list http://www.spout.com/ Recent community activity around The Muppets Take Manhattan on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/The_Muppets_Take_Manhattan/23559/default.aspx Title: The Muppets Take Manhattan
Year: 1984
Director: Frank Oz
Plot: Jim Henson's Muppets find themselves in Manhattan yearning to get a musical on Broadway in this charming film that also chides show business and its foibles. Kermit the Frog has just put together a successful variety show at Danhurst college (probably somewhere between Amherst and Dartmouth), and although he would like to mount it on Broadway so he would have a hit and be able to marry Miss Piggy, he cannot find backers. The Muppets are then forced to take jobs to support themselves, and it is while working as a waiter that Kermit meets the friendly Jennie (Juliana Donald). Jennie is the daughter of the owner of the restaurant and a source of great jealousy for Miss Piggy, who does not like competition. With stunning musical numbers involving a hundred or so Muppets and on-scene locations in New York City, the film is impressive in its merging of technical achievements and acting. ~ Eleanor Mannikka, All Movie Guide
Times Tagged: 6
Number of Lists: 20
Number of blog posts: 5
Number of discussion threads: 1
SpoutRating: 3
]]>Fri, 15 May 2009 17:45:57 GMTThe Muppets Take Manhattan1984Frank Oz<a href="/players/P____94083/default.aspx" style='text-decoration:underline'>Jim Henson</a>'s Muppets find themselves in Manhattan yearning to get a musical on Broadway in this charming film that also chides show business and its foibles. Kermit the Frog has just put together a successful variety show at Danhurst college (probably somewhere between Amherst and Dartmouth), and although he would like to mount it on Broadway so he would have a hit and be able to marry Miss Piggy, he cannot find backers. The Muppets are then forced to take jobs to support themselves, and it is while working as a waiter that Kermit meets the friendly Jennie (Juliana Donald). Jennie is the daughter of the owner of the restaurant and a source of great jealousy for Miss Piggy, who does not like competition. With stunning musical numbers involving a hundred or so Muppets and on-scene locations in New York City, the film is impressive in its merging of technical achievements and acting. ~ Eleanor Mannikka, All Movie Guide6Taggedy Taggged (6-10)20513http://www.spout.com/ProductImages/t111464euwu.jpghttp://www.spout.com/films/The_Muppets_Take_Manhattan/23559/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/10/21/36545.aspx Post By: SpoutBlog
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Post Date: 10/21/2008 11:01:01 AM
Body: This past weekend, Saturday Night Live received a huge ratings boost thanks to the appearance of vice-presidential candidate Sarah Palin. But as much fun as it was seeing her act the good sport next to a jokingly critical Alec Baldwin, it only made me anticipate her inevitable feature film debut. I mean, did you notice she was the only person who didn’t need to keep reading from the cue cards? She’s a natural. And whether her ticket wins or loses the race on November 4, it’s certain that one day Palin will at least make a cameo in some kind of fictional movie, whether she means to or not. So, as we wait for her to show up in a small part in the Coen brothers’ adaptation of Michael Chabon’s The Yiddish Policemen’s Union (both because she’s from Alaska and reminds me of Frances McDormand in Fargo), let’s take a look at some other politicians who’ve made interesting film cameos, some intentionally and some not. John McCain in Wedding Crashers (2005) Few of us noticed or thought much of it when Senator McCain appeared as himself, shaking hands with Christopher Walken and Jane Seymour, in this romantic comedy. But so far this year you’ve probably seen the cameo, or a photo from it, more times than you’ve seen the rest of the movie. I wonder if McCain and Walken had time to chat about the latter’s role in The Deer Hunter. Christopher Dodd in Dave (1993) When I was in high school, I had no idea who my state’s U.S. Senators were. Fortunately, I saw Dave and saw Dodd’s cameo, complete with a caption telling who he is. Other state’s youth who might have had similar experiences include Iowa, Ohio, Illinois and Wyoming, as the political comedy also featured cameos from Senators Tom Harkin, Howard Metzenbaum, Paul Simon and Alan Simpson. Representative Tip O’Neill also appears, but everybody knew who he was, right? Patrick Leahy in The Dark Knight (2008) What’s a U.S. Senator doing in a comic book movie? More importantly, what’s a Democrat politician doing in a Republican’s wet dream? Well, Vermont’s Leahy is apparently a huge Batman fan and has also appeared in Batman and Robin and lent his voice to an episode of Batman: The Animated Series. Al D’amato in The Devil’s Advocate (1997) There’s no more appropriate place for a politician to make an appearance than a movie about the Devil. Right? Well, D’amato’s cameo is unfortunately a little more innocent than it seems, though he is still seen cavorting with employees of Satan. Rudy Giuliani in The Out-of-Towners (1999) It’s definitely appropriate for an NYC mayor to make an appearance in a movie that promotes Manhattan tourism, but Giuliani picked the wrong movie to be associated with. Possibly one of the worst remakes ever, it’s more likely to dissuade viewers to come to the Big Apple. Ed Koch in The Muppets Take Manhattan (1984) Koch, on the other hand, is a huge cinephile (he even moonlights as a film critic) and has appeared in a ton of NYC-set films, good and bad. When I was a kid, nothing made me think Koch was cooler than his appearance alongside the Muppets. Jim Garrison in JFK (1991) It’s typical for people to have cameos in films about themselves, so it’s not too surprising to see the former District Attorney show up in Oliver Stone’s film. Not only did he get to make a small appearance, though, he actually got to portray someone as famous as Earl Warren. And he kind of did a better job of it than Kevin Costner did of portraying Garrison. John F. Kennedy in Forrest Gump (1994) Thanks to movie magic, the former President of the United States was able to make a cameo opposite Tom Hanks sixty years after he’d been assassinated. Of course, another actor provided his line for him, but I’m sure the real JFK would have been down to knowingly costar with an Oscar winner and memorably say, “I believe he said he had to go pee.” George W. Bush in Death of a President (2006) Thanks to similar movie magic, the current U.S. President was able to be seamlessly edited into this movie so that it truly appears as though the real G.W. Bush has been shot. To think, back when Forrest Gump was made, there were such innocent ways of featuring a deceased or unauthorized personality in a movie or TV commercial (remember John Wayne hawking Coors?), but now they’re killing presidents and employing dead child stars (that controversial new Poltergeist Direct TV ad). I wonder how far the ethics will be stretched in another decade. Gerald Ford in The Bees (1978) This is another cameo that probably wasn’t authorized, but it’s even more innocent than putting words into Kennedy’s mouth. Plus, it’s not a very good movie, and so the former U.S. President’s uncredited appearance probably wasn’t a very big deal. Even if the filmmakers try to make it seem that a swarm of killer bees are a threat to Ford as he’s riding on a Rose Bowl Parade float. If Hollywood ever remakes this film, they’ll probably use effects wizardry to make it look like the President actually gets stung and dies. Originally posted on:SpoutBlog
