list http://www.spout.com/ Recent community activity around The Mummy on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/The_Mummy/133814/default.aspx Title: The Mummy
Year: 1999
Director: Stephen Sommers
Plot: Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O'Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn. ~ Mark Deming, All Movie Guide
Times Tagged: 27
Number of Lists: 68
Number of blog posts: 5
Number of discussion threads: 3
SpoutRating: 3
]]>Sun, 05 Apr 2009 16:41:29 GMTThe Mummy1999Stephen SommersLoosely adapted from the classic 1932 horror film starring <a href="/players/P____36942/default.aspx" style='text-decoration:underline'>Boris Karloff</a>, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by <a href="/players/P____73817/default.aspx" style='text-decoration:underline'>Arnold Vosloo</a>) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O'Connel (<a href="/players/P____24843/default.aspx" style='text-decoration:underline'>Brendan Fraser</a>), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (<a href="/players/P___216376/default.aspx" style='text-decoration:underline'>Rachel Weisz</a>), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by <a href="/players/P___112124/default.aspx" style='text-decoration:underline'>Stephen Sommers</a>, whose previous cinematic journeys into the past include <a href=/films/18450/default.aspx style='text-decoration:underline'>The Jungle Book</a> and <a href=/films/506/default.aspx style='text-decoration:underline'>The Adventures Of Huck Finn</a>. ~ Mark Deming, All Movie Guide27Tag Target (>10)68533http://www.spout.com/ProductImages/t03372rbihl.jpghttp://www.spout.com/films/The_Mummy/133814/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/9/9/34950.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 9/9/2008 4:01:08 PM
Body: Anticipating the worst from Diane English’s new remake of The Women is not just typical low expectations regarding remakes in general. My dread is specifically based on dissatisfaction with remakes and updates of films from the 1930s, arguably the best decade in cinema (it is certainly my favorite). While I may recognize and appreciate some favorable redos, such as DePalma’s Scarface (of which I’ve never really been a fan), Mazursky’s Down and Out in Beverly Hills and the multiple repeats from Hitchcock, I am more often disappointed with attempts to recreate ‘30s classics, even when I approach them with already low standards. Worst, for me, doesn’t necessarily have to do with the quality of the film alone, especially when related to remakes and updates. The titles and versions I’ve selected are hardly the worst in terms of craft or production value — you’ll note there are no Dracula movies on this list — and a few would almost be acceptable if they were more unique or solitary works. 10. Return to Oz (1985) I begin with a film that is not a remake in any form but tone. Yet I still see it as a kind of response to and update of the far more popular classic The Wizard of Oz (1939), which was viewed by some as not faithful enough to the source literature of L. Frank Baum.  It was a bit of a guilty pleasure for me growing up, but I lost regard for the film after suffering through a professor’s defensive screening of it on the last day of a film history course. Sure, it’s truer to Baum and the illustrations of W.W. Denslow and John R. Neill, but as MGM’s beautiful 1939 interpretation shows, it’s better to be imaginative than loyal when translating works between mediums. 9. The Front Page (1974) Billy Wilder’s version of the Ben Hecht and Charles MacArthur play, which was first adapted to film in 1931, is plenty hilarious thanks to stars Jack Lemmon and Walter Matthau, as well as to a slew of terrific character actors, including Vincent Gardenia, Charles Durning, Austin Pendleton and Dick O’Neill. Also, the film’s homosexual innuendo is an interesting way of acknowledging Howard Hawks’ 1940 gender altering redo, His Girl Friday. I’d definitely choose Wilder’s film over the subsequent big screen version, the 1988 update Switching Channels, but compared to earlier adaptations and to Wilder’s earlier work, the ’74 Front Page is still quite a dissatisfying effort. My biggest problems are with the film’s artificial look, particularly its use of costumes that look more appropriate for a costume party than a period film, the gaudiness of the dialogue, especially the double entendres, and the miscasting of both Carol Burnett and Susan Sarandon (though my annoyance with the women in the film provide further acceptance of the gay undertones). 8. The Distinguished Gentleman (1992) This loose and uncredited reworking of Mr. Smith Goes to Washington (1939) could have been a worthy update had it included more laughs and more of a bite. The concept of placing a small-time con man in the big-time con of politics is ripe for good comedy and satire, plus it makes me think of the respectable crook/crooked respectability angle of Lubitsch’s Trouble in Paradise. Too bad the script was unsatisfactory (not surprising given it came partly from the screenwriter behind Leonard Part 6) and star Eddie Murphy was at the awkward moment of his career when he somehow lost his usual talent for comedy. 7. Flash Gordon (1980) I have to admit that I do actually love this movie. Well, to be fair, I only really love Queen’s score, Brian Blessed’s voice and Max Von Sydow’s makeup. The rest I just like. Anyway, despite my guilty pleasure in watching the thing on television throughout my childhood, it’s neither a good movie nor a successful update. It doesn’t really do the ‘30s Flash Gordon serials justice by being either a big-budget improvement or a tonally and narratively faithful throwback (comparatively, Star Wars succeeded at doing both). 6. The Hunchback of Notre Dame (1996) Disney’s idea to animate Victor Hugo’s novel was of questionable taste, but the studio’s need to so closely imitate William Dieterle’s 1939 adaptation was of questionable creative judgment. When I watch Disney’s Robin Hood, I’m not reminded of how much better Michael Curtiz’s 1938 version is; similarly, I’m able to appreciate the animated Beauty and the Beast and Alice and Wonderland without thinking of previous adaptations. Especially given the controversial lewdness and the simplification of the story, Disney’s version of Hunchback seems an insult to the source novel, Dieterle’s film and Charles Laughton’s characterization. 5. Meet Joe Black (1998) I’m a hypocrite to criticize anyone’s inability to be concise, but a three-hour remake of a 78-minute film (1934’s Death Takes a Holiday) displays a level of excess that even my meandering can’t compare to. Don’t get me wrong, though; I’m no hater of long films. But if you can make a long story short, it’s preferred that you do so. 4. The Mummy (1999) There’s no problem with reimagining a classic horror film as a blockbuster action movie, but taking something so iconically frightening as Boris Karloff’s Imhotep (in the ‘32 version) and updating the look with laughably cartoonish CGI is unfortunate. I know I’m on the other side of the fence from the moviegoers who made this a hit, but I would have actually enjoyed it more if the villain were depicted as a guy wrapped in bandages. 3. Mary Shelley’s Frankenstein (1994) Of course, CG may have been better than this. In fact, the only thing worse than Robert De Niro as the Creature would have been a hand-drawn animated Frankenberry in the role. 2. King Kong (2005) Technically, the 1976 remake with Jeff Bridges is a worse film, but that version at least took some interesting liberties in updating the 1933 classic. Peter Jackson’s intention seemed to be only to faithfully recreate the original with better special effects. And given the fact that many of the CG sequences are embarrassingly awful, I have to say this film was a more monumental failure in terms of purpose and promise. Jackson gave me yet another reason for questioning the point of filmmakers remaking their favorite films. 1. Mr. Deeds (2002) Other than the minor way in which this comedy updates the conservative message of Mr. Deeds Goes to Town (1936), there is really no reason for Capra’s film to have been remade, especially with such broad, immature comedy from Adam Sandler. While the original Mr. Deeds completely speaks to and of its time, this includes no topicality, no compelling historical or contemporary relevancy and no lasting cultural significance. Originally posted on:SpoutBlog
]]>Tue, 09 Sep 2008 20:01:08 GMTSpoutBlogSpoutBlog on spout.com9/9/2008 4:01:08 PM Anticipating the worst from Diane English’s new remake of The Women is not just typical low expectations regarding remakes in general. My dread is specifically based on dissatisfaction with remakes and updates of films from the 1930s, arguably the best decade in cinema (it is certainly my favorite). While I may recognize and appreciate some favorable redos, such as DePalma’s Scarface (of which I’ve never really been a fan), Mazursky’s Down and Out in Beverly Hills and the multiple repeats from Hitchcock, I am more often disappointed with attempts to recreate ‘30s classics, even when I approach them with already low standards. Worst, for me, doesn’t necessarily have to do with the quality of the film alone, especially when related to remakes and updates. The titles and versions I’ve selected are hardly the worst in terms of craft or production value — you’ll note there are no Dracula movies on this list — and a few would almost be acceptable if they were more unique or solitary works. 10. Return to Oz (1985) I begin with a film that is not a remake in any form but tone. Yet I still see it as a kind of response to and update of the far more popular classic The Wizard of Oz (1939), which was viewed by some as not faithful enough to the source literature of L. Frank Baum.  It was a bit of a guilty pleasure for me growing up, but I lost regard for the film after suffering through a professor’s defensive screening of it on the last day of a film history course. Sure, it’s truer to Baum and the illustrations of W.W. Denslow and John R. Neill, but as MGM’s beautiful 1939 interpretation shows, it’s better to be imaginative than loyal when translating works between mediums. 9. The Front Page (1974) Billy Wilder’s version of the Ben Hecht and Charles MacArthur play, which was first adapted to film in 1931, is plenty hilarious thanks to stars Jack Lemmon and Walter Matthau, as well as to a slew of terrific character actors, including Vincent Gardenia, Charles Durning, Austin Pendleton and Dick O’Neill. Also, the film’s homosexual innuendo is an interesting way of acknowledging Howard Hawks’ 1940 gender altering redo, His Girl Friday. I’d definitely choose Wilder’s film over the subsequent big screen version, the 1988 update Switching Channels, but compared to earlier adaptations and to Wilder’s earlier work, the ’74 Front Page is still quite a dissatisfying effort. My biggest problems are with the film’s artificial look, particularly its use of costumes that look more appropriate for a costume party than a period film, the gaudiness of the dialogue, especially the double entendres, and the miscasting of both Carol Burnett and Susan Sarandon (though my annoyance with the women in the film provide further acceptance of the gay undertones). 8. The Distinguished Gentleman (1992) This loose and uncredited reworking of Mr. Smith Goes to Washington (1939) could have been a worthy update had it included more laughs and more of a bite. The concept of placing a small-time con man in the big-time con of politics is ripe for good comedy and satire, plus it makes me think of the respectable crook/crooked respectability angle of Lubitsch’s Trouble in Paradise. Too bad the script was unsatisfactory (not surprising given it came partly from the screenwriter behind Leonard Part 6) and star Eddie Murphy was at the awkward moment of his career when he somehow lost his usual talent for comedy. 