list http://www.spout.com/ Recent community activity around House of 1000 Corpses on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/House_of_1000_Corpses/210965/default.aspx Title: House of 1000 Corpses
Year: 2003
Director: Rob Zombie
Plot: Taking his cue from such 1970s horror classics as The Texas Chainsaw Massacre (1974) and The Hills Have Eyes (1977), animated rocker Rob Zombie goes celluloid with the throwback shocker House of 1000 Corpses. Running low on gas as they travel the highways of America in search of the ultimate roadside attraction, a group of teens pull into Captain Spaulding's (Sid Haig) museum of oddities (which also offers fried chicken and gasoline) only to become obsessed with uncovering the mystery of a legendary local maniac known only as Dr. Satan. When an attractive and mysterious hitchhiker subsequently offers to give the thrill seekers a personal tour of Dr. Satan's old stabbing grounds, a breakdown forces them to take refuge with a group of menacing oddballs as a fearsome storm rages outside. As the evening progresses and the backwoods hosts' Halloween festivities become ever more threatening, the teens soon realize that the legend of Dr. Satan may hold a bit more contemporary weight than any of them had previously thought. ~ Jason Buchanan, All Movie Guide
Times Tagged: 36
Number of Lists: 49
Number of blog posts: 4
Number of discussion threads: 3
SpoutRating: 3
]]>Fri, 19 Jun 2009 21:55:16 GMTHouse of 1000 Corpses2003Rob ZombieTaking his cue from such 1970s horror classics as <a href=/films/34558/default.aspx style='text-decoration:underline'>The Texas Chainsaw Massacre</a> (1974) and <a href=/films/261200/default.aspx style='text-decoration:underline'>The Hills Have Eyes</a> (1977), animated rocker <a href="/players/P___328451/default.aspx" style='text-decoration:underline'>Rob Zombie</a> goes celluloid with the throwback shocker House of 1000 Corpses. Running low on gas as they travel the highways of America in search of the ultimate roadside attraction, a group of teens pull into Captain Spaulding's (<a href="/players/P____29604/default.aspx" style='text-decoration:underline'>Sid Haig</a>) museum of oddities (which also offers fried chicken and gasoline) only to become obsessed with uncovering the mystery of a legendary local maniac known only as Dr. Satan. When an attractive and mysterious hitchhiker subsequently offers to give the thrill seekers a personal tour of Dr. Satan's old stabbing grounds, a breakdown forces them to take refuge with a group of menacing oddballs as a fearsome storm rages outside. As the evening progresses and the backwoods hosts' Halloween festivities become ever more threatening, the teens soon realize that the legend of Dr. Satan may hold a bit more contemporary weight than any of them had previously thought. ~ Jason Buchanan, All Movie Guide36Tag Target (>10)49433http://www.spout.com/ProductImages/u41106wjip5.jpghttp://www.spout.com/films/House_of_1000_Corpses/210965/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/10/16/36398.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 10/16/2008 1:00:43 PM
Body: It hasn’t been terribly uncommon since the late ’60s for musicians to get behind the camera, whether for a straight concert film, a tour documentary or some kind of silly narrative focused on themselves and their bands. Jerry Garcia co-directed The Grateful Dead, Frank Zappa co-directed 200 Motels, The Beatles collectively co-directed The Magical Mystery Tour and separately John, Paul and Ringo has each taken the helm on a film project, some more artsy (John and Yoko’s cinematic collaborations, like Up Your Legs Forever) or less self-focused (Ringo’s Marc Bolan doc, Born to Boogie) than others. Now it’s a little more common for musicians to become directors of fictional films that aren’t so reflexive. Many don’t even have anything to do with music at all. And many are so awful that it’s safe to say the filmmaker should stick to music making. This week, IFC releases the directorial debut of Madonna (Filth and Wisdom), and Beastie Boy Adam Yauch has a new basketball documentary (Gunnin’ for That #1 Spot) hitting stores, so we’d like to celebrate by looking at some other musicians who turned filmmaker, for better or worse. Musician: Ray Manzarek, keyboardist for The Doors Debut Narrative Feature: Love Her Madly (2000) He and Jim Morrison met in film school, so it isn’t too surprising that Manzarek shot a lot of the tour footage that you find on Doors home videos, nor is it too