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    <title>L'Atalante's Recent Activity - Spout</title>
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      <title>Film:L'Atalante</title>
      <link>http://www.spout.com/films/L_Atalante/19316/default.aspx</link><description><![CDATA[<table width='100%' style='font:10px/10px Helvetica, Arial, sans-serif;'><tr><td><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' /></td>
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<strong>Title:</strong> L'Atalante<br/>
<strong>Year:</strong> 1934<br/>
<strong>Director:</strong> Jean Vigo<br/>
<strong>Plot:</strong> The most acclaimed (and sentimental) film in <a href="/players/P___115432/default.aspx" style='text-decoration:underline'>Jean Vigo</a>'s short career.  L'Atalante is the name of the barge owned by Jean (Jean Daste), who marries the lovely Juliette (<a href="/players/P____55178/default.aspx" style='text-decoration:underline'>Dita Parlo</a>) at the film's beginning.  Juliette comes to live aboard the barge, for Jean makes his living on the Seine. The arrival of a woman on board disrupts the small crew, but they do their best to make her welcome. The solitude and boredom soon take their toll on Juliette, so Jean brings her ashore for a night at a cafe in Paris. He becomes jealous of a flirtation between Juliette and a peddler, and when she leaves the ship again later, Jean casts off from the port.  This dark love story is also peppered with hallucinations and unusual camerawork. A restored version was made available in 1990. ~ John Voorhees, All Movie Guide<br/>
<strong>Times Tagged:</strong> 3<br/>
<strong>Number of Lists:</strong> 8<br/>
<strong>Number of blog posts:</strong> 2<br/>
<strong>Number of discussion threads:</strong> 1<br/>
<strong>SpoutRating:</strong> 3<br/>
</td></tr></table>]]></description><pubDate>Sun, 05 Jul 2009 07:30:22 GMT</pubDate><spout:Title>L'Atalante</spout:Title><spout:Year>1934</spout:Year><spout:Director>Jean Vigo</spout:Director><spout:Plot>The most acclaimed (and sentimental) film in &lt;a href="/players/P___115432/default.aspx" style='text-decoration:underline'&gt;Jean Vigo&lt;/a&gt;'s short career.  L'Atalante is the name of the barge owned by Jean (Jean Daste), who marries the lovely Juliette (&lt;a href="/players/P____55178/default.aspx" style='text-decoration:underline'&gt;Dita Parlo&lt;/a&gt;) at the film's beginning.  Juliette comes to live aboard the barge, for Jean makes his living on the Seine. The arrival of a woman on board disrupts the small crew, but they do their best to make her welcome. The solitude and boredom soon take their toll on Juliette, so Jean brings her ashore for a night at a cafe in Paris. He becomes jealous of a flirtation between Juliette and a peddler, and when she leaves the ship again later, Jean casts off from the port.  This dark love story is also peppered with hallucinations and unusual camerawork. A restored version was made available in 1990. ~ John Voorhees, All Movie Guide</spout:Plot><spout:TimesTagged>3</spout:TimesTagged><spout:taglevel>Slightly Tagged (1-5)</spout:taglevel><spout:Numberoflists>8</spout:Numberoflists><spout:NumberOfBlogPosts>2</spout:NumberOfBlogPosts><spout:NumberOfDiscussionThreads>1</spout:NumberOfDiscussionThreads><spout:SpoutRating>3</spout:SpoutRating><spout:FilmCoverURL>http://www.spout.com/ProductImages/t29490q1qcl.jpg</spout:FilmCoverURL><spout:SpoutFilmDetailURL>http://www.spout.com/films/L_Atalante/19316/default.aspx</spout:SpoutFilmDetailURL><spout:type>Film</spout:type></item>
    <item>
      <title>Spout Post: Re:Which of these from Tim Out's list of 10 greatest directorial debuts of all time is your favorite?</title>
      <link>http://www.spout.com/groups/Movie_Polls/Re_Which_of_these_from_Tim_Out_s_list_of_10_greate/657/43922/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5353/default.aspx'>Risselada</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Movie_Polls/657/discussions.aspx'>Movie Polls</a><br/>
<strong>Post Date:</strong> 9/16/2009 2:43:34 PM<br/>
<strong>Body:</strong> My favorite filmmakers of all time are The Coen brothers yet curiously enough, their first film is my least favorite!  I still love it, but it's the only one I would consider less than perfect for me. Also interesting is that two fo these, Jean Vigo's L'Atalante and Charles Laughton's The Night of the Hunter are each othe only feature films that either of these guys ever made.  I wonder if they still would have been as high on this list if they had gone on to make further films, whether better ones or worse ones.<br/>
