list http://www.spout.com/ Recent community activity around In The Mood For Love on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/In_The_Mood_For_Love/154755/default.aspx Title: In The Mood For Love
Year: 2000
Director: Wong Kar-Wai
Plot: For his first film since the 1997 Hong Kong handover, auteur filmmaker Wong Kar-Wai directs this moody period drama about unrequited love that, like his earlier work, swoons with romantic melancholy. Set in a Shanghaiese enclave in Hong Kong in 1962, the film centers on two young couples who rent adjacent rooms in a cramped and crowded tenement. Li-zhen (Maggie Cheung) works as a secretary in an export company while her husband's job at a Japanese multinational keeps him away on extended business trips. Across the hall, Chow (Tony Leung Chiu-Wai) works as a newspaper editor and is married to a woman who is also frequently out of town. Neither respective spouse is ever shown in full, instead they are shot from the back or obscured by walls and furniture. Li-zhen and Chow soon strike up a cordial -- if tenative -- friendship. Chow begins to suspect that his wife's long absences are not entirely business related when he stops in unannounced at her office to discover that she is not there. Later, a colleague tells him that he saw his wife with another man. The icing on the cake comes when Chow notices that Li-zhen's handbag is identical to his wife's while Li-zhen discovers that Chow is wearing a tie that she gave her husband; it doesn't take long for them to realize that their spouses are sleeping together. Drawn together by shame and anger, Chow and Li-zhen reveal nothing of their discoveries to their partners. While working through their guilt by imagining how their adulterous spouses first hooked up and rehearsing interrogations, the pair slowly fall in love in spite of their determination to uphold their end of their marital vows. In the Mood for Love, which was screened in competition at the 2000 Cannes Film Festival, barely made it to the fest's final slot; Wong Kar-Wai was reportedly shooting scenes in Cambodia a week prior to the festival. ~ Jonathan Crow, All Movie Guide
Times Tagged: 29
Number of Lists: 53
Number of blog posts: 4
Number of discussion threads: 1
SpoutRating: 4
]]>Tue, 30 Jun 2009 20:45:16 GMTIn The Mood For Love2000Wong Kar-WaiFor his first film since the 1997 Hong Kong handover, auteur filmmaker <a href="/players/P___194627/default.aspx" style='text-decoration:underline'>Wong Kar-Wai</a> directs this moody period drama about unrequited love that, like his earlier work, swoons with romantic melancholy. Set in a Shanghaiese enclave in Hong Kong in 1962, the film centers on two young couples who rent adjacent rooms in a cramped and crowded tenement. Li-zhen (<a href="/players/P____12725/default.aspx" style='text-decoration:underline'>Maggie Cheung</a>) works as a secretary in an export company while her husband's job at a Japanese multinational keeps him away on extended business trips. Across the hall, Chow (<a href="/players/P___198096/default.aspx" style='text-decoration:underline'>Tony Leung Chiu-Wai</a>) works as a newspaper editor and is married to a woman who is also frequently out of town. Neither respective spouse is ever shown in full, instead they are shot from the back or obscured by walls and furniture. Li-zhen and Chow soon strike up a cordial -- if tenative -- friendship. Chow begins to suspect that his wife's long absences are not entirely business related when he stops in unannounced at her office to discover that she is not there. Later, a colleague tells him that he saw his wife with another man. The icing on the cake comes when Chow notices that Li-zhen's handbag is identical to his wife's while Li-zhen discovers that Chow is wearing a tie that she gave her husband; it doesn't take long for them to realize that their spouses are sleeping together. Drawn together by shame and anger, Chow and Li-zhen reveal nothing of their discoveries to their partners. While working through their guilt by imagining how their adulterous spouses first hooked up and rehearsing interrogations, the pair slowly fall in love in spite of their determination to uphold their end of their marital vows. In the Mood for Love, which was screened in competition at the 2000 Cannes Film Festival, barely made it to the fest's final slot; <a href="/players/P___194627/default.aspx" style='text-decoration:underline'>Wong Kar-Wai</a> was reportedly shooting scenes in Cambodia a week prior to the festival. ~ Jonathan Crow, All Movie Guide29Tag Target (>10)53414http://www.spout.com/ProductImages/t15999hinpw.jpghttp://www.spout.com/films/In_The_Mood_For_Love/154755/default.aspxFilm http://www.spout.com/groups/Weekly_Theme/Weekly_Theme_for_September_7_Infidelity/625/43818/1/ShowPost.aspx Post By: leeroy711
Post To: Weekly Theme
Post Date: 9/8/2009 2:58:56 PM
Body: So, I think this is a very potentially interesting subject when it's been done well. I wanted to do this theme after watching my first Wong Kar-Wai film, In The Mood For Love. I thought this film handled the subject so well and with such an original point of view that I couldn't really help but marvel at it. It's also shot extemely beautifully and has a wonderful score. I am also reminded of Adrien Lyne's Unfailthful. This flick was a hell of a lot better than I thought it would be. It's not excatly brilliant but I think it was pretty exciting and again, it took a relatively original look at a very old conflict. Another one I feel like mentioning as much as possible is John Turturro's musical, Romance & Cigarettes. I don't think enough people have seen this one so if you haven't , check it out. It's a great tragic comedy with an awesome cast. Anyway, that's all I've got at the moment. So let's hear about some of your favorite cheating films.