7. Flash Gordon (1980) I have to admit that I do actually love this movie. Well, to be fair, I only really love Queen’s score, Brian Blessed’s voice and Max Von Sydow’s makeup. The rest I just like. Anyway, despite my guilty pleasure in watching the thing on television throughout my childhood, it’s neither a good movie nor a successful update. It doesn’t really do the ‘30s Flash Gordon serials justice by being either a big-budget improvement or a tonally and narratively faithful throwback (comparatively, Star Wars succeeded at doing both). 6. The Hunchback of Notre Dame (1996) Disney’s idea to animate Victor Hugo’s novel was of questionable taste, but the studio’s need to so closely imitate William Dieterle’s 1939 adaptation was of questionable creative judgment. When I watch Disney’s Robin Hood, I’m not reminded of how much better Michael Curtiz’s 1938 version is; similarly, I’m able to appreciate the animated Beauty and the Beast and Alice and Wonderland without thinking of previous adaptations. Especially given the controversial lewdness and the simplification of the story, Disney’s version of Hunchback seems an insult to the source novel, Dieterle’s film and Charles Laughton’s characterization. 5. Meet Joe Black (1998) I’m a hypocrite to criticize anyone’s inability to be concise, but a three-hour remake of a 78-minute film (1934’s Death Takes a Holiday) displays a level of excess that even my meandering can’t compare to. Don’t get me wrong, though; I’m no hater of long films. But if you can make a long story short, it’s preferred that you do so. 4. The Mummy (1999) There’s no problem with reimagining a classic horror film as a blockbuster action movie, but taking something so iconically frightening as Boris Karloff’s Imhotep (in the ‘32 version) and updating the look with laughably cartoonish CGI is unfortunate. I know I’m on the other side of the fence from the moviegoers who made this a hit, but I would have actually enjoyed it more if the villain were depicted as a guy wrapped in bandages. 3. Mary Shelley’s Frankenstein (1994) Of course, CG may have been better than this. In fact, the only thing worse than Robert De Niro as the Creature would have been a hand-drawn animated Frankenberry in the role. 2. King Kong (2005) Technically, the 1976 remake with Jeff Bridges is a worse film, but that version at least took some interesting liberties in updating the 1933 classic. Peter Jackson’s intention seemed to be only to faithfully recreate the original with better special effects. And given the fact that many of the CG sequences are embarrassingly awful, I have to say this film was a more monumental failure in terms of purpose and promise. Jackson gave me yet another reason for questioning the point of filmmakers remaking their favorite films. 1. Mr. Deeds (2002) Other than the minor way in which this comedy updates the conservative message of Mr. Deeds Goes to Town (1936), there is really no reason for Capra’s film to have been remade, especially with such broad, immature comedy from Adam Sandler. While the original Mr. Deeds completely speaks to and of its time, this includes no topicality, no compelling historical or contemporary relevancy and no lasting cultural significance. Originally posted on:SpoutBlog http://www.spout.com/groups/Weekly_Theme/Re_Weekly_Theme_for_August_11_The_Secret_Society/625/34016/1/ShowPost.aspx Post By: mercurial
Post To: Weekly Theme
Post Date: 8/14/2008 5:20:00 PM
Body: Well, my persistent fear of fraternities throughout college started after seeing the amusingly bad The Skulls in which a Yale fraternitiy is cover for a secret group that can pretty much do whatever they want. The Da Vinci Code deals with all those various secret groups like the Prior of Scion and the Knights Templar. I just remember Tom Hanks and his creepy semi-mullet that made him look like a child molester. Tomb Raider mentioned the Illuminati but never really explained too much about it. More mainstream are of course is Harry Potter and the Order of the Pheonix which probably doesn't need any explanation; Batman Begins had the League of Shadows which again probably needs to explaining; Lemony Snicket's A Series of Unfortunate Events had that group that the children's parents belonged to and were trying to find out about through the movie; The Mummy which had that secret group of nomads that were protecting/guarding the pyramid from crazy morons like Brendan Fraser; and lastly Star Wars which in the newer trilogy introduced the Sith and that whole secret anti-Jedi group. My favorite films with mention of secret socieites are: Eyes Wide Shut which was already mentioned (when Tom Cruise's character gets called out during the ritual and is asked to strip gave me the willies when I first saw it); The League of Extraordinary Gentlemen which I ended up hating because it was nothing like the graphic novels which are so incredible; and Cruel Intentions. What you ask? Cruel Intentions? Well, the scene in which Sarah Michelle Gellar's character convinces the naive Selma Blair that being a bisexual slut means you are in a "secret society" is just plain hilarious. Other notable mentions are The Beach which was a group of hippie potheads inhabiting an isolated island off of Thailand and starting their own secret society, going to extreme measures to make sure it stays a secret and The Stepford Wives (remake - I didn't see the original) which was horrible but had it's moment of hilarity when the men of the gated community are all together at their secret clubhouse being complete nerds and fighting robots.
]]>Thu, 14 Aug 2008 21:20:00 GMTmercurialWeekly Theme8/14/2008 5:20:00 PMWell, my persistent fear of fraternities throughout college started after seeing the amusingly bad The Skulls in which a Yale fraternitiy is cover for a secret group that can pretty much do whatever they want. The Da Vinci Code deals with all those various secret groups like the Prior of Scion and the Knights Templar. I just remember Tom Hanks and his creepy semi-mullet that made him look like a child molester. Tomb Raider mentioned the Illuminati but never really explained too much about it. More mainstream are of course is Harry Potter and the Order of the Pheonix which probably doesn't need any explanation; Batman Begins had the League of Shadows which again probably needs to explaining; Lemony Snicket's A Series of Unfortunate Events had that group that the children's parents belonged to and were trying to find out about through the movie; The Mummy which had that secret group of nomads that were protecting/guarding the pyramid from crazy morons like Brendan Fraser; and lastly Star Wars which in the newer trilogy introduced the Sith and that whole secret anti-Jedi group. My favorite films with mention of secret socieites are: Eyes Wide Shut which was already mentioned (when Tom Cruise's character gets called out during the ritual and is asked to strip gave me the willies when I first saw it); The League of Extraordinary Gentlemen which I ended up hating because it was nothing like the graphic novels which are so incredible; and Cruel Intentions. What you ask? Cruel Intentions? Well, the scene in which Sarah Michelle Gellar's character convinces the naive Selma Blair that being a bisexual slut means you are in a "secret society" is just plain hilarious. Other notable mentions are The Beach which was a group of hippie potheads inhabiting an isolated island off of Thailand and starting their own secret society, going to extreme measures to make sure it stays a secret and The Stepford Wives (remake - I didn't see the original) which was horrible but had it's moment of hilarity when the men of the gated community are all together at their secret clubhouse being complete nerds and fighting robots. http://www.spout.com/blogs/usesoap/archive/2008/8/4/33539.aspx Post By: usesoap
Post To: usesoap Blog
Post Date: 8/4/2008 10:22:55 PM
Body: During a climactic battle scene in “The Mummy: Curse of the Tomb of the Something or Other,” Brender Fraser's charactrer, What's His Name, bellows: “I really hate mummies.”(At least, I'm pretty sure he said, “mummies,” as there was nothing prior to this that would suggest he said “mommies,” as there was no strained parental issues of his discussed in this film.) Regardless, I could not agree agree more, Brenden. “The Mummy” is not so much a film as it is a marathon for the senses, testing the threshold your eyes and ears can endure. When it's not busy reminding you of earlier, far better films, it's pounding your peepers and pummeling your drums into submission. It's difficult to look past its flaws, for the mere conception of this film is one – a story as lifeless and dry as an empty sarcophagus, this third “Mummy” can't even muster enough credibility to pass its non-computer-generated cast as believable. For example, the 27-year-old actor Luke Ford is apparently the college-aged kid of 39-year-old Frasier and 41-year-old Maria Bello, who plays Fraser's wife. The younger actor's rather difficult time trying to squelch his Australian accent only adds to the fact that he does not bare even a passing resemblance to the other actors. Except, of course, he shares the same crow's feet. The film opens heavy on exposition, as if anyone really cared about that going into a “Mummy” movie. Talk of “collections of mystical secrets,” “the Eye of Shangri-La” and “eternal youth” are stiltingly read while generic shots of battling armies flash before us. Then, we are treated to a shot of our now-retired hero, Indi... er, Rick O'Connell (played by Fraser), unsuccessfully fly fishing in one of those sad, slapsticky, I-can't-deal-with-retirement montages that serve as filler in films such as these. “The Mummy” films have always been a pale copy of the “Indiana Jones” franchise, but in a summer in which Dr. Jones himself makes a (rather flat) return to the screen, Rick's re-entry into the adventure fray seems superfluous. There's even a shot where he stares at his old leather adventurin' jacket that's supposed to echo the iconic sight of Dr. Jones picking up his dusty fedora again. While watching, all we can think was, “Oh, is that what he wore?” A car chase, countless bad puns, an army of undead, CGI- rendered (CGI standing for crappy, generic images), a countless loud, bland scenes later, and all is wrapped up and forgotten before pushing open the theater's exit door. Fraser, as always, is a champ, completely comfortable with the fact that the majority of his co-stars are mere pixels, and he still manages to make the most of his “Raiders” - light role. Rachel Weitz, who smartly bailed on this outing, has been replaced by Maria Bello ( “A History of Violence”) as Rick's British wife. While some critics have bemoaned the former;s absence, can they really say “The Mummy” films were such paragons of adventure solely because of her textured performance? At this point, I think she could have been replaced by a Colorform with little difference. As mentioned earlier, the decision to advance the age of the son, last seen as a precious scamp in “The Mummy Returns” seven years ago, is rather awkward and jarring any time he shares the screen with his “dad.” Action sequence after action sequence lifts bits from other films and appears edited with a ceiling fan, allowing shots strewn about in random order. The final battle with an ancient undead terra cotta army (really, how threatening can an army be when its mere name suggests patio furnishings?) is routine and uninspired. The weapon-weidling skeletons only harken back to Ray Harryhausen's stop-motion animation of “Jason and the Argonauts.” But in the caffeinated hands of director Rob (“The Fast and the Furious”) Cohen, the memories are fleeting before it's on to the next strained attempt at humor or peril. With the sun setting on summer cinema, we can only hope that we've seen the last of this sort of generic, bombastic, seizure-inducing form of film, and we can wrap this “Mummy” up and entomb it with its anxiety-inducing box office brethren as we await the more deliberately paced films of the fall.