</div>]]></description><pubDate>Wed, 16 Sep 2009 18:43:34 GMT</pubDate><spout:postby>Risselada</spout:postby><spout:postto>Movie Polls</spout:postto><spout:postdate>9/16/2009 2:43:34 PM</spout:postdate><spout:body>My favorite filmmakers of all time are The Coen brothers yet curiously enough, their first film is my least favorite!  I still love it, but it's the only one I would consider less than perfect for me. Also interesting is that two fo these, Jean Vigo's L'Atalante and Charles Laughton's The Night of the Hunter are each othe only feature films that either of these guys ever made.  I wonder if they still would have been as high on this list if they had gone on to make further films, whether better ones or worse ones.</spout:body></item>
    <item>
      <title>Spout Post: Re:Which of these from Tim Out's list of 10 greatest directorial debuts of all time is your favorite?</title>
      <link>http://www.spout.com/groups/Movie_Polls/Re_Which_of_these_from_Tim_Out_s_list_of_10_greate/657/43893/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5711/default.aspx'>Dr_Gor</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Movie_Polls/657/discussions.aspx'>Movie Polls</a><br/>
<strong>Post Date:</strong> 9/13/2009 9:11:31 PM<br/>
<strong>Body:</strong> [quote user="Risselada"] Please reference this thread for the rules of this group. Here is the link for the full list of Time Out's 50 greatest directorial debuts of all time    Please vote only once in each poll. Movies referenced in this poll:The 400 BlowsL'AtalanteBadlandsBlood SimpleCitizen KaneThe Maltese FalconThe Night of the HunterNight of the Living DeadPerformanceThey Live By Night [/quote]    Obviously I could only vote for one movie out of that list...   George Romero is a GOD in the directing world and NOTLD is, quite simply, one of the best movies ever made...                                                                           &lt; GOR &gt;<br/>
</div>]]></description><pubDate>Mon, 14 Sep 2009 01:11:31 GMT</pubDate><spout:postby>Dr_Gor</spout:postby><spout:postto>Movie Polls</spout:postto><spout:postdate>9/13/2009 9:11:31 PM</spout:postdate><spout:body>[quote user="Risselada"] Please reference this thread for the rules of this group. Here is the link for the full list of Time Out's 50 greatest directorial debuts of all time    Please vote only once in each poll. Movies referenced in this poll:The 400 BlowsL'AtalanteBadlandsBlood SimpleCitizen KaneThe Maltese FalconThe Night of the HunterNight of the Living DeadPerformanceThey Live By Night [/quote]    Obviously I could only vote for one movie out of that list...   George Romero is a GOD in the directing world and NOTLD is, quite simply, one of the best movies ever made...                                                                           &amp;lt; GOR &amp;gt;</spout:body></item>
    <item>
      <title>Spout Post: Which of these from Tim Out's list of 10 greatest directorial debuts of all time is your favorite?</title>
      <link>http://www.spout.com/groups/Movie_Polls/Which_of_these_from_Tim_Out_s_list_of_10_greatest/657/43834/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5353/default.aspx'>Risselada</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Movie_Polls/657/discussions.aspx'>Movie Polls</a><br/>
<strong>Post Date:</strong> 9/9/2009 6:25:09 PM<br/>
<strong>Body:</strong> Please reference this thread for the rules of this group. Here is the link for the full list of Time Out's 50 greatest directorial debuts of all time    Please vote only once in each poll. Movies referenced in this poll:The 400 BlowsL'AtalanteBadlandsBlood SimpleCitizen KaneThe Maltese FalconThe Night of the HunterNight of the Living DeadPerformanceThey Live By Night<br/>
</div>]]></description><pubDate>Wed, 09 Sep 2009 22:25:09 GMT</pubDate><spout:postby>Risselada</spout:postby><spout:postto>Movie Polls</spout:postto><spout:postdate>9/9/2009 6:25:09 PM</spout:postdate><spout:body>Please reference this thread for the rules of this group. Here is the link for the full list of Time Out's 50 greatest directorial debuts of all time    Please vote only once in each poll. Movies referenced in this poll:The 400 BlowsL'AtalanteBadlandsBlood SimpleCitizen KaneThe Maltese FalconThe Night of the HunterNight of the Living DeadPerformanceThey Live By Night</spout:body></item>
    <item>
      <title>Spout Post: 10 Posthumous Oscar Nominations That Should Have Been</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/7/16/32630.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 7/16/2008 3:00:59 PM<br/>
<strong>Body:</strong> 
Though I first buzzed about an Academy Award nomination for Heath Ledger in The Dark Knight more than a month before his death, I now want to take it all back. I feel all the talk of Ledger’s posthumous Oscar chances will cloud my mind when I finally do see it, and it will probably also cloud the Academy’s judgment, too. Six months from now, when the nominations are announced on January 22 (coincidentally the one-year anniversary of Ledger’s death), if Ledger is not recognized for his role as The Joker, there will surely be an uproar — actually, Hollywood might just up and self-implode.
