list http://www.spout.com/ Recent community activity around Kindergarten Cop on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Kindergarten_Cop/18950/default.aspx Title: Kindergarten Cop
Year: 1990
Director: Ivan Reitman
Plot: Arnold Schwarzenegger sheds his action image in Ivan Reitman's police comedy Kindergarten Cop, where he plays an undercover cop teaching a class of hyperactive six-year-olds. As the film begins, John Kimble (Schwarzenegger) and his partner Phoebe O'Hara (Pamela Reed) are in pursuit of notorious drug dealer Cullen Crisp (Richard Tyson) and his scabrous mother Eleanor (Carroll Baker). John learns Cullen is searching for his ex-wife and his little boy, and Kimble plans to nail them when they find the former wife, who is believed to have $3 million of Cullen's drug profits. John and Phoebe follow the trail to Astoria, Oregon, where they believe Cullen's son is attending kindergarten. Although the child and his mother have changed names, John hopes they can pick up some clues. By coincidence, Phoebe used to be a schoolteacher and the school board permits her teach the kindergarten class, but Phoebe gets food poisoning and John is forced to teach the six-year-old whippersnappers himself. Along with lighthearted gags with the kids and the pursuit of the drug dealers, John has time for a little romance when he falls in love with one of the teachers (Penelope Ann Miller), who ends up surprising him with more than love. ~ Paul Brenner, All Movie Guide
Times Tagged: 13
Number of Lists: 27
Number of blog posts: 3
Number of discussion threads: 2
SpoutRating: 3
]]>Tue, 12 May 2009 13:37:37 GMTKindergarten Cop1990Ivan Reitman<a href="/players/P___110501/default.aspx" style='text-decoration:underline'>Arnold Schwarzenegger</a> sheds his action image in <a href="/players/P___107926/default.aspx" style='text-decoration:underline'>Ivan Reitman</a>'s police comedy Kindergarten Cop, where he plays an undercover cop teaching a class of hyperactive six-year-olds. As the film begins, John Kimble (Schwarzenegger) and his partner Phoebe O'Hara (<a href="/players/P____59281/default.aspx" style='text-decoration:underline'>Pamela Reed</a>) are in pursuit of notorious drug dealer Cullen Crisp (<a href="/players/P____72324/default.aspx" style='text-decoration:underline'>Richard Tyson</a>) and his scabrous mother Eleanor (<a href="/players/P_____3377/default.aspx" style='text-decoration:underline'>Carroll Baker</a>). John learns Cullen is searching for his ex-wife and his little boy, and Kimble plans to nail them when they find the former wife, who is believed to have $3 million of Cullen's drug profits. John and Phoebe follow the trail to Astoria, Oregon, where they believe Cullen's son is attending kindergarten. Although the child and his mother have changed names, John hopes they can pick up some clues. By coincidence, Phoebe used to be a schoolteacher and the school board permits her teach the kindergarten class, but Phoebe gets food poisoning and John is forced to teach the six-year-old whippersnappers himself. Along with lighthearted gags with the kids and the pursuit of the drug dealers, John has time for a little romance when he falls in love with one of the teachers (<a href="/players/P____49300/default.aspx" style='text-decoration:underline'>Penelope Ann Miller</a>), who ends up surprising him with more than love. ~ Paul Brenner, All Movie Guide13Tag Target (>10)27323http://www.spout.com/ProductImages/t00420stjpl.jpghttp://www.spout.com/films/Kindergarten_Cop/18950/default.aspxFilm http://www.spout.com/blogs/the_mow/archive/2009/5/7/42146.aspx Post By: The_MOW
Post To: The_MOW Blog
Post Date: 5/7/2009 8:37:42 PM
Body: The tough loner cop "Police Detective John Kimble" (Arnold Schwarzenegger)has spent much of his 12-year career chasing wanted drug dealer "Cullen Crisp" (Richard Tyson). He finally gets "Crisp" in front of a judge, however, the charges are dropped when the star witness refuses to testify. "Kimble" is forced to team-up with "Detective Pheobe O'Hara" (Pamela Reed) to go undercover and search for "Crisp's" ex-wife and son, who are hiding from him in Astoria, Oregon. "O'Hara", who was to go to the school where "Crisp's" son is attending as a kindergarten teacher, which she use to do for a living, but the detective, who is hypoglycemic, falls very ill just as they arrive at Astoria, and "Kimble" has to take her place. "Kimble" is slow to adapt to his cover, but eventually the children warm up to him. Also warming up to him is fellow teacher "Joyce" (Penelope Ann Miller), whose son "Dominic" (Christian and Joseph Cousins) is in his class. Eventually, "Crisp" and his mother (Caroll Baker) learn of his ex-wife's whereabouts, and the two cops have to blow their cover to her to save the mother and son before "Crisp" takes his son by force. This is an extremely cute