]]>Tue, 08 Sep 2009 18:58:56 GMTleeroy711Weekly Theme9/8/2009 2:58:56 PMSo, I think this is a very potentially interesting subject when it's been done well. I wanted to do this theme after watching my first Wong Kar-Wai film, In The Mood For Love. I thought this film handled the subject so well and with such an original point of view that I couldn't really help but marvel at it. It's also shot extemely beautifully and has a wonderful score. I am also reminded of Adrien Lyne's Unfailthful. This flick was a hell of a lot better than I thought it would be. It's not excatly brilliant but I think it was pretty exciting and again, it took a relatively original look at a very old conflict. Another one I feel like mentioning as much as possible is John Turturro's musical, Romance &amp; Cigarettes. I don't think enough people have seen this one so if you haven't , check it out. It's a great tragic comedy with an awesome cast. Anyway, that's all I've got at the moment. So let's hear about some of your favorite cheating films. http://www.spout.com/blogs/karina/archive/2008/7/9/32318.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 7/9/2008 10:01:21 AM
Body: The members of AFTRA have ratified a proposed deal with the APMTP over a new contract. This wrecks SAG’s hopes that they’ll be able to use the dissatisfaction of the hundred-thousand-plus actors who belong to both unions as leverage against their own stalled negotiations. Another factor to SAG’s woes: after the WGA strike, nobody wants to be out of work again. Variety confirms Nikki Finke’s report that the Weinsteins are looking for a financing partner to help them get Quentin Tarantino’s Inglorious Bastards made in time for premiere at Cannes 2009; the studio has already found a moneybag for Rob Marshall’s Nine in Relativity Media. Palisades Media has picked up the just-shuttered Tartan UK’s 400-film video library, which includes films like Super Size Me, In the Mood For Love, and the works of Bergman and Pasolini. Originally posted on:SpoutBlog » Karina Longworth
]]>Wed, 09 Jul 2008 14:01:21 GMTKarinaKarina on SpoutBlog7/9/2008 10:01:21 AM The members of AFTRA have ratified a proposed deal with the APMTP over a new contract. This wrecks SAG’s hopes that they’ll be able to use the dissatisfaction of the hundred-thousand-plus actors who belong to both unions as leverage against their own stalled negotiations. Another factor to SAG’s woes: after the WGA strike, nobody wants to be out of work again. Variety confirms Nikki Finke’s report that the Weinsteins are looking for a financing partner to help them get Quentin Tarantino’s Inglorious Bastards made in time for premiere at Cannes 2009; the studio has already found a moneybag for Rob Marshall’s Nine in Relativity Media. Palisades Media has picked up the just-shuttered Tartan UK’s 400-film video library, which includes films like Super Size Me, In the Mood For Love, and the works of Bergman and Pasolini. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/7/9/32317.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 7/9/2008 10:01:09 AM
Body: The members of AFTRA have ratified a proposed deal with the APMTP over a new contract. This wrecks SAG’s hopes that they’ll be able to use the dissatisfaction of the hundred-thousand-plus actors who belong to both unions as leverage against their own stalled negotiations. Another factor to SAG’s woes: after the WGA strike, nobody wants to be out of work again. Variety confirms Nikki Finke’s report that the Weinsteins are looking for a financing partner to help them get Quentin Tarantino’s Inglorious Bastards made in time for premiere at Cannes 2009; the studio has already found a moneybag for Rob Marshall’s Nine in Relativity Media. Palisades Media has picked up the just-shuttered Tartan UK’s 400-film video library, which includes films like Super Size Me, In the Mood For Love, and the works of Bergman and Pasolini. Originally posted on:SpoutBlog
]]>Wed, 09 Jul 2008 14:01:09 GMTSpoutBlogSpoutBlog on spout.com7/9/2008 10:01:09 AM The members of AFTRA have ratified a proposed deal with the APMTP over a new contract. This wrecks SAG’s hopes that they’ll be able to use the dissatisfaction of the hundred-thousand-plus actors who belong to both unions as leverage against their own stalled negotiations. Another factor to SAG’s woes: after the WGA strike, nobody wants to be out of work again. Variety confirms Nikki Finke’s report that the Weinsteins are looking for a financing partner to help them get Quentin Tarantino’s Inglorious Bastards made in time for premiere at Cannes 2009; the studio has already found a moneybag for Rob Marshall’s Nine in Relativity Media. Palisades Media has picked up the just-shuttered Tartan UK’s 400-film video library, which includes films like Super Size Me, In the Mood For Love, and the works of Bergman and Pasolini. Originally posted on:SpoutBlog http://www.spout.com/groups/From_art_house_to_my_basement/korea/8/1767/1/ShowPost.aspx Post By: george