I’m not the only one annoyed by all the Oscar buzz. Terry Gilliam, who directed Ledger in The Brothers Grimm and the upcoming The Imaginarium of Doctor Parnassus, is calling “bullshit” on the whole thing, particularly against Warner Bros., which Gilliam accuses of exploiting Ledger’s death and chance of a posthumous Oscar for publicity purposes. Considering most Oscar campaigns for live actors are really just part of movie marketing, he has a good point.

Sure, I would love to see Ledger honored. I’ve believed in his Oscar worth since 10 Things I Hate About You . But in February, if he receives a posthumous award, it will surely feel, at least in good percentage, that it’s because he died young. In that case, why not also give supporting noms sight unseen to Rob Knox for Harry Potter and the Half-Blood Prince and Brad Renfro for The Informers? Despite the more than 10 posthumous nominations in Oscar history, however, it’s not obligatory for the Academy to hand out such accolades every time someone dies before his final movie is released. Just check out the following list of talent who probably deserved posthumous Oscar recognition as much as Ledger does:

Jean Vigo for L’Atalante - One of the greatest, most influential films of all time, L’Atalante premiered in France in 1934, a few months before Vigo died of tuberculosis at the age of 29. It eventually made its way to the U.S. 14 years later, just in time for the debut of the Oscar for Best Foreign Language Film. And considering the first recipient, Vittorio De Sica (for Shoeshine), would win again two years later (for Bicycle Thieves), the Academy should have recognized Vigo’s film, even if it was more than a decade old. Unfortunately, it would be many decades before L’Atalante received the kind of esteem it deserves.
James Dean for Rebel Without a Cause - Dean starred in only three feature films, one of which, East of Eden, was released prior to his death. He received posthumous Oscar nominations for that film and his final appearance in Giant, which came out a year later. But wouldn’t it have been wonderful if he’d also been nominated for his most iconic role in Rebel Without a Cause? Sure, he’d have posthumously gone up against himself in 1956, but that’s what movie gods like him were made to do.
Richard Harris for Harry Potter and the Chamber of Secrets - Not only should Harris have received a nomination, he should have won, too. It doesn’t matter that it wasn’t the greatest performance by the actor, who’d previously been nominated for 1963’s This Sporting Life and 1990’s The Field. It’s that Harry Potter fans would have tuned in and saved that year’s telecast from being the least-watched in years. Just imagine how many people will be tuning in to next year’s show just because of the (inevitable) Ledger nom.
Heather O’Rourke for Poltergeist III - I know that I’m only one of maybe three people who like the third Poltergeist movie, but even if you think the movie itself is bad, you have to give little Heather O’Rourke credit for being giving creepily terrific performances throughout the series. Compare her talent to some other young actresses who’ve been nominated. Especially Abigail Breslin of Little Miss Sunshine. And had she lived, she’d probably be a better actress today than Oscar-winner Anna Paquin.
F.W. Murnau for Tabu - His Sunrise was pretty successful a few year earlier, at the 1st Academy Awards, but he wasn’t even nominated. In fact, the man who also gave us Nosferatu, Faust and The Last Laugh was never nominated for an Oscar, a fact that might have been different had the Oscars been founded a decade earlier or had he not died tragically in a car accident at age 43. I’m sure, at least, that Floyd Crosby, when winning for his cinematography work on Tabu, raised the statue to the sky and said, “this is for Murnau.”
