list http://www.spout.com/ Recent community activity around Fat Girl on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Fat_Girl/186321/default.aspx Title: Fat Girl
Year: 2001
Director: Catherine Breillat
Plot: Director Catherine Breillat, who courted international controversy with her film Romance, once again pushed the envelope with this disturbing (if somewhat less explicit) look at adolescent sexuality. Anaïs (Anaïs Reboux) is a 12-year-old girl with a weight problem and a downbeat disposition growing up in a family which offers her little in the way of understanding and affection. Anaïs has a typically adolescent love/hate relationship with her slimmer and prettier 15-year-old sister, Elena (Roxane Mesquida); she's at once fascinated by her sister (and the boys who follow her around), and hates her for the love and attention she receives from others. While the family spends the summer at the beach, Elena attracts the attentions of Fernando (Libero de Rienzo), a college student from Italy who makes no secret of his attraction to Elena's budding sexuality. Anaïs, on the other hand, is forced to make do with a sad game in which she pretends that a ladder and a diving board at a neighborhood swimming pool are two suitors vying for her affections. Anaïs shares a room with Elena, and finds herself a fascinated, if troubled, witness as Fernando uses both charm and deceit to rob her sister of her virginity, while Elena is too naïve to see through the lies Fernando is spinning -- and enjoys having Anaïs as an audience for her steadily advancing sex play with Fernando. Anaïs is more aware than her older sister of Fernando's insincerity, but she finds Elena isn't eager to believe her. ~ Mark Deming, All Movie Guide
Times Tagged: 7
Number of Lists: 13
Number of blog posts: 5
Number of discussion threads: 2
SpoutRating: 3
]]>Tue, 07 Jul 2009 20:34:51 GMTFat Girl2001Catherine BreillatDirector <a href="/players/P____82912/default.aspx" style='text-decoration:underline'>Catherine Breillat</a>, who courted international controversy with her film <a href=/films/130763/default.aspx style='text-decoration:underline'>Romance</a>, once again pushed the envelope with this disturbing (if somewhat less explicit) look at adolescent sexuality. Anaïs (Anaïs Reboux) is a 12-year-old girl with a weight problem and a downbeat disposition growing up in a family which offers her little in the way of understanding and affection. Anaïs has a typically adolescent love/hate relationship with her slimmer and prettier 15-year-old sister, Elena (Roxane Mesquida); she's at once fascinated by her sister (and the boys who follow her around), and hates her for the love and attention she receives from others. While the family spends the summer at the beach, Elena attracts the attentions of Fernando (Libero de Rienzo), a college student from Italy who makes no secret of his attraction to Elena's budding sexuality. Anaïs, on the other hand, is forced to make do with a sad game in which she pretends that a ladder and a diving board at a neighborhood swimming pool are two suitors vying for her affections. Anaïs shares a room with Elena, and finds herself a fascinated, if troubled, witness as Fernando uses both charm and deceit to rob her sister of her virginity, while Elena is too naïve to see through the lies Fernando is spinning -- and enjoys having Anaïs as an audience for her steadily advancing sex play with Fernando. Anaïs is more aware than her older sister of Fernando's insincerity, but she finds Elena isn't eager to believe her. ~ Mark Deming, All Movie Guide7Taggedy Taggged (6-10)13523http://www.spout.com/ProductImages/t48505opf5e.jpghttp://www.spout.com/films/Fat_Girl/186321/default.aspxFilm http://www.spout.com/groups/Movie_Polls/Re_Which_of_these_film_movments_have_produced_film/657/40557/1/ShowPost.aspx Post By: Risselada
Post To: Movie Polls
Post Date: 2/19/2009 3:15:26 PM
Body: [quote user="pippin06"] This is out of my league too. I consider myself an average to above average filmgoer/viewer but am not sure if I've seen anything in any category (maybe I have and I didn't know it...but maybe not). Like I said, I saw a lot of French films in college, but who knows if they fall under New Wave or something like that... ...but maybe we could somehow start a discussion somewhere where people schooled in these film schools could make recommendations for beginners. That would be cool, right? Or, maybe it's already somewhere...anyone know? [/quote] Ok, well I'll try to give some insight on what I know about them and any recommendations I may have. Czechoslovakian New Wave may be one of the lesser movements listed here. It kind of started in the 60s. A discription from wikipedia says "Trademarks of the movement contain long unscripted dialogues, dark and absurd humour, and the casting of nonactors." I don't know if I've actually seen any, but some of the more popular ones are available from the Criterion Collection like The Shop on Main Street (which people have mentioned on Spout before), Closely Watched Trains, and lots of Milos Forman's (One Flew Over the Cuckoo's Nest, The Man on the Moon, Amadeus) early work like Loves of a Blonde and The Fireman's Ball. Dogme 95 was an official movement started by Lars Von Trier and a few other Danish filmmakers that had specific rules about it. You could actually submit your film to them to be labeled as an official Dogma 95 film. You can probably find the rules online somewhere, but it involved using only digital film and found locations, props, and costumes. You aren't supposed to add any special effects. The full rules are of course available at good old wikipedia. The most famous of the films would probably The Celebration, The Idiots, and my favorite, Julien Donkey-Boy. The French New Wave is a pretty broad movement usually referring to the iconoclastic filmmakers from France. I think the tail end of the 50s is really when this started to get into full swing. Like Tennenbaums mentioned earlier, Jean Luc-Godard and François Truffaut are often the most identifiable filmmakers with the movement, although there are probably dozens if not more who have been lumped into this movement. SkyPilot mentioned Jean-Pierre Melville's Bob le Flambeur. I have seen that one and was disappointed. I've also seen Godard's Breathless and Truffaut's Jules and Jim both of which I did not enjoy. Truffaut's The 400 Blows I appreciated a bit more, but still not a favorite. Some people throw Éric Rohmer into this category as well, although some argue his style is considerably different and stems from somewhere other than many other of the French New Wave filmmakers. I have enjoyed what little I've seen of his work. Expressionism was a movement in Europe in the early 20th century. It stressed intense emotion conveyed through exaggerated and distorted style and forms. The Germans took this movement and put it in film. I'm sure you recognize famous directors like F. W. Murnau and Fritz Lang. Some of these films had extremely expressionistic and highly unrealistic visuals like The Cabinet of