spades.On the other hand, we look back now on stuff like this with such a negative view, it almost makes me feel guilty to rail on it.  I've seen better examples, that aren't nearly as crazy.  But The Purple Heart is just so textbook in this respect I just can't help it.  Points for effort, and for "the thought that counts," but brother, tone it down a bit!Unfortunately I can't seem to locate a clip or anything at the moment.... you'll just have to take my word for it. 
                        The Purple Heart (1944) on Spout.com Originally posted on:War Movie Reviews and News<br/>
</div>]]></description><pubDate>Thu, 25 Jun 2009 13:01:39 GMT</pubDate><spout:postby>WarMovieBlog</spout:postby><spout:postto>WarMovieBlog Blog</spout:postto><spout:postdate>6/25/2009 9:01:39 AM</spout:postdate><spout:body>The Purple Heart (1944)


  IMDB



    
    The Purple Heart is of course the medal given to servicemen wounded in the line of duty.  The movie of the same name, really doesn't seem to have anything to do with the medal.  At least not what I could tell.What it is, though is a perfect example of a World War II "propaganda" movie, again, for lack of a better term.A Bomber crew is taken captive by the Japanese after they crash land in China after the infamous Doolittle raid.  What follows in this film is their "trial" by the Japanese, witnessed by a group of international journalists. But the entire thing is just plain ridiculous to watch.  I can't think of a good way to say it.  Everyone is caricatured in blazing stereotypes so thick you'd need an axe to get through it.  From the Japanese, to the Chinese governor and his son, to the German reporters covering the trial (who seem to be there just to cement the fact that we're dealing with Axis powers, not simply Japanese ones....)  they're all laughably over the top.And unfortunately the same goes for our "heroes" the bomber crew.  Headed by Capt. Ross (Dana Andrews) they are so unbelievably gung-ho patriotic to the very end, that it hurts more than helps.  It also doesn't hurt the patriotic cause of the film to have our men tortured at every opportunity.  And of course, who should arrive but a Swiss delegate from the Red Cross to help bring some civility to these heathens.... sigh.On the one hand, you've got to realize that films like this exist.  They're not inherently bad, and historically speaking they went a long way towards keeping the folks at home in that "fighting spirit" that we needed to see the thing through.  Inaccurate, overplayed, you name it, its there in spades.On the other hand, we look back now on stuff like this with such a negative view, it almost makes me feel guilty to rail on it.  I've seen better examples, that aren't nearly as crazy.  But The Purple Heart is just so textbook in this respect I just can't help it.  Points for effort, and for "the thought that counts," but brother, tone it down a bit!Unfortunately I can't seem to locate a clip or anything at the moment.... you'll just have to take my word for it. 
                        The Purple Heart (1944) on Spout.com Originally posted on:War Movie Reviews and News</spout:body></item>
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