]]>Tue, 05 Aug 2008 02:22:55 GMTusesoapusesoap Blog8/4/2008 10:22:55 PM During a climactic battle scene in &ldquo;The Mummy: Curse of the Tomb of the Something or Other,&rdquo; Brender Fraser's charactrer, What's His Name, bellows: &ldquo;I really hate mummies.&rdquo;(At least, I'm pretty sure he said, &ldquo;mummies,&rdquo; as there was nothing prior to this that would suggest he said &ldquo;mommies,&rdquo; as there was no strained parental issues of his discussed in this film.) Regardless, I could not agree agree more, Brenden. &ldquo;The Mummy&rdquo; is not so much a film as it is a marathon for the senses, testing the threshold your eyes and ears can endure. When it's not busy reminding you of earlier, far better films, it's pounding your peepers and pummeling your drums into submission. It's difficult to look past its flaws, for the mere conception of this film is one &ndash; a story as lifeless and dry as an empty sarcophagus, this third &ldquo;Mummy&rdquo; can't even muster enough credibility to pass its non-computer-generated cast as believable. For example, the 27-year-old actor Luke Ford is apparently the college-aged kid of 39-year-old Frasier and 41-year-old Maria Bello, who plays Fraser's wife. The younger actor's rather difficult time trying to squelch his Australian accent only adds to the fact that he does not bare even a passing resemblance to the other actors. Except, of course, he shares the same crow's feet. The film opens heavy on exposition, as if anyone really cared about that going into a &ldquo;Mummy&rdquo; movie. Talk of &ldquo;collections of mystical secrets,&rdquo; &ldquo;the Eye of Shangri-La&rdquo; and &ldquo;eternal youth&rdquo; are stiltingly read while generic shots of battling armies flash before us. Then, we are treated to a shot of our now-retired hero, Indi... er, Rick O'Connell (played by Fraser), unsuccessfully fly fishing in one of those sad, slapsticky, I-can't-deal-with-retirement montages that serve as filler in films such as these. &ldquo;The Mummy&rdquo; films have always been a pale copy of the &ldquo;Indiana Jones&rdquo; franchise, but in a summer in which Dr. Jones himself makes a (rather flat) return to the screen, Rick's re-entry into the adventure fray seems superfluous. There's even a shot where he stares at his old leather adventurin' jacket that's supposed to echo the iconic sight of Dr. Jones picking up his dusty fedora again. While watching, all we can think was, &ldquo;Oh, is that what he wore?&rdquo; A car chase, countless bad puns, an army of undead, CGI- rendered (CGI standing for crappy, generic images), a countless loud, bland scenes later, and all is wrapped up and forgotten before pushing open the theater's exit door. Fraser, as always, is a champ, completely comfortable with the fact that the majority of his co-stars are mere pixels, and he still manages to make the most of his &ldquo;Raiders&rdquo; - light role. Rachel Weitz, who smartly bailed on this outing, has been replaced by Maria Bello ( &ldquo;A History of Violence&rdquo;) as Rick's British wife. While some critics have bemoaned the former;s absence, can they really say &ldquo;The Mummy&rdquo; films were such paragons of adventure solely because of her textured performance? At this point, I think she could have been replaced by a Colorform with little difference. As mentioned earlier, the decision to advance the age of the son, last seen as a precious scamp in &ldquo;The Mummy Returns&rdquo; seven years ago, is rather awkward and jarring any time he shares the screen with his &ldquo;dad.&rdquo; Action sequence after action sequence lifts bits from other films and appears edited with a ceiling fan, allowing shots strewn about in random order. The final battle with an ancient undead terra cotta army (really, how threatening can an army be when its mere name suggests patio furnishings?) is routine and uninspired. The weapon-weidling skeletons only harken back to Ray Harryhausen's stop-motion animation of &ldquo;Jason and the Argonauts.&rdquo; But in the caffeinated hands of director Rob (&ldquo;The Fast and the Furious&rdquo;) Cohen, the memories are fleeting before it's on to the next strained attempt at humor or peril. With the sun setting on summer cinema, we can only hope that we've seen the last of this sort of generic, bombastic, seizure-inducing form of film, and we can wrap this &ldquo;Mummy&rdquo; up and entomb it with its anxiety-inducing box office brethren as we await the more deliberately paced films of the fall. http://www.spout.com/blogs/spoutblog/archive/2008/7/28/33192.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 7/28/2008 6:00:54 PM
Body: The third part in Universal’s rebooted Mummy franchise takes the series in a new direction. Rather than set in Egypt and dealing again with the same old villain, Imhotep, The Mummy: Tomb of the Dragon Emperor brings us to China and gives us a different sort of preserved corpse baddie. And it looks like the change could actually add some freshness to the franchise. Of course, history would hint that such a move for the Mummy movies is a bad idea. While it seems beneficial in theory to redirect the focus of a series with the third installment, especially if the first sequel was too much a repetition of the original (a la The Mummy Returns), in practice many threequels mistakenly alter things for the worse. These aren’t necessarily the worst threequels ever made (*cough* X-Men: The Last Stand); they’re just some movies that took their series in a completely wrong turn. Halloween III: Season of the Witch - Now viewed as an unfortunate detour in a long series involving the slasher Michael Myers, this misstep can apparently be blamed on John Carpenter and co-writer/producer Debra Hill, who agreed to a second sequel to Halloween only if it didn’t involve Myers. But what was the point? Sure, a franchise can work with unrelated sequels, but after two movies dealing with the same villain, it seems odd to switch it up so late in the game. Still, if this wasn’t such a terrible movie in general, it’s possible Halloween III could have worked as an intended beginning to an anthology franchise. Batman Forever - I typically like to consider Joel Schumacher’s Batman movies a separate series from Tim Burton’s, but the few returning cast members (Michael Gough, Pat Hingle) are evidence that this is indeed a threequel to the 1989 Batman. Not that you’d otherwise know it from the complete change in tone from dark to candy colored (never mind the recast Batman/Bruce Wayne). Hopefully Christopher Nolan will continue with the latest run so someone like Shawn Levy doesn’t take over and make the caped crusader silly again. Another Thin Man - Honestly, I could watch all of the Thin Man movies over and over until I die (Nora Charles is the most perfect woman ever written into creation), but this third installment of the alcohol-happy detective series commits one of the cardinal sins of sequels: it introduces a child. What fun is a couple of bickering, drunken lovers who also solve murders with a baby along for the ride? Even if the kid does end up being played by a very young Dean Stockwell by the fifth installment. The Mummy movies committed the same annoyance/error with the second movie (for Tomb of the Dragon Emperor the son is now thankfully an adult). Look Who’s Talking Now - While the Thin Man movies were good enough with a cute dog and didn’t need to add in a cute kid, the Look Who’s Talking movies were inversely just fine with cute, talking babies and didn’t need to add in talking animals. Crocodile Dundee in Los Angeles - Yet another threequel guilty of having a kid add-on. But it also commits the other annoying sin of relocating the franchise to a new setting. The rural meets urban fish out of water stuff doesn’t work nearly as much in L.A. as it does in NYC. Smokey and the Bandit Part 3 - No threequel is going to be good if the main star drops out of the series and the sidekick attempts to take the place of the leading man. Well, maybe it would be okay if Iron Man 3 starred Terrence Howard only as War Machine, and maybe this movie would have actually worked if Jerry Reed stayed in the big rig and it was titled Smokey and the Trucker. But as it went down, the substitution just made us miss Burt Reynolds more. Home Alone 3 - As far as replacements go, I don’t know what is worse, changing up the whole character and family, as was done with Home Alone 3, which basically just repeated the storyline of the original movie, or the made-for-TV Home Alone 4, which recast characters from the first two movies. Either way, Fox should have just continued the series with Macauley Culkin, despite the fact that he was growing way out of his cute years by the end of the second movie. Home Alone 3 should have brought John Hughes back to focusing on high school kids and made it like a mix of Home Alone and Ferris Bueller’s Day Off, in which a teenage Kevin throws a wild house party when accidentally left home alone. Again. Ghostbusters: The Video Game - I know that video games are surpassing the movies in terms of favored entertainment, but I’m pretty bummed that the third Ghostbusters movie has become a video game rather than an actual threequel. Superman III - Some of us may have a soft spot for both Richard Pryor’s appearance and the selfish Superman, but otherwise this threequel suffers dearly from having such lame villains. Especially after the awesomeness of General Zod and friends in part II. The wrong turn, though, is not just lame villains but the complete lack of Lex Luthor, a necessity for Superman movies for those of us who never read the comics and can’t get behind a pseudo Luthor like Robert Vaughn’s “Ross Webster”. Actually, I guess it’s not so much the lack of Luthor as it is the blatant substitution for him, as well as for the diminished use of Lois Lane. The franchise didn’t exactly get back on course by bringing Gene Hackman’s Luthor in Superman IV: The Quest for Peace. Friday the 13th Part 3 - It’s perfectly debatable whether or not this slasher series took a misstep when it gave Jason a hockey mask and made him an icon. Like a number of other horror franchises, this one became less scary and more amusing beginning with the third installment. Entertaining, sure, but a wrong turn for some horror franchises. It certainly didn’t help matters having that laugh track: Originally posted on:SpoutBlog