Dr. Caligari. Some like The Last Laugh were just more more distorted versions of reality. With all the Dracula talk that has happend on Spout at times I'm guessing you've also heard of Nosferatu. Some of Lang's works that came a bit later that are well known might also count like M and Metropolis. When I looked into it, I can't really define Iranian New Wave any better than just saying it's basically films that were made in Iran. I guess the most popular filmmaker is Abbas Kiarostami. Look him up and you may recognize a lot of his films. Maybe not. I have seen two films from Majid Majidi and would recommend The Color of Paradise. It's kind of recent though so I don't really know if it's a good representation of the first wave of the Iranian New Wave. Italian neorealism is what it probably sounds like. Italian films that stressed trying to give a realistic depiction of every day working class people. They did this by shootings things on location and often with non-actors. And a lot of the the "boring" action of normal life that might not find it's way into other films is here. Although I sure don't find it boring. The time frame we are looking at is the later forties. The most famous example is Vittorio De Sica's The Bicycle Thief which I would highly recommend, although De Sica's Shoeshine and Umberto D are also amazing. Other big name directors are Luchino Visconti and Roberto Rossellini. The Japanese New Wave like the French New Wave were a bunch of iconoclastic filmmakers that started with works being released around the end of the 50s through the 70s. You could put Seijun Suzuki in this category who is one of my favorite directors. Tokyo Drifter, Fighting Elegy, Branded to Kill, and Youth of the Beast are all fims of his that I love and are available on the Criterion Collection. Hiroshi Teshigahara also has some of his movies released through Criterion, one of which, Woman in the Dunes, I just saw recently and is amazing. Shohei Imamura also has some of his movies available through Criterion (this is basically just a big Criterion ad). Nagisa Oshima is probably the biggest name from this moment in my mind and I'm rather embarassed to say I still haven't seen any of his films. Mumblecore core is the newest term on this list and has gotten a lot of press on Spout, so maybe you've heard of it. I don't know if I've really seen any movies that would fit this category hardcore, but you probably recognize the trend in independent cinema. I think it has a lot to do with young adults living in big cities. Very low budget. Lots of slang and hip music and culture references with a realistic style. Correct me if I'm wrong on this. Joe Swanberg had a short film series on Spout for a while I think. New French Extremity is the other really new term here. I just came across the name recently to refer to a recent wave of confrontational French films ove the past decade or so. You know how we had a group here on spout called "extreme films"? Well a lot of these would probably fit in nice there. They show you the extreme fifth, cruelty, and violence of humanity often in graphic detail. You may recognize a lot of these names. Gaspar Noé's Irreversible is one of the most well known state side I think. It's the one that runs backwards. I've seen his I Stand Alone and let me say it's pretty striking and depression, very confrontational to the dark and depressing side of the human condition. Other examples are some of Claire Denis' and Leos Carax's recent work, Bruno Dumont (The Life of Jesus, Humanité), Catherine Breillat (Fat Girl). Maybe you have also heard of the infamous Baise-moi (Fuck Me). If you listen to a lot of the horror fans we have on the site too you may hear them rave about many of the violent horror films comming out of France recently. These could probably fit in well too. The most well known now being High Tension. As for New German Cinema, you've heard of Werner Herzog right?? He's one of my favorites (check out The Mystery of Kaspar Hauser, Aguirre: The Wrath of God, Stroszek, Fitzcarraldo). Well he and some other German folks such as R. W. Fassbinder (Ali: Fear Eats the Soul, The Marriage of Maria Braun, The Bitter Tears of Petra Von Kant (the guy made well over fourty films in a span of sixteen years including the fifteen hour long Berlin Alexanderplatz)), Wim Wenders (Wings of Desire, Paris, Texas), Volker Schlöndorff (The Tin Drum) and several others started making the first original movies starting in the late 60s since before the rise of the Nazis (Werner Herzog even made a remake of the classic German film Nosferatu). Finally Germany was a force in the world of Cinema making original and revolutionary films again. Anyone have anything to add?
]]>Thu, 19 Feb 2009 20:15:26 GMTRisseladaMovie Polls2/19/2009 3:15:26 PM[quote user="pippin06"] This is out of my league too. I consider myself an average to above average filmgoer/viewer but am not sure if I've seen anything in any category (maybe I have and I didn't know it...but maybe not). Like I said, I saw a lot of French films in college, but who knows if they fall under New Wave or something like that... ...but maybe we could somehow start a discussion somewhere where people schooled in these film schools could make recommendations for beginners. That would be cool, right? Or, maybe it's already somewhere...anyone know? [/quote] Ok, well I'll try to give some insight on what I know about them and any recommendations I may have. Czechoslovakian New Wave may be one of the lesser movements listed here. It kind of started in the 60s. A discription from wikipedia says "Trademarks of the movement contain long unscripted dialogues, dark and absurd humour, and the casting of nonactors." I don't know if I've actually seen any, but some of the more popular ones are available from the Criterion Collection like The Shop on Main Street (which people have mentioned on Spout before), Closely Watched Trains, and lots of Milos Forman's (One Flew Over the Cuckoo's Nest, The Man on the Moon, Amadeus) early work like Loves of a Blonde and The Fireman's Ball. Dogme 95 was an official movement started by Lars Von Trier and a few other Danish filmmakers that had specific rules about it. You could actually submit your film to them to be labeled as an official Dogma 95 film. You can probably find the rules online somewhere, but it involved using only digital film and found locations, props, and costumes. You aren't supposed to add any special effects. The full rules are of course available at good old wikipedia. The most famous of the films would probably The Celebration, The Idiots, and my favorite, Julien Donkey-Boy. The French New Wave is a pretty broad movement usually referring to the iconoclastic filmmakers from France. I think the tail end of the 50s is really when this started to get into full swing. Like Tennenbaums mentioned earlier, Jean Luc-Godard and Fran&ccedil;ois Truffaut are often the most identifiable filmmakers with the movement, although there are probably dozens if not more who have been lumped into this movement. SkyPilot mentioned