]]>Tue, 21 Oct 2008 15:01:01 GMTSpoutBlogSpoutBlog on spout.com10/21/2008 11:01:01 AMThis past weekend, Saturday Night Live received a huge ratings boost thanks to the appearance of vice-presidential candidate Sarah Palin. But as much fun as it was seeing her act the good sport next to a jokingly critical Alec Baldwin, it only made me anticipate her inevitable feature film debut. I mean, did you notice she was the only person who didn’t need to keep reading from the cue cards? She’s a natural. And whether her ticket wins or loses the race on November 4, it’s certain that one day Palin will at least make a cameo in some kind of fictional movie, whether she means to or not. So, as we wait for her to show up in a small part in the Coen brothers’ adaptation of Michael Chabon’s The Yiddish Policemen’s Union (both because she’s from Alaska and reminds me of Frances McDormand in Fargo), let’s take a look at some other politicians who’ve made interesting film cameos, some intentionally and some not. John McCain in Wedding Crashers (2005) Few of us noticed or thought much of it when Senator McCain appeared as himself, shaking hands with Christopher Walken and Jane Seymour, in this romantic comedy. But so far this year you’ve probably seen the cameo, or a photo from it, more times than you’ve seen the rest of the movie. I wonder if McCain and Walken had time to chat about the latter’s role in The Deer Hunter. Christopher Dodd in Dave (1993) When I was in high school, I had no idea who my state’s U.S. Senators were. Fortunately, I saw Dave and saw Dodd’s cameo, complete with a caption telling who he is. Other state’s youth who might have had similar experiences include Iowa, Ohio, Illinois and Wyoming, as the political comedy also featured cameos from Senators Tom Harkin, Howard Metzenbaum, Paul Simon and Alan Simpson. Representative Tip O’Neill also appears, but everybody knew who he was, right? Patrick Leahy in The Dark Knight (2008) What’s a U.S. Senator doing in a comic book movie? More importantly, what’s a Democrat politician doing in a Republican’s wet dream? Well, Vermont’s Leahy is apparently a huge Batman fan and has also appeared in Batman and Robin and lent his voice to an episode of Batman: The Animated Series. Al D’amato in The Devil’s Advocate (1997) There’s no more appropriate place for a politician to make an appearance than a movie about the Devil. Right? Well, D’amato’s cameo is unfortunately a little more innocent than it seems, though he is still seen cavorting with employees of Satan. Rudy Giuliani in The Out-of-Towners (1999) It’s definitely appropriate for an NYC mayor to make an appearance in a movie that promotes Manhattan tourism, but Giuliani picked the wrong movie to be associated with. Possibly one of the worst remakes ever, it’s more likely to dissuade viewers to come to the Big Apple. Ed Koch in The Muppets Take Manhattan (1984) Koch, on the other hand, is a huge cinephile (he even moonlights as a film critic) and has appeared in a ton of NYC-set films, good and bad. When I was a kid, nothing made me think Koch was cooler than his appearance alongside the Muppets. Jim Garrison in JFK (1991) It’s typical for people to have cameos in films about themselves, so it’s not too surprising to see the former District Attorney show up in Oliver Stone’s film. Not only did he get to make a small appearance, though, he actually got to portray someone as famous as Earl Warren. And he kind of did a better job of it than Kevin Costner did of portraying Garrison. John F. Kennedy in Forrest Gump (1994) Thanks to movie magic, the former President of the United States was able to make a cameo opposite Tom Hanks sixty years after he’d been assassinated. Of course, another actor provided his line for him, but I’m sure the real JFK would have been down to knowingly costar with an Oscar winner and memorably say, “I believe he said he had to go pee.” George W. Bush in Death of a President (2006) Thanks to similar movie magic, the current U.S. President was able to be seamlessly edited into this movie so that it truly appears as though the real G.W. Bush has been shot. To think, back when Forrest Gump was made, there were such innocent ways of featuring a deceased or unauthorized personality in a movie or TV commercial (remember John Wayne hawking Coors?), but now they’re killing presidents and employing dead child stars (that controversial new Poltergeist Direct TV ad). I wonder how far the ethics will be stretched in another decade. Gerald Ford in The Bees (1978) This is another cameo that probably wasn’t authorized, but it’s even more innocent than putting words into Kennedy’s mouth. Plus, it’s not a very good movie, and so the former U.S. President’s uncredited appearance probably wasn’t a very big deal. Even if the filmmakers try to make it seem that a swarm of killer bees are a threat to Ford as he’s riding on a Rose Bowl Parade float. If Hollywood ever remakes this film, they’ll probably use effects wizardry to make it look like the President actually gets stung and dies. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/8/13/33965.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/13/2008 3:01:08 PM
Body: From what I hear, Star Wars: The Clone Wars is really bad. Bad enough for the king of the fanboys, Harry Knowles, to reportedly write, “I hated the film. HATED IT. REALLY HATED IT.” Bad enough that Warner Bros. had the review removed from Aint it Cool News due to a review embargo — though probably it had more to do with it being so damaging to the studio’s marketing of the film (apparently Warners had no issue with Variety publishing its so-so review on the same day). I’m not in the least bit surprised. Most people I know who used to be big Star Wars fans won’t be bothering to see the film. But if it bombs at the box office this weekend, what will that mean for Lucasfilm’s upcoming Clone Wars animated series, which is set to spin off from the movie? The show will probably do OK, thanks to the few geeks who still worship the franchise, but it’s not likely to make my list of best animated series spun off from movies: Muppet Babies - The cute infant versions of Kermit, Miss Piggy, Fozzie and (most of) the others officially debuted in The Muppets Take Manhattan, so this cartoon series counts. Even though my brother disagrees (”the Muppets are a whole entity outside of the movies”). And it’s so good that I’d almost say it’s the best Muppet project ever. It’s at least better than the movie it spun off from. Plus, it was especially entertaining for movie fans. Long before Family Guy did it, the Muppet Babies had their own brilliant animated take on the Star Wars films. Star Wars: Droids - When I