movie, but the comedic parts are lacking before and after "Kimble" gains the trust of the kindergarteners. The movie could have been a little more campy throughout in my opinion. Some of the best parts in the film are the scenes where Schwarzenegger is teaching the kids real values that real kindergarten teachers probably wouldn't. In my opinion, Schwarzenegger and the kids had the best on-screen chemistry. The chemistry between "Kimble" and "Joyce", as well as "Kimble" and "O'Hara" could have been a little better though. Surprisingly, for a Schwarzenegger movie, there isn't a lot of action and violence that many of his movies are known for. But, what this movie does perfectly, is that for a good chunk of the film, it keeps you guessing on which kid is the one the two cops are searching for. The minor characters, as well as the villains, are not written well, but help move the plot along fairly nicely. The director does a good job at changing the way the movie looks. It starts off as a typical cop movie starring Schwarzenegger, but changes into a more family-oriented movie. There is some drama and predictable suspense in this film. In many scenes, both could have been used a little better in the film. In my opinion, this is a real cute family movie that would be a real good rental for a family night at the movies.
]]>Fri, 08 May 2009 00:37:42 GMTThe_MOWThe_MOW Blog5/7/2009 8:37:42 PMThe tough loner cop "Police Detective John Kimble" (Arnold Schwarzenegger)has spent much of his 12-year career chasing wanted drug dealer "Cullen Crisp" (Richard Tyson). He finally gets "Crisp" in front of a judge, however, the charges are dropped when the star witness refuses to testify. "Kimble" is forced to team-up with "Detective Pheobe O'Hara" (Pamela Reed) to go undercover and search for "Crisp's" ex-wife and son, who are hiding from him in Astoria, Oregon. "O'Hara", who was to go to the school where "Crisp's" son is attending as a kindergarten teacher, which she use to do for a living, but the detective, who is hypoglycemic, falls very ill just as they arrive at Astoria, and "Kimble" has to take her place. "Kimble" is slow to adapt to his cover, but eventually the children warm up to him. Also warming up to him is fellow teacher "Joyce" (Penelope Ann Miller), whose son "Dominic" (Christian and Joseph Cousins) is in his class. Eventually, "Crisp" and his mother (Caroll Baker) learn of his ex-wife's whereabouts, and the two cops have to blow their cover to her to save the mother and son before "Crisp" takes his son by force. This is an extremely cute movie, but the comedic parts are lacking before and after "Kimble" gains the trust of the kindergarteners. The movie could have been a little more campy throughout in my opinion. Some of the best parts in the film are the scenes where Schwarzenegger is teaching the kids real values that real kindergarten teachers probably wouldn't. In my opinion, Schwarzenegger and the kids had the best on-screen chemistry. The chemistry between "Kimble" and "Joyce", as well as "Kimble" and "O'Hara" could have been a little better though. Surprisingly, for a Schwarzenegger movie, there isn't a lot of action and violence that many of his movies are known for. But, what this movie does perfectly, is that for a good chunk of the film, it keeps you guessing on which kid is the one the two cops are searching for. The minor characters, as well as the villains, are not written well, but help move the plot along fairly nicely. The director does a good job at changing the way the movie looks. It starts off as a typical cop movie starring Schwarzenegger, but changes into a more family-oriented movie. There is some drama and predictable suspense in this film. In many scenes, both could have been used a little better in the film. In my opinion, this is a real cute family movie that would be a real good rental for a family night at the movies. http://www.spout.com/blogs/spoutblog/archive/2009/3/4/40831.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 3/4/2009 8:00:54 PM
Body: Kevin Smith is having title trouble again. After previously dealing with censorship related to the title Zach and Miri Make a Porno, the filmmaker has run into a snag with his next movie, originally called A Couple of Dicks. Warner Bros. has changed the title of the comedy, which will star Bruce Willis and Tracey Morgan, to A Couple of Cops, obviously so as not to confuse anyone with the multiple (including the offensive) meanings of “dick.” But this can’t be the end, because nobody in their right mind would distribute a movie with that new title. I’m pretty sure the word “cops” is poisonous. Has there been a single good movie with that word in the title since Buster Keaton’s 1922 short? Singularly, “cop” will occasionally work, such as in Beverly Hills Cop, Super Cop, Cop Land and Kindergarten