Jean-Pierre Melville's Bob le Flambeur. I have seen that one and was disappointed. I've also seen Godard's Breathless and Truffaut's Jules and Jim both of which I did not enjoy. Truffaut's The 400 Blows I appreciated a bit more, but still not a favorite. Some people throw &Eacute;ric Rohmer into this category as well, although some argue his style is considerably different and stems from somewhere other than many other of the French New Wave filmmakers. I have enjoyed what little I've seen of his work. Expressionism was a movement in Europe in the early 20th century. It stressed intense emotion conveyed through exaggerated and distorted style and forms. The Germans took this movement and put it in film. I'm sure you recognize famous directors like F. W. Murnau and Fritz Lang. Some of these films had extremely expressionistic and highly unrealistic visuals like The Cabinet of Dr. Caligari. Some like The Last Laugh were just more more distorted versions of reality. With all the Dracula talk that has happend on Spout at times I'm guessing you've also heard of Nosferatu. Some of Lang's works that came a bit later that are well known might also count like M and Metropolis. When I looked into it, I can't really define Iranian New Wave any better than just saying it's basically films that were made in Iran. I guess the most popular filmmaker is Abbas Kiarostami. Look him up and you may recognize a lot of his films. Maybe not. I have seen two films from Majid Majidi and would recommend The Color of Paradise. It's kind of recent though so I don't really know if it's a good representation of the first wave of the Iranian New Wave. Italian neorealism is what it probably sounds like. Italian films that stressed trying to give a realistic depiction of every day working class people. They did this by shootings things on location and often with non-actors. And a lot of the the "boring" action of normal life that might not find it's way into other films is here. Although I sure don't find it boring. The time frame we are looking at is the later forties. The most famous example is Vittorio De Sica's The Bicycle Thief which I would highly recommend, although De Sica's Shoeshine and Umberto D are also amazing. Other big name directors are Luchino Visconti and Roberto Rossellini. The Japanese New Wave like the French New Wave were a bunch of iconoclastic filmmakers that started with works being released around the end of the 50s through the 70s. You could put Seijun Suzuki in this category who is one of my favorite directors. Tokyo Drifter, Fighting Elegy, Branded to Kill, and Youth of the Beast are all fims of his that I love and are available on the Criterion Collection. Hiroshi Teshigahara also has some of his movies released through Criterion, one of which, Woman in the Dunes, I just saw recently and is amazing. Shohei Imamura also has some of his movies available through Criterion (this is basically just a big Criterion ad). Nagisa Oshima is probably the biggest name from this moment in my mind and I'm rather embarassed to say I still haven't seen any of his films. Mumblecore core is the newest term on this list and has gotten a lot of press on Spout, so maybe you've heard of it. I don't know if I've really seen any movies that would fit this category hardcore, but you probably recognize the trend in independent cinema. I think it has a lot to do with young adults living in big cities. Very low budget. Lots of slang and hip music and culture references with a realistic style. Correct me if I'm wrong on this. Joe Swanberg had a short film series on Spout for a while I think. New French Extremity is the other really new term here. I just came across the name recently to refer to a recent wave of confrontational French films ove the past decade or so. You know how we had a group here on spout called "extreme films"? Well a lot of these would probably fit in nice there. They show you the extreme fifth, cruelty, and violence of humanity often in graphic detail. You may recognize a lot of these names. Gaspar No&eacute;'s Irreversible is one of the most well known state side I think. It's the one that runs backwards. I've seen his I Stand Alone and let me say it's pretty striking and depression, very confrontational to the dark and depressing side of the human condition. Other examples are some of Claire Denis' and Leos Carax's recent work, Bruno Dumont (The Life of Jesus, Humanit&eacute;), Catherine Breillat (Fat Girl). Maybe you have also heard of the infamous Baise-moi (Fuck Me). If you listen to a lot of the horror fans we have on the site too you may hear them rave about many of the violent horror films comming out of France recently. These could probably fit in well too. The most well known now being High Tension. As for New German Cinema, you've heard of Werner Herzog right?? He's one of my favorites (check out The Mystery of Kaspar Hauser, Aguirre: The Wrath of God, Stroszek, Fitzcarraldo). Well he and some other German folks such as R. W. Fassbinder (Ali: Fear Eats the Soul, The Marriage of Maria Braun, The Bitter Tears of Petra Von Kant (the guy made well over fourty films in a span of sixteen years including the fifteen hour long Berlin Alexanderplatz)), Wim Wenders (Wings of Desire, Paris, Texas), Volker Schl&ouml;ndorff (The Tin Drum) and several others started making the first original movies starting in the late 60s since before the rise of the Nazis (Werner Herzog even made a remake of the classic German film Nosferatu). Finally Germany was a force in the world of Cinema making original and revolutionary films again. Anyone have anything to add? http://www.spout.com/blogs/karina/archive/2008/11/25/37611.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 11/25/2008 11:01:05 AM
Body: The Criterion Collecton has opened up an online streaming shop, where twenty films can currently be watched online for $5. Your five dollars gives you the right to watch the film as many tines as you like for a week, and for a full year after that they’ll apply a $5 credit to the purchase of that DVD from their online store. Titles available now include Juliet of the Spirits, Cleo From 5 to 7, and Chris Marker’s Sans Soleil. Also — and this may be old news, but it’s new to me — Criterion is curating a “festival” of free films every month in partnership with The Auteurs. This month’s festival focuses on “Cruel Stories of Youth,” and includes such films as Sweetie, Ratcatcher, and Fat Girl. More here. Via Fimoculous Originally posted on:SpoutBlog » Karina Longworth
]]>Tue, 25 Nov 2008 16:01:05 GMTKarinaKarina on SpoutBlog11/25/2008 11:01:05 AMThe Criterion Collecton has opened up an online streaming shop, where twenty films can currently be watched online for $5. Your five dollars gives you the right to watch the film as many tines as you like for a week, and for a full year after that they’ll apply a $5 credit to the purchase of that DVD from their online store. Titles available now include Juliet of the Spirits, Cleo From 5 to 7, and Chris Marker’s Sans Soleil. Also — and this may be old news, but it’s new to me — Criterion is curating a “festival” of free films every month in partnership with The Auteurs. This month’s festival focuses on “Cruel Stories of Youth,” and includes such films as Sweetie, Ratcatcher, and Fat Girl. More here. Via Fimoculous Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/11/25/37610.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/25/2008 11:00:53 AM
