list http://www.spout.com/ Recent community activity around Kiss Me Deadly on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Kiss_Me_Deadly/19086/default.aspx Title: Kiss Me Deadly
Year: 1955
Director: Robert Aldrich
Plot: Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide
Times Tagged: 17
Number of Lists: 25
Number of blog posts: 3
Number of discussion threads: 2
SpoutRating: 3
]]>Mon, 06 Jul 2009 15:49:43 GMTKiss Me Deadly1955Robert AldrichRegarded by many critics as the ultimate <I>film noir</I>, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars <a href="/players/P____48205/default.aspx" style='text-decoration:underline'>Ralph Meeker</a> as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (<a href="/players/P____41211/default.aspx" style='text-decoration:underline'>Cloris Leachman</a>), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (<a href="/players/P___112799/default.aspx" style='text-decoration:underline'>Paul Stewart</a>), a turncoat scientist (<a href="/players/P____18299/default.aspx" style='text-decoration:underline'>Albert Dekker</a>), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director <a href="/players/P____79278/default.aspx" style='text-decoration:underline'>Robert Aldrich</a> and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide17Tag Target (>10)25323http://www.spout.com/ProductImages/t11704rchcl.jpghttp://www.spout.com/films/Kiss_Me_Deadly/19086/default.aspxFilm http://www.spout.com/blogs/risselada/archive/2009/4/10/41535.aspx Post By: Risselada
Post To: Risselada Blog
Post Date: 4/10/2009 11:51:24 AM
Body: This blog entry is part of my "movie year countdown round #2". Read more about that here. Kiss Me Deadly The Mike Hammer of this film is one of the most selfish, sleaziest protagonists I've seen, even for film noir. I was kind of surprised and amused at the excessive use of violence. Not that things don't usually end up violent in film noir of this type, but Hammer fairly quickly in his series of investigations, progresses to the point where if someone doesn't give him the info he wants right away, he jumps almost straight to bribes. And if they don't accept the first offer he jumps straight into violence. There is little time wasted in escalating from verbal threats to violence if he doesn't get what he wants immediately. It makes him look a lot more like a brute but it sure does work! The film jumps around from different genres of the period in ways I wasn't expecting either. From a detective film noir to an atomic age sci-fi film. In a ways the jump is exciting but in some ways also jarring. There are some very striking images here. I love the way the film is shot. Sometimes the progression of events or the motivations of the characters just seem so out of place or unbelievable from one scene to another that I can't quite rank it amongst my favorite film noirs. The glowing briefcase must have been an inspiration for many other films though. It's impossible not to think Tarantino was picturing this film when making his briefcase in Pulp Fiction. In fact I'm sure this is a movie that Tarantino must love all around. Rating: 8/10
]]>Fri, 10 Apr 2009 15:51:24 GMTRisseladaRisselada Blog4/10/2009 11:51:24 AMThis blog entry is part of my "movie year countdown round #2". Read more about that here. Kiss Me Deadly The Mike Hammer of this film is one of the most selfish, sleaziest protagonists I've seen, even for film noir. I was kind of surprised and amused at the excessive use of violence. Not that things don't usually end up violent in film noir of this type, but Hammer fairly quickly in his series of investigations, progresses to the point where if someone doesn't give him the info he wants right away, he jumps almost straight to bribes. And if they don't accept the first offer he jumps straight into violence. There is little time wasted in escalating from verbal threats to violence if he doesn't get what he wants immediately. It makes him look a lot more like a brute but it sure does work! The film jumps around from different genres of the period in ways I wasn't expecting either. From a detective film noir to an atomic age sci-fi film. In a ways the jump is exciting but in some ways also jarring. There are some very striking images here. I love the way the film is shot. Sometimes the progression of events or the motivations of the characters just seem so out of place or unbelievable from one scene to another that I can't quite rank it amongst my favorite film noirs. The glowing briefcase must have been an inspiration for many other films though. It's impossible not to think Tarantino was picturing this film when making his briefcase in Pulp Fiction. In fact I'm sure this is a movie that Tarantino must love all around. Rating: 8/10 http://www.spout.com/groups/Filmgaming/Re_A_new_pack_of_RESERVOIR_DOGS_1992/563/32750/1/ShowPost.aspx Post By: theunemployedshortstop