surprising that he’d have greater aspirations as a director. But he really blew it with his first narrative feature, named for one of his band’s songs, which came with the Skinamax-ready tagline, “At the crossroads of art and obsession…waits murder.” Musician: Prince Debut Narrative Feature: Under the Cherry Moon (1986) Following the success of his acting debut in Purple Rain, Prince became attached to star in this black and white period musical and then ended up replacing Mary Lambert as its director. Unfortunately, the Fellini-influenced musician-turned-filmmaker disappointed, and Under the Cherry Moon bombed at the box office. Yet Prince would still go on to helm the concert film Sign o’ the Times and the even less popular Purple Rain sequel, Graffiti Bridge. Musician: Master P Debut Narrative Feature: I’m Bout It (1997) Rapper Master P is probably the most prolific filmmaker on this list, but he’s possibly also the least deserving of directorial work. Most of his movies have been ranked extremely low by IMDb users, yet they must be somewhat popular, as he’s been able to release nine straight-to-video titles since he first shared the director’s chair with Moon Jones for the semi-autobiographical I’m Bout It. His tenth movie, Internet Dating, hits stores December 30. Musician: Bob Dylan Debut Narrative Feature: Renaldo and Clara (1978) Dylan got his directorial feet wet working with D.A. Pennebaker on the doc Eat the Document, and then with this nearly four-hour surreal pic he pretty much drowned himself as a filmmaker. Not only was it poorly reviewed, it also played to mostly empty theaters, resulting in a recut two-hour version that focused primarily on the film’s musical performances. Currently, there is no cut of the film available to fans, though excerpts can be found on a bonus DVD released with a live CD a few years ago. Musician: Neil Young Debut Narrative Feature: Human Highway (1982) Young’s filmmaking alter-ego, “Bernard Shakey”, started off with the CSNY doc Journey Through the Past and has since also continued making films about his old supergroup, most recently with CSNY Deja Vu. But he’s also let a few narrative films slip through, including this weird edge-of-apocalypse tale co-directed by actor Dean Stockwell and featuring the members of Devo. Considering how easily it could be a cult classic today, it’s a shame the film isn’t available on DVD. Young’s more serious fans, though, at least have his so-so rock opera Greendale to enjoy for now. Musician: Rob Zombie, singer of White Zombie Debut Narrative Feature: House of 1000 Corpses (2003) Exactly what you’d expect from a heavy metal star, Rob Zombie entered filmmaking with a violent exploitation horror film. He followed it with the more accessible and more successful sequel The Devil’s Rejects and the more mainstream Halloween remake. It’s still up in the air if he’s better suited for the concert stage or the director’s chair. Musician: Fred Durst, singer for Limp Bizkit Debut Narrative Feature: The Education of Charlie Banks (2007) Many people would have expected something akin to Zombie’s filmmaking style to also come from rap-rocker Durst, but the former Limp Bizkit frontman surprised audiences at the 2007 Tribeca Film Festival when he premiered this 1970s-set coming-of-age drama. Even more shocking than its genre and tone, though, was that it isn’t actually completely terrible. However, Durst’s sophomore effort, The Longshots, which opened to poor reviews and poor box office, may be evidence that Durst’s future as a filmmaker isn’t as bright as originally thought. Musician: Ice Cube Debut Narrative Feature: The Players Club (1998) He’s a much better actor than some might have expected or may still give him credit for — even if he sometimes appears in crap like Durst’s The Longshots — but Ice Cube’s filmmaking ability leaves much to be desired, as evidenced with this debut and only feature from the former member of rap group N.W.A. It’s not so awful, though, that he shouldn’t keep trying. He’s certainly not the worst rapper-turned-filmmaker (that might be Master P). Musician: David Byrne, singer/guitarist for Talking Heads Debut Narrative Feature: True Stories (1986) When Byrne’s quirky Warner Bros.