Post To: From art house to my basement
Post Date: 7/11/2006 9:24:40 PM
Body: oh man, i love wong kar-wai movies too much... but why has this one been tagged "KOREA?"
]]>Wed, 12 Jul 2006 01:24:40 GMTgeorgeFrom art house to my basement7/11/2006 9:24:40 PMoh man, i love wong kar-wai movies too much... but why has this one been tagged "KOREA?" http://www.spout.com/blogs/paul/archive/2006/6/21/4282.aspx Post By: paul
Post To: paul on spout.com
Post Date: 6/21/2006 12:12:57 PM
Body: There was a beautiful girl who I once was in a relationship with (although this girl is now a woman living somewhere, she exists in my memory as a girl). The only chance we had to meet was when our relationship had a slim chance of working out. I was pushing to be with her. She pushed me away. We got together anyway. We always had the same fight. Was I going to ruin her life? Keep her from her ambitions? She never pictured herself with a guy like me. Then, one day, she did. She wanted to marry me. But by that point, the argument we had over and over again had left me wanting to leave. I couldn't shake it. I was through. Every few months for years afterward she would call me and ask the same question, "Why didn't we work out?" Every time she called I tried to give her an answer that both of us knew was weak at best. The truth was I didn't know. I still don't. By the time she was ready to start a serious relationship I was finished. Bad timing. 2046 is Wong Kar Wai's latest film. It's the continuation of a story that started with In the Mood for Love. It also makes reference to his earlier film, Days of Being Wild. It's the mid 1960's, a little while after In the Mood for Love leaves off. Chow Mo Wan has not gotten over Su Li Zhen, the woman who would not give up her husband, life and reputation to be with Chow. He refers to his life in In the Mood for Love as his "previous life." Chow is now a playboy. A poor playboy who throws various birthday parties for himself to make money. He's writing a story about a place in the future called 2046. In the future a giant train system spans the globe. Everybody wants to go to 2046, it's the place to recapture lost memories. Only one man has ever wanted to leave 2046 and he is on a train with no apparent destination. As the next two hours unfold, Chow teases love with other women and let's them go. He's in a constant state of search. Love, he says, is not about who you find as much as when you find them. It's all about timing. People pass in and out of each other's lives, and if you love somebody who is at the point to receive it, then love can grow. But you may meet the perfect person at the wrong time and lose it altogether. The whole timing thing is not a romantic idea. Although we live in a time where the idea of finding a soulmate is weighted heavily by the idea of finding a best friend, there is still, I think, that hope which believes there is one person out there who perfectly fits me. Wong Kar Wai's presentation of love is less of a search for the one straight path and more like wondering through a forest. It's more about chance than destiny. More about timing than romance. I noticed that having a baby is kind of like this notion of love. A husband and wife could make love thousands of times throughout their marriage. However, a handful of times they'll make love and a baby will start to grow. It grows within the woman and then comes out. At that point, the parents discover a different kind of love for this baby. A love they never knew about and the baby keeps growing. It grows in the shadow of love from its parents. Then it finally grows into an adult who falls in love, makes love, and, someday, the cycle starts over. And it all starts in some unforeseeable way. A one time thing out of a hundred times that two people may make love. It's chance. It seems to me falling in love is much like that. We may connect with different people at different times throughout our lives. We meet each other in different places in our lives. A married woman meets a college boy, a busy man meets a woman in another country, an career minded girl meets a love struck boy; in every instance it may have been great in a different time and a different place. But then there is the chance encounter with somebody who is ready to receive you and who you are ready to receive, and it works out beautifully. Despite the percentages. It seems like destiny because the chances you two defied were so slim. It happens. Just not in a Wong Kar Wai film. Originally posted on:God in Ruins