Peter Sellers for The Fiendish Plot of Dr. Fu Manchu - Whether or not you believe the Academy hates on comedic actors, you should agree that Sellers should have won an Oscar before he died. Or after he died. If he’d been nominated for this critical and commercial failure, though, it would of course have been one of those “he deserved it for ______, but this will do” kind of situtations.
Stanley Kubrick for Eyes Wide Shut - If Scorsese can finally win with The Departed, Kubrick should have finally won posthumously with what is often thought of as his worst film. If anything, he at least deserved to be nominated instead of M. Night Shyamalan.
Adrienne Shelly for Waitress - Didn’t it seem like a sure thing the writer-director-actress, Shelley, would get the nomination this year? Considering Diablo Cody had already (unofficially) won the actual Oscar before the nominations were even announced, could it have hurt to include the tragically murdered screenwriter? Or were there already too many ladies on the screenwriting ballot this year?
Thelma Ritter for What’s So Bad About Feeling Good? - If ever there was a supporting actress who should have won an Oscar, Ritter was she. After six nominations (four of them consecutive), a posthumous seventh should have come with this movie (even if I’ve never personally seen it, I bet she’s great as usual). Unfortunately, the ballots were likely already in when she had her heart attack in February 1969. Also, she probably would have lost to Ruth Gordon anyway.
Brandon Lee for The Crow - Laugh all you want, but in a crazy year that saw John Travolta recognized with a nomination and Tom Hanks recognized with a win for one of his silliest performances ever, would it have been so strange if the Academy had given Lee the slot filled by Morgan Freeman (obviously Oscar had little love for The Shawshank Redemption as it was)?
 Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Wed, 16 Jul 2008 19:00:59 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>7/16/2008 3:00:59 PM</spout:postdate><spout:body>
Though I first buzzed about an Academy Award nomination for Heath Ledger in The Dark Knight more than a month before his death, I now want to take it all back. I feel all the talk of Ledger’s posthumous Oscar chances will cloud my mind when I finally do see it, and it will probably also cloud the Academy’s judgment, too. Six months from now, when the nominations are announced on January 22 (coincidentally the one-year anniversary of Ledger’s death), if Ledger is not recognized for his role as The Joker, there will surely be an uproar — actually, Hollywood might just up and self-implode.
I’m not the only one annoyed by all the Oscar buzz. Terry Gilliam, who directed Ledger in The Brothers Grimm and the upcoming The Imaginarium of Doctor Parnassus, is calling “bullshit” on the whole thing, particularly against Warner Bros., which Gilliam accuses of exploiting Ledger’s death and chance of a posthumous Oscar for publicity purposes. Considering most Oscar campaigns for live actors are really just part of movie marketing, he has a good point.

Sure, I would love to see Ledger honored. I’ve believed in his Oscar worth since 10 Things I Hate About You . But in February, if he receives a posthumous award, it will surely feel, at least in good percentage, that it’s because he died young. In that case, why not also give supporting noms sight unseen to Rob Knox for Harry Potter and the Half-Blood Prince and Brad Renfro for The Informers? Despite the more than 10 posthumous nominations in Oscar history, however, it’s not obligatory for the Academy to hand out such accolades every time someone dies before his final movie is released. Just check out the following list of talent who probably deserved posthumous Oscar recognition as much as Ledger does:

Jean Vigo for L’Atalante - One of the greatest, most influential films of all time, L’Atalante premiered in France in 1934, a few months before Vigo died of tuberculosis at the age of 29. It eventually made its way to the U.S. 14 years later, just in time for the debut of the Oscar for Best Foreign Language Film. And considering the first recipient, Vittorio De Sica (for Shoeshine), would win again two years later (for Bicycle Thieves), the Academy should have recognized Vigo’s film, even if it was more than a decade old. Unfortunately, it would be many decades before L’Atalante received the kind of esteem it deserves.
James Dean for Rebel Without a Cause - Dean starred in only three feature films, one of which, East of Eden, was released prior to his death. He received posthumous Oscar nominations for that film and his final appearance in Giant, which came out a year later. But wouldn’t it have been wonderful if he’d also been nominated for his most iconic role in Rebel Without a Cause? Sure, he’d have posthumously gone up against himself in 1956, but that’s what movie gods like him were made to do.