-distributed film was released to theaters, it somehow failed to connect with either moviegoers or critics. Since then, it has fortunately become a cult hit, possibly because every film featuring John Goodman eventually catches on with cult audiences (Speed Racer may eventually have its day!). Following this fictional effort, Byrne went on to direct a couple of documentaries, including the arty Ile Aiye (The House of Life) about a Brazilian spirit cult. Musician: Frank Sinatra Debut Narrative Feature: None But the Brave (1965) This might be considered more along the lines of an actor-turned-filmmaker effort, but even during the peak of his movie career, even after he won an Oscar, the “Chairman of the Board” was first and foremost a singer. Sinatra had already produced a number of films, including Ocean’s Eleven, but Warner Bros. was still reluctant to give him his first directing gig. And perhaps the studio should have kept him out of the role, since he apparently didn’t even have the decency and respect to call his Japanese actors by their real names (he reportedly called them all “Freddy”). Though the WWII film was a modest hit, ol’ blue eyes never sat in the director’s chair again, but it’s speculated this has more to do with Sinatra’s wanting less responsibility than the studios’ wanting less racism from their filmmakers. Originally posted on:SpoutBlog
]]>Thu, 16 Oct 2008 17:00:43 GMTSpoutBlogSpoutBlog on spout.com10/16/2008 1:00:43 PMIt hasn’t been terribly uncommon since the late ’60s for musicians to get behind the camera, whether for a straight concert film, a tour documentary or some kind of silly narrative focused on themselves and their bands. Jerry Garcia co-directed The Grateful Dead, Frank Zappa co-directed 200 Motels, The Beatles collectively co-directed The Magical Mystery Tour and separately John, Paul and Ringo has each taken the helm on a film project, some more artsy (John and Yoko’s cinematic collaborations, like Up Your Legs Forever) or less self-focused (Ringo’s Marc Bolan doc, Born to Boogie) than others. Now it’s a little more common for musicians to become directors of fictional films that aren’t so reflexive. Many don’t even have anything to do with music at all. And many are so awful that it’s safe to say the filmmaker should stick to music making. This week, IFC releases the directorial debut of Madonna (Filth and Wisdom), and Beastie Boy Adam Yauch has a new basketball documentary (Gunnin’ for That #1 Spot) hitting stores, so we’d like to celebrate by looking at some other musicians who turned filmmaker, for better or worse. Musician: Ray Manzarek, keyboardist for The Doors Debut Narrative Feature: Love Her Madly (2000) He and Jim Morrison met in film school, so it isn’t too surprising that Manzarek shot a lot of the tour footage that you find on Doors home videos, nor is it too surprising that he’d have greater aspirations as a director. But he really blew it with his first narrative feature, named for one of his band’s songs, which came with the Skinamax-ready tagline, “At the crossroads of art and obsession…waits murder.” Musician: Prince Debut Narrative Feature: Under the Cherry Moon (1986) Following the success of his acting debut in Purple Rain, Prince became attached to star in this black and white period musical and then ended up replacing Mary Lambert as its director. Unfortunately, the Fellini-influenced musician-turned-filmmaker disappointed, and Under the Cherry Moon bombed at the box office. Yet Prince would still go on to helm the concert film Sign o’ the Times and the even less popular Purple Rain sequel, Graffiti Bridge. Musician: Master P Debut Narrative Feature: I’m Bout It (1997) Rapper Master P is probably the most prolific filmmaker on this list, but he’s possibly also the least deserving of directorial work. Most of his movies have been ranked extremely low by IMDb users, yet they must be somewhat popular, as he’s been able to release nine straight-to-video titles since he first shared the director’s chair with Moon Jones for the semi-autobiographical I’m Bout It. His tenth movie, Internet Dating, hits stores December 30. Musician: Bob Dylan Debut Narrative Feature: Renaldo and Clara (1978) Dylan got his directorial feet wet working with D.A. Pennebaker on the doc Eat the Document, and then with this nearly four-hour surreal pic he pretty much drowned himself as a filmmaker. Not only was it poorly reviewed, it also played to mostly empty theaters, resulting in a recut two-hour version that focused primarily on the film’s musical performances. Currently, there is no cut of the film available to fans, though excerpts can be found on a bonus DVD released with a live CD a few years ago. Musician: Neil Young Debut Narrative Feature: Human Highway (1982) Young’s filmmaking