was a kid, I definitely preferred the cuter, longer-running Star Wars: Ewoks (both cartoons were later united as Ewoks & Droids Adventure Hour), but looking back, Droids was the cooler series because it retained Anthony Daniels as the voice of C-3PO (R2-D2 was humorously credited as himself) and featured characters like Boba Fett and IG-88. As a bonus, it also featured an awesome theme song co-written and performed by Stewart Copeland. The only theme that might top it is the Fat Boys’ rap for Police Academy: The Series. Back to the Future - I’m a sucker for cartoon spin-offs that feature voices from the original movies, and this one had both Mary Steenburgen (Clara Brown) and Thomas F. Wilson (Biff Tannen) reprising their roles. Strangely enough, the animated Doc Brown was voiced by Dan Castellaneta (also the voice of Homer Simpson), while the live-action Doc Brown, who introduced and closed each episode, was actually played by the movies’ Christopher Lloyd. Someone please put this show on DVD already. Bill & Ted’s Excellent Adventures - Even better than BTTF, this cartoon initially featured the voices of the three original stars of Bill & Ted’s Excellent Adventure, Keanu Reeves, Alex Winter and George Carlin. Unfortunately, the bogus second season of the series screwed everything up with a different production company (DiC instead of Hanna-Barbera), new actors (Evan Richards and Christopher Kennedy, stars of the live-action Bill & Ted series) and a broader premise (the dudes could now travel into literature, TV shows and the human body). At least for awhile, the series was most triumphant. Beetlejuice - Talk about changing the premise. I don’t know what the creators were thinking when they decided to suddenly make Beetlejuice and Lydia best friends, but somehow it works. And, as much as I’d have loved for Winona Ryder to reprise her role, I’m glad Lydia was voiced by one of my favorites, Alyson Court (Jubilee in X-Men: The Animated Series and Veronica in The New Archies). I don’t understand how it really fits with the plot of Tim Burton’s movie anymore than I get why Daniel and Mr Miyagi were suddenly adventurers in the Karate Kid cartoon, but I was at least a big fan of the imaginative Netherworld setting of the Beetlejuice series. The Real Ghostbusters - Like Beetlejuice, this animated version of Ghostbusters turned enemies into friends by making Slimer a cute mascot. In fact, the series was eventually retitled Slimer! and the Real Ghostbusters because of how kids responded to the green guy, with Slimer receiving his own half-hour storylines. This despite the initial attraction of the series having a darker tone than most Saturday morning cartoons. TaleSpin - Forget all the later Disney cartoon series based on animated features, this was the best and most inspired. Maybe because it’s another example in which the premise of the series is completely different than the premise of the films. Aside from starring the characters Baloo, Louie and Shere Khan, it has nothing at all to do with The Jungle Book. And except for the lack of songs performed by Louis Prima, the series is much cooler than the movie. She-Ra: Princess of Power - I’m counting this even though the movie it’s spun off from, The Secret of the Sword, is also the first four episodes of the series. It was released theatrically, though. Besides, including it on the list means I don’t have to choose a best of the three lame Jim Carrey movie spin offs (The Mask; Dumb and Dumber; Ace Ventura), nor do I have to familiarize myself with The Animatrix, which I’m sure has it’s fans, or attempt to justify the cool in theory but terrible in reality Teen Wolf cartoon. Toxic Crusaders - Among all the R-rated movies that were turned into cartoons for kids — including First Blood (Rambo), Highlander, RoboCop and Police Academy – the decision to make an animated series out of The Toxic Avenger is the most questionable and therefore the most ingenious. I doubt something like this could be created today; we kids of the ’80s were just more exposed to inappropriate material and also had room for more sanitized versions. I saw the original, extremely violent movie when I was 8 years old and would have also loved this cartoon back then, despite it’s lack of head-crushings and nudity. Unfortunately, it didn’t debut until I was in my teens, when I was typically sleeping in on Saturday mornings and napping on weekday afternoons. Clerks - I’ve honestly never seen this cartoon, but I have a good reason to include it. While taking a film studies course titled American Film Comedy in college, I had a classmate who literally finished each session — having just watched The Circus, The General, Sherlock Jr., Duck Soup, The Palm Beach Story, It, Trouble in Paradise, Mr. Deeds Goes to Town, His Girl Friday, It Should Happen to You, Tootsie or some other classic — by saying, in all seriousness, “I guess I don’t have the right sense of humor for these movies. I prefer smart comedies like Chasing Amy.” A devout Kevin Smith fan, he also continuously would reference the animated Clerks series, despite the fact that nobody else seemed to have any familiarity with it. For a cartoon spin-off to so completely appease the biggest fan of the movie, it has to be considered a success. Originally posted on:SpoutBlog
]]>Wed, 13 Aug 2008 19:01:08 GMTSpoutBlogSpoutBlog on spout.com8/13/2008 3:01:08 PM From what I hear, Star Wars: The Clone Wars is really bad. Bad enough for the king of the fanboys, Harry Knowles, to reportedly write, “I hated the film. HATED IT. REALLY HATED IT.” Bad enough that Warner Bros. had the review removed from Aint it Cool News due to a review embargo — though probably it had more to do with it being so damaging to the studio’s marketing of the film (apparently Warners had no issue with Variety publishing its so-so review on the same day). I’m not in the least bit surprised. Most people I know who used to be big Star Wars fans won’t be bothering to see the film. But if it bombs at the box office this weekend, what will that mean for Lucasfilm’s upcoming Clone Wars animated series, which is set to spin off from the movie? The show will probably do OK, thanks to the few geeks who still worship the franchise, but it’s not likely to make my list of best animated series spun off from movies: Muppet Babies - The cute infant versions of Kermit, Miss Piggy, Fozzie and (most of) the others officially debuted in The Muppets Take Manhattan, so this cartoon series counts. Even though my brother disagrees (”the Muppets are a whole entity outside of the movies”). And it’s so good that I’d almost say it’s the best Muppet project ever. It’s at least better than the movie it spun off from. Plus, it was especially entertaining for movie fans. Long before Family Guy did it, the Muppet Babies had their own brilliant animated take on the Star Wars films. Star Wars: Droids - When I was a kid, I definitely preferred the cuter, longer-running Star Wars: Ewoks (both cartoons were later united as Ewoks & Droids Adventure Hour), but looking back, Droids was the cooler series because it retained Anthony Daniels as the voice of C-3PO (R2-D2 was humorously credited as himself) and