]]>Wed, 21 Jun 2006 16:12:57 GMTpaulpaul on spout.com6/21/2006 12:12:57 PMThere was a beautiful girl who I once was in a relationship with (although this girl is now a woman living somewhere, she exists in my memory as a girl). The only chance we had to meet was when our relationship had a slim chance of working out. I was pushing to be with her. She pushed me away. We got together anyway. We always had the same fight. Was I going to ruin her life? Keep her from her ambitions? She never pictured herself with a guy like me. Then, one day, she did. She wanted to marry me. But by that point, the argument we had over and over again had left me wanting to leave. I couldn't shake it. I was through. Every few months for years afterward she would call me and ask the same question, &quot;Why didn't we work out?&quot; Every time she called I tried to give her an answer that both of us knew was weak at best. The truth was I didn't know. I still don't. By the time she was ready to start a serious relationship I was finished. Bad timing. 2046 is Wong Kar Wai's latest film. It's the continuation of a story that started with In the Mood for Love. It also makes reference to his earlier film, Days of Being Wild. It's the mid 1960's, a little while after In the Mood for Love leaves off. Chow Mo Wan has not gotten over Su Li Zhen, the woman who would not give up her husband, life and reputation to be with Chow. He refers to his life in In the Mood for Love as his &quot;previous life.&quot; Chow is now a playboy. A poor playboy who throws various birthday parties for himself to make money. He's writing a story about a place in the future called 2046. In the future a giant train system spans the globe. Everybody wants to go to 2046, it's the place to recapture lost memories. Only one man has ever wanted to leave 2046 and he is on a train with no apparent destination. As the next two hours unfold, Chow teases love with other women and let's them go. He's in a constant state of search. Love, he says, is not about who you find as much as when you find them. It's all about timing. People pass in and out of each other's lives, and if you love somebody who is at the point to receive it, then love can grow. But you may meet the perfect person at the wrong time and lose it altogether. The whole timing thing is not a romantic idea. Although we live in a time where the idea of finding a soulmate is weighted heavily by the idea of finding a best friend, there is still, I think, that hope which believes there is one person out there who perfectly fits me. Wong Kar Wai's presentation of love is less of a search for the one straight path and more like wondering through a forest. It's more about chance than destiny. More about timing than romance. I noticed that having a baby is kind of like this notion of love. A husband and wife could make love thousands of times throughout their marriage. However, a handful of times they'll make love and a baby will start to grow. It grows within the woman and then comes out. At that point, the parents discover a different kind of love for this baby. A love they never knew about and the baby keeps growing. It grows in the shadow of love from its parents. Then it finally grows into an adult who falls in love, makes love, and, someday, the cycle starts over. And it all starts in some unforeseeable way. A one time thing out of a hundred times that two people may make love. It's chance. It seems to me falling in love is much like that. We may connect with different people at different times throughout our lives. We meet each other in different places in our lives. A married woman meets a college boy, a busy man meets a woman in another country, an career minded girl meets a love struck boy; in every instance it may have been great in a different time and a different place. But then there is the chance encounter with somebody who is ready to receive you and who you are ready to receive, and it works out beautifully. Despite the percentages. It seems like destiny because the chances you two defied were so slim. It happens. Just not in a Wong Kar Wai film. Originally posted on:God in Ruins http://www.spout.com/blogs/paul/archive/2005/12/23/38.aspx Post By: paul
Post To: paul on spout.com
Post Date: 12/23/2005 11:05:00 AM