]]>Mon, 28 Jul 2008 22:00:54 GMTSpoutBlogSpoutBlog on spout.com7/28/2008 6:00:54 PM The third part in Universal’s rebooted Mummy franchise takes the series in a new direction. Rather than set in Egypt and dealing again with the same old villain, Imhotep, The Mummy: Tomb of the Dragon Emperor brings us to China and gives us a different sort of preserved corpse baddie. And it looks like the change could actually add some freshness to the franchise. Of course, history would hint that such a move for the Mummy movies is a bad idea. While it seems beneficial in theory to redirect the focus of a series with the third installment, especially if the first sequel was too much a repetition of the original (a la The Mummy Returns), in practice many threequels mistakenly alter things for the worse. These aren’t necessarily the worst threequels ever made (*cough* X-Men: The Last Stand); they’re just some movies that took their series in a completely wrong turn. Halloween III: Season of the Witch - Now viewed as an unfortunate detour in a long series involving the slasher Michael Myers, this misstep can apparently be blamed on John Carpenter and co-writer/producer Debra Hill, who agreed to a second sequel to Halloween only if it didn’t involve Myers. But what was the point? Sure, a franchise can work with unrelated sequels, but after two movies dealing with the same villain, it seems odd to switch it up so late in the game. Still, if this wasn’t such a terrible movie in general, it’s possible Halloween III could have worked as an intended beginning to an anthology franchise. Batman Forever - I typically like to consider Joel Schumacher’s Batman movies a separate series from Tim Burton’s, but the few returning cast members (Michael Gough, Pat Hingle) are evidence that this is indeed a threequel to the 1989 Batman. Not that you’d otherwise know it from the complete change in tone from dark to candy colored (never mind the recast Batman/Bruce Wayne). Hopefully Christopher Nolan will continue with the latest run so someone like Shawn Levy doesn’t take over and make the caped crusader silly again. Another Thin Man - Honestly, I could watch all of the Thin Man movies over and over until I die (Nora Charles is the most perfect woman ever written into creation), but this third installment of the alcohol-happy detective series commits one of the cardinal sins of sequels: it introduces a child. What fun is a couple of bickering, drunken lovers who also solve murders with a baby along for the ride? Even if the kid does end up being played by a very young Dean Stockwell by the fifth installment. The Mummy movies committed the same annoyance/error with the second movie (for Tomb of the Dragon Emperor the son is now thankfully an adult). Look Who’s Talking Now - While the Thin Man movies were good enough with a cute dog and didn’t need to add in a cute kid, the Look Who’s Talking movies were inversely just fine with cute, talking babies and didn’t need to add in talking animals. Crocodile Dundee in Los Angeles - Yet another threequel guilty of having a kid add-on. But it also commits the other annoying sin of relocating the franchise to a new setting. The rural meets urban fish out of water stuff doesn’t work nearly as much in L.A. as it does in NYC. Smokey and the Bandit Part 3 - No threequel is going to be good if the main star drops out of the series and the sidekick attempts to take the place of the leading man. Well, maybe it would be okay if Iron Man 3 starred Terrence Howard only as War Machine, and maybe this movie would have actually worked if Jerry Reed stayed in the big rig and it was titled Smokey and the Trucker. But as it went down, the substitution just made us miss Burt Reynolds more. Home Alone 3 - As far as replacements go, I don’t know what is worse, changing up the whole character and family, as was done with Home Alone 3, which basically just repeated the storyline of the original movie, or the made-for-TV Home Alone 4, which recast characters from the first two movies. Either way, Fox should have just continued the series with Macauley Culkin, despite the fact that he was growing way out of his cute years by the end of the second movie. Home Alone 3 should have brought John Hughes back to focusing on high school kids and made it like a mix of Home Alone and Ferris Bueller’s Day Off, in which a teenage Kevin throws a wild house party when accidentally left home alone. Again. Ghostbusters: The Video Game - I know that video games are surpassing the movies in terms of favored entertainment, but I’m pretty bummed that the third Ghostbusters movie has become a video game rather than an actual threequel. Superman III - Some of us may have a soft spot for both Richard Pryor’s appearance and the selfish Superman, but otherwise this threequel suffers dearly from having such lame villains. Especially after the awesomeness of General Zod and friends in part II. The wrong turn, though, is not just lame villains but the complete lack of Lex Luthor, a necessity for Superman movies for those of us who never read the comics and can’t get behind a pseudo Luthor like Robert Vaughn’s “Ross Webster”. Actually, I guess it’s not so much the lack of Luthor as it is the blatant substitution for him, as well as for the diminished use of Lois Lane. The franchise didn’t exactly get back on course by bringing Gene Hackman’s Luthor in Superman IV: The Quest for Peace. Friday the 13th Part 3 - It’s perfectly debatable whether or not this slasher series took a misstep when it gave Jason a hockey mask and made him an icon. Like a number of other horror franchises, this one became less scary and more amusing beginning with the third installment. Entertaining, sure, but a wrong turn for some horror franchises. It certainly didn’t help matters having that laugh track: Originally posted on:SpoutBlog http://www.spout.com/groups/Horror_Movie_Freaks_4Life/Re_Horror_Quite_Simply_Brings_Out_the_Awesome_in_a/390/32865/1/ShowPost.aspx Post By: mythman
Post To: Horror_Movie_Freaks_4Life
Post Date: 7/21/2008 7:33:34 PM
Body: [quote user="mythman"] [quote user="Dr_Gor"] [quote user="indieabby88"] Sigourney Weaver, anyone? The Alien trilogy is a great example of the kickass horror heroine. [/quote] Sigourney Weaver kicked some serious butt in the ALIEN films and, I must admit, she looked pretty good in her underwear in the first one. Good mention, Indieabby. How about Denise Richards in Starship Troopers and (NOT a Horror Movie) Wild Things ... she makes me drool... And, speaking of drooling, how about a very young and gorgeous Jennifer Aniston in Leprechaun ... GOR [/quote] My personal favorite, though, is Rachel Weisz ... she's turned me on regularly all the way from The Mummy to Sweeney Todd-- no, that was Helena Bonham Carter, in a performance almost as good as Rachel Weisz could have done! There''s also Anne Hathaway ... [/quote]
]]>Mon, 21 Jul 2008 23:33:34 GMTmythmanHorror_Movie_Freaks_4Life7/21/2008 7:33:34 PM[quote user="mythman"] [quote user="Dr_Gor"] [quote user="indieabby88"] Sigourney Weaver, anyone? The Alien trilogy is a great example of the kickass horror heroine. [/quote] Sigourney Weaver kicked some serious butt in the ALIEN films and, I must admit, she looked pretty good in her underwear in the first one. Good mention, Indieabby. How about Denise Richards in Starship Troopers and (NOT a Horror Movie) Wild Things ... she makes me drool... And, speaking of drooling, how about a very young and gorgeous Jennifer Aniston in Leprechaun ... GOR [/quote] My personal favorite, though, is Rachel Weisz ... she's turned me on regularly all the way from The Mummy to Sweeney Todd-- no, that was Helena Bonham Carter, in a performance almost as good as Rachel Weisz could have done! There''s also Anne Hathaway ... [/quote] http://www.spout.com/groups/Horror_Movie_Freaks_4Life/Re_Horror_Quite_Simply_Brings_Out_the_Awesome_in_a/390/32863/1/ShowPost.aspx Post By: mythman
Post To: Horror_Movie_Freaks_4Life
Post Date: 7/21/2008 7:27:02 PM
Body: [quote user="Dr_Gor"] [quote user="indieabby88"] Sigourney Weaver, anyone? The Alien trilogy is a great example of the kickass horror heroine. [/quote] Sigourney Weaver kicked some serious butt in the ALIEN films and, I must admit, she looked pretty good in her underwear in the first one. Good mention, Indieabby. How about Denise Richards in Starship Troopers and (NOT a Horror Movie) Wild Things ... she makes me drool... And, speaking of drooling, how about a very young and gorgeous Jennifer Aniston in Leprechaun ... GOR [/quote] My personal favorite, though, is Rachel Weisz ... she's turned me on regularly all the way from The Mummy to Th ... that Johnny Depp Barber-Movie whose name slips my mind! There''s also Anne Hathaway ...
]]>Mon, 21 Jul 2008 23:27:02 GMTmythmanHorror_Movie_Freaks_4Life7/21/2008 7:27:02 PM[quote user="Dr_Gor"] [quote user="indieabby88"] Sigourney Weaver, anyone? The Alien trilogy is a great example of the kickass horror heroine. [/quote] Sigourney Weaver kicked some serious butt in the ALIEN films and, I must admit, she looked pretty good in her underwear in the first one. Good mention, Indieabby. How about Denise Richards in Starship Troopers and (NOT a Horror Movie) Wild Things ... she makes me drool... And, speaking of drooling, how about a very young and gorgeous Jennifer Aniston in Leprechaun ... GOR [/quote] My personal favorite, though, is Rachel Weisz ... she's turned me on regularly all the way from The Mummy to Th ... that Johnny Depp Barber-Movie whose name slips my mind! There''s also Anne Hathaway ... http://www.spout.com/blogs/mythman/archive/2008/7/9/32368.aspx Post By: mythman
Post To: Watch Everything and Still See ONLY What Is Good
Post Date: 7/9/2008 9:01:08 PM
Body: 1pointsUncle MythMan says ... The Rachel Weisz reference comes from her role in The Mummy, with the perfectly-delivered line, "But I am proud of what I am." Which is? "I ... am a librarian!" read more Originally posted on:mythman's Xombyte
]]>Thu, 10 Jul 2008 01:01:08 GMTmythmanWatch Everything and Still See ONLY What Is Good7/9/2008 9:01:08 PM1pointsUncle MythMan says ... The Rachel Weisz reference comes from her role in The Mummy, with the perfectly-delivered line, "But I am proud of what I am." Which is? "I ... am a librarian!" read more Originally posted on:mythman's Xombyte http://www.spout.com/blogs/mythman/archive/2007/12/2/22452.aspx Post By: mythman
Post To: Watch Everything and Still See ONLY What Is Good
Post Date: 12/2/2007 2:01:07 AM