Post To: Filmgaming
Post Date: 7/18/2008 9:44:33 PM
Body: The Epic Tale of "The Wolves of Gomorrah Gorge." The Conceit: Due to a trans-dimensional rift caused by the AWESOMENESS of the Inglorious Bastards screenplay Quentin Tarantino is able to jump into a dimension where the world is perpetually in the early fifties. The impish auteur (also great collaborator) is eager to see what some of his favorite directors and writers would do with his material. He gives a vague outline of Reservoir Dogs to Carl Foreman. Bitter over the HUAC hearings of 1947, Forman takes the idea of the mole cop and turns it into a commentary on witch hunting (like the Crucible set in the American West… with action and no weeping, whining, or three hour yawn-fest… just kidding). Production: The studio loved the concept and saw Anthony Mann as the director. His surprising presentation of the morally grey double agents in T – Men and his success as a visual director of both noir and westerns would yield a fantastic visual motif. Foreman set the film in an abandoned camp… rumored to have once been a lush valley, the area is now a barren gorge of salt (Hence Gomorrah Gorge though the studio would want to back off of this title… hence the title of Guthrie's song). Mann shot the film in the Colombia River Gorge and the surrounding desert like region of Eastern Washington. It was more visually arresting than the Rocky Mountain back drop of The Naked Spur. Rewrites: Leigh Brackett (script doctor supreme: The Big Sleep, Rio Bravo, The Empire Strikes Back) is hired to tone down the political commentary and add some sex appeal. Miss Brackett split the role of Nice Guy Eddy (now Cow Puncher Bob) into two roles: Two siblings competing for their father's approval (much like Duel in the Sun) Cow Puncher Bob, a slick but incompetent rustler, and Grifter Gurdy, modeled after Lauren Bacall's con women / gambler characters from To Have and Have Not and The Big Sleep. The love triangle between Cub, Timber Wolf, and Grifter Gurdy pleased the studio (however they were angered when they saw Anthony Mann's finished product because of the homosexual overtones that Clift brought out in the mentor relationship between Cub and Timber Wolf). Casting: Gary Cooper as Mr. White/ Timber Wolf: Cooper's leadership and bravery in taking a role that John Wayne thought was un-American is stellar, comparable only to his work on High Noon. Cooper's earnest desire to save the dying "Cub" is palpable. And his seeming asexuality highlights Clift's subversive performance. Montgomery Clift as Mr. Orange / Cub: Mann chose Clift because of the actor's work in Red River. His youth and energy light up as the conflicted double agent. And the women love him in those chaps (this is why the studio eventually shelved the film, which was never to see the light of day) Jack Palance as Mr. Blonde / Coyote: Actor Alan Ladd happened to see the dailies of The Wolves of Gomorrah Gorge before the studio locked them away. The star was so impressed by Palance's cool contained rage that he forced Shane director George Stevens to put Palance on the short list for the role of Jack Wilson. The rest, as they say, is history Denis O'Keefe / Loren Bacall as Nice Guy Eddy / Cow Puncher Bob / Grifter Gurdy: O'Keefe's star had fallen a bit after poor reviews of Mann's Raw Deal. Mann liked to see the suave actor portray slick con men (part of his role in T – Men) so he snuck him into the film despite argument from the studio. Bacall was obvious due to Brackett's revisions, however Jennifer Jones was considered until Mann saw and disliked her in King Vidor's Duel in the Sun. Dean Martin as Mr. Pink / Skunk: Martin was originally offered the role of Coyote. Mann thought his cool domineer would create great contrast between the perception of the character and his violent actions. Dean Martin's record label was afraid that their star was being derogatively stereotyped… an Italian in the role of an evil thief, gangster and ear removing murderer (though Frank thought it would be o.k.). Dino