alter-ego, “Bernard Shakey”, started off with the CSNY doc Journey Through the Past and has since also continued making films about his old supergroup, most recently with CSNY Deja Vu. But he’s also let a few narrative films slip through, including this weird edge-of-apocalypse tale co-directed by actor Dean Stockwell and featuring the members of Devo. Considering how easily it could be a cult classic today, it’s a shame the film isn’t available on DVD. Young’s more serious fans, though, at least have his so-so rock opera Greendale to enjoy for now. Musician: Rob Zombie, singer of White Zombie Debut Narrative Feature: House of 1000 Corpses (2003) Exactly what you’d expect from a heavy metal star, Rob Zombie entered filmmaking with a violent exploitation horror film. He followed it with the more accessible and more successful sequel The Devil’s Rejects and the more mainstream Halloween remake. It’s still up in the air if he’s better suited for the concert stage or the director’s chair. Musician: Fred Durst, singer for Limp Bizkit Debut Narrative Feature: The Education of Charlie Banks (2007) Many people would have expected something akin to Zombie’s filmmaking style to also come from rap-rocker Durst, but the former Limp Bizkit frontman surprised audiences at the 2007 Tribeca Film Festival when he premiered this 1970s-set coming-of-age drama. Even more shocking than its genre and tone, though, was that it isn’t actually completely terrible. However, Durst’s sophomore effort, The Longshots, which opened to poor reviews and poor box office, may be evidence that Durst’s future as a filmmaker isn’t as bright as originally thought. Musician: Ice Cube Debut Narrative Feature: The Players Club (1998) He’s a much better actor than some might have expected or may still give him credit for — even if he sometimes appears in crap like Durst’s The Longshots — but Ice Cube’s filmmaking ability leaves much to be desired, as evidenced with this debut and only feature from the former member of rap group N.W.A. It’s not so awful, though, that he shouldn’t keep trying. He’s certainly not the worst rapper-turned-filmmaker (that might be Master P). Musician: David Byrne, singer/guitarist for Talking Heads Debut Narrative Feature: True Stories (1986) When Byrne’s quirky Warner Bros.-distributed film was released to theaters, it somehow failed to connect with either moviegoers or critics. Since then, it has fortunately become a cult hit, possibly because every film featuring John Goodman eventually catches on with cult audiences (Speed Racer may eventually have its day!). Following this fictional effort, Byrne went on to direct a couple of documentaries, including the arty Ile Aiye (The House of Life) about a Brazilian spirit cult. Musician: Frank Sinatra Debut Narrative Feature: None But the Brave (1965) This might be considered more along the lines of an actor-turned-filmmaker effort, but even during the peak of his movie career, even after he won an Oscar, the “Chairman of the Board” was first and foremost a singer. Sinatra had already produced a number of films, including Ocean’s Eleven, but Warner Bros. was still reluctant to give him his first directing gig. And perhaps the studio should have kept him out of the role, since he apparently didn’t even have the decency and respect to call his Japanese actors by their real names (he reportedly called them all “Freddy”). Though the WWII film was a modest hit, ol’ blue eyes never sat in the director’s chair again, but it’s speculated this has more to do with Sinatra’s wanting less responsibility than the studios’ wanting less racism from their filmmakers. Originally posted on:SpoutBlog http://www.spout.com/groups/Weekly_Theme/Re_Weekly_Theme_for_July_21_Road_Trip/625/32854/1/ShowPost.aspx Post By: leeroy711
Post To: Weekly Theme
Post Date: 7/21/2008 5:25:55 PM
Body: My kids liked RV and Are We There Yet a lot. This theme seems to be commonly used for comedies. (I know Road Trip is just too obvious for Mercurial to mention so I'll leave it out too.) The newest Wes Anderson, The Darjeering Limited is somewhat of a road trip, only without the road, and you can't forget about Tommy Boy, "Brothers don't shake hands.......................brothers gotta HUG" Then there's the road trips that don't end so well, such as House of 1000 Corpses, Freeway, Themla & Louis, and one of my favorites: Kalifornia. And I can't leave out Ingmar Bergman's Wild Strawberries. The road trip in this film was paralleled by the main character's life story.