featured characters like Boba Fett and IG-88. As a bonus, it also featured an awesome theme song co-written and performed by Stewart Copeland. The only theme that might top it is the Fat Boys’ rap for Police Academy: The Series. Back to the Future - I’m a sucker for cartoon spin-offs that feature voices from the original movies, and this one had both Mary Steenburgen (Clara Brown) and Thomas F. Wilson (Biff Tannen) reprising their roles. Strangely enough, the animated Doc Brown was voiced by Dan Castellaneta (also the voice of Homer Simpson), while the live-action Doc Brown, who introduced and closed each episode, was actually played by the movies’ Christopher Lloyd. Someone please put this show on DVD already. Bill & Ted’s Excellent Adventures - Even better than BTTF, this cartoon initially featured the voices of the three original stars of Bill & Ted’s Excellent Adventure, Keanu Reeves, Alex Winter and George Carlin. Unfortunately, the bogus second season of the series screwed everything up with a different production company (DiC instead of Hanna-Barbera), new actors (Evan Richards and Christopher Kennedy, stars of the live-action Bill & Ted series) and a broader premise (the dudes could now travel into literature, TV shows and the human body). At least for awhile, the series was most triumphant. Beetlejuice - Talk about changing the premise. I don’t know what the creators were thinking when they decided to suddenly make Beetlejuice and Lydia best friends, but somehow it works. And, as much as I’d have loved for Winona Ryder to reprise her role, I’m glad Lydia was voiced by one of my favorites, Alyson Court (Jubilee in X-Men: The Animated Series and Veronica in The New Archies). I don’t understand how it really fits with the plot of Tim Burton’s movie anymore than I get why Daniel and Mr Miyagi were suddenly adventurers in the Karate Kid cartoon, but I was at least a big fan of the imaginative Netherworld setting of the Beetlejuice series. The Real Ghostbusters - Like Beetlejuice, this animated version of Ghostbusters turned enemies into friends by making Slimer a cute mascot. In fact, the series was eventually retitled Slimer! and the Real Ghostbusters because of how kids responded to the green guy, with Slimer receiving his own half-hour storylines. This despite the initial attraction of the series having a darker tone than most Saturday morning cartoons. TaleSpin - Forget all the later Disney cartoon series based on animated features, this was the best and most inspired. Maybe because it’s another example in which the premise of the series is completely different than the premise of the films. Aside from starring the characters Baloo, Louie and Shere Khan, it has nothing at all to do with The Jungle Book. And except for the lack of songs performed by Louis Prima, the series is much cooler than the movie. She-Ra: Princess of Power - I’m counting this even though the movie it’s spun off from, The Secret of the Sword, is also the first four episodes of the series. It was released theatrically, though. Besides, including it on the list means I don’t have to choose a best of the three lame Jim Carrey movie spin offs (The Mask; Dumb and Dumber; Ace Ventura), nor do I have to familiarize myself with The Animatrix, which I’m sure has it’s fans, or attempt to justify the cool in theory but terrible in reality Teen Wolf cartoon. Toxic Crusaders - Among all the R-rated movies that were turned into cartoons for kids — including First Blood (Rambo), Highlander, RoboCop and Police Academy – the decision to make an animated series out of The Toxic Avenger is the most questionable and therefore the most ingenious. I doubt something like this could be created today; we kids of the ’80s were just more exposed to inappropriate material and also had room for more sanitized versions. I saw the original, extremely violent movie when I was 8 years old and would have also loved this cartoon back then, despite it’s lack of head-crushings and nudity. Unfortunately, it didn’t debut until I was in my teens, when I was typically sleeping in on Saturday mornings and napping on weekday afternoons. Clerks - I’ve honestly never seen this cartoon, but I have a good reason to include it. While taking a film studies course titled American Film Comedy in college, I had a classmate who literally finished each session — having just watched The Circus, The General, Sherlock Jr., Duck Soup, The Palm Beach Story, It, Trouble in Paradise, Mr. Deeds Goes to Town, His Girl Friday, It Should Happen to You, Tootsie or some other classic — by saying, in all seriousness, “I guess I don’t have the right sense of humor for these movies. I prefer smart comedies like Chasing Amy.” A devout Kevin Smith fan, he also continuously would reference the animated Clerks series, despite the fact that nobody else seemed to have any familiarity with it. For a cartoon spin-off to so completely appease the biggest fan of the movie, it has to be considered a success. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/6/9/31014.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 6/9/2008 5:01:53 PM
Body: It took me awhile, but last week I finally saw Indiana Jones and the Kingdom of the Crystal Skull. And to agree with many others, I think it features a few too many ludicrous moments. Yet the most outlandish, in my opinion, is the scene in which Indy and Marion seem to reenact His Girl Friday in about four seconds while riding in the back of a truck. I know it’d been awhile, both for them and for us, but I prefer a little more bickering, a little more holding back in comedy of remarriage plots. Anyway, we knew a long time ago, thanks to Indiana Jones and the Last Crusade, that Indy and Marion didn’t last long together after the end of Raiders of the Lost Ark. So, I didn’t really care if they ended up together at the end of Kingdom of the Crystal Skull, either. It’s probable they still wouldn’t last. And I think the same often with other unlikely movie couples at the end of their respective films. Fortunately, a number of sequels tell us outright that the romance of the first film failed (see The Karate Kid, Part II and Jurassic Park III). Unfortunately, most of the following films didn’t have follow-ups. But if they had, I bet we’d have discovered the romances didn’t last much longer than the closing credits. Bringing Up Baby: Dr. David Huxley (Cary Grant) and Susan Vance (Katherine Hepburn) - As is the case with most screwball comedies, the leads here just don’t seem that compatible. In fact, I wouldn’t be surprised to hear that Susan was quickly shipped off to a mental hospital for being such a daffy loon. Then there’s the matter of her destroying Huxley’s work at the end. No man would really put up with that, even if there were some attraction. And I never actually bought that there is any attraction from his end. Ghostbusters and Ghostbusters II: - Dr. Peter Venkman (Bill Murray) and Dana Barrett (Sigourney Weaver) - This franchise utilizes the device of having the couple split up between the first and second films only to get back together at the finish of the sequel. I understand that audiences prefer a happy ending, but when