opted to go with the drunken comic relief instead. The scene during the second act brake where he belts out "The Ballad of the Scavengers of Dry Gorge" to the nervous thieves pined down in the gorge by the Cavalry (eerily similar to a scene in Rio Bravo) is something I wish all could see. In the time line of the story this is where Coyote removes the young deputy's ear… off camera and covered in vague dialog. Jimmy Stewart as Joe Cabot. As always the elder statesmen Stewart gave his all in a both commanding and haunting performance as the ring leader of the train robbery gang (this would be the beginning of the psychologically conflicted, obsessive characters Stewart would be remembered for: Vertigo and The Naked Spur). Only Jimmy Stewart could corral these wild wolves. Though on the set for just a few days this cameo would prove to form a lasting friendship and yield much collaboration between Mann and Stewart. Ralph Meeker as Mr. Brown / Hyena: Ah crazy Ralph Meeker. I think if you watch Kiss Me Deadly or The Naked Spur you can see why he would be fantastic spouting off long, near incoherent, hyper macho dialog trying to get approval from the other thieves. He's a forgotten American treasure (And from MPLS!!! Walter Brennen as Mr. Blue / Grey Wolf: It's hard to imagine a western with out Walter Brennen playing the old coot that tells the hero they are full of it. In this film he is taunting poor Dean Martin for his alcohol problems: Joe Cabot (Jimmy Stewart): And you're Skunk. Skunk (Dean Martin): AH… now that ain't even a Wolf, Joe?! Grey Wolf (Walter Brennen): Ye don't gits ta be no Wolf cas' ya stink ta' high heaven boy. (High pitch HEYUCK sound… repeat). Meebe if ya lay of that HOOCH ya could be a wolf. Right now yas just a smelly varmint (continues laughing). Skunk (Dean Martin): Ah cram it old timer! (Skunk shoots at Grey Wolf and misses). Joe Cabot (Jimmy Stewart): Knock it off you two! Now (stutter) Now where was I… oh yeah the train. Alfred Ryder as Young Cop who gets his ear cut off (Deputy who gets his ear cut off… off camera [revealed in illusive dialog]): Alfred Ryder played the other undercover agent in Anthony Mann's T – Men. His character is found out and killed by the gangsters he is trying to infiltrate. His ability to show both competence as an agent for the government and fear as a mortal in trouble is HAUNTING. Ward Bond as Holdaway (Mr. Orange's Undercover training officer) (Sheriff Holdaway): Much like Walter Brennen, it's not a great western unless you've got Ward Bond (high school football team mate of John Wayne, famous for his roles in many of Wayne's films such as the Calvary Captain/ Reverend Samuel Johnston Clayton in The Searchers). Carl Foreman envisioned this part as a Fortinbras like character that the thieves would talk about but would only appear on screen a few times to create suspense. Sheriff Holdaway leads the posse that traps the bandits in Gomorrah Gorge, which forces Cub, Timber Wolf, and Grifter Gurdy to play their final hands. Hank Worden as Bumbling Train Operator: Foreman didn't go for the flash back structure of Tarantino's outline. His story is much more linear, leaving Cub's allegiance a mystery. He replaces the drawn out training sequence in Reservoir Dogs with the train heist that Tarantino was too cleaver to bother with. It was played for both laughs and action. Most of the laughs came from Hank Worden who some of you will remember as Mose Harper in The Searchers ("thank you… thaaank you kindly"), but more of you will remember as senior drool cup (ancient room service guy) in Twin Peaks ("thank you… thaaank you kindly"). That's it. Thanks for reading all of this non-sense.
]]>Sat, 19 Jul 2008 01:44:33 GMTtheunemployedshortstopFilmgaming7/18/2008 9:44:33 PMThe Epic Tale of "The Wolves of Gomorrah Gorge." The Conceit: Due to a trans-dimensional rift caused by the AWESOMENESS of the Inglorious Bastards screenplay Quentin Tarantino is able to jump into a dimension where the world is perpetually in the early fifties. The impish auteur (also great collaborator) is eager to see what some of his favorite directors and writers would do with his material. He gives a vague outline of Reservoir Dogs to Carl Foreman. Bitter over the HUAC hearings of 1947, Forman takes the idea of the mole cop and turns it into a commentary on witch hunting (like the Crucible set in the American West&hellip; with action and no weeping, whining, or three hour yawn-fest&hellip; just