Body: The Criterion Collecton has opened up an online streaming shop, where twenty films can currently be watched online for $5. Your five dollars gives you the right to watch the film as many tines as you like for a week, and for a full year after that they’ll apply a $5 credit to the purchase of that DVD from their online store. Titles available now include Juliet of the Spirits, Cleo From 5 to 7, and Chris Marker’s Sans Soleil. Also — and this may be old news, but it’s new to me — Criterion is curating a “festival” of free films every month in partnership with The Auteurs. This month’s festival focuses on “Cruel Stories of Youth,” and includes such films as Sweetie, Ratcatcher, and Fat Girl. More here. Via Fimoculous Originally posted on:SpoutBlog
]]>Tue, 25 Nov 2008 16:00:53 GMTSpoutBlogSpoutBlog on spout.com11/25/2008 11:00:53 AMThe Criterion Collecton has opened up an online streaming shop, where twenty films can currently be watched online for $5. Your five dollars gives you the right to watch the film as many tines as you like for a week, and for a full year after that they’ll apply a $5 credit to the purchase of that DVD from their online store. Titles available now include Juliet of the Spirits, Cleo From 5 to 7, and Chris Marker’s Sans Soleil. Also — and this may be old news, but it’s new to me — Criterion is curating a “festival” of free films every month in partnership with The Auteurs. This month’s festival focuses on “Cruel Stories of Youth,” and includes such films as Sweetie, Ratcatcher, and Fat Girl. More here. Via Fimoculous Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/10/17/36453.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 10/17/2008 2:00:43 PM
Body: As far as Hollywood is concerned, the best way to lose one’s virginity is on the road. Whether driving cross-country for a sure thing or making a weekend trip to the state university in an attempt to get laid, teens are always taking sex-seeking trips in the movies. Already this year, there was College, which featured some high school kids having sex on a campus far from home, and now this week sees the release of Sex Drive, a movie about a guy traveling 500 miles in order to hook up a girl he met online, just so he doesn’t begin college a virgin. Though it may be wrong to celebrate movies that could possibly be encouragement for online predators and purveyors of sex tourism, we present some of our favorite cinematic virgins who lost it on a road trip: (Warning: potential spoilers ahead.) Kyle Edwards (DJ Qualls) in Road Trip (2000) This movie has to be the first on anyone’s mind when thinking about virginity loss on a road trip. Not necessarily because of the title, either. Kyle’s first time is simply one of the most memorable sexual initiations ever put on film. With all due respect to the large ladies out there, seeing Kyle shyly get it on with big girl Rhonda (Mia Amber Davis) is hilarious. Of course, much of the humor of the scene also comes from how scrawny, pale and dorky Kyle is. Lucy Wagner (Britney Spears) in Crossroads (2002) After deciding not to lose her virginity in the boring setting of home-territory, Lucy embarks on a trip that will see her meet her mother for the first time, enter a singing contest, and have her first sexual experience with a guy she’s just recently met. It’s a little more romantic than it sounds, though, as her chosen partner has just co-written a song with her, and he’s made sure to initiate the encounter near an open window providing a view of the ocean. Even if this guy turns out to be a jerk later on, it has to be worth it, because there’s no way a girl could have a more special first time than that. Sherry (Ellen Page) in Mouth to Mouth (2005) Before she became an icon of teen pregnancy, future Oscar-nominee Ellen Page appeared in this indie, which featured the following plot synopsis: “How Sherry loses her virginity, her illusions and her lip ring in one trippy road trip across Europe.” As you can see in the video above, it’s not quite as special a first time as Britney got. William Miller (Patrick Fugit) in Almost Famous (2000) One of the benefits of being a band on tour is all the road sex from groupies galore. But do tag-along journalists usually get such perks, too? They do if they’re virginal teenagers, and the groupies are as gracious as the typically non-intercourse-having “Band-Aides.” Based on director Cameron Crowe’s own first time while on the road with rock bands in the 1970s, young Rolling Stone reporter William manages the perfect teen male fantasy by being deflowered by three hot female rock fans. Jeremiah ‘Jam’ Bruce (Sam Huntington) in Detroit Rock City (1999) Another reason to believe that teens of the ’70s commonly lost their virginity while en route to rock concerts. In this movie, the experience isn’t as much a fantasy as the one in Almost Famous, though it is nearly as unbelievable. Jam and his buddies travel from Cleveland to Detroit for a Kiss show, and it just so happens that the kid’s crush, Beth, has apparently also made the trip and followed him into a church, where they do it in a confessional booth. And after Jam officially becomes a man, he has the strength to finally stand up to his mom. Seaman Larry Meadows (Randy Quaid) in The Last Detail (1973) It’s one thing for a guy to want to lose his virginity before he goes to college; it’s another for a guy to need to lose it before beginning an 8-year sentence behind bars. While being escorted by two fellow sailors (Jack Nicholson and Otis Young) to Portsmouth Naval Prison, Meadows is shown a good time on the road, and while he doesn’t manage to experience “the big one” in the sequence above, he finally does the deed courtesy of his buddies and a young prostitute played by Carol Kane. The girl who does it in a shark tank in Cherry Hill High (1977) While on a post-graduation long-distance bicycle trip, a group of girls hold a contest to see who can lose her virginity in the most creative way. If the prize went to the most dangerous deflowering, certainly the first girl to get it on would have sealed the deal, because her first time is with a shark wrangler in a shark tank. (to see a slideshow clip of the scene, click on the above still.) Tenoch Iturbide (Diego Luna) and Julio Zapata (Gael Garcia Bernal) in Y Tu Mama Tambien (2001) Best friends Tenoch and Julio are anything but virginal when they embark on a road trip with the beautiful, older Luisa (Maribel Verdu), but by the end of their little vacation, they do end up having an experience that could be technically considered a loss of virginity. Anais Pingot (Anais Reboux) in Fat Girl (2001) In one of the most shocking endings ever, 12-year-old Anais accomplishes her goal of the summer while traveling from her vacation home back to Paris. If you’ve never seen it before, I don’t want to spoil it (the above video is merely the film’s trailer), but I’ll say one thing: it may be the most startling intentional loss of virginity ever put on film. Originally posted on:SpoutBlog