Cop. But pluralized, I think the best we’ve seen is Cops and Robbersons. Recall that Hollywood Homicide was once titled “Two Cops,” which is quite like Smith’s movie’s name, but better. And maybe the original title cursed it, because the movie flopped. So, unless A Couple of Cops involves fumbling policemen resembling the Keystone Cops, it’s certain that the studio will need to brainstorm a new name quick, if it’s not already too late. Or, if Smith doesn’t really care about this movie, which he didn’t write and is seemingly only directing for the easy money, perhaps he can ultimately take his own name off and let it be an Alan Smithee film. Here are some of the negative responses to the name change from around the web: Vince Mancini at FilmDrunk explains the change: WB had originally acquired the script not realizing “dick” was a double entendre.  Once they found out, they took immediate action, first experimenting with more literal titles such as A Couple of Dicks - Not Penises, This Isn’t That Kind of Movie At All before settling on the newer, shorter name. Kudos to the A.V. Club for referencing the fake Tracey Jordan movie within 30 Rock titled Black Cop White Cop, and noting that once again life is imitating art: “Variety’s report didn’t mention when we can expect Who Dat Ninja or Fat Bitch in theaters.” And kudos to the Fark headline for a great Clerks reference: “Warner Bros changes name of Kevin Smith’s new film to ‘A Couple of Cops’, fearing moviegoers might be offended by ‘A Couple of Dicks’. It’s not like there’s 37 of them.” Also, a great discussion in the Fark comments section references both classic and recent titular uses of “dick”: Dick and The Bank Dick. I also love the headline at The Playlist: “Emasculated: Kevin Smith Loses His ‘Dick’” “So now how will moviegoers know there are dicks in this movie? By seeing Bruce Willis on the poster?” asks Vulture. “I mean, we’re all adults here,” write’s Jessica Barnes at Cinematical, “has it really gotten to the point where even a pun as vanilla as a variation on ‘Private Dicks’ is too much for audiences?” Melanie Addington, of Oxford Film Freak, comments on Barnes’ post: That doesn’t sound like that would help with any sort of marketing plan. At least A Couple of Dicks may scream, hey, fun Kevin Smith film - fans, come see it. But A Couple of Cops? Why does it sound like Paul Blart: Mall Cop Part 2? Blart Teams Up With Another Cop? Funny antics ensue. Sigh. Russ Fischer is a bit harsh with his joke at CHUD.com: “A title more limp than Mickey Rourke after the Oscars.” “Kevin Smith has spent his entire career delivering interesting movies with awesome titles and only a few of us showed up to see them,” writes Josh Tyler, jokingly giving in at Cinema Blend. “Maybe it’s time to give the people what they want, and what the people seem to want is a good nap.” Originally posted on:SpoutBlog
]]>Thu, 05 Mar 2009 01:00:54 GMTSpoutBlogSpoutBlog on spout.com3/4/2009 8:00:54 PMKevin Smith is having title trouble again. After previously dealing with censorship related to the title Zach and Miri Make a Porno, the filmmaker has run into a snag with his next movie, originally called A Couple of Dicks. Warner Bros. has changed the title of the comedy, which will star Bruce Willis and Tracey Morgan, to A Couple of Cops, obviously so as not to confuse anyone with the multiple (including the offensive) meanings of “dick.” But this can’t be the end, because nobody in their right mind would distribute a movie with that new title. I’m pretty sure the word “cops” is poisonous. Has there been a single good movie with that word in the title since Buster Keaton’s 1922 short? Singularly, “cop” will occasionally work, such as in Beverly Hills Cop, Super Cop, Cop Land and Kindergarten Cop. But pluralized, I think the best we’ve seen is Cops and Robbersons. Recall that Hollywood Homicide was once titled “Two Cops,” which is quite like Smith’s movie’s name, but better. And maybe the original title cursed it, because the movie flopped. So, unless A Couple of Cops involves fumbling policemen resembling the Keystone Cops, it’s certain that the studio will need to brainstorm a new name quick, if it’s not already too late. Or, if Smith doesn’t really care about this movie, which he didn’t write and is seemingly only directing for the easy money, perhaps he can ultimately take his own name off and let it be an Alan Smithee film. Here are some of the negative responses to the name change from around the web: Vince Mancini at FilmDrunk explains the change: WB had originally acquired the script not realizing “dick” was a double entendre.  