]]>Mon, 21 Jul 2008 21:25:55 GMTleeroy711Weekly Theme7/21/2008 5:25:55 PMMy kids liked RV and Are We There Yet a lot. This theme seems to be commonly used for comedies. (I know Road Trip is just too obvious for Mercurial to mention so I'll leave it out too.) The newest Wes Anderson, The Darjeering Limited is somewhat of a road trip, only without the road, and you can't forget about Tommy Boy, "Brothers don't shake hands.......................brothers gotta HUG" Then there's the road trips that don't end so well, such as House of 1000 Corpses, Freeway, Themla &amp; Louis, and one of my favorites: Kalifornia. And I can't leave out Ingmar Bergman's Wild Strawberries. The road trip in this film was paralleled by the main character's life story. http://www.spout.com/blogs/devomayhan/archive/2008/5/28/30084.aspx Post By: devomayhan
Post To: devomayhan Blog
Post Date: 5/28/2008 12:56:32 PM
Body: YOU CAN TELL ROB ZOMBIE DIDNT SPEND MUCH MONEY ON THIS!IT WAS BORING AND STUPID.DEFINATELY WHEN THE GIRL IS IN A BUNNY SUIT AND THE GUY KEEPS SAYING RUN BUNNY RUN! cheap!cheap!cheap!
]]>Wed, 28 May 2008 16:56:32 GMTdevomayhandevomayhan Blog5/28/2008 12:56:32 PMYOU CAN TELL ROB ZOMBIE DIDNT SPEND MUCH MONEY ON THIS!IT WAS BORING AND STUPID.DEFINATELY WHEN THE GIRL IS IN A BUNNY SUIT AND THE GUY KEEPS SAYING RUN BUNNY RUN! cheap!cheap!cheap! http://www.spout.com/groups/HORROR_MOVIES_101/Re_Ask_the_Doctor/222/28387/1/ShowPost.aspx Post By: Macabre_FilmNut
Post To: HORROR MOVIES 101
Post Date: 5/8/2008 9:13:53 PM
Body: [quote user="Dr_Gor"] OH! And I wish to apologize... my 'link a movie thingy' still isn't working... [/quote] That had to be a tripp, sitting in county jail watching 3-D! I can't imagine it. I remember I was out in Eugene Oregon and I saw House of 1000 Corpses (2002) and I was wasted, pretty much 3-D vision. I never realized how the actual visuals were or how the movie plays out until I ended up here and bought it, sat and watched it sober. It didnt make hell alot of sense, but I still enjoyed the flick. I remember Jaws 3 (1983), but I was real young! But back in those days movies stayed in the theaters alot longer! I can remember movies not even showing up in the rentals for like a year or so later. Then VCRS back in those days you had to put a 60 or 70 dollar deposit down to rent one. Also I remember Freddy's Dead: The Final Nightmare (1991) in 3-D, which I liked alot. Jumping off the subject for the moment, the French right now for horror, is where it is at. Hollywood is to busy doing remakes at this present time. European its all originality! Take a look at these titles High Tension (2003)(Haute Tension), Sheitan (2006), and one of my favorites À l'intérieur (2007)(Inside). Any clue where to find uncut and hard to find releases of movies, like mom and pop websites? The only place I know and use is http://www.diabolikdvd.com/ and http://xploitedcinema.com/catalog/index.php. I just ordered something from Cinefear video, just to check them out.