]]>Fri, 17 Oct 2008 18:00:43 GMTSpoutBlogSpoutBlog on spout.com10/17/2008 2:00:43 PMAs far as Hollywood is concerned, the best way to lose one’s virginity is on the road. Whether driving cross-country for a sure thing or making a weekend trip to the state university in an attempt to get laid, teens are always taking sex-seeking trips in the movies. Already this year, there was College, which featured some high school kids having sex on a campus far from home, and now this week sees the release of Sex Drive, a movie about a guy traveling 500 miles in order to hook up a girl he met online, just so he doesn’t begin college a virgin. Though it may be wrong to celebrate movies that could possibly be encouragement for online predators and purveyors of sex tourism, we present some of our favorite cinematic virgins who lost it on a road trip: (Warning: potential spoilers ahead.) Kyle Edwards (DJ Qualls) in Road Trip (2000) This movie has to be the first on anyone’s mind when thinking about virginity loss on a road trip. Not necessarily because of the title, either. Kyle’s first time is simply one of the most memorable sexual initiations ever put on film. With all due respect to the large ladies out there, seeing Kyle shyly get it on with big girl Rhonda (Mia Amber Davis) is hilarious. Of course, much of the humor of the scene also comes from how scrawny, pale and dorky Kyle is. Lucy Wagner (Britney Spears) in Crossroads (2002) After deciding not to lose her virginity in the boring setting of home-territory, Lucy embarks on a trip that will see her meet her mother for the first time, enter a singing contest, and have her first sexual experience with a guy she’s just recently met. It’s a little more romantic than it sounds, though, as her chosen partner has just co-written a song with her, and he’s made sure to initiate the encounter near an open window providing a view of the ocean. Even if this guy turns out to be a jerk later on, it has to be worth it, because there’s no way a girl could have a more special first time than that. Sherry (Ellen Page) in Mouth to Mouth (2005) Before she became an icon of teen pregnancy, future Oscar-nominee Ellen Page appeared in this indie, which featured the following plot synopsis: “How Sherry loses her virginity, her illusions and her lip ring in one trippy road trip across Europe.” As you can see in the video above, it’s not quite as special a first time as Britney got. William Miller (Patrick Fugit) in Almost Famous (2000) One of the benefits of being a band on tour is all the road sex from groupies galore. But do tag-along journalists usually get such perks, too? They do if they’re virginal teenagers, and the groupies are as gracious as the typically non-intercourse-having “Band-Aides.” Based on director Cameron Crowe’s own first time while on the road with rock bands in the 1970s, young Rolling Stone reporter William manages the perfect teen male fantasy by being deflowered by three hot female rock fans. Jeremiah ‘Jam’ Bruce (Sam Huntington) in Detroit Rock City (1999) Another reason to believe that teens of the ’70s commonly lost their virginity while en route to rock concerts. In this movie, the experience isn’t as much a fantasy as the one in Almost Famous, though it is nearly as unbelievable. Jam and his buddies travel from Cleveland to Detroit for a Kiss show, and it just so happens that the kid’s crush, Beth, has apparently also made the trip and followed him into a church, where they do it in a confessional booth. And after Jam officially becomes a man, he has the strength to finally stand up to his mom. Seaman Larry Meadows (Randy Quaid) in The Last Detail (1973) It’s one thing for a guy to want to lose his virginity before he goes to college; it’s another for a guy to need to lose it before beginning an 8-year sentence behind bars. While being escorted by two fellow sailors (Jack Nicholson and Otis Young) to Portsmouth Naval Prison, Meadows is shown a good time on the road, and while he doesn’t manage to experience “the big one” in the sequence above, he finally does the deed courtesy of his buddies and a young prostitute played by Carol Kane. The girl who does it in a shark tank in Cherry Hill High (1977) While on a post-graduation long-distance bicycle trip, a group of girls hold a contest to see who can lose her virginity in the most creative way. If the prize went to the most dangerous deflowering, certainly the first girl to get it on would have sealed the deal, because her first time is with a shark wrangler in a shark tank. (to see a slideshow clip of the scene, click on the above still.) Tenoch Iturbide (Diego Luna) and Julio Zapata (Gael Garcia Bernal) in Y Tu Mama Tambien (2001) Best friends Tenoch and Julio are anything but virginal when they embark on a road trip with the beautiful, older Luisa (Maribel Verdu), but by the end of their little vacation, they do end up having an experience that could be technically considered a loss of virginity. Anais Pingot (Anais Reboux) in Fat Girl (2001) In one of the most shocking endings ever, 12-year-old Anais accomplishes her goal of the summer while traveling from her vacation home back to Paris. If you’ve never seen it before, I don’t want to spoil it (the above video is merely the film’s trailer), but I’ll say one thing: it may be the most startling intentional loss of virginity ever put on film. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/9/11/35022.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 9/11/2008 12:00:32 PM
Body: Due to the unsurprising popularity of our “10 Movies Sold on a Sex Scene” list a few weeks back, I’ve decided to unleash a sequel. However, catering to both Spoutblog’s traffic and the interests of ever-abundant sex-attracted internetters is only half my reason for this follow-up list. I was mainly motivated by the outcome of the release of Woody Allen’s Vicky Cristina Barcelona, a film that also initially inspired the first list. While Vicky was partly sold on the promise of a threesome between Scarlett Johansson, Javier Bardem and Penelope Cruz, it is now fortunately being celebrated, and it will likely be remembered, primarily for Cruz’s performance. Not for the threesome or for the lesbian kiss. Other movies sold on a sex scene, though, are not typically so blessed with accolades. And even some that are recognized with high praise at time of release are often later forgotten as anything but fodder for MrSkin and other followers of onscreen sex and nudity. Obviously this means that most of my selections for the previous list may also qualify here, yet I’ve chosen to ignore some certainly fitting titles, including The Brown Bunny and 9 1/2 Weeks, so as not to repeat myself. Basic Instinct (1992) This was left off the earlier