Body: Of course, I could be wrong; I couldn't remember the name, and didn't see whether IMDb listed the caterers. But--whatever their name is--I trust that George Lucas's people at Industrial Light & Magic would only choose the best possible caterers to give their own players the edge needed to so-masterfully manifest movies so magnificently!Don't get me wrong; Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Kevin J. O'Connor, Oded Fehr and Jonathan Hyde (not to mention Erick Avari, Bernard Fox, Stephen Dunham, Corey Johnson, Tuc Watkins, Omid Djalili, Aharon Ipal??, Patricia Velasquez, Carl Chase, Mohammed Afifi, Abderrahim El Aadili, Jake Arnott, Mason Ball, Isobel Brook, James Traherne Burton, Peter Chequer, Porl Smith, Ian Warner and George Lane Cooper ... See? IMDb's good for somethin`) are wonderful professionals along-with the crew listed below, but any one of them will tell you that he/she works better when fed well!Aside from that little production note: The movie I'm talking about also reminded me why I don't feature any foreign language speech—because I would 'Okie it up' (i.e. pronounce most of the words with a slightly-unsure tone, and yet pronounce them "definitely foreign").I noticed that when pronouncing names from a historical review I'll put here soon. I think I pronounced most of them right; but I generally used my 'high school'-spanish vowel-pronunciation with any names I wasn't sure of, and some of them were Russian or German.If I tried to publish any recordings of me speaking a foreign language (without much more study than a read-through), I would be afraid that my inevitable mispronunciations would offend native speakers!Not to mention the possibility of awakening The Mummy!Produced by Patricia Carr .... co-producer Sean Daniel .... producer James Jacks .... producer Kevin Jarre .... executive producer Megan Moran .... associate producer Original Music by Jerry Goldsmith Cinematography by Adrian Biddle (director of photography) Film Editing by Bob Ducsay Casting by John Hubbard Ros Hubbard Production Design by Allan Cameron Art Direction by Giles Masters Tony Reading Cliff Robinson (as Clifford Robinson) Peter Russell Set Decoration by Peter Howitt Costume Design by John Bloomfield Makeup Department Sarita Allison .... makeup artist: mummy Sarah Berry .... body painter: Anck Su Namun (as Sarah J. Berry) Jayne Buxton .... makeup artist (as Jane Buxton) Tricia Cameron .... key hair stylist Robert Hallowell II .... hair stylist: Mr. Fraser (as Robert Hallowell) Joanne Manning .... makeup artist: mummy Ben Nye Jr. .... makeup artist: Mr. Fraser Aileen Seaton .... key makeup artist Annie Townsend .... assistant hair stylist Carol Tucker .... assistant body painter Jane Walker .... makeup artist Jeremy Woodhead .... assistant body painter Sarah Love .... hair stylist (uncredited) Matthew Smith .... special makeup effects artist (uncredited) Production Management Abdelkrim Abouobayd .... production supervisor: Morocco Abdelhafed Balafrej .... production manager: Morocco Rachid Bouzida .... second unit manager: Morocco Jo Burn .... unit production manager Doreen A. Dixon .... post-production supervisor Peter Heslop .... unit manager: UK Neil Ravan .... production manager: Morocco Second Unit Director or Assistant Director Peter Bennett .... first assistant director: second unit Jamie Christopher .... second assistant director Ahmed Hatimi .... first assistant director: Morocco Cliff Lanning .... first assistant director Greg Michael .... second unit director Adam Somner .... second assistant director Sophie Sorensen .... second assistant director: second unit Richard Styles .... second assistant director: second unit Gary Talbot .... third assistant director: second unit James Threapleton .... third assistant director (as Jim Threapleton) Ali Cherkaoui .... second assistant director: Morocco (uncredited) Dan John .... dailies assistant director (uncredited) David Tringham .... assistant director (uncredited) Art Department David Abbott .... construction stand-by Ahmed Abounouom .... art director: Morocco Leon Apsey .... supervising carpenter David Balfour .... property master Nicola Barnes .... art department coordinator Ronald Bede .... construction stand-by Brian Best .... model maker Alice Biddle .... art department assistant Roy Biggs .... construction stand-by: second unit Alan Brooks .... supervising carpenter Colin Burgess .... stand-by propman: second unit James Busby .... construction stand-by Alex Cameron .... draughtsman Marlon Cole .... propman Kelvin Cook .... propman Gary Dorner .... construction stand-by: second unit Peter Edge .... construction stand-by: second unit Belinda Edwards .... production buyer Stephen Forrest-Smith .... storyboard artist James Gemmill .... scenic artist John Harris .... construction stand-by Tessa Harrison .... sculptor Paul J. Hayes .... supervising carpenter Michael Hayward .... assistant construction coordinator Paul Hedges .... location property master: Morocco Robert Hill .... stand-by propman (as Rob Hill) Lubo Hristov .... art director: Cinesite Gordon Izod .... supervising plasterer Scott Keery .... propman Reginald Keywood .... assistant construction coordinator John Knight .... propman Michael Law .... supervising carpenter Steve Macdonald .... stand-by propman (as Steve McDonald) Peter Mann .... stand-by constructor: second unit Dave Midson .... propman Joe Monks .... construction stand-by Andy Nicholson .... draughtsman Lyn Nicholson .... buyer John Park .... assistant construction coordinator John Paterson .... construction coordinator Mickey Pugh .... location property master: Morocco (as Micky Pugh) Roy Rodgers .... supervising sculptor Joseph Michael Roth .... sculptor Toby Short .... sculptor Keith Smith .... supervising stagehand Richard Smith .... sculptor Mike Stallion .... assistant art director Gregor Telfer .... stand-by propman: second unit Keith Vowles .... property storeman John Wells .... dressing props supervisor Laurence Wells .... prop man Paul Wescott .... head supervising painter Gavin Gordon .... carpenter (uncredited) Peter Mann .... stand-by carpenter: second unit (uncredited) Dennis Murray .... supervisor plasterer (uncredited) Sound Department John Bateman .... adr mixer Keith Batten .... boom operator: second unit Andrew Bock .... assistant sound editor Richard Burton .... sound effects editor Chris Carpenter .... sound re-recording mixer David Crozier .... sound mixer: second unit Patrick Dodd .... supervising adr editor Hilda Hodges .... foley artist David Horner .... adr mixer Terry Isted .... adr recordist Jonathan Klein .... foley editor Rick Kline .... sound re-recording mixer Mark Lafbery .... adr recordist (as Mark Lassbery) Anne Laing .... assistant adr editor Mary Jo Lang .... foley mixer Michael Magill .... dialogue editor Jim McBride .... sound maintenance: second unit Bill Meadows .... dubbing recordist Chris Munro .... sound mixer Ian Munro .... sound mixer: second unit Jon Olive .... assistant sound designer Mark Pappas .... foley editor John Roesch .... foley artist (as John B. Roesch) Scott Schmidt .... adr recordist Leslie Shatz .... sound designer Leslie Shatz .... sound re-recording mixer Ted Swanscott .... adr mixer Carolyn Tapp .... foley recordist Nancy Tracy .... first assistant sound editor Tim Webb .... dubbing recordist Colin Wood .... boom operator Thom Brennan .... sound effects editor (uncredited) David A. Cohen .... adr editor: temp (uncredited) Special Effects by Jonathan Alvord .... avid editor: Cinesite John Amitt .... assistant special effects technician Chris Barton .... key animatronic model designer Graham Brooker .... special effects technician Graham Brooker .... wire operator Richard Brown .... special effects technician Paul Clancy .... special effects technician Chris Corbould .... special effects supervisor Lynne Corbould .... special effects adminstrator Nick Dudman .... live action creature effects supervisor Dave Eltham .... senior special effects technician (as David Eltham) Nick Finlayson .... senior special effects technician Michael Fox .... special effects technician Darrell Guyon .... special effects technician Steve Hamilton .... special effects supervisor (as Stephen Hamilton) Lubo Hristov .... art director: Cinesite Dave Keen .... special effects animatronic designer (as David Keen) David Keen .... special effects animatronic designer Dave Knowles .... senior special effects technician (as David Knowles) Paul Knowles .... senior special effects technician Steve Knowles .... special effects technician Ian Lowe .... special effects animatronic designer Zuzana Milfort .... assistant special effects technician Ian Mitchell .... special effects animatronic designer Luke Murphy .... assistant special effects technician Tom Murtagh .... special effects animatronic designer Peter Notley .... senior special effects technician Roy Quinn .... senior special effects technician Shaun Rutter .... special effects technician Robert Schofield .... wire effects supervisor Andrew Smith .... senior special effects technician (as Andy Smith) Andrew Warner .... special effects trainee Brian Warner .... senior special effects technician Andy Williams .... special effects supervisor David Williams .... special effects wire supervisor John Cluff .... special effects assistant (uncredited) Peter Hawkins .... stunt weapons constructor (uncredited) Stephen Hutchinson .... special effects technician (uncredited) Anthony Lucero .... special effects assistant (uncredited) Tom Seymour .... special effects crew (uncredited) Michael Wick .... creature fabricator: ILM (uncredited) Visual Effects by Jonathan Abbas-Klahr .... animatronic model designer Barbara Affonso .... model supervisor: ILM Astrig Akseralian .... animatronic model designer John Anderson .... software research & development: ILM Ted Andre .... digital compositor: Cinesite Joakim Arnesson .... CG artist: ILM Scott Ballard .... CG animator: Cinesite Dana Barks .... computer systems/video engineering: ILM Chris Barton .... key animatronic model designer Michael Bauer .... CG supervisor: ILM Carol Bauman .... modelmaker: ILM Randall K. Bean .... film scanning operator: ILM (as Randy Bean) Donna Ashley Beard .... viewpaint artist: ILM (as Donna Beard) Jennifer C. Bell .... visual effects producer (as Jennifer Bell) John Andrew Berton Jr. .... visual effects supervisor Steve Besselman .... computer systems/video engineering: ILM Andrea Biklian .... negative cutter: ILM Rudi Bloss .... animator: ILM Maria Boggi .... animatronic model designer Todd Boyce .... CG artist: ILM Kevin Braun .... digital artist: Pacific Title/Mirage Patrick Brennan .... CG artist: ILM Donald S. Butler .... CG artist: ILM (as Don Butler) Amelia Chenoweth .... CG artist: ILM Terry Chostner .... 3D camera matchmove supervisor: ILM Kevin Clark .... visual effects editor: Cinesite (as Kevin C. Clark) Ryan Cook .... technical assistant: ILM John Coppinger .... animatronic model designer Alain Costa .... animator: ILM Mark Coulier .... key animatronic model designer Lynne Coyer .... associate visual effects producer: Pacific Title/Mirage Catherine Craig .... lead digital model painter: ILM Naomi Critcher .... animatronic model designer Gail Currey .... senior staff: ILM Kathleen Davidson .... CG artist: ILM Michelle Dean .... technical assistant: ILM Robert DeHaan .... technical assistant: ILM Sandy DellaMarie .... visual effects coordinator: Pacific Title/Mirage David Deuber .... CG artist: ILM James Doherty .... digital model supervisor: ILM Joe Dubs .... digital artist: Cinesite Simon Dunsdon .... visual effect matchmover Timothy Eaton .... visual effects editor: ILM (as Tim Eaton) Selwyn Eddy .... 