Body: 2046 There was a beautiful girl who I once was in a relationship with (although this girl is now a woman living somewhere, she exists in my memory as a girl). The only chance we had to meet was when our relationship had a slim chance of working out. I was pushing to be with her. She pushed me away. We got together anyway. We always had the same fight. Was I going to ruin her life? Keep her from her ambitions? She never pictured herself with a guy like me. Then, one day, she did. She wanted to marry me. But by that point, the argument we had over and over again had left me wanting to leave. I couldn't shake it. I was through. Every few months for years afterward she would call me and ask the same question, "Why didn't we work out?" Every time she called I tried to give her an answer that both of us knew was weak at best. The truth was I didn't know. I still don't. By the time she was ready to start a serious relationship I was finished. Bad timing. 2046 is Wong Kar Wai's latest film. It's the continuation of a story that started with In the Mood for Love. It also makes reference to his earlier film, Days of Being Wild. It's the mid 1960's, a little while after In the Mood for Love leaves off. Chow Mo Wan has not gotten over Su Li Zhen, the woman who would not give up her husband, life and reputation to be with Chow. He refers to his life in In the Mood for Love as his "previous life." Chow is now a playboy. A poor playboy who throws various birthday parties for himself to make money. He's writing a story about a place in the future called 2046. In the future a giant train system spans the globe. Everybody wants to go to 2046, it's the place to recapture lost memories. Only one man has ever wanted to leave 2046 and he is on a train with no apparent destination. As the next two hours unfold, Chow teases love with other women and let's them go. He's in a constant state of search. Love, he says, is not about who you find as much as when you find them. It's all about timing. People pass in and out of each other's lives, and if you love somebody who is at the point to receive it, then love can grow. But you may meet the perfect person at the wrong time and lose it altogether. The whole timing thing is not a romantic idea. Although we live in a time where the idea of finding a soulmate is weighted heavily by the idea of finding a best friend, there is still, I think, that hope which believes there is one person out there who perfectly fits me. Wong Kar Wai's presentation of love is less of a search for the one straight path and more like wondering through a forest. It's more about chance than destiny. More about timing than romance. I noticed that having a baby is kind of like this notion of love. A husband and wife could make love thousands of times throughout their marriage. However, a handful of times they'll make love and a baby will start to grow. It grows within the woman and then comes out. At that point, the parents discover a different kind of love for this baby. A love they never knew about and the baby keeps growing. It grows in the shadow of love from its parents. Then it finally grows into an adult who falls in love, makes love, and, someday, the cycle starts over. And it all starts in some unforeseeable way. A one time thing out of a hundred times that two people may make love. It's chance. It seems to me falling in love is much like that. We may connect with different people at different times throughout our lives. We meet each other in different places in our lives. A married woman meets a college boy, a busy man meets a woman in another country, an career minded girl meets a love struck boy; in every instance it may have been great in a different time and a different place. But then there is the chance encounter with somebody who is ready to receive you and who you are ready to receive, and it works out beautifully. Despite the percentages. It seems like destiny because the chances you two defied were so slim. It happens. Just not in a Wong Kar Wai film. (originally posted on 11/16/05 on my godinruins.com blog)