kidding). Production: The studio loved the concept and saw Anthony Mann as the director. His surprising presentation of the morally grey double agents in T &ndash; Men and his success as a visual director of both noir and westerns would yield a fantastic visual motif. Foreman set the film in an abandoned camp&hellip; rumored to have once been a lush valley, the area is now a barren gorge of salt (Hence Gomorrah Gorge though the studio would want to back off of this title&hellip; hence the title of Guthrie's song). Mann shot the film in the Colombia River Gorge and the surrounding desert like region of Eastern Washington. It was more visually arresting than the Rocky Mountain back drop of The Naked Spur. Rewrites: Leigh Brackett (script doctor supreme: The Big Sleep, Rio Bravo, The Empire Strikes Back) is hired to tone down the political commentary and add some sex appeal. Miss Brackett split the role of Nice Guy Eddy (now Cow Puncher Bob) into two roles: Two siblings competing for their father's approval (much like Duel in the Sun) Cow Puncher Bob, a slick but incompetent rustler, and Grifter Gurdy, modeled after Lauren Bacall's con women / gambler characters from To Have and Have Not and The Big Sleep. The love triangle between Cub, Timber Wolf, and Grifter Gurdy pleased the studio (however they were angered when they saw Anthony Mann's finished product because of the homosexual overtones that Clift brought out in the mentor relationship between Cub and Timber Wolf). Casting: Gary Cooper as Mr. White/ Timber Wolf: Cooper's leadership and bravery in taking a role that John Wayne thought was un-American is stellar, comparable only to his work on High Noon. Cooper's earnest desire to save the dying "Cub" is palpable. And his seeming asexuality highlights Clift's subversive performance. Montgomery Clift as Mr. Orange / Cub: Mann chose Clift because of the actor's work in Red River. His youth and energy light up as the conflicted double agent. And the women love him in those chaps (this is why the studio eventually shelved the film, which was never to see the light of day) Jack Palance as Mr. Blonde / Coyote: Actor Alan Ladd happened to see the dailies of The Wolves of Gomorrah Gorge before the studio locked them away. The star was so impressed by Palance's cool contained rage that he forced Shane director George Stevens to put Palance on the short list for the role of Jack Wilson. The rest, as they say, is history Denis O'Keefe / Loren Bacall as Nice Guy Eddy / Cow Puncher Bob / Grifter Gurdy: O'Keefe's star had fallen a bit after poor reviews of Mann's Raw Deal. Mann liked to see the suave actor portray slick con men (part of his role in T &ndash; Men) so he snuck him into the film despite argument from the studio. Bacall was obvious due to Brackett's revisions, however Jennifer Jones was considered until Mann saw and disliked her in King Vidor's Duel in the Sun. Dean Martin as Mr. Pink / Skunk: Martin was originally offered the role of Coyote. Mann thought his cool domineer would create great contrast between the perception of the character and his violent actions. Dean Martin's record label was afraid that their star was being derogatively stereotyped&hellip; an Italian in the role of an evil thief, gangster and ear removing murderer (though Frank thought it would be o.k.). Dino opted to go with the drunken comic relief instead. The scene during the second act brake where he belts out "The Ballad of the Scavengers of Dry Gorge" to the nervous thieves pined down in the gorge by the Cavalry (eerily similar to a scene in Rio Bravo) is something I wish all could see. In the time line of the story this is where Coyote removes the young deputy's ear&hellip; off camera and covered in vague dialog. Jimmy Stewart as Joe Cabot. As always the elder statesmen Stewart gave his all in a both commanding and haunting performance as the ring leader of the train robbery gang (this would be the beginning of the psychologically conflicted, obsessive characters Stewart would be remembered for: Vertigo and The Naked Spur). Only Jimmy Stewart could corral these wild wolves. Though on the set for just a few days this cameo would prove to form a lasting friendship and yield much collaboration between Mann and Stewart. Ralph Meeker as Mr. Brown / Hyena: Ah crazy Ralph Meeker. I think if you watch Kiss Me Deadly or The Naked Spur you can see why he would be fantastic spouting off long, near incoherent, hyper macho dialog trying