3D camera matchmove supervisor: ILM (as Selwyn Eddy III) Camille Eden .... visual effects production assistant: ILM Louise Elsey .... animatronic model designer Jenn Emberly .... lead sequence animator: ILM Chrissie England .... senior staff: ILM Gonzalo Escudero .... CG artist: ILM Raul Essig .... CG artist: ILM Malcolm Evans .... animatronic model designer Scott Farrar .... visual effects supervisor: Thebes and Hamunaptra collapse sequences, ILM Chris Flynn .... digital artist: Pacific Title/Mirage Diane Franey .... plate coordinator: ILM Scott Frankel .... CG supervisor: ILM Mark Freund .... visual effects supervisor: Pacific Title/Mirage Gabrielle C. Frlekin .... visual effects post production coordinator George Gambetta .... film scanning operator: ILM Tim Geideman .... negative line-up: ILM Derek Gillingham .... viewpaint artist: ILM Jennifer Gonzalez .... visual effects assistant editor: ILM Maria Goodale .... digital plate restoration: ILM Richard Grandy .... lead creature developer: ILM Michele Gray .... digital plate restoration: ILM (as Michele Spina) Timothy Greenwood .... projectionist: ILM (as Tim Greenwood) Kristopher Gregg .... digital imaging operator: Cinesite Doug Griffin .... motion capture engineer: ILM Indira Guerrieri .... CG artist: ILM Joanne Hafner .... lead digital paint artist: ILM James Hagedorn .... CG artist: ILM (as Jim Hagedorn) Steven Hall .... vista vision camera operator Tamzine Hanks .... animatronic model designer Shaune Harrison .... animatronic model designer Alex Head .... visual effect matchmover Lesley Headrick .... animator: ILM Kirk Henderson .... concept artist: ILM Wendy Hendrickson .... 3D matchmove artist: ILM (as Wendy Hendrickson-Ellis) Jongwoo Heo .... CG artist: ILM Geoff Heron .... pyro technician: ILM John Hewitt .... CG animator: Cinesite Kate Hill .... animatronic model designer Bill Hirsch .... computer systems/video engineering: ILM David Hisanaga .... CG artist: ILM David Horsley .... CG sequence supervisor: ILM David Horsley .... digital effects sequence supervisor Ivo Horvat .... matte painter: ILM Carlos Huant .... mummy designer: ILM Michael Jantze .... concept artist: ILM Daniel Jeannette .... animation supervisor: ILM Benton Jew .... mummy designer: ILM Terry Jones .... animatronic model designer Randy Jonsson .... 3D matchmove artist: ILM Greg Juby .... CG artist: ILM Samson Kao .... CG artist: ILM Louis Katz .... CG artist: ILM Tom Kennedy .... visual effects producer: ILM Richard Kidd .... CG supervisor: Cinesite Lucy Killick .... visual effects coordinator Greg Killmaster .... CG artist: ILM Ed Kramer .... CG sequence supervisor: ILM Marshall Richard Krasser .... lead digital compositor: ILM (as Marshall Krasser) Erik Krumrey .... CG artist: ILM Vicky Kwan .... CG motion tracker: Cinesite Greg Kyle .... animator: ILM David Latour .... animator: ILM Alexander Laurant .... mummy designer: ILM (as Alex Laurant) Alexander Laurant .... visual effects art director: ILM (as Alex Laurant) Vincent Lavares .... 3D t.a. supervisor: Cinesite Julija Learie .... animator: ILM Toan-Vinh Le .... CG artist: ILM Janice Lew .... CG artist: ILM Jeffrey B. Light .... motion capture supervisor: ILM (as Jeff Light) Ariana Lingenfelser .... visual effects producer: Cinesite David Lingenfelser .... digital compositor: Cinesite Kevin Lingenfelser .... visual effects supervisor: Cinesite Stuart Lowder .... CG staff: ILM Michael Dean Ludlam .... CG sequence supervisor: ILM Margaret B. Lynch .... visual effects coordinator: ILM Jodie Maier .... 3D matchmove artist: ILM Jeff Mann .... character design supervisor: ILM Keith McCabe .... CG artist: ILM Ann McColgan .... CG staff: ILM W. Regan McGee .... digital paint and roto artist: ILM (as Regan McGee) Carl Miller .... camera assistant: ILM Richard Miller .... creature sculptor: ILM Aubry Mintz .... animator: ILM Terry Molatore .... viewpaint artist: ILM Mark Moore .... mummy designer: ILM Jim Morris .... senior staff: ILM Wendy Morton .... modelmaker: ILM Michelle Motta .... technical assistant: ILM Serena Naramore .... rotoscope artist: Cinesite Andy Newall .... vista vision camera operator Peter Nicolai .... visual effects coordinator: ILM Ken Nielsen .... digital effects artist Brian O'Connell .... mummy designer: ILM Michael Olague .... gaffer: ILM James Peterson .... CG animator: Cinesite Philip Peterson .... production engineering software: ILM Cary Phillips .... software research & development: ILM Josh Pines .... film scanning supervisor: ILM (as Joshua Pines) Nicolas Popravka .... software research & development: ILM Bob Powell .... CG artist: ILM Bruce Powell .... CG artist: ILM Mark Powers .... animator: ILM Tom Proost .... modelmaker: ILM Ari Rapkin .... production engineering software: ILM Bonnie Ricca .... technical assistant: ILM Erich Rigling .... concept artist: ILM (as Erik Rigling) Rick Rische .... matte painter: ILM (as Richard Rische) Sandy Ritts .... digital paint and roto artist: ILM Seth Rosenthal .... motion capture supervisor: ILM Jeff Saltzman .... 3D matchmove artist: ILM Mike Sanders .... motion capture engineer: ILM Kino Scialabba .... matte painter Marc Scott .... CG artist: ILM (as Marc J. Scott) Sandra Scott .... associate visual effects producer: ILM Marla I. Selhorn .... location matchmove artist: ILM (as Marla Selhorn) Tony Sgueglia .... digital data supervisor: Cinesite Rasha Shalaby .... digital artist: Pacific Title/Mirage Stacey Shear .... visual effects production assistant: ILM Amy Shepard .... digital paint and roto artist: ILM Dave Sidley .... animator: ILM H.B. Siegel .... senior staff: ILM Ken D. Smith .... visual effects producer: Pacific Title/Mirage Kenneth Smith .... digital color timing supervisor: ILM Kim Smith .... modelmaker: ILM Ben Snow .... CG supervisor: ILM Sharonne Solk .... animator: ILM Paul Spateri .... animatronic model designer J.D. Streett .... visual effects miniature pyrotechnics Mark Sullivan .... matte painter: ILM Steve Sullivan .... software research & development: ILM Pat Sweeney .... visual effects director of photography: Thebes and Hamunaptra collapse sequences, ILM Howard Swindell .... animatronic model designer Glen Sylvester .... animator: ILM (as Glenn Sylvester) Edward Taylor IV .... Digital Modeler: ILM Michelle Taylor .... key animatronic model designer Miles Teves .... mummy designer: ILM Derek Thompson .... mummy designer: ILM Si Duy Tran .... animator: ILM (as Si Tran) Pat Tubach .... digital compositor: Cinesite (as Patrick Tubach) Dennis Turner .... CG animation supervisor: ILM Lam Van To .... information systems: ILM Omz Velasco .... Digital Modeler: ILM Danny Wagner .... creature sculptor: ILM (as Daniel Wagner) John B. Wallace .... CG animator: Cinesite (as John B. Wallace III) Matt Wallin .... CG artist: ILM (as Matthew Wallin) R.D. Wegener .... digital compositor: ILM Steve Wright .... animatronic model designer Jeffrey Edward Baksinski .... motion & tracking supervisor: Cinesite (uncredited) Michael Cordova .... scanning and recording coordinator (uncredited) Erin M. Cullen .... roto artist (uncredited) Mykel Denis .... model maker (uncredited) Michael Ford .... technical animator (uncredited) Brian Gardner .... supervisor of technology (uncredited) Ray Gilberti .... effects director of photography (uncredited) Christopher Horvath .... technical director: ILM (uncredited) Evan Jacobs .... miniatures supervisor: Vision Crew Unlimited (uncredited) Wayne Kennedy .... model supervisor (uncredited) Karen Klein .... roto supervisor (uncredited) Kevin LaNeave .... digital asset coordinator (uncredited) Stewart Lew .... digital modeler: ILM (uncredited) Neil Lim Sang .... technical animator: ILM (uncredited) Matt Linder .... digital compositor (uncredited) Jay Mallet .... motion control operator (uncredited) Wendy Mashburn .... production manager: Vision Crew Unlimited (uncredited) Valerie McMahon .... digital artist (uncredited) Douglas Miller .... miniatures cinematography: Vision Crew Unlimited (uncredited) Ray Moody .... motion control loader (uncredited) Corinne Pooler .... digital artist (uncredited) Derek N. Prusak .... visual effects assistant cameraman (uncredited) Brian Sorbo .... digital compositor (uncredited) George Stevens .... model maker: Digital Domain (uncredited) Katrina Stovold .... digital plate restorator (uncredited) Vincent Toscano .... software development (uncredited) Matthew A. Ward .... art department intern: ILM (uncredited) Stunts Andy Bennett .... stunts Pavel Cajzl .... stunts (as Pavel Cajzi) Steve Caswell .... stunts Viktor Cervenka .... stunts George Cottle .... stunts Simon Crane .... stunt coordinator David Cronnelly .... stunts Graeme Crowther .... stunts Ricardo Cruz .... stunts (as Ricardo Cruz Moral) Wade Eastwood .... stunts Jamie Edgell .... stunts Paul Heasman .... stunts Mark Henson .... stunts Paul Herbert .... stunts Martin Hub .... stunts Dusan Hyska .... stunts Rob Inch .... stunts Paul Jennings .... stunts Pavel Kratky .... stunts (as Pavel Krathy) Derek Lea .... stunts Dimo Liptkovsky .... stunts (as Dimo Lipitkovsky) Sean McCabe .... stunts Jo McLaren .... stunts Peter Miles .... stunts Ray Nicholas .... stunts Jaroslav Peterka .... stunts G??bor Piroch .... stunts (as Gabor Piroch) Dinny Powell .... stunts Gary Powell .... stunts Jaroslav Psenicka .... stunts Angelo Ragusa .... stunts (as Angelo Regusa) Mark Southworth .... stunts Julian Spencer .... stunts Aine Stacey .... stunt department assistant Tom Struthers .... stunts Marc Cass .... stunts (uncredited) George Lane Cooper .... stunts (uncredited) Joss Gower .... stunt double (uncredited) Mark Henson .... stunt double: Mr. Fraser (uncredited) Jo McLaren .... stunt double: Rachel Weisz (uncredited) Peter Pedrero .... stunt double (uncredited) Andreas Petrides .... stunts (uncredited) Nick Powell .... stunts (uncredited) Joey Preston .... stunts (uncredited) Cedric Proust .... stunt wrangler (uncredited) Seon Rogers .... stunts (uncredited) Lex Ruddiman .... stunt wrangler (uncredited) Robert Schofield .... stunts (uncredited) Lee Sheward .... stunts (uncredited) Stuart Stark .... utility stunts (uncredited) Leo Stransky .... stunts (uncredited) Justin Neal Thompson .... stunt double (uncredited) Peter White .... stunts (uncredited) Raliegh Wilson .... stunts (uncredited) Eugenio Alonso Yenes .... stunt wrangler (uncredited) Camera and Electrical Department Mik Allen .... clapper loader: second unit Kenneth Atherfold .... camera grip: second unit (as Kenny Atherfold) Marc Atherfold .... clapper loader: second unit Duncan Barbour .... crane operator: second unit Roddy Barron .... camera operator: "b" camera Adam Biddle .... first assistant camera: "a" camera David Bruce .... electrician (as Dave Bruce) David Bruce .... generator operator (as Dave Bruce) David Budd .... camera operator: second unit Rocky Burnes .... rigging electrician Steve Casey .... electrician Michael