you know they didn’t work out the first time, why would you believe they could work a second time? Because Dana’s baby seems to like Venkman? Apparently so. But those of us who watched the cartoon series The Real Ghostbusters know that had they remained a couple, Dana would have been animated along with the rest of the characters. Amelie - Amelie Poulain (Audrey Tautou) and Nino Quincampoix (Matthieu Kassovitz) - Despite what Hong Kong audiences who saw Happenstance might think, Amelie has not been given a sequel. So we are just to assume that Amelie and Nino live happily ever after, despite the fact that they’ve only just met right before the end of the film. And we never really get to see them have a conversation, either. We just know that Amelie is kind of a creepy, albeit adorable, stalker and that Nino works in a porn shop. Hopefully he kicked her off his motorcycle as soon as the Yann Tiersen score was over (because then she can come stalk me — see, I’m just bitter with this one). Chungking Express: Cop 663 (Tony Leung) and Faye (Faye Wong) - Faye is kind of like the precursor to Amelie, as she’s something of a stalker — but it’s OK, because she’s so darn cute. While the ending of Wong Kar-wai’s film is ambiguous, we’re kind of expected to believe these two end up together. But what happens when Cop 663 realizes how often Faye broke into his apartment? And how often she plays “California Dreaming” over and over and over again? And how capricious girls are tolerable for only so long? The Muppets Take Manhattan: Kermit the Frog and Miss Piggy - When I was a kid, I thought it made sense for the frog and the pig to be married at the end of this film. Their relationship had been like a Sam & Diane sort of thing for so many years, it seemed inevitable. But when I got older, I realized that Kermit really has no feelings for Piggy, and it’s even evident by his expression during the wedding scene. And I became angry that Jim Henson and Co. would allow kids to applaud the beginnings of what would be a loveless marriage. While writing this, though, I found out from the Muppet Wiki that in “real life” Kermit denies they were really married and that it was just part of the movie. Apparently Piggy claims otherwise. Meanwhile, for people who are actually fans of the relationship, you can see what their offspring would look like in The Muppet Christmas Carol. Some Like It Hot: Joe (Tony Curis) and Sugar Kane Kowalczyk (Marilyn Monroe) - I’ve never been accepting of characters who woo women with deception such as costume and false identities, and there have been countless examples in both movies and TV throughout the years. Some Like It Hot probably isn’t the first film to feature such fraudulence, but because Joe fools Sugar Kane by being both a good girl friend and a rich suitor he’s double guilty. I trust that even the relationship between Jerry/Daphne (Jack Lemmon) and Osgood Fielding III (Joe E. Brown) lasted longer. Tootsie: Michael Dorsey (Dustin Hoffman) and Julie Nichols (Jessica Lange) - This one is pretty much the same as the relationship in Some Like It Hot, only it’s a bit more respectable because Michael is less aggressive in his falling for Julie. Sure, there’s one scene where he’s not in drag and he attempts a kinda sleazy maneuver, but at least he never takes on a yachting outfit and Cary Grant voice. Thankfully, there is no kiss at the end of Tootsie, just forgiveness, and we’re left to think Michael and Julie will only become acquaintances at best. I have doubts that even that relationship lasted very long. Juno: Juno MacGuff (Ellen Page) and Paulie Bleeker (Michael Cera) - High school movie romances should never be believed to last (especially the couples formed at the end of The Breakfast Club). I know, there are a number of high school sweethearts that do get married and live happily ever after. But most of us are not with the boy or girl we dated in high school. Even if there is a baby involved. Personally, I think Paulie Bleeker is too good for Juno, and I think he probably goes on to college and moves on with his life, while doing his part to contribute to the baby, of course. Two Weeks Notice: Lucy Kelson (Sandra Bullock) and George Wade (Hugh Grant) - I’ve witnessed first-hand that opposites can attract. And if I hadn’t, I could always use James Carville and Mary Matalin as a prime example of a couple who shouldn’t work but do. Nonetheless, I don’t buy the union of her environmental lawyer and his billionaire real estate tycoon. Nor do I buy the union of Meg Ryan and Tom Hanks in the similar pair-up of You’ve Got Mail. If relationships like that were believable, we wouldn’t have so much enjoyed the affair between Jack and C.C. on 30 Rock. The Graduate: Ben Braddock (Dustin Hoffman, again) and Elaine Robinson (Katherine Ross) - I always assumed it would ultimately bother Elaine too much that Ben had an affair with her mother. I guess if we’re to believe Buck Henry’s cameo in The Player, though, they live quite happily ever after … with Mrs. Robinson. Originally posted on:SpoutBlog
]]>Mon, 09 Jun 2008 21:01:53 GMTSpoutBlogSpoutBlog on spout.com6/9/2008 5:01:53 PMIt took me awhile, but last week I finally saw Indiana Jones and the Kingdom of the Crystal Skull. And to agree with many others, I think it features a few too many ludicrous moments. Yet the most outlandish, in my opinion, is the scene in which Indy and Marion seem to reenact His Girl Friday in about four seconds while riding in the back of a truck. I know it’d been awhile, both for them and for us, but I prefer a little more bickering, a little more holding back in comedy of remarriage plots. Anyway, we knew a long time ago, thanks to Indiana Jones and the Last Crusade, that Indy and Marion didn’t last long together after the end of Raiders of the Lost Ark. So, I didn’t really care if they ended up together at the end of Kingdom of the Crystal Skull, either. It’s probable they still wouldn’t last. And I think the same often with other unlikely movie couples at the end of their respective films. Fortunately, a number of sequels tell us outright that the romance of the first film failed (see The Karate Kid, Part II and Jurassic Park III). Unfortunately, most of the following films didn’t have follow-ups. But if they had, I bet we’d have discovered the romances didn’t last much longer than the closing credits. Bringing Up Baby: Dr. David Huxley (Cary Grant) and Susan Vance (Katherine Hepburn) - As is the case with most screwball comedies, the leads here just don’t seem that compatible. In fact, I wouldn’t be surprised to hear that Susan was quickly shipped off to a mental hospital for being such a daffy loon. Then there’s the matter of her destroying Huxley’s work at the end. No man would really put up with that, even if there were some attraction. And I never actually bought that there is any attraction from his end. Ghostbusters and Ghostbusters II: - Dr. Peter Venkman (Bill Murray) and Dana Barrett (Sigourney Weaver) - This franchise utilizes the device of having the couple split up between the first and second films only to get back together at the finish of the sequel. I understand that audiences prefer a