Richard Harris for Harry Potter and the Chamber of Secrets - Not only should Harris have received a nomination, he should have won, too. It doesn’t matter that it wasn’t the greatest performance by the actor, who’d previously been nominated for 1963’s This Sporting Life and 1990’s The Field. It’s that Harry Potter fans would have tuned in and saved that year’s telecast from being the least-watched in years. Just imagine how many people will be tuning in to next year’s show just because of the (inevitable) Ledger nom.
Heather O’Rourke for Poltergeist III - I know that I’m only one of maybe three people who like the third Poltergeist movie, but even if you think the movie itself is bad, you have to give little Heather O’Rourke credit for being giving creepily terrific performances throughout the series. Compare her talent to some other young actresses who’ve been nominated. Especially Abigail Breslin of Little Miss Sunshine. And had she lived, she’d probably be a better actress today than Oscar-winner Anna Paquin.
F.W. Murnau for Tabu - His Sunrise was pretty successful a few year earlier, at the 1st Academy Awards, but he wasn’t even nominated. In fact, the man who also gave us Nosferatu, Faust and The Last Laugh was never nominated for an Oscar, a fact that might have been different had the Oscars been founded a decade earlier or had he not died tragically in a car accident at age 43. I’m sure, at least, that Floyd Crosby, when winning for his cinematography work on Tabu, raised the statue to the sky and said, “this is for Murnau.”
Peter Sellers for The Fiendish Plot of Dr. Fu Manchu - Whether or not you believe the Academy hates on comedic actors, you should agree that Sellers should have won an Oscar before he died. Or after he died. If he’d been nominated for this critical and commercial failure, though, it would of course have been one of those “he deserved it for ______, but this will do” kind of situtations.
Stanley Kubrick for Eyes Wide Shut - If Scorsese can finally win with The Departed, Kubrick should have finally won posthumously with what is often thought of as his worst film. If anything, he at least deserved to be nominated instead of M. Night Shyamalan.
Adrienne Shelly for Waitress - Didn’t it seem like a sure thing the writer-director-actress, Shelley, would get the nomination this year? Considering Diablo Cody had already (unofficially) won the actual Oscar before the nominations were even announced, could it have hurt to include the tragically murdered screenwriter? Or were there already too many ladies on the screenwriting ballot this year?
Thelma Ritter for What’s So Bad About Feeling Good? - If ever there was a supporting actress who should have won an Oscar, Ritter was she. After six nominations (four of them consecutive), a posthumous seventh should have come with this movie (even if I’ve never personally seen it, I bet she’s great as usual). Unfortunately, the ballots were likely already in when she had her heart attack in February 1969. Also, she probably would have lost to Ruth Gordon anyway.
Brandon Lee for The Crow - Laugh all you want, but in a crazy year that saw John Travolta recognized with a nomination and Tom Hanks recognized with a win for one of his silliest performances ever, would it have been so strange if the Academy had given Lee the slot filled by Morgan Freeman (obviously Oscar had little love for The Shawshank Redemption as it was)?