Chambers .... rigging gaffer Mark Clarke .... electrician Alan Coates .... generator operator: second unit Steven Davis .... electrical rigger Kevin Day .... gaffer Gary Donague .... best boy electric (as Gary Donoghue) John Dunphy .... electrician Lester Dunton .... video playback operator Martin Evans .... rigging electrician Mike Evans .... focus puller: second unit Shaun Evans .... second assistant camera: "a" camera John Flemming .... key grip Jim Folley .... crane operator: second unit Steve Foster .... gaffer: second unit Dave Freeth .... camera technician Pat Garrett .... camera grip: second unit Alan Grayley .... electrician: second unit Andrew Haddock .... video playback operator: second unit Keith Hamshere .... still photographer Harvey Harrison .... director of photography: second unit Mark Hutton .... electrician Mark Hutton .... generator operator Philip Kenyon .... crane grip: Morocco second unit (as Phil Kenyon) Simon Lucas .... electrician Clive Mackey .... first assistant camera: "b" camera Ginger McCarthy .... electrical rigger Neil Munro .... electrician Spencer Murray .... clapper loader: second unit Gary Nagle .... electrician Gary Nagle .... generator operator James Offord .... camera intern Ben Perry .... second assistant camera: "b" camera Bernie Pochetty .... rigging electrician Frederick Reynolds .... electrical rigger Kenny Richards .... electrical rigger: second unit David Rist .... camera grip (as Dave Rist) Steve Roberts .... best boy electric: second unit Anthony Rubini .... electrical rigger Derek Russell .... camera grip Ian Speed .... camera technician Peter Taylor .... camera operator: second unit Tony Turner .... camera grip: second unit Martin Ward .... video playback operator: second unit Les Weighell .... rigging electrician (as Les Weighill) David Worley .... camera operator Stephen Yates .... crane operator: Morocco Danny Espey .... electrician (uncredited) Pat Garrett .... key grip: second unit (uncredited) Ron Nicholls .... grip (uncredited) Dathi Sveinbjarnarson .... video assistant (uncredited) Casting Department Leor Mendel .... casting assistant Amy Taksen .... casting: USA (as Amy Taksen Somers) Costume and Wardrobe Department Ann Beverly .... assistant costume designer Tim Guthrie .... costume assistant Wei Liang .... costume maker David Murphy .... wardrobe supervisor Dianne Murphy .... assistant wardrobe supervisor (as Diane Murphy) William Steggle .... costume assistant Ros Ward .... costume buyer Berenice Wright .... costume assistant E. Yan .... costume maker Silvana Sacco .... costume assistant (uncredited) Editorial Department Gary Burritt .... negative cutter Ray Bushey III .... apprentice editor David Cook .... editorial production assistant Ian Differ .... assistant editor Tzarina V. Edillon .... assistant editor Damon Fowler .... editorial production assistant Michael Gay .... second assistant editor (as Michael D. Gay) Sara Hegarty .... editorial production assistant Andrew MacRitchie .... first assistant editor Jim May .... assistant editor: avid Bob McMillian .... color timer Meghan L. Noble .... first assistant editor Mark Sanger .... assistant editor Kelly Matsumoto .... additional editor (uncredited) Music Department Robert Bayless .... assistant music editor (as Bob Bayless) Bruce Botnick .... music mixer Alexander Courage .... orchestrator Sienna Finklea .... assistant temp music editor Vic Fraser .... music preparation Jerry Goldsmith .... conductor Isobel Griffiths .... orchestra contractor Darrell Hall .... music editor Kenneth Hall .... supervising music editor (as Kenny Hall) Peter Mills .... music engineer Steve Orchard .... music engineer Mike Ross-Trevor .... music recordist (as Mike Ross Trevor) Nick Vidar .... music programmer Jerry Goldsmith .... music producer (uncredited) Transportation Department Phil Allchin .... transportation manager: UK Nigel Birtchnell .... unit driver John Coleman .... unit driver Arthur Dunne .... transportation manager: Morocco (as Arthur Dunn) Phil Knight .... unit driver Dave Manning .... unit driver (as David Manning) Maurice Newsome .... unit driver Hicham Regragui .... transportation manager: Morocco (as Hicham Regragui) Chris Streeter .... unit driver Other crew Ahab Afifi .... translator: Arabic Amanda Amphlett .... creature assistant Derek Atherton .... armorer Simon Atherton .... armorer Rosaling Backhouse .... creature assistant Rebecca Baldwin .... assistant: Mr. Jacks Howard Baral .... post-production accountant Blixa Bargeld .... mummy growling Najib Bennani .... accountant: Morocco Tony Bianchi .... technical advisor: bi-plane Terry Blyther .... location manager: Morocco John Boskill .... fitness trainer Stuart Bray .... mould maker Chris Burgess .... office production assistant Gilly Case .... location manager: UK Gilles Castera .... location manager: Morocco Gilles Charvin .... location manager: Morocco Sylvie Chesneau .... script supervisor Kenneth Clarke .... mould maker Tania Clarke .... assistant production coordinator Roger Collins .... stand-in Natasha Coombs .... script supervisor: second unit Shirley Cooper .... fabrication supervisor: mummy Alice Dawson .... assistant production accountant David Deane .... safety officer Patsy de Lord .... production coordinator (as Patsy De Lord) Tommy Dunne .... assistant armorer Jake Edmonds .... safety officer Angelina Fontana .... assistant: Mr. Daniel Geoff Freeman .... unit publicist Driss Gaidi .... location manager: Morocco Pedro Garc??a Garc??a .... horse trainer: Morocco (as Pedro Garcia Garcia) Richard Goodwin .... office production assistant Sally Grace .... dialogue coach Nicky Gregory .... nurse Anya Gripari .... set production assistant Luis M. Guti??rrez Santos .... horse trainer: Morocco (as Luis Gutierez Santos) Jackie Hallatt .... fabricator (as Jackie Hallett) Joanna Hamer .... stand-in Hind Hanif .... production coordinator: Morocco Barbara Harley .... assistant: Ms. Carr Abigail Haughton .... fabrication assistant Sarah Hunt .... assistant production accountant Rachel Impy .... fabrication assistant Michael Jones .... hat maker Andy Lee .... foam supervisor Iain Lowe .... head supervising rigger Siobhan Lyons .... location coordinator Nadia Mattera .... office production assistant Michael McGinn .... movement coordinator: mummy Jennifer Meyer .... assistant: Mr. Jacks (as Jennifer Moyer) Tracy Milham .... creature assistant Ali Moshref .... assistant production accountant Day Murch .... fabricator Lyn Nicholson .... coordinator Kevin O'Brien .... stand-in Maggie Phelan .... financial controller Nick Phillips .... technician: second unit Justin Pitkethly .... creature assistant Gary Pollard .... creature designer: live action mummy Greg Powell .... horse master Nick Powell .... sword master (as Nicholas Powell) Saffron Powell .... creature assistant Frances Richardson .... first assistant accountant James Richardson .... accounting intern Ian Robinson .... laboratory contact Caroline Roemmele .... production assistant: Morocco Pascal Rossignol .... stand-in Lex Ruddiman .... horse trainer: chariots Rodney Rushton .... car fabricator Carl Schmidt .... assistant armorer Stuart Tyson Smith .... egyptology consultant (as Dr. Stuart Smith) Alistair Thompson .... production accountant Raymond Tricker .... supervising mould maker Sarah Trowse .... location accountant: Morocco Martin Turk .... fitness trainer Jonathon Whaley .... pilot: bi-plane (as Jonathan Whaley) Lucy Williams .... assistant location manager: UK Ginnette Wilson .... assistant production accountant Keith Wilson .... foam technician Anna Worley .... script supervisor: second unit Eugenio Alonso Yenes .... horse trainer: Morocco Mustapha Adidou .... location assistant (uncredited) Judy Britten .... shipping coordinator: Morocco (uncredited) Jon R. Brown .... production runner (uncredited) Lois Carruth .... assistant: Mr. Goldsmith (uncredited) Kyle Cooper .... title designer: main and end titles (uncredited) Steve Dent .... assistant horse master (uncredited) Douglas W. McHenry .... post-production accountant (uncredited) Joel Proust Originally posted on:The Enlightened Xombee
]]>Sun, 02 Dec 2007 07:01:07 GMTmythmanWatch Everything and Still See ONLY What Is Good12/2/2007 2:01:07 AMOf course, I could be wrong; I couldn't remember the name, and didn't see whether IMDb listed the caterers. But--whatever their name is--I trust that George Lucas's people at Industrial Light & Magic would only choose the best possible caterers to give their own players the edge needed to so-masterfully manifest movies so magnificently!Don't get me wrong; Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Kevin J. O'Connor, Oded Fehr and Jonathan Hyde (not to mention Erick Avari, Bernard Fox, Stephen Dunham, Corey Johnson, Tuc Watkins, Omid Djalili, Aharon Ipal??, Patricia Velasquez, Carl Chase, Mohammed Afifi, Abderrahim El Aadili, Jake Arnott, Mason Ball, Isobel Brook, James Traherne Burton, Peter Chequer, Porl Smith, Ian Warner and George Lane Cooper ... See? IMDb's good for somethin`) are wonderful professionals along-with the crew listed below, but any one of them will tell you that he/she works better when fed well!Aside from that little production note: The movie I'm talking about also reminded me why I don't feature any foreign language speech—because I would 'Okie it up' (i.e. pronounce most of the words with a slightly-unsure tone, and yet pronounce them "definitely foreign").I noticed that when pronouncing names from a historical review I'll put here soon. I think I pronounced most of them right; but I generally used my 'high school'-spanish vowel-pronunciation with any names I wasn't sure of, and some of them were Russian or German.If I tried to publish any recordings of me speaking a foreign language (without much more study than a read-through), I would be afraid that my inevitable mispronunciations would offend native speakers!Not to mention the possibility of awakening The Mummy!Produced by Patricia Carr .... co-producer Sean Daniel .... producer James Jacks .... producer Kevin Jarre .... executive producer Megan Moran .... associate producer Original Music by Jerry Goldsmith Cinematography by Adrian Biddle (director of photography) Film Editing by Bob Ducsay Casting by John Hubbard Ros Hubbard Production Design by Allan Cameron Art Direction by Giles Masters Tony Reading Cliff Robinson (as Clifford Robinson) Peter Russell Set Decoration by Peter Howitt Costume Design by John Bloomfield Makeup Department Sarita Allison .... makeup artist: mummy Sarah Berry .... body painter: Anck Su Namun (as Sarah J. Berry) Jayne Buxton .... makeup artist (as Jane Buxton) Tricia Cameron .... key hair stylist Robert Hallowell II .... hair stylist: Mr. Fraser (as Robert Hallowell) Joanne Manning .... makeup artist: mummy Ben Nye Jr. .... makeup artist: Mr. Fraser Aileen Seaton .... key makeup artist Annie