happy ending, but when you know they didn’t work out the first time, why would you believe they could work a second time? Because Dana’s baby seems to like Venkman? Apparently so. But those of us who watched the cartoon series The Real Ghostbusters know that had they remained a couple, Dana would have been animated along with the rest of the characters. Amelie - Amelie Poulain (Audrey Tautou) and Nino Quincampoix (Matthieu Kassovitz) - Despite what Hong Kong audiences who saw Happenstance might think, Amelie has not been given a sequel. So we are just to assume that Amelie and Nino live happily ever after, despite the fact that they’ve only just met right before the end of the film. And we never really get to see them have a conversation, either. We just know that Amelie is kind of a creepy, albeit adorable, stalker and that Nino works in a porn shop. Hopefully he kicked her off his motorcycle as soon as the Yann Tiersen score was over (because then she can come stalk me — see, I’m just bitter with this one). Chungking Express: Cop 663 (Tony Leung) and Faye (Faye Wong) - Faye is kind of like the precursor to Amelie, as she’s something of a stalker — but it’s OK, because she’s so darn cute. While the ending of Wong Kar-wai’s film is ambiguous, we’re kind of expected to believe these two end up together. But what happens when Cop 663 realizes how often Faye broke into his apartment? And how often she plays “California Dreaming” over and over and over again? And how capricious girls are tolerable for only so long? The Muppets Take Manhattan: Kermit the Frog and Miss Piggy - When I was a kid, I thought it made sense for the frog and the pig to be married at the end of this film. Their relationship had been like a Sam & Diane sort of thing for so many years, it seemed inevitable. But when I got older, I realized that Kermit really has no feelings for Piggy, and it’s even evident by his expression during the wedding scene. And I became angry that Jim Henson and Co. would allow kids to applaud the beginnings of what would be a loveless marriage. While writing this, though, I found out from the Muppet Wiki that in “real life” Kermit denies they were really married and that it was just part of the movie. Apparently Piggy claims otherwise. Meanwhile, for people who are actually fans of the relationship, you can see what their offspring would look like in The Muppet Christmas Carol. Some Like It Hot: Joe (Tony Curis) and Sugar Kane Kowalczyk (Marilyn Monroe) - I’ve never been accepting of characters who woo women with deception such as costume and false identities, and there have been countless examples in both movies and TV throughout the years. Some Like It Hot probably isn’t the first film to feature such fraudulence, but because Joe fools Sugar Kane by being both a good girl friend and a rich suitor he’s double guilty. I trust that even the relationship between Jerry/Daphne (Jack Lemmon) and Osgood Fielding III (Joe E. Brown) lasted longer. Tootsie: Michael Dorsey (Dustin Hoffman) and Julie Nichols (Jessica Lange) - This one is pretty much the same as the relationship in Some Like It Hot, only it’s a bit more respectable because Michael is less aggressive in his falling for Julie. Sure, there’s one scene where he’s not in drag and he attempts a kinda sleazy maneuver, but at least he never takes on a yachting outfit and Cary Grant voice. Thankfully, there is no kiss at the end of Tootsie, just forgiveness, and we’re left to think Michael and Julie will only become acquaintances at best. I have doubts that even that relationship lasted very long. Juno: Juno MacGuff (Ellen Page) and Paulie Bleeker (Michael Cera) - High school movie romances should never be believed to last (especially the couples formed at the end of The Breakfast Club). I know, there are a number of high school sweethearts that do get married and live happily ever after. But most of us are not with the boy or girl we dated in high school. Even if there is a baby involved. Personally, I think Paulie Bleeker is too good for Juno, and I think he probably goes on to college and moves on with his life, while doing his part to contribute to the baby, of course. Two Weeks Notice: Lucy Kelson (Sandra Bullock) and George Wade (Hugh Grant) - I’ve witnessed first-hand that opposites can attract. And if I hadn’t, I could always use James Carville and Mary Matalin as a prime example of a couple who shouldn’t work but do. Nonetheless, I don’t buy the union of her environmental lawyer and his billionaire real estate tycoon. Nor do I buy the union of Meg Ryan and Tom Hanks in the similar pair-up of You’ve Got Mail. If relationships like that were believable, we wouldn’t have so much enjoyed the affair between Jack and C.C. on 30 Rock. The Graduate: Ben Braddock (Dustin Hoffman, again) and Elaine Robinson (Katherine Ross) - I always assumed it would ultimately bother Elaine too much that Ben had an affair with her mother. I guess if we’re to believe Buck Henry’s cameo in The Player, though, they live quite happily ever after … with Mrs. Robinson. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/6/4/30500.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 6/4/2008 4:00:49 PM
Body: Over at the AMC blog SciFi Scanner, there’s a post about the accuracy of Jason Bourne’s condition in the Bourne movies. At the World Science Festival, held last weekend in NYC, there was a panel titled The Brain and Bourne: Neuroscience in the Bourne Trilogy that featured Bourne Identity director Doug Liman and psychiatrist and neuroscientist Giulio Tononi. And according to Tononi, the sort of amnesia that Bourne suffers from, which includes the ability to retain certain skills despite an overall loss of memory, is rare but does exist. Interesting, but does it really matter? Nobody making the Bourne movies seems to have known its accuracy, and they probably didn’t care. And neither do most moviegoers. Amnesia is simply a good plot device for movies, and oftentimes they’re more about something else than the condition, accurate or not. So, here’s a list of some of my favorite movies with amnesia at its forefront, plus the respective reasons for my not caring if they are realistic or not. The Bourne Identity (plus The Bourne Supremacy and The Bourne Ultimatum) - Because I’m not rating these in order, I’ll begin with the one already mentioned. Jason Bourne’s amnesia is, of course, a good excuse for a thrilling story, but to me it’s also a metaphor for U.S. intelligence post-Cold War and certainly post-9/11, showing us how, despite efforts to forget or disconnect from foreign policy decisions and/or controversial operations of the past, certain things, people, relationships (etc.) may come back to bite us on the ass. Eternal Sunshine of the Spotless Mind - I’m pretty sure that Tononi couldn’t find accuracy in the forced-amnesia process featured in this admittedly fantastical film, and again it wouldn’t matter if he could. The idea of surgically eliminating specific memories is representative of our more general attempts to immediately forget an unsuccessful romantic relationship and the eventual difficulty of trying to recall good times associated with a past love