to get approval from the other thieves. He's a forgotten American treasure (And from MPLS!!! Walter Brennen as Mr. Blue / Grey Wolf: It's hard to imagine a western with out Walter Brennen playing the old coot that tells the hero they are full of it. In this film he is taunting poor Dean Martin for his alcohol problems: Joe Cabot (Jimmy Stewart): And you're Skunk. Skunk (Dean Martin): AH&hellip; now that ain't even a Wolf, Joe?! Grey Wolf (Walter Brennen): Ye don't gits ta be no Wolf cas' ya stink ta' high heaven boy. (High pitch HEYUCK sound&hellip; repeat). Meebe if ya lay of that HOOCH ya could be a wolf. Right now yas just a smelly varmint (continues laughing). Skunk (Dean Martin): Ah cram it old timer! (Skunk shoots at Grey Wolf and misses). Joe Cabot (Jimmy Stewart): Knock it off you two! Now (stutter) Now where was I&hellip; oh yeah the train. Alfred Ryder as Young Cop who gets his ear cut off (Deputy who gets his ear cut off&hellip; off camera [revealed in illusive dialog]): Alfred Ryder played the other undercover agent in Anthony Mann's T &ndash; Men. His character is found out and killed by the gangsters he is trying to infiltrate. His ability to show both competence as an agent for the government and fear as a mortal in trouble is HAUNTING. Ward Bond as Holdaway (Mr. Orange's Undercover training officer) (Sheriff Holdaway): Much like Walter Brennen, it's not a great western unless you've got Ward Bond (high school football team mate of John Wayne, famous for his roles in many of Wayne's films such as the Calvary Captain/ Reverend Samuel Johnston Clayton in The Searchers). Carl Foreman envisioned this part as a Fortinbras like character that the thieves would talk about but would only appear on screen a few times to create suspense. Sheriff Holdaway leads the posse that traps the bandits in Gomorrah Gorge, which forces Cub, Timber Wolf, and Grifter Gurdy to play their final hands. Hank Worden as Bumbling Train Operator: Foreman didn't go for the flash back structure of Tarantino's outline. His story is much more linear, leaving Cub's allegiance a mystery. He replaces the drawn out training sequence in Reservoir Dogs with the train heist that Tarantino was too cleaver to bother with. It was played for both laughs and action. Most of the laughs came from Hank Worden who some of you will remember as Mose Harper in The Searchers ("thank you&hellip; thaaank you kindly"), but more of you will remember as senior drool cup (ancient room service guy) in Twin Peaks ("thank you&hellip; thaaank you kindly"). That's it. Thanks for reading all of this non-sense. http://www.spout.com/groups/Female_Hysteria/Re_The_idea_of_female_hysteria_in_films/27/27292/1/ShowPost.aspx Post By: chrismorrell
Post To: Female Hysteria
Post Date: 4/14/2008 6:05:17 PM
Body: [quote user="patches"]There are several films that have portrayed women as these ranting, insane, unstable creatures. The characters lose control of their emotions and need to be slapped. The phrase "Get ahold of yourself!" might be uttered. And it's pretty incredible. Wikipedia writes: http://en.wikipedia.org/wiki/Female_hysteria[/quote] Black and White images of Barbara Stanwick ,Joan Crawford and Bette Davis ,screaming,with mascara running down ... The current top hysteria gal,must surely be Naomi Watts.(my all time fave).she does runny-nosed crying soo well..."Mulholland Drive" spoilt me for movie watching for ages,has anyone ever ,before or since given such a gut-wrenching total,turning inside out performance?.. "21 grams" gave her another grief- stricken sob of a workout. Even in her "bad" films,(like"Ring" and "Funny Games" )we know we are getting some masterly screaming etc... Thinking back...check out all that screaming at the start of "Kiss Me Deadly",courtesy of Cloris Leachman ,totally ace..ah,then what about Madeliene Khan in High Anxiety?..back to David Lynch,and wigg-out duties are taken up by Laura Dern in "inland Empire" parts of which i worry about seeing again... A definite Queen of the Hysterics is Carmen Maura (more recently found hiding from Penelope cruz in "Volver",along with the other Tomato cocktail drinkers in "Women on the verge of a nervous breakdown" ,but, dont you think everything sounds more hysterical when it needs subtitles.. cheers Chris M