Once they found out, they took immediate action, first experimenting with more literal titles such as A Couple of Dicks - Not Penises, This Isn’t That Kind of Movie At All before settling on the newer, shorter name. Kudos to the A.V. Club for referencing the fake Tracey Jordan movie within 30 Rock titled Black Cop White Cop, and noting that once again life is imitating art: “Variety’s report didn’t mention when we can expect Who Dat Ninja or Fat Bitch in theaters.” And kudos to the Fark headline for a great Clerks reference: “Warner Bros changes name of Kevin Smith’s new film to ‘A Couple of Cops’, fearing moviegoers might be offended by ‘A Couple of Dicks’. It’s not like there’s 37 of them.” Also, a great discussion in the Fark comments section references both classic and recent titular uses of “dick”: Dick and The Bank Dick. I also love the headline at The Playlist: “Emasculated: Kevin Smith Loses His ‘Dick’” “So now how will moviegoers know there are dicks in this movie? By seeing Bruce Willis on the poster?” asks Vulture. “I mean, we’re all adults here,” write’s Jessica Barnes at Cinematical, “has it really gotten to the point where even a pun as vanilla as a variation on ‘Private Dicks’ is too much for audiences?” Melanie Addington, of Oxford Film Freak, comments on Barnes’ post: That doesn’t sound like that would help with any sort of marketing plan. At least A Couple of Dicks may scream, hey, fun Kevin Smith film - fans, come see it. But A Couple of Cops? Why does it sound like Paul Blart: Mall Cop Part 2? Blart Teams Up With Another Cop? Funny antics ensue. Sigh. Russ Fischer is a bit harsh with his joke at CHUD.com: “A title more limp than Mickey Rourke after the Oscars.” “Kevin Smith has spent his entire career delivering interesting movies with awesome titles and only a few of us showed up to see them,” writes Josh Tyler, jokingly giving in at Cinema Blend. “Maybe it’s time to give the people what they want, and what the people seem to want is a good nap.” Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/1/23/24249.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 1/23/2008 11:01:09 AM
Body: The combo of last week’s DGA contract agreement and yesterday’s announcement of the Oscar noms may have set the WGA in a new direction towards ending the writer’s strike. Yesterday afternoon the WGA announced it had withdrawn demands for jurisdiction over reality and animation, which the AMTPT was dead against recognizing. The two sides are reportedly meeting together today. Even if the strike is not over in a month, let alone today, there will still definitely be an Oscar telecast. It will be heavy on clips honoring the past 80s years of cinema, according to Gil Cates, who compared the strike to the presidential race. As far as the Oscar-nominee responses go, the most noteworthy are those of Julian Schnabel, who is sorry The Diving Bell and the Butterfly didn’t get a Best Picture nod but who feels he could one day have his Departed moment, and Jason Reitman, who points out that if he can be nominated for directing Juno then his father, Ivan, should have been nominated three or four times (sure, for Ghostbusters, Dave and Stripes, but what would be the fourth? Father’s Day?). It made me think of the above scene from papa Reitman’s Kindergarten Cop. 2008 Oscar-nominee Michael Moore is making a stand on the issue of documentary and foreign film exhibition, stating that his new year’s resolution is to sit down with theater owners and urge them to reserve one auditorium per multiplex devoted to specialty films. Hopefully he’ll document it, and one day we can sit in that auditorium and watch the result. The fate of Terry Gilliam’s The Imaginarium of Doctor Parnassus has not been officially announced yet, but Variety points out that Heath Ledger’s involvement in the movie was integral to its financing. I doubt the film could easily replace the late actor and go back and reshoot all of his scenes, but I also hope Gilliam isn’t left with another unfinished work (ala The Man Who Killed Don Quixote). Could Gilliam & Co. go the route of The Crow and digitally add Ledger’s face to a double? Originally posted on:SpoutBlog
]]>Wed, 23 Jan 2008 16:01:09 GMTSpoutBlogSpoutBlog on spout.com1/23/2008 11:01:09 AM The combo of last week’s DGA contract agreement and yesterday’s announcement of the Oscar noms may have set the WGA in a new direction towards ending the writer’s strike. Yesterday afternoon the WGA announced it had withdrawn demands for jurisdiction over reality and animation, which the AMTPT was dead against recognizing. The two sides are reportedly meeting together today. Even if the strike is not over in a month, let alone today, there will still definitely be an Oscar telecast. It will be heavy on clips honoring the past 80s years of cinema, according to Gil Cates, who compared the strike to the presidential race. As far as the Oscar-nominee responses go, the most noteworthy are those of Julian Schnabel, who is sorry The Diving Bell and the Butterfly didn’t get a Best Picture nod but who feels