we’re no longer with. Memento - Here’s a film that supposedly is, like the Bourne trilogy, fairly accurate. But as a device, the amnesia is so much more interesting than as a real condition. I’ve read that it’s a metaphor for “forgetting everything we hold dear when humans embark on a quest and want to succeed at any cost,” and that (courtesy of Simon Cowell) it’s a metaphor for America’s attention span. I’m undecided on which of these I prefer, or if I’d even go with another (there’s surely more ideas out there), but the point is that it doesn’t just have to be about a guy with anterograde amnesia. Overboard - While on the surface it’s an innocent comedy about a single father who takes advantage of an amnesiac woman of wealth. But it can also be read as a male fantasy in which the feminist movement is forgotten and women return to the pleasures of homemaking … even after they regain their memory. For a sort of reverse of this plot, see Desperately Seeking Susan, in which a housewife loses her memory only to become her fantasy: the liberated, sexually independent woman (as perfectly portrayed by Madonna). Amateur - Not the first and probably not the best example, but a personal favorite movie dealing with the bad man who’s turned good through amnesia. It’s a more abstract tale of identity reinvention than others, and Roger Ebert said it best in his review that it’s a movie in which the idea of the plot is more interesting than the plot itself. Most of the film’s characters are attempting to drastically change their lives, but unfortunately not everyone can have the fortune of suffering an amnesia-inducing blow to the head. Other favorites include Spellbound, The Muppets Take Manhattan and Total Recall. Certainly I’m excluding a good number of amnesia films, most of which I’ve likely never seen (or, appropriately, I’ve forgotten about them). For a much more comprehensive examination of amnesia at the movies, check out this article written by clinical neuropsychologist Sallie Baxendale. Originally posted on:SpoutBlog
]]>Wed, 04 Jun 2008 20:00:49 GMTSpoutBlogSpoutBlog on spout.com6/4/2008 4:00:49 PM Over at the AMC blog SciFi Scanner, there’s a post about the accuracy of Jason Bourne’s condition in the Bourne movies. At the World Science Festival, held last weekend in NYC, there was a panel titled The Brain and Bourne: Neuroscience in the Bourne Trilogy that featured Bourne Identity director Doug Liman and psychiatrist and neuroscientist Giulio Tononi. And according to Tononi, the sort of amnesia that Bourne suffers from, which includes the ability to retain certain skills despite an overall loss of memory, is rare but does exist. Interesting, but does it really matter? Nobody making the Bourne movies seems to have known its accuracy, and they probably didn’t care. And neither do most moviegoers. Amnesia is simply a good plot device for movies, and oftentimes they’re more about something else than the condition, accurate or not. So, here’s a list of some of my favorite movies with amnesia at its forefront, plus the respective reasons for my not caring if they are realistic or not. The Bourne Identity (plus The Bourne Supremacy and The Bourne Ultimatum) - Because I’m not rating these in order, I’ll begin with the one already mentioned. Jason Bourne’s amnesia is, of course, a good excuse for a thrilling story, but to me it’s also a metaphor for U.S. intelligence post-Cold War and certainly post-9/11, showing us how, despite efforts to forget or disconnect from foreign policy decisions and/or controversial operations of the past, certain things, people, relationships (etc.) may come back to bite us on the ass. Eternal Sunshine of the Spotless Mind - I’m pretty sure that Tononi couldn’t find accuracy in the forced-amnesia process featured in this admittedly fantastical film, and again it wouldn’t matter if he could. The idea of surgically eliminating specific memories is representative of our more general attempts to immediately forget an unsuccessful romantic relationship and the eventual difficulty of trying to recall good times associated with a past love we’re no longer with. Memento - Here’s a film that supposedly is, like the Bourne trilogy, fairly accurate. But as a device, the amnesia is so much more interesting than as a real condition. I’ve read that it’s a metaphor for “forgetting everything we hold dear when humans embark on a quest and want to succeed at any cost,” and that (courtesy of Simon Cowell) it’s a metaphor for America’s attention span. I’m undecided on which of these I prefer, or if I’d even go with another (there’s surely more ideas out there), but the point is that it doesn’t just have to be about a guy with anterograde amnesia. Overboard - While on the surface it’s an innocent comedy about a single father who takes advantage of an amnesiac woman of wealth. But it can also be read as a male fantasy in which the feminist movement is forgotten and women return to the pleasures of homemaking … even after they regain their memory. For a sort of reverse of this plot, see Desperately Seeking Susan, in which a housewife loses her memory only to become her fantasy: the liberated, sexually independent woman (as perfectly portrayed by Madonna). Amateur - Not the first and probably not the best example, but a personal favorite movie dealing with the bad man who’s turned good through amnesia. It’s a more abstract tale of identity reinvention than others, and Roger Ebert said it best in his review that it’s a movie in which the idea of the plot is more interesting than the plot itself. Most of the film’s characters are attempting to drastically change their lives, but unfortunately not everyone can have the fortune of suffering an amnesia-inducing blow to the head. Other favorites include Spellbound, The Muppets Take Manhattan and Total Recall. Certainly I’m excluding a good number of amnesia films, most of which I’ve likely never seen (or, appropriately, I’ve forgotten about them). For a much more comprehensive examination of amnesia at the movies, check out this article written by clinical neuropsychologist Sallie Baxendale. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/3/18/26365.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 3/18/2008 5:01:32 PM
Body: Last week, while I was still exhausted from my first real SXSW experience, news broke out that actor/writer Jason Segel (of TV’s Freaks and Geeks and How I Met Your Mother and the upcoming movie Forgetting Sarah Marshall) is planning a new Muppet movie. Though the announcement likely figured into my subsequent quick recovery, I wasn’t in good enough health to write about it at the time. Fortunately, now there’s more details, courtesy of MTV Movies Blog, and I’m even more giddy than before. As I figured, Segel is looking to the original Muppet flicks, specifically The Muppet Movie, The Great Muppet Caper and The Muppets Take Manhattan, which were more centered on the Muppets themselves (rather than having them dropped into pre-written classics like A Christmas Carol and Treasure Island) as they simply set out to put on a show. And as I hoped for, Segel, who is already writing the script with his Marshall co-writer/director Nick Stoller, says he’s planning for a great deal of cameos, particularly from those actors we’d all assume would be involved. Segel revealed plans to similarly enlist big-name cameos for the flick; in fact, he’s already approached several members of the Judd Apatow stable that includes Seth Rogen, Jonah Hill, Kristen Wiig and Paul Rudd. “All of our friends that I’ve brought it up to are pretty excited by the prospect of it. Everyone loves the Muppets; they’ve got a warm place in most people’s hearts,” he explained. “We want a lot of cameos. You look back at Charles Grodin, Charles Durning, there were just such great performances in those movies.” (more…) Originally posted on:SpoutBlog