]]>Mon, 14 Apr 2008 22:05:17 GMTchrismorrellFemale Hysteria4/14/2008 6:05:17 PM[quote user="patches"]There are several films that have portrayed women as these ranting, insane, unstable creatures. The characters lose control of their emotions and need to be slapped. The phrase "Get ahold of yourself!" might be uttered. And it's pretty incredible. Wikipedia writes: http://en.wikipedia.org/wiki/Female_hysteria[/quote] Black and White images of Barbara Stanwick ,Joan Crawford and Bette Davis ,screaming,with mascara running down ... The current top hysteria gal,must surely be Naomi Watts.(my all time fave).she does runny-nosed crying soo well..."Mulholland Drive" spoilt me for movie watching for ages,has anyone ever ,before or since given such a gut-wrenching total,turning inside out performance?.. "21 grams" gave her another grief- stricken sob of a workout. Even in her "bad" films,(like"Ring" and "Funny Games" )we know we are getting some masterly screaming etc... Thinking back...check out all that screaming at the start of "Kiss Me Deadly",courtesy of Cloris Leachman ,totally ace..ah,then what about Madeliene Khan in High Anxiety?..back to David Lynch,and wigg-out duties are taken up by Laura Dern in "inland Empire" parts of which i worry about seeing again... A definite Queen of the Hysterics is Carmen Maura (more recently found hiding from Penelope cruz in "Volver",along with the other Tomato cocktail drinkers in "Women on the verge of a nervous breakdown" ,but, dont you think everything sounds more hysterical when it needs subtitles.. cheers Chris M http://www.spout.com/blogs/risselada/archive/2007/11/19/21772.aspx Post By: Risselada
Post To: Risselada Blog
Post Date: 11/19/2007 11:10:22 AM
Body: This is a list for Round 2 of my movie year countdown viewing project as first described here. If by any strange chance whoever is reading this is actually following along you may notice that I'm still less than two thirds of the way through my original one. Well I'm starting this new one because as much as I love old movies it can get a little tedious watching just older movies. So I'm going to be blending my watching of the two lists together. Still focusing on the original one, but every once in a while sliding in the next entry from this new list.Again these new movies are limited to full length movies that are available on Netflix. And for this new round instead of picking a movie from every year, I will be picking a movie from every two years. For example the first movie must have come out during 2006 or 2007. The second movie must have come out in 2004 or 2005. The next in 2002 or 2003. You see.The list is not finished yet, but here is what I have decided so far. I will update this post later with the new flicks.-------------------------------------------------------------------------------1. Children of Men (2006)2. The New World (2005)3. Mou gaan dou (Infernal Affairs) (2002)4. Riri Shushu no subete (All About Lily Chou-Chou) (2001)5. Party Monster (1998)6. Hard Eight (1996)7. Smoke (1995)8. Jennifer Eight (1992)9. The Fisher King (1991)10. Tetsuo (Tetsuo, the Iron Man) (1989)11. Angel Heart (1987)12. Runaway Train (1985)13. Burden of Dreams (1982)14. The Big Red One (1980)15. Stalker (1979)16. Network (1976)17. Angst essen Seele auf (Ali: Fear Eats the Soul) (1974)18. The Wicker Man (1973)19. Land des Schweigens und der Dunkelheit (Land of Silence and Darkness) (1971)20. Z (1969)21. In Cold Blood (1967)22. Suna no onna (Woman in the Dunes) (1964)23. The Intruder (1962)24. Jungfrukällan (The Virgin Spring) (1960)25. Pickpocket (1959)26. Invasion of the Body Snatchers (1956)27. Kiss Me Deadly (1955)28. Shane (1953)29. Winchester '73 (1950)30. The Big Clock (1948)31. The Postman Always Rings Twice (1946)32. The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (1944)33. Hi Diddle Diddle (1943)34. The Philadelphia Story (1940)35. Angels with Dirty Faces (1938)36. Mr. Deeds Goes to Town (1936)37. Man on the Flying Trapeze (1935)38. I Am a Fugitive from a Chain Gang (1932)39. Zemlya (Earth) (1930)40. Die Büchse der Pandora (Pandora's Box) (1929)41. The Unknown (1927)42. Seven Chances (1925)43. Dr. Mabuse, der Spieler - Ein Bild der Zeit (Dr. Mabuse: The Gambler) (1922)44. The Kid (1921)45. Male and Female (1919)46. Umirayushchii Lebed (The Dying Swan) (1917)47. The Birth of a Nation (1915)