he could one day have his Departed moment, and Jason Reitman, who points out that if he can be nominated for directing Juno then his father, Ivan, should have been nominated three or four times (sure, for Ghostbusters, Dave and Stripes, but what would be the fourth? Father’s Day?). It made me think of the above scene from papa Reitman’s Kindergarten Cop. 2008 Oscar-nominee Michael Moore is making a stand on the issue of documentary and foreign film exhibition, stating that his new year’s resolution is to sit down with theater owners and urge them to reserve one auditorium per multiplex devoted to specialty films. Hopefully he’ll document it, and one day we can sit in that auditorium and watch the result. The fate of Terry Gilliam’s The Imaginarium of Doctor Parnassus has not been officially announced yet, but Variety points out that Heath Ledger’s involvement in the movie was integral to its financing. I doubt the film could easily replace the late actor and go back and reshoot all of his scenes, but I also hope Gilliam isn’t left with another unfinished work (ala The Man Who Killed Don Quixote). Could Gilliam & Co. go the route of The Crow and digitally add Ledger’s face to a double? Originally posted on:SpoutBlog http://www.spout.com/groups/Double_Feature/Re_Unlikely_Double_Features/426/17526/1/ShowPost.aspx Post By: joem18b
Post To: Double Feature
Post Date: 8/7/2007 2:08:34 PM
Body: [quote user="porcupine"] here's an example of a double feature that i think would bring out aspects of each film that wouldn't surface otherwise:Predator and Kindergarten Cop [/quote]Porcupine, if you put up a pair like that, you need to splain it. My first guess is that you had to help out in a kindergarten class one time and it totally freaked you out? (But no. If you were comparing kindergarten children to predators, like I hoped, you would have put the movies in the opposite order. So I guess this is like Fistful of Dollars and Bronco Billy or Terminator and Junior.)In which case I offer Going My Way and Bad Education.Perspectives on war:Letters from Iwo Jima and We Were SoldiersPaths of Glory and JarheadTimes change:Max and Der Untergang (Downfall)Pan's Labyrinth and L'Auberge Espagnole
]]>Tue, 07 Aug 2007 18:08:34 GMTjoem18bDouble Feature8/7/2007 2:08:34 PM[quote user="porcupine"] here&#39;s an example of a double feature that i think would bring out aspects of each film that wouldn&#39;t surface otherwise:Predator and Kindergarten Cop [/quote]Porcupine, if you put up a pair like that, you need to splain it. My first guess is that you had to help out in a kindergarten class one time and it totally freaked you out? (But no. If you were comparing kindergarten children to predators, like I hoped, you would have put the movies in the opposite order. So I guess this is like Fistful of Dollars and Bronco Billy or Terminator and Junior.)In which case I offer Going My Way and Bad Education.Perspectives on war:Letters from Iwo Jima and We Were SoldiersPaths of Glory and JarheadTimes change:Max and Der Untergang (Downfall)Pan&#39;s Labyrinth and L&#39;Auberge Espagnole http://www.spout.com/groups/Double_Feature/Re_Unlikely_Double_Features/426/17517/1/ShowPost.aspx Post By: porcupine
Post To: Double Feature
Post Date: 8/7/2007 12:34:20 PM
Body: The idea that the two movies somehow blend together is what i'm interested in. See Capote and Good Night on the same day might be a mistake, espeically if you're seeing them for the first time. i guess i'm interested in the home-brew double feature because it could be a way to get more out of the movies than you could get watching them separately, not less. kind of like combining flavors in a dish. just yesterday the guy working at the deli down the street told Paul and i to try honey on tuna. never would have thought of that.here's an example of a double feature that i think would bring out aspects of each film that wouldn't surface otherwise:Predator and Kindergarten Cop
]]>Tue, 07 Aug 2007 16:34:20 GMTporcupineDouble Feature8/7/2007 12:34:20 PMThe idea that the two movies somehow blend together is what i&#39;m interested in. See Capote and Good Night on the same day might be a mistake, espeically if you&#39;re seeing them for the first time. i guess i&#39;m interested in the home-brew double feature because it could be a way to get more out of the movies than you could get watching them separately, not less. kind of like combining flavors in a dish. just yesterday the guy working at the deli down the street told Paul and i to try honey on tuna. never would have thought of that.here&#39;s an example of a double feature that i think would bring out aspects of each film that wouldn&#39;t surface otherwise:Predator and Kindergarten Cop http://www.spout.com/members/0/tags/romance/MemberTagFilms.aspxromance
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