]]>Fri, 23 Dec 2005 16:05:00 GMTpaulpaul on spout.com12/23/2005 11:05:00 AM2046 There was a beautiful girl who I once was in a relationship with (although this girl is now a woman living somewhere, she exists in my memory as a girl). The only chance we had to meet was when our relationship had a slim chance of working out. I was pushing to be with her. She pushed me away. We got together anyway. We always had the same fight. Was I going to ruin her life? Keep her from her ambitions? She never pictured herself with a guy like me. Then, one day, she did. She wanted to marry me. But by that point, the argument we had over and over again had left me wanting to leave. I couldn't shake it. I was through. Every few months for years afterward she would call me and ask the same question, "Why didn't we work out?" Every time she called I tried to give her an answer that both of us knew was weak at best. The truth was I didn't know. I still don't. By the time she was ready to start a serious relationship I was finished. Bad timing. 2046 is Wong Kar Wai's latest film. It's the continuation of a story that started with In the Mood for Love. It also makes reference to his earlier film, Days of Being Wild. It's the mid 1960's, a little while after In the Mood for Love leaves off. Chow Mo Wan has not gotten over Su Li Zhen, the woman who would not give up her husband, life and reputation to be with Chow. He refers to his life in In the Mood for Love as his "previous life." Chow is now a playboy. A poor playboy who throws various birthday parties for himself to make money. He's writing a story about a place in the future called 2046. In the future a giant train system spans the globe. Everybody wants to go to 2046, it's the place to recapture lost memories. Only one man has ever wanted to leave 2046 and he is on a train with no apparent destination. As the next two hours unfold, Chow teases love with other women and let's them go. He's in a constant state of search. Love, he says, is not about who you find as much as when you find them. It's all about timing. People pass in and out of each other's lives, and if you love somebody who is at the point to receive it, then love can grow. But you may meet the perfect person at the wrong time and lose it altogether. The whole timing thing is not a romantic idea. Although we live in a time where the idea of finding a soulmate is weighted heavily by the idea of finding a best friend, there is still, I think, that hope which believes there is one person out there who perfectly fits me. Wong Kar Wai's presentation of love is less of a search for the one straight path and more like wondering through a forest. It's more about chance than destiny. More about timing than romance. I noticed that having a baby is kind of like this notion of love. A husband and wife could make love thousands of times throughout their marriage. However, a handful of times they'll make love and a baby will start to grow. It grows within the woman and then comes out. At that point, the parents discover a different kind of love for this baby. A love they never knew about and the baby keeps growing. It grows in the shadow of love from its parents. Then it finally grows into an adult who falls in love, makes love, and, someday, the cycle starts over. And it all starts in some unforeseeable way. A one time thing out of a hundred times that two people may make love. It's chance. It seems to me falling in love is much like that. We may connect with different people at different times throughout our lives. We meet each other in different places in our lives. A married woman meets a college boy, a busy man meets a woman in another country, an career minded girl meets a love struck boy; in every instance it may have been great in a different time and a different place. But then there is the chance encounter with somebody who is ready to receive you and who you are ready to receive, and it works out beautifully. Despite the percentages. It seems like destiny because the chances you two defied were so slim. It happens. Just not in a Wong Kar Wai film. (originally posted on 11/16/05 on my godinruins.com blog) http://www.spout.com/members/0/tags/love/MemberTagFilms.aspxlove
Number of films tagged: 12476

Number of people who tagged: 336

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]]>Sun, 29 Nov 2009 15:38:55 GMT124763361474Tag http://www.spout.com/members/0/tags/Loved-It/MemberTagFilms.aspxLoved-It
Number of films tagged: 509

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]]>Tue, 03 Nov 2009 17:56:35 GMT509179921Tag http://www.spout.com/members/0/tags/beautiful/MemberTagFilms.aspxbeautiful
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]]>Mon, 30 Nov 2009 19:54:25 GMT14028161Tag http://www.spout.com/members/0/tags/infidelity/MemberTagFilms.aspxinfidelity
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]]>Tue, 08 Sep 2009 18:37:59 GMT342543Tag http://www.spout.com/members/0/tags/Poetic/MemberTagFilms.aspxPoetic
Number of films tagged: 27

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]]>Sat, 26 Jul 2008 14:34:55 GMT272535Tag http://www.spout.com/members/0/tags/great-soundtrack/MemberTagFilms.aspxgreat-soundtrack
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