]]>Mon, 19 Nov 2007 16:10:22 GMTRisseladaRisselada Blog11/19/2007 11:10:22 AMThis is a list for Round 2 of my movie year countdown viewing project as first described here. If by any strange chance whoever is reading this is actually following along you may notice that I&#39;m still less than two thirds of the way through my original one. Well I&#39;m starting this new one because as much as I love old movies it can get a little tedious watching just older movies. So I&#39;m going to be blending my watching of the two lists together. Still focusing on the original one, but every once in a while sliding in the next entry from this new list.Again these new movies are limited to full length movies that are available on Netflix. And for this new round instead of picking a movie from every year, I will be picking a movie from every two years. For example the first movie must have come out during 2006 or 2007. The second movie must have come out in 2004 or 2005. The next in 2002 or 2003. You see.The list is not finished yet, but here is what I have decided so far. I will update this post later with the new flicks.-------------------------------------------------------------------------------1. Children of Men (2006)2. The New World (2005)3. Mou gaan dou (Infernal Affairs) (2002)4. Riri Shushu no subete (All About Lily Chou-Chou) (2001)5. Party Monster (1998)6. Hard Eight (1996)7. Smoke (1995)8. Jennifer Eight (1992)9. The Fisher King (1991)10. Tetsuo (Tetsuo, the Iron Man) (1989)11. Angel Heart (1987)12. Runaway Train (1985)13. Burden of Dreams (1982)14. The Big Red One (1980)15. Stalker (1979)16. Network (1976)17. Angst essen Seele auf (Ali: Fear Eats the Soul) (1974)18. The Wicker Man (1973)19. Land des Schweigens und der Dunkelheit (Land of Silence and Darkness) (1971)20. Z (1969)21. In Cold Blood (1967)22. Suna no onna (Woman in the Dunes) (1964)23. The Intruder (1962)24. Jungfruk&auml;llan (The Virgin Spring) (1960)25. Pickpocket (1959)26. Invasion of the Body Snatchers (1956)27. Kiss Me Deadly (1955)28. Shane (1953)29. Winchester &#39;73 (1950)30. The Big Clock (1948)31. The Postman Always Rings Twice (1946)32. The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (1944)33. Hi Diddle Diddle (1943)34. The Philadelphia Story (1940)35. Angels with Dirty Faces (1938)36. Mr. Deeds Goes to Town (1936)37. Man on the Flying Trapeze (1935)38. I Am a Fugitive from a Chain Gang (1932)39. Zemlya (Earth) (1930)40. Die B&uuml;chse der Pandora (Pandora&#39;s Box) (1929)41. The Unknown (1927)42. Seven Chances (1925)43. Dr. Mabuse, der Spieler - Ein Bild der Zeit (Dr. Mabuse: The Gambler) (1922)44. The Kid (1921)45. Male and Female (1919)46. Umirayushchii Lebed (The Dying Swan) (1917)47. The Birth of a Nation (1915) http://www.spout.com/blogs/dibot/archive/2007/7/18/15191.aspx Post By: dibot
Post To: dibot Blog
Post Date: 7/18/2007 11:45:00 AM
Body: The filmspotting noir marathon started out very strong. I was loving every movie. But the last two films left me a bit cold. The Asphalt Jungle is very famous, directed by John Huston ("Prizzi's Honor"), nominated for four Oscars, but I couldn't get into it. It's very well done. The cinematography is gorgeous, but I just didn't care about any of the characters, or even the story really. Maybe because this is a heist film instead of a detective story. And I don't always enjoy a heist. But at least all of the women weren't evil. So that's a plus. But at the same time, there wasn't a femme fatale.I enjoyed Kiss Me Deadly a bit more. Possibly because it was so strange. Detective Mike Hammer picks up a scantily clad female hitchhiker. She asks him to remember her if she doesn't make it. So when their car is overtaken, leaving her dead and him unconscious, he sets out to unravel the mystery. Though I can't say I really liked any of the characters in this film, either, I was at least intrigued by their stories. And the ending is very bizarre.Akeelah and the Bee is a pretty much by-the-numbers drama about a girl from a poor urban neighborhood who tries to win the National Spelling Bee. And though I could see every plot point coming from a mile off, I still enjoyed it. Keke Palmer ("Medea's Family Reunion") is super precious as Akeelah and Lawrence Fishburne ("Bobby") keeps the teacher role from becoming terribly cliched. This would be excellent family viewing.Though Darren Aronofsky ("Requiem for a Dream")'s The Fountain totally tanked at the box office, I was immediately drawn into it visually. Then I found myself emotionally invested in the story as well. Though I'm not sure exactly which parts were meant to be story and which parts were real life, it didn't matter. Hugh Jackman ("Happy Feet") totally sells every minute of each story. And did I mention the stunning visuals?