list, though I had originally planned on including it. Now that I’ve decided to do this follow-up, I’m positive that it fits better here. Many people undoubtedly went to see Paul Verhoeven’s erotic thriller more for the eroticism than the thrills, but that can’t be the case for every moviegoer who helped make the film a smash hit. There are plenty of erotic thrillers out there, but only one grossed more than $350 million (Fatal Attraction, which earned more than Basic Instinct domestically, came close). Could it be that the film is actually good? Plenty of respectable critics thought so, including Janet Maslin and Jonathan Rosenbaum, both of whom praised the Hitchcock influence. However, it’s easy to now remember the film primarily for the infamous Sharon Stone upskirt shot, which I deem qualifiable as a sex scene due to the way Stone’s character seems to have sort of psychological intercourse with her interrogators. Last Tango in Paris (1972) Here we have another mostly well-reviewed film that is possibly only still in the public consciousness due to its controversial sex scenes. That isn’t to say the critics and cinephiles don’t still appreciate it for other reasons than its buttery anal sex — it still screens theatrically in revivals and festivals. But ask any random person on the street what they remember, and most are sure to mention the sex scenes before talking of Bertolucci’s direction or Brando’s performance. Havoc (2005) I love the non-fiction work of Barbara Kopple, and I believe it possible that Anne Hathaway indeed gives an Oscar-worthy performance in her latest film, Rachel Getting Married, but neither woman’s talent is fully utilized with this movie, which also features a script written by Oscar-winner Stephen Gaghan. I will always think of this movie as an unfortunate hiccup in the careers of these three individuals, but I will mostly remember it, as will most people, for featuring Hathaway’s first topless sex scenes. A History of Violence (2005) Personally, my first recall is the graphic violence. The second thing I remember — more fondly, in fact — is William Hurt’s cartoonish yet canny performance. The sex scene on the stairs might not even be in the top five things that made Cronenberg’s film memorable for me, but I promise you there are guys who primarily think positively of A History of Violence for that moment. I even know some of them. Fat Girl (2001) Almost as dauntingly memorable as actually waking up to people having sex in the room you’re sleeping in, the infamous scene depicting such an event in Catherine Breillat’s film is likely the first thing you remember. And it probably doesn’t help your memory that the scene is significant enough to have spawned Breillat’s later film Sex is Comedy, which is basically about the difficulty of filming the Fat Girl scene (as seen in the above clip). Talk to Her (2002) With this film, I don’t mind that it’s a sex scene that I primarily recall, because it’s a scene that I think is extremely clever and surprisingly well-executed. No, I’m not referring to the part where Benigno (Javier Camara) rapes the comatose Alicia (Leonor Watling); I mean the black and white dream sequence in which a miniature Fele Martinez completely enters a large, constructed setpiece representing Paz Vega’s vagina. Team America: World Police (2004) There are plenty of side-splitting moments in this movie, but who walked away with anything sticking in their mind as solidly as the overlong sex sequence? The Hunger (1983) I could never remember if I’d seen this film or not when I was a kid. It’s one of those films that even if you haven’t seen the whole thing, you’re probably at least familiar with a specific, iconic scene. Here it’s definitely the lesbian sex scene between Susan Sarandon and Catherine Deneuve. Requiem for a Dream (2000) I wish that the “ass to ass” line wasn’t the most memorable thing about this film. It certainly isn’t my favorite part, just the one part that forcefully sticks out above all others. Hounddog (2007) Though it hasn’t even been released to theaters yet, this 2007 Sundance selection will forever be known and remembered as the Dakota Fanning rape movie. It’s possible that the scene could also be considered a “movie sold on a sex scene,” because some curious moviegoers will go see it, secretly or not, for the infamous and controversial scene. But I don’t want to think of those people who actually want to see a movie because they want to see Dakota Fanning raped, whether for pleasure or intrigue. Originally posted on:SpoutBlog
]]>Thu, 11 Sep 2008 16:00:32 GMTSpoutBlogSpoutBlog on spout.com9/11/2008 12:00:32 PM Due to the unsurprising popularity of our “10 Movies Sold on a Sex Scene” list a few weeks back, I’ve decided to unleash a sequel. However, catering to both Spoutblog’s traffic and the interests of ever-abundant sex-attracted internetters is only half my reason for this follow-up list. I was mainly motivated by the outcome of the release of Woody Allen’s Vicky Cristina Barcelona, a film that also initially inspired the first list. While Vicky was partly sold on the promise of a threesome between Scarlett Johansson, Javier Bardem and Penelope Cruz, it is now fortunately being celebrated, and it will likely be remembered, primarily for Cruz’s performance. Not for the threesome or for the lesbian kiss. Other movies sold on a sex scene, though, are not typically so blessed with accolades. And even some that are recognized with high praise at time of release are often later forgotten as anything but fodder for MrSkin and other followers of onscreen sex and nudity. Obviously this means that most of my selections for the previous list may also qualify here, yet I’ve chosen to ignore some certainly fitting titles, including The Brown Bunny and 9 1/2 Weeks, so as not to repeat myself. Basic Instinct (1992) This was left off the earlier list, though I had originally planned on including it. Now that I’ve decided to do this follow-up, I’m positive that it fits better here. Many people undoubtedly went to see Paul Verhoeven’s erotic thriller more for the eroticism than the thrills, but that can’t be the case for every moviegoer who helped make the film a smash hit. There are plenty of erotic thrillers out there, but only one grossed more than $350 million (Fatal Attraction, which earned more than Basic Instinct domestically, came close). Could it be that the film is actually good? Plenty of respectable critics thought so, including Janet Maslin and Jonathan Rosenbaum, both of whom praised the Hitchcock influence. However, it’s easy to now remember the film primarily for the infamous Sharon Stone upskirt shot, which I deem qualifiable as a sex scene due to the way Stone’s character seems to have sort of psychological intercourse with her interrogators. Last Tango in Paris (1972) Here we have another mostly well-reviewed film that is possibly only still in the public consciousness due to its controversial sex scenes. That isn’t to say the critics and cinephiles don’t still appreciate it for other reasons than its buttery anal