]]>Tue, 18 Mar 2008 21:01:32 GMTSpoutBlogSpoutBlog on spout.com3/18/2008 5:01:32 PM Last week, while I was still exhausted from my first real SXSW experience, news broke out that actor/writer Jason Segel (of TV’s Freaks and Geeks and How I Met Your Mother and the upcoming movie Forgetting Sarah Marshall) is planning a new Muppet movie. Though the announcement likely figured into my subsequent quick recovery, I wasn’t in good enough health to write about it at the time. Fortunately, now there’s more details, courtesy of MTV Movies Blog, and I’m even more giddy than before. As I figured, Segel is looking to the original Muppet flicks, specifically The Muppet Movie, The Great Muppet Caper and The Muppets Take Manhattan, which were more centered on the Muppets themselves (rather than having them dropped into pre-written classics like A Christmas Carol and Treasure Island) as they simply set out to put on a show. And as I hoped for, Segel, who is already writing the script with his Marshall co-writer/director Nick Stoller, says he’s planning for a great deal of cameos, particularly from those actors we’d all assume would be involved. Segel revealed plans to similarly enlist big-name cameos for the flick; in fact, he’s already approached several members of the Judd Apatow stable that includes Seth Rogen, Jonah Hill, Kristen Wiig and Paul Rudd. “All of our friends that I’ve brought it up to are pretty excited by the prospect of it. Everyone loves the Muppets; they’ve got a warm place in most people’s hearts,” he explained. “We want a lot of cameos. You look back at Charles Grodin, Charles Durning, there were just such great performances in those movies.” (more…) Originally posted on:SpoutBlog http://www.spout.com/groups/Top_5/Re_Top_5_films_from_your_childhood/190/8850/1/ShowPost.aspx Post By: pippin06
Post To: Top 5
Post Date: 5/15/2007 3:07:56 PM
Body: How could I not have responded to this convo yet?!?! Excellent topic. I refuse to relinquish my childhood completely anyway. As such, this will be tough for me, but here goes:1. Star Wars / Empire / Jedi - They may be obvious choices, but as we are embarking upon the 30th anniversary of Star Wars/New Hope, and as we are embarking on the 30th year of...something else...I have to say that I've never known a world without these movies, they're still my favorite, I still watch them, and I watched them a gajillion times when I was a kid. And poo on those prequels, which are so inferior despite their fancy CGI special effects.2. The Muppet Movie / The Great Muppet Caper / Muppets Take Manhattan - The three Muppet motion pictures where Jim Henson was still the voice of Kermit. I refuse to watch any of the rest of the series except A Muppet Christmas Carol for that reason. With the exception of Star Wars, no group of characters has made a more delible impression on my life. I am an avid Muppet fan and also collect The Muppet Show and Fraggle Rock. I admit it without shame (though I will feel more confident in that not having shame thing when I finally have children...ahem). :-)3. The Wizard of Oz - I come from the generation when this got played only once a year on TV and only on CBS. The advent of the VCR changed everything. I was scared of the Wicked Witch but still looked forward to this tradition. Now, I have a DVD with crystal clear quality and no commercials.4. E.T. - I remember seeing this a number of times at the drive-in and at the movies. I cried every time. I still cry every time. 5. The NeverEnding Story - The Gamork and the Nothing were scary for me, but I have never been able to not watch this movie if I've seen it. It's a great fantasy.Honorable mentions (because it was hard to narrow down): Back to the Future (the original), the Karate Kid, Mary Poppins (still my fave Disney), Bedknobs and Broomsticks (one fave anyway), Stand By Me, the Parent Trap, Ghostbusters, A Christmas Story, and Clue the Movie. Oh, and the Princess Bride. I own all of the above listed except three...and I realize I've dated myself, but that's half the fun of this conversation, isn't it? :-P
]]>Tue, 15 May 2007 19:07:56 GMTpippin06Top 55/15/2007 3:07:56 PMHow could I not have responded to this convo yet?!?! Excellent topic. I refuse to relinquish my childhood completely anyway. As such, this will be tough for me, but here goes:1. Star Wars / Empire / Jedi - They may be obvious choices, but as we are embarking upon the 30th anniversary of Star Wars/New Hope, and as we are embarking on the 30th year of...something else...I have to say that I&#39;ve never known a world without these movies, they&#39;re still my favorite, I still watch them, and I watched them a gajillion times when I was a kid. And poo on those prequels, which are so inferior despite their fancy CGI special effects.2. The Muppet Movie / The Great Muppet Caper / Muppets Take Manhattan - The three Muppet motion pictures where Jim Henson was still the voice of Kermit. I refuse to watch any of the rest of the series except A Muppet Christmas Carol for that reason. With the exception of Star Wars, no group of characters has made a more delible impression on my life. I am an avid Muppet fan and also collect The Muppet Show and Fraggle Rock. I admit it without shame (though I will feel more confident in that not having shame thing when I finally have children...ahem). :-)3. The Wizard of Oz - I come from the generation when this got played only once a year on TV and only on CBS. The advent of the VCR changed everything. I was scared of the Wicked Witch but still looked forward to this tradition. Now, I have a DVD with crystal clear quality and no commercials.4. E.T. - I remember seeing this a number of times at the drive-in and at the movies. I cried every time. I still cry every time. 5. The NeverEnding Story - The Gamork and the Nothing were scary for me, but I have never been able to not watch this movie if I&#39;ve seen it. It&#39;s a great fantasy.Honorable mentions (because it was hard to narrow down): Back to the Future (the original), the Karate Kid, Mary Poppins (still my fave Disney), Bedknobs and Broomsticks (one fave anyway), Stand By Me, the Parent Trap, Ghostbusters, A Christmas Story, and Clue the Movie. Oh, and the Princess Bride. I own all of the above listed except three...and I realize I&#39;ve dated myself, but that&#39;s half the fun of this conversation, isn&#39;t it? :-P http://www.spout.com/members/0/tags/love/MemberTagFilms.aspxlove
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