]]>Wed, 18 Jul 2007 15:45:00 GMTdibotdibot Blog7/18/2007 11:45:00 AMThe filmspotting noir marathon started out very strong. I was loving every movie. But the last two films left me a bit cold. The Asphalt Jungle is very famous, directed by John Huston ("Prizzi&#39;s Honor"), nominated for four Oscars, but I couldn&#39;t get into it. It&#39;s very well done. The cinematography is gorgeous, but I just didn&#39;t care about any of the characters, or even the story really. Maybe because this is a heist film instead of a detective story. And I don&#39;t always enjoy a heist. But at least all of the women weren&#39;t evil. So that&#39;s a plus. But at the same time, there wasn&#39;t a femme fatale.I enjoyed Kiss Me Deadly a bit more. Possibly because it was so strange. Detective Mike Hammer picks up a scantily clad female hitchhiker. She asks him to remember her if she doesn&#39;t make it. So when their car is overtaken, leaving her dead and him unconscious, he sets out to unravel the mystery. Though I can&#39;t say I really liked any of the characters in this film, either, I was at least intrigued by their stories. And the ending is very bizarre.Akeelah and the Bee is a pretty much by-the-numbers drama about a girl from a poor urban neighborhood who tries to win the National Spelling Bee. And though I could see every plot point coming from a mile off, I still enjoyed it. Keke Palmer ("Medea&#39;s Family Reunion") is super precious as Akeelah and Lawrence Fishburne ("Bobby") keeps the teacher role from becoming terribly cliched. This would be excellent family viewing.Though Darren Aronofsky ("Requiem for a Dream")&#39;s The Fountain totally tanked at the box office, I was immediately drawn into it visually. Then I found myself emotionally invested in the story as well. Though I&#39;m not sure exactly which parts were meant to be story and which parts were real life, it didn&#39;t matter. Hugh Jackman ("Happy Feet") totally sells every minute of each story. And did I mention the stunning visuals? http://www.spout.com/members/0/tags/murder/MemberTagFilms.aspxmurder
Number of films tagged: 8748

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]]>Fri, 04 Dec 2009 02:57:25 GMT8748157830Tag http://www.spout.com/members/0/tags/thriller/MemberTagFilms.aspxthriller
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]]>Wed, 16 Dec 2009 19:01:30 GMT20174247Tag http://www.spout.com/members/0/tags/crime/MemberTagFilms.aspxcrime
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Number of people who tagged: 70

Number of times used: 303

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]]>Mon, 17 Aug 2009 01:37:08 GMT406560145Tag http://www.spout.com/members/0/tags/kidnapping/MemberTagFilms.aspxkidnapping
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]]>Sun, 16 Aug 2009 05:39:42 GMT285149172Tag http://www.spout.com/members/0/tags/torture/MemberTagFilms.aspxtorture
Number of films tagged: 571

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]]>Thu, 29 Oct 2009 16:51:19 GMT57143104Tag http://www.spout.com/members/0/tags/based-on-a-book/MemberTagFilms.aspxbased-on-a-book
Number of films tagged: 173

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Number of times used: 278

]]>Fri, 20 Nov 2009 18:52:06 GMT17337278Tag http://www.spout.com/members/0/tags/car/MemberTagFilms.aspxcar
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Number of times used: 99

]]>Tue, 24 Nov 2009 20:32:16 GMT13163299Tag http://www.spout.com/members/0/tags/scientist/MemberTagFilms.aspxscientist
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]]>Tue, 15 Sep 2009 19:47:27 GMT14083177Tag http://www.spout.com/members/0/tags/investigation/MemberTagFilms.aspxinvestigation
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]]>Mon, 16 Nov 2009 17:27:28 GMT588329124Tag http://www.spout.com/members/0/tags/film-noir/MemberTagFilms.aspxfilm-noir
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]]>Wed, 19 Aug 2009 20:38:26 GMT191526Tag http://www.spout.com/members/0/tags/hitchhiker/MemberTagFilms.aspxhitchhiker
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]]>Thu, 09 Jul 2009 13:13:22 GMT288811Tag http://www.spout.com/members/0/tags/secretary/MemberTagFilms.aspxsecretary
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Number of people who tagged: 8

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]]>Fri, 20 Nov 2009 19:00:02 GMT43589Tag http://www.spout.com/members/0/tags/nuclearweapon/MemberTagFilms.aspxnuclearweapon
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