sex — it still screens theatrically in revivals and festivals. But ask any random person on the street what they remember, and most are sure to mention the sex scenes before talking of Bertolucci’s direction or Brando’s performance. Havoc (2005) I love the non-fiction work of Barbara Kopple, and I believe it possible that Anne Hathaway indeed gives an Oscar-worthy performance in her latest film, Rachel Getting Married, but neither woman’s talent is fully utilized with this movie, which also features a script written by Oscar-winner Stephen Gaghan. I will always think of this movie as an unfortunate hiccup in the careers of these three individuals, but I will mostly remember it, as will most people, for featuring Hathaway’s first topless sex scenes. A History of Violence (2005) Personally, my first recall is the graphic violence. The second thing I remember — more fondly, in fact — is William Hurt’s cartoonish yet canny performance. The sex scene on the stairs might not even be in the top five things that made Cronenberg’s film memorable for me, but I promise you there are guys who primarily think positively of A History of Violence for that moment. I even know some of them. Fat Girl (2001) Almost as dauntingly memorable as actually waking up to people having sex in the room you’re sleeping in, the infamous scene depicting such an event in Catherine Breillat’s film is likely the first thing you remember. And it probably doesn’t help your memory that the scene is significant enough to have spawned Breillat’s later film Sex is Comedy, which is basically about the difficulty of filming the Fat Girl scene (as seen in the above clip). Talk to Her (2002) With this film, I don’t mind that it’s a sex scene that I primarily recall, because it’s a scene that I think is extremely clever and surprisingly well-executed. No, I’m not referring to the part where Benigno (Javier Camara) rapes the comatose Alicia (Leonor Watling); I mean the black and white dream sequence in which a miniature Fele Martinez completely enters a large, constructed setpiece representing Paz Vega’s vagina. Team America: World Police (2004) There are plenty of side-splitting moments in this movie, but who walked away with anything sticking in their mind as solidly as the overlong sex sequence? The Hunger (1983) I could never remember if I’d seen this film or not when I was a kid. It’s one of those films that even if you haven’t seen the whole thing, you’re probably at least familiar with a specific, iconic scene. Here it’s definitely the lesbian sex scene between Susan Sarandon and Catherine Deneuve. Requiem for a Dream (2000) I wish that the “ass to ass” line wasn’t the most memorable thing about this film. It certainly isn’t my favorite part, just the one part that forcefully sticks out above all others. Hounddog (2007) Though it hasn’t even been released to theaters yet, this 2007 Sundance selection will forever be known and remembered as the Dakota Fanning rape movie. It’s possible that the scene could also be considered a “movie sold on a sex scene,” because some curious moviegoers will go see it, secretly or not, for the infamous and controversial scene. But I don’t want to think of those people who actually want to see a movie because they want to see Dakota Fanning raped, whether for pleasure or intrigue. Originally posted on:SpoutBlog http://www.spout.com/blogs/captainryannn/archive/2008/8/8/33738.aspx Post By: CaptainRyannn
Post To: CaptainRyannn Blog
Post Date: 8/8/2008 5:01:23 AM
Body: Since January 1st, 2008, I've been keeping track of all the films I've watched. Because I don't feel like taking the time to highlight each movie up until this point, I will start at the previous week, Week 29 and continue from now on. 328. The Dark Knight (2008) -My second time seeing it. Such a great movie. Although not good enough to be considered 'best film of all time'. 329. Teeth (2007) -The storyline attracted me to it. Within the first 20 minutes I wanted it to be done. I hated this thing so much. 330. Heima (2007) -Such a beautiful documentary for such an amazing band; Sigur Ros. Check them out if you haven't yet. 331. La Haine / Hate (1995) -One of the best French films I've seen. If there's one thing I'll remember about this movie years from now, it'll be the ending and how shocked I was after it was all said and done. 332. À ma soeur! / Fat Girl (2001) -There was something sad in the way that the relationship between Anais and her older sister works out. I can't quite place my finger on it. The whole mood of the story is it's strongest part. Even a week after watching it, it still lingers with me. 333. C.R.A.Z.Y. (2005) -I had heard much about this before but now finally got around to watching it. I enjoyed this quite a bit. It deals with real people and real family issues. 334. Me and You and Everyone We Know (2005) - When I first saw this when it came out, I really liked it. After viewing it for a second time, I can't remember why. It's filled with unrealistic dialouge and characters I didn't care about. 335. À bout de souffle / Breathless (1960) -What had been hailed to be the 'crown jewel' of the French New Wave was also the last thing I saw before I feel asleep on Thursday. I think I'm going to have to give this another try. 336. Son of Rambow (2007) -After the rave reviews and catchy trailer, I had been looking forward to this. But after finally viewing it, I was left unfulfilled and wanting something more. 337. Phone Booth (2003) -Are there plot holes? Sure. Is the story likely? Nah. I mainly watched this for mere entertainment and nothing more. 338. Dazed and Confused (1993) -Immediately reminded me of American Graffiti except this took place in the 70's. I always fall for the movies that focus on how familar characters interact with one another. Although American Graffiti played this out much better, I thought this was pretty alright. 339. Batoru rowaiaru / Battle Royale (2001) -Although the dialouge seemed kind of cheesy, I can look past that because this was one hell of a ride. A group of 9th. graders put on an island and ordered to kill each other. Man, if only America had the balls to put something like that out. 340. Dazed and Confused (1993) -Yes, I watched it again. 341. Cool Hand Luke (1960) -My dad told me I would like this film. I did more than like it. Although many of us have never worked on a chain gang, the theme and spirit that this movie has is something that we can all relate to. 342. 21 (2008) -The only reason I watched this is so I could have an opinion about it when I hear kids talking about it in the hallways. I thought it was decent. Although it had many cliches, it was a little better than I expected it to be. 343. Vanishing Point (1971) -One of the first movies from the 70's that I fell in love with. Probably one of the best road chase movies out there, it's easy to tell why Quentin Tarantino decided to use it as his inspiration for Death Proof. 344. Casablanca (1942) -Classic, classic, classic. What else can I say? 345. The Breed (2006) -Such a horrible movie. Don't ever watch it.