]]>Fri, 09 May 2008 01:13:53 GMTMacabre_FilmNutHORROR MOVIES 1015/8/2008 9:13:53 PM[quote user="Dr_Gor"] OH! And I wish to apologize... my 'link a movie thingy' still isn't working... [/quote] That had to be a tripp, sitting in county jail watching 3-D! I can't imagine it. I remember I was out in Eugene Oregon and I saw House of 1000 Corpses (2002) and I was wasted, pretty much 3-D vision. I never realized how the actual visuals were or how the movie plays out until I ended up here and bought it, sat and watched it sober. It didnt make hell alot of sense, but I still enjoyed the flick. I remember Jaws 3 (1983), but I was real young! But back in those days movies stayed in the theaters alot longer! I can remember movies not even showing up in the rentals for like a year or so later. Then VCRS back in those days you had to put a 60 or 70 dollar deposit down to rent one. Also I remember Freddy's Dead: The Final Nightmare (1991) in 3-D, which I liked alot. Jumping off the subject for the moment, the French right now for horror, is where it is at. Hollywood is to busy doing remakes at this present time. European its all originality! Take a look at these titles High Tension (2003)(Haute Tension), Sheitan (2006), and one of my favorites &Agrave; l'int&eacute;rieur (2007)(Inside). Any clue where to find uncut and hard to find releases of movies, like mom and pop websites? The only place I know and use is http://www.diabolikdvd.com/ and http://xploitedcinema.com/catalog/index.php. I just ordered something from Cinefear video, just to check them out. http://www.spout.com/groups/HORROR_MOVIES_101/Re_Re_Re_Scary_Movie_Quotes/222/21249/1/ShowPost.aspx Post By: FroggyBaBe15876
Post To: HORROR MOVIES 101
Post Date: 10/28/2007 7:54:37 PM
Body: All right, kiddies. I apologize for my absence. But here's my quote:"Do you see? DO YOU SEE?!""Yes... I see."KA-BOOM!
]]>Sun, 28 Oct 2007 23:54:37 GMTFroggyBaBe15876HORROR MOVIES 10110/28/2007 7:54:37 PMAll right, kiddies. I apologize for my absence. But here&#39;s my quote:"Do you see? DO YOU SEE?!""Yes... I see."KA-BOOM! http://www.spout.com/blogs/townshend88/archive/2007/7/22/15509.aspx Post By: townshend88
Post To: townshend88 Blog
Post Date: 7/22/2007 2:39:47 AM
Body: Allright- spout ( and i quote ) "experts" really seem to have no taste. You have to go into movies like this with the right mind set. You're not expecting Titanic or something like that. It's a HORROR movie. Take It For What It Is, man. Rob Zombie is an excellent director and he knows what horrors all about. He went at it from a 1 of a kind and very cool angle. Yeah its graphic but that's what the whole 80's slasher things about. That's what horror is!
]]>Sun, 22 Jul 2007 06:39:47 GMTtownshend88townshend88 Blog7/22/2007 2:39:47 AMAllright- spout ( and i quote ) &quot;experts&quot; really seem to have no taste. You have to go into movies like this with the right mind set. You&#39;re not expecting Titanic or something like that. It&#39;s a HORROR movie. Take It For What It Is, man. Rob Zombie is an excellent director and he knows what horrors all about. He went at it from a 1 of a kind and very cool angle. Yeah its graphic but that&#39;s what the whole 80&#39;s slasher things about. That&#39;s what horror is! http://www.spout.com/blogs/blinktom_182/archive/2007/4/24/7564.aspx Post By: blinktom_182
Post To: blinktom_182 Blog
Post Date: 4/24/2007 7:47:48 PM
Body: this film rob zombie's first well directed horror film, caught my eye in 2002 -2003 when i first saw it when i first saw it the night that my friends and i rented it was along with natural born killers. i loved them both for their almost low budget since to the movies, and in all honesty i dont believe rob had that high of a budget to film this movie. i loved the cast and house of 1000 corpses is what got me into the great horror genre . well casted along with the amazing sequel the devils rejects and i highly await the great remake to halloween on august 31 rob zombie you are genius -toM
]]>Tue, 24 Apr 2007 23:47:48 GMTblinktom_182blinktom_182 Blog4/24/2007 7:47:48 PMthis film rob zombie&#39;s first well directed horror film, caught my eye in 2002 -2003 when i first saw it when i first saw it the night that my friends and i rented it was along with natural born killers. i loved them both for their almost low budget since to the movies, and in all honesty i dont believe rob had that high of a budget to film this movie. i loved the cast and house of 1000 corpses is what got me into the great horror genre . well casted along with the amazing sequel the devils rejects and i highly await the great remake to halloween on august 31 rob zombie you are genius -toM http://www.spout.com/members/0/tags/family/MemberTagFilms.aspxfamily
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