 Originally posted on:SpoutBlog</spout:body></item>
    <item>
      <title>Spout Post: One of the greats</title>
      <link>http://www.spout.com/blogs/chesterfilms/archive/2007/6/15/11182.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/14591/default.aspx'>chesterfilms</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/chesterfilms/default.aspx'>chesterfilms Blog</a><br/>
<strong>Post Date:</strong> 6/15/2007 9:31:52 PM<br/>
<strong>Body:</strong> A beautiful story of love! Simple and timeless. One of the greats!<br/>
</div>]]></description><pubDate>Sat, 16 Jun 2007 01:31:52 GMT</pubDate><spout:postby>chesterfilms</spout:postby><spout:postto>chesterfilms Blog</spout:postto><spout:postdate>6/15/2007 9:31:52 PM</spout:postdate><spout:body>A beautiful story of love! Simple and timeless. One of the greats!</spout:body></item>
    <item>
      <title>Spout Post: Re: Top 5 Sea/Water Movies</title>
      <link>http://www.spout.com/groups/Filmspotting/Re_Top_5_Sea_Water_Movies/304/9669/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t29490q1qcl.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5353/default.aspx'>Risselada</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Filmspotting/304/discussions.aspx'>Filmspotting</a><br/>
<strong>Post Date:</strong> 5/29/2007 5:42:27 PM<br/>
<strong>Body:</strong> Here&#39;s a few more I haven&#39;t seen mentioned yet.I&#39;m surprised no one mentioned what I thought was the most classic boat movie of all time L&#39;AtalanteDead Man (all the scenes in his little boat)the same goes for Down By Law in the little boat in the swamp.I&#39;m surprised no one mentioned The Life Aquatic With Steve ZissouSphere, although it&#39;s a much better book than a movieThe Poseidon Adventure not the greatest either, but maybe still worth mentioning Since you are saying WATER, what about movies with lots of rain in them like Blade Runner or The Hole (the latter is very wet overall!)<br/>
</div>]]></description><pubDate>Tue, 29 May 2007 21:42:27 GMT</pubDate><spout:postby>Risselada</spout:postby><spout:postto>Filmspotting</spout:postto><spout:postdate>5/29/2007 5:42:27 PM</spout:postdate><spout:body>Here&amp;#39;s a few more I haven&amp;#39;t seen mentioned yet.I&amp;#39;m surprised no one mentioned what I thought was the most classic boat movie of all time L&amp;#39;AtalanteDead Man (all the scenes in his little boat)the same goes for Down By Law in the little boat in the swamp.I&amp;#39;m surprised no one mentioned The Life Aquatic With Steve ZissouSphere, although it&amp;#39;s a much better book than a movieThe Poseidon Adventure not the greatest either, but maybe still worth mentioning Since you are saying WATER, what about movies with lots of rain in them like Blade Runner or The Hole (the latter is very wet overall!)</spout:body></item>
    <item>
      <title>Spout Tag:love</title>
      <link>http://www.spout.com/members/0/tags/love/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/love/MemberTagFilms.aspx'>love</a>
<strong><br/> Number of films tagged:</strong> 12477</br><br/>
<strong>Number of people who tagged:</strong> 336</br><br/>
<strong>Number of times used:</strong> 1476</br><br/>
</div>]]></description><pubDate>Tue, 08 Dec 2009 00:46:17 GMT</pubDate><spout:numFilms>12477</spout:numFilms><spout:numPeople>336</spout:numPeople><spout:timesUsed>1476</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:Classic</title>
      <link>http://www.spout.com/members/0/tags/Classic/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/Classic/MemberTagFilms.aspx'>Classic</a>
<strong><br/> Number of films tagged:</strong> 816</br><br/>
<strong>Number of people who tagged:</strong> 312</br><br/>
<strong>Number of times used:</strong> 1453</br><br/>
</div>]]></description><pubDate>Sun, 23 Aug 2009 22:54:36 GMT</pubDate><spout:numFilms>816</spout:numFilms><spout:numPeople>312</spout:numPeople><spout:timesUsed>1453</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:romance</title>
      <link>http://www.spout.com/members/0/tags/romance/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/romance/MemberTagFilms.aspx'>romance</a>
<strong><br/> Number of films tagged:</strong> 7160</br><br/>
<strong>Number of people who tagged:</strong> 169</br><br/>
<strong>Number of times used:</strong> 1002</br><br/>
</div>]]></description><pubDate>Fri, 04 Dec 2009 00:50:40 GMT</pubDate><spout:numFilms>7160</spout:numFilms><spout:numPeople>169</spout:numPeople><spout:timesUsed>1002</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:french</title>
      <link>http://www.spout.com/members/0/tags/french/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/french/MemberTagFilms.aspx'>french</a>
<strong><br/> Number of films tagged:</strong> 177</br><br/>
<strong>Number of people who tagged:</strong> 80</br><br/>