]]>Fri, 08 Aug 2008 09:01:23 GMTCaptainRyannnCaptainRyannn Blog8/8/2008 5:01:23 AMSince January 1st, 2008, I've been keeping track of all the films I've watched. Because I don't feel like taking the time to highlight each movie up until this point, I will start at the previous week, Week 29 and continue from now on. 328. The Dark Knight (2008) -My second time seeing it. Such a great movie. Although not good enough to be considered 'best film of all time'. 329. Teeth (2007) -The storyline attracted me to it. Within the first 20 minutes I wanted it to be done. I hated this thing so much. 330. Heima (2007) -Such a beautiful documentary for such an amazing band; Sigur Ros. Check them out if you haven't yet. 331. La Haine / Hate (1995) -One of the best French films I've seen. If there's one thing I'll remember about this movie years from now, it'll be the ending and how shocked I was after it was all said and done. 332. &Agrave; ma soeur! / Fat Girl (2001) -There was something sad in the way that the relationship between Anais and her older sister works out. I can't quite place my finger on it. The whole mood of the story is it's strongest part. Even a week after watching it, it still lingers with me. 333. C.R.A.Z.Y. (2005) -I had heard much about this before but now finally got around to watching it. I enjoyed this quite a bit. It deals with real people and real family issues. 334. Me and You and Everyone We Know (2005) - When I first saw this when it came out, I really liked it. After viewing it for a second time, I can't remember why. It's filled with unrealistic dialouge and characters I didn't care about. 335. &Agrave; bout de souffle / Breathless (1960) -What had been hailed to be the 'crown jewel' of the French New Wave was also the last thing I saw before I feel asleep on Thursday. I think I'm going to have to give this another try. 336. Son of Rambow (2007) -After the rave reviews and catchy trailer, I had been looking forward to this. But after finally viewing it, I was left unfulfilled and wanting something more. 337. Phone Booth (2003) -Are there plot holes? Sure. Is the story likely? Nah. I mainly watched this for mere entertainment and nothing more. 338. Dazed and Confused (1993) -Immediately reminded me of American Graffiti except this took place in the 70's. I always fall for the movies that focus on how familar characters interact with one another. Although American Graffiti played this out much better, I thought this was pretty alright. 339. Batoru rowaiaru / Battle Royale (2001) -Although the dialouge seemed kind of cheesy, I can look past that because this was one hell of a ride. A group of 9th. graders put on an island and ordered to kill each other. Man, if only America had the balls to put something like that out. 340. Dazed and Confused (1993) -Yes, I watched it again. 341. Cool Hand Luke (1960) -My dad told me I would like this film. I did more than like it. Although many of us have never worked on a chain gang, the theme and spirit that this movie has is something that we can all relate to. 342. 21 (2008) -The only reason I watched this is so I could have an opinion about it when I hear kids talking about it in the hallways. I thought it was decent. Although it had many cliches, it was a little better than I expected it to be. 343. Vanishing Point (1971) -One of the first movies from the 70's that I fell in love with. Probably one of the best road chase movies out there, it's easy to tell why Quentin Tarantino decided to use it as his inspiration for Death Proof. 344. Casablanca (1942) -Classic, classic, classic. What else can I say? 345. The Breed (2006) -Such a horrible movie. Don't ever watch it. http://www.spout.com/groups/Weekly_Theme/Weekly_Theme_for_August_4_Let_s_Talk_About_Sex/625/33586/1/ShowPost.aspx Post By: mercurial
Post To: Weekly Theme
Post Date: 8/5/2008 6:02:41 PM
Body: Without going into the pornographic, let's get down and dirty and discuss all those films that explore what goes on behind closed doors. I will admit that I do like American Pie and it's gross out portrayal of a group of high schoolers making a pact to lose their virginity before they graduate high school. Equally, I'm willing to also admit that I found myself liking The Sweetest Thing and it's portrayal of sexually liberated (without any negative connotations) woman being stupid and having fun with their sexual experiences. Venturing to the more dismal views of sex, The Rules of Attraction will make any incoming college freshman fear leaving the comfort of their parents homes and begin seeing nothing but rapists, STD's and psychopaths around every turn. Y Tu Mamá También is incredible with it's twisted threesome road trip sexual free-for-all. Catherine Breillat has made countless interesting films about women and sex: Fat Girl being a pubescent girl becoming curious about her body and sex; Anatomy of Hell about an older woman tired of the typical and her journey into some pretty insane depths of sexual experience. Lastly, my favorite two films with S-E-X as the primary theme are Shortbus and A Dirty Shame. Warning for those that might be tempted to see Shortbus: it is extremely graphic. EXTREMELY. From John Cameron Mitchell, Shortbus is one of the few movies about sex that keeps nothing hidden (literally) and attempts to deconstruct various aspects of the act and what compels us in our various ways. A Dirty Shame is just stupid fun from that master of stupid fun John Waters and centers around a group of sexual liberated fetishists trying to uncover a new unheard of sex act. So without further ado and double entendres, let's talk about sex!
]]>Tue, 05 Aug 2008 22:02:41 GMTmercurialWeekly Theme8/5/2008 6:02:41 PMWithout going into the pornographic, let's get down and dirty and discuss all those films that explore what goes on behind closed doors. I will admit that I do like American Pie and it's gross out portrayal of a group of high schoolers making a pact to lose their virginity before they graduate high school. Equally, I'm willing to also admit that I found myself liking The Sweetest Thing and it's portrayal of sexually liberated (without any negative connotations) woman being stupid and having fun with their sexual experiences. Venturing to the more dismal views of sex, The Rules of Attraction will make any incoming college freshman fear leaving the comfort of their parents homes and begin seeing nothing but rapists, STD's and psychopaths around every turn. Y Tu Mam&aacute; Tambi&eacute;n is incredible with it's twisted threesome road trip sexual free-for-all. Catherine Breillat has made countless interesting films about women and sex: Fat Girl being a pubescent girl becoming curious about her body and sex; Anatomy of Hell about an older woman tired of the typical and her journey into some pretty insane depths of sexual experience. Lastly, my favorite two films with S-E-X as the primary theme are Shortbus and A Dirty Shame. Warning for those that might be tempted to see Shortbus: it is extremely graphic. EXTREMELY. From John Cameron Mitchell, Shortbus is one of the few movies about sex that keeps nothing hidden (literally) and attempts to deconstruct various aspects of the act and what compels us in our various ways. A Dirty Shame is just stupid fun from that master of stupid fun John Waters and centers around a group of sexual liberated fetishists trying to uncover a new unheard of sex act. So without further ado and double entendres, let's talk about sex! http://www.spout.com/members/0/tags/comingofage/MemberTagFilms.aspxcomingofage
Number of films tagged: 1186

Number of people who tagged: 72

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]]>Sun, 28 Jun 2009 22:51:56 GMT118672219Tag http://www.spout.com/members/0/tags/adolescence/MemberTagFilms.aspxadolescence
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]]>Wed, 11 Nov 2009 20:51:56 GMT14592457Tag http://www.spout.com/members/0/tags/Didnt-Get-It/MemberTagFilms.aspxDidnt-Get-It
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]]>Mon, 02 Jul 2007 23:46:38 GMT362242Tag http://www.spout.com/members/0/tags/virgin/MemberTagFilms.aspxvirgin
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]]>Mon, 14 Sep 2009 21:13:15 GMT2601931Tag http://www.spout.com/members/0/tags/criterion/MemberTagFilms.aspxcriterion
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]]>Wed, 02 Sep 2009 02:08:23 GMT39617407Tag http://www.spout.com/members/0/tags/Pretentious/MemberTagFilms.aspxPretentious
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]]>Mon, 28 Jul 2008 00:48:00 GMT161722Tag http://www.spout.com/members/0/tags/overweight/MemberTagFilms.aspxoverweight
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]]>Tue, 31 Mar 2009 13:07:06 GMT7357Tag http://www.spout.com/members/0/tags/growingpains/MemberTagFilms.aspxgrowingpains
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]]>Wed, 10 Jun 2009 13:01:43 GMT4744Tag http://www.spout.com/members/0/tags/puberty/MemberTagFilms.aspxpuberty
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