<strong>Number of times used:</strong> 236</br><br/>
</div>]]></description><pubDate>Wed, 25 Nov 2009 02:12:04 GMT</pubDate><spout:numFilms>177</spout:numFilms><spout:numPeople>80</spout:numPeople><spout:timesUsed>236</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:betrayal</title>
      <link>http://www.spout.com/members/0/tags/betrayal/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/betrayal/MemberTagFilms.aspx'>betrayal</a>
<strong><br/> Number of films tagged:</strong> 1035</br><br/>
<strong>Number of people who tagged:</strong> 62</br><br/>
<strong>Number of times used:</strong> 154</br><br/>
</div>]]></description><pubDate>Mon, 27 Jul 2009 04:28:04 GMT</pubDate><spout:numFilms>1035</spout:numFilms><spout:numPeople>62</spout:numPeople><spout:timesUsed>154</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:jealousy</title>
      <link>http://www.spout.com/members/0/tags/jealousy/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/jealousy/MemberTagFilms.aspx'>jealousy</a>
<strong><br/> Number of films tagged:</strong> 1295</br><br/>
<strong>Number of people who tagged:</strong> 39</br><br/>
<strong>Number of times used:</strong> 120</br><br/>
</div>]]></description><pubDate>Mon, 30 Nov 2009 16:13:05 GMT</pubDate><spout:numFilms>1295</spout:numFilms><spout:numPeople>39</spout:numPeople><spout:timesUsed>120</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:foreign</title>
      <link>http://www.spout.com/members/0/tags/foreign/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/foreign/MemberTagFilms.aspx'>foreign</a>
<strong><br/> Number of films tagged:</strong> 491</br><br/>
<strong>Number of people who tagged:</strong> 30</br><br/>
<strong>Number of times used:</strong> 421</br><br/>
</div>]]></description><pubDate>Thu, 12 Nov 2009 19:41:30 GMT</pubDate><spout:numFilms>491</spout:numFilms><spout:numPeople>30</spout:numPeople><spout:timesUsed>421</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:reunion</title>
      <link>http://www.spout.com/members/0/tags/reunion/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/reunion/MemberTagFilms.aspx'>reunion</a>
<strong><br/> Number of films tagged:</strong> 943</br><br/>
<strong>Number of people who tagged:</strong> 23</br><br/>
<strong>Number of times used:</strong> 45</br><br/>
</div>]]></description><pubDate>Thu, 09 Jul 2009 13:13:22 GMT</pubDate><spout:numFilms>943</spout:numFilms><spout:numPeople>23</spout:numPeople><spout:timesUsed>45</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:extramaritalaffair</title>
      <link>http://www.spout.com/members/0/tags/extramaritalaffair/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/extramaritalaffair/MemberTagFilms.aspx'>extramaritalaffair</a>
<strong><br/> Number of films tagged:</strong> 3121</br><br/>
<strong>Number of people who tagged:</strong> 18</br><br/>
<strong>Number of times used:</strong> 31</br><br/>
</div>]]></description><pubDate>Thu, 09 Jul 2009 13:13:22 GMT</pubDate><spout:numFilms>3121</spout:numFilms><spout:numPeople>18</spout:numPeople><spout:timesUsed>31</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:husbandandwife</title>
      <link>http://www.spout.com/members/0/tags/husbandandwife/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/husbandandwife/MemberTagFilms.aspx'>husbandandwife</a>
<strong><br/> Number of films tagged:</strong> 767</br><br/>
<strong>Number of people who tagged:</strong> 10</br><br/>
<strong>Number of times used:</strong> 23</br><br/>
</div>]]></description><pubDate>Thu, 09 Jul 2009 13:13:22 GMT</pubDate><spout:numFilms>767</spout:numFilms><spout:numPeople>10</spout:numPeople><spout:timesUsed>23</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:newlywed</title>
      <link>http://www.spout.com/members/0/tags/newlywed/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/newlywed/MemberTagFilms.aspx'>newlywed</a>
<strong><br/> Number of films tagged:</strong> 251</br><br/>
<strong>Number of people who tagged:</strong> 6</br><br/>
<strong>Number of times used:</strong> 8</br><br/>
</div>]]></description><pubDate>Thu, 14 May 2009 13:03:14 GMT</pubDate><spout:numFilms>251</spout:numFilms><spout:numPeople>6</spout:numPeople><spout:timesUsed>8</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:barge</title>
      <link>http://www.spout.com/members/0/tags/barge/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/barge/MemberTagFilms.aspx'>barge</a>
<strong><br/> Number of films tagged:</strong> 10</br><br/>
<strong>Number of people who tagged:</strong> 0</br><br/>
<strong>Number of times used:</strong> 0</br><br/>
</div>]]></description><pubDate>Fri, 03 Mar 2006 14:07:24 GMT</pubDate><spout:numFilms>10</spout:numFilms><spout:numPeople>0</spout:numPeople><spout:timesUsed>0</spout:timesUsed><spout:type>Tag</spout:type></item>
  </channel>
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