Townsend .... assistant hair stylist Carol Tucker .... assistant body painter Jane Walker .... makeup artist Jeremy Woodhead .... assistant body painter Sarah Love .... hair stylist (uncredited) Matthew Smith .... special makeup effects artist (uncredited) Production Management Abdelkrim Abouobayd .... production supervisor: Morocco Abdelhafed Balafrej .... production manager: Morocco Rachid Bouzida .... second unit manager: Morocco Jo Burn .... unit production manager Doreen A. Dixon .... post-production supervisor Peter Heslop .... unit manager: UK Neil Ravan .... production manager: Morocco Second Unit Director or Assistant Director Peter Bennett .... first assistant director: second unit Jamie Christopher .... second assistant director Ahmed Hatimi .... first assistant director: Morocco Cliff Lanning .... first assistant director Greg Michael .... second unit director Adam Somner .... second assistant director Sophie Sorensen .... second assistant director: second unit Richard Styles .... second assistant director: second unit Gary Talbot .... third assistant director: second unit James Threapleton .... third assistant director (as Jim Threapleton) Ali Cherkaoui .... second assistant director: Morocco (uncredited) Dan John .... dailies assistant director (uncredited) David Tringham .... assistant director (uncredited) Art Department David Abbott .... construction stand-by Ahmed Abounouom .... art director: Morocco Leon Apsey .... supervising carpenter David Balfour .... property master Nicola Barnes .... art department coordinator Ronald Bede .... construction stand-by Brian Best .... model maker Alice Biddle .... art department assistant Roy Biggs .... construction stand-by: second unit Alan Brooks .... supervising carpenter Colin Burgess .... stand-by propman: second unit James Busby .... construction stand-by Alex Cameron .... draughtsman Marlon Cole .... propman Kelvin Cook .... propman Gary Dorner .... construction stand-by: second unit Peter Edge .... construction stand-by: second unit Belinda Edwards .... production buyer Stephen Forrest-Smith .... storyboard artist James Gemmill .... scenic artist John Harris .... construction stand-by Tessa Harrison .... sculptor Paul J. Hayes .... supervising carpenter Michael Hayward .... assistant construction coordinator Paul Hedges .... location property master: Morocco Robert Hill .... stand-by propman (as Rob Hill) Lubo Hristov .... art director: Cinesite Gordon Izod .... supervising plasterer Scott Keery .... propman Reginald Keywood .... assistant construction coordinator John Knight .... propman Michael Law .... supervising carpenter Steve Macdonald .... stand-by propman (as Steve McDonald) Peter Mann .... stand-by constructor: second unit Dave Midson .... propman Joe Monks .... construction stand-by Andy Nicholson .... draughtsman Lyn Nicholson .... buyer John Park .... assistant construction coordinator John Paterson .... construction coordinator Mickey Pugh .... location property master: Morocco (as Micky Pugh) Roy Rodgers .... supervising sculptor Joseph Michael Roth .... sculptor Toby Short .... sculptor Keith Smith .... supervising stagehand Richard Smith .... sculptor Mike Stallion .... assistant art director Gregor Telfer .... stand-by propman: second unit Keith Vowles .... property storeman John Wells .... dressing props supervisor Laurence Wells .... prop man Paul Wescott .... head supervising painter Gavin Gordon .... carpenter (uncredited) Peter Mann .... stand-by carpenter: second unit (uncredited) Dennis Murray .... supervisor plasterer (uncredited) Sound Department John Bateman .... adr mixer Keith Batten .... boom operator: second unit Andrew Bock .... assistant sound editor Richard Burton .... sound effects editor Chris Carpenter .... sound re-recording mixer David Crozier .... sound mixer: second unit Patrick Dodd .... supervising adr editor Hilda Hodges .... foley artist David Horner .... adr mixer Terry Isted .... adr recordist Jonathan Klein .... foley editor Rick Kline .... sound re-recording mixer Mark Lafbery .... adr recordist (as Mark Lassbery) Anne Laing .... assistant adr editor Mary Jo Lang .... foley mixer Michael Magill .... dialogue editor Jim McBride .... sound maintenance: second unit Bill Meadows .... dubbing recordist Chris Munro .... sound mixer Ian Munro .... sound mixer: second unit Jon Olive .... assistant sound designer Mark Pappas .... foley editor John Roesch .... foley artist (as John B. Roesch) Scott Schmidt .... adr recordist Leslie Shatz .... sound designer Leslie Shatz .... sound re-recording mixer Ted Swanscott .... adr mixer Carolyn Tapp .... foley recordist Nancy Tracy .... first assistant sound editor Tim Webb .... dubbing recordist Colin Wood .... boom operator Thom Brennan .... sound effects editor (uncredited) David A. Cohen .... adr editor: temp (uncredited) Special Effects by Jonathan Alvord .... avid editor: Cinesite John Amitt .... assistant special effects technician Chris Barton .... key animatronic model designer Graham Brooker .... special effects technician Graham Brooker .... wire operator Richard Brown .... special effects technician Paul Clancy .... special effects technician Chris Corbould .... special effects supervisor Lynne Corbould .... special effects adminstrator Nick Dudman .... live action creature effects supervisor Dave Eltham .... senior special effects technician (as David Eltham) Nick Finlayson .... senior special effects technician Michael Fox .... special effects technician Darrell Guyon .... special effects technician Steve Hamilton .... special effects supervisor (as Stephen Hamilton) Lubo Hristov .... art director: Cinesite Dave Keen .... special effects animatronic designer (as David Keen) David Keen .... special effects animatronic designer Dave Knowles .... senior special effects technician (as David Knowles) Paul Knowles .... senior special effects technician Steve Knowles .... special effects technician Ian Lowe .... special effects animatronic designer Zuzana Milfort .... assistant special effects technician Ian Mitchell .... special effects animatronic designer Luke Murphy .... assistant special effects technician Tom Murtagh .... special effects animatronic designer Peter Notley .... senior special effects technician Roy Quinn .... senior special effects technician Shaun Rutter .... special effects technician Robert Schofield .... wire effects supervisor Andrew Smith .... senior special effects technician (as Andy Smith) Andrew Warner .... special effects trainee Brian Warner .... senior special effects technician Andy Williams .... special effects supervisor David Williams .... special effects wire supervisor John Cluff .... special effects assistant (uncredited) Peter Hawkins .... stunt weapons constructor (uncredited) Stephen Hutchinson .... special effects technician (uncredited) Anthony Lucero .... special effects assistant (uncredited) Tom Seymour .... special effects crew (uncredited) Michael Wick .... creature fabricator: ILM (uncredited) Visual Effects by Jonathan Abbas-Klahr .... animatronic model designer Barbara Affonso .... model supervisor: ILM Astrig Akseralian .... animatronic model designer John Anderson .... software research & development: ILM Ted Andre .... digital compositor: Cinesite Joakim Arnesson .... CG artist: ILM Scott Ballard .... CG animator: Cinesite Dana Barks .... computer systems/video engineering: ILM Chris Barton .... key animatronic model designer Michael Bauer .... CG supervisor: ILM Carol Bauman .... modelmaker: ILM Randall K. Bean .... film scanning operator: ILM (as Randy Bean) Donna Ashley Beard .... viewpaint artist: ILM (as Donna Beard) Jennifer C. Bell .... visual effects producer (as Jennifer Bell) John Andrew Berton Jr. .... visual effects supervisor Steve Besselman .... computer systems/video engineering: ILM Andrea Biklian .... negative cutter: ILM Rudi Bloss .... animator: ILM Maria Boggi .... animatronic model designer Todd Boyce .... CG artist: ILM Kevin Braun .... digital artist: Pacific Title/Mirage Patrick Brennan .... CG artist: ILM Donald S. Butler .... CG artist: ILM (as Don Butler) Amelia Chenoweth .... CG artist: ILM Terry Chostner .... 3D camera matchmove supervisor: ILM Kevin Clark .... visual effects editor: Cinesite (as Kevin C. Clark) Ryan Cook .... technical assistant: ILM John Coppinger .... animatronic model designer Alain Costa .... animator: ILM Mark Coulier .... key animatronic model designer Lynne Coyer .... associate visual effects producer: Pacific Title/Mirage Catherine Craig .... lead digital model painter: ILM Naomi Critcher .... animatronic model designer Gail Currey .... senior staff: ILM Kathleen Davidson .... CG artist: ILM Michelle Dean .... technical assistant: ILM Robert DeHaan .... technical assistant: ILM Sandy DellaMarie .... visual effects coordinator: Pacific Title/Mirage David Deuber .... CG artist: ILM James Doherty .... digital model supervisor: ILM Joe Dubs .... digital artist: Cinesite Simon Dunsdon .... visual effect matchmover Timothy Eaton .... visual effects editor: ILM (as Tim Eaton) Selwyn Eddy .... 3D camera matchmove supervisor: ILM (as Selwyn Eddy III) Camille Eden .... visual effects production assistant: ILM Louise Elsey .... animatronic model designer Jenn Emberly .... lead sequence animator: ILM Chrissie England .... senior staff: ILM Gonzalo Escudero .... CG artist: ILM Raul Essig .... CG artist: ILM Malcolm Evans .... animatronic model designer Scott Farrar .... visual effects supervisor: Thebes and Hamunaptra collapse sequences, ILM Chris Flynn .... digital artist: Pacific Title/Mirage Diane Franey .... plate coordinator: ILM Scott Frankel .... CG supervisor: ILM Mark Freund .... visual effects supervisor: Pacific Title/Mirage Gabrielle C. Frlekin .... visual effects post production coordinator George Gambetta .... film scanning operator: ILM Tim Geideman .... negative line-up: ILM Derek Gillingham .... viewpaint artist: ILM Jennifer Gonzalez .... visual effects assistant editor: ILM Maria Goodale .... digital plate restoration: ILM Richard Grandy .... lead creature developer: ILM Michele Gray .... digital plate restoration: ILM (as Michele Spina) Timothy Greenwood .... projectionist: ILM (as Tim Greenwood) Kristopher Gregg .... digital imaging operator: Cinesite Doug Griffin .... motion capture engineer: ILM Indira Guerrieri .... CG artist: ILM Joanne Hafner .... lead digital paint artist: ILM James Hagedorn .... CG artist: ILM (as Jim Hagedorn) Steven Hall .... vista vision camera operator Tamzine Hanks .... animatronic model designer Shaune Harrison .... animatronic model designer Alex Head .... visual effect matchmover Lesley Headrick .... animator: ILM Kirk Henderson .... concept artist: ILM Wendy Hendrickson .... 3D matchmove artist: ILM (as Wendy Hendrickson-Ellis) Jongwoo Heo .... CG artist: ILM Geoff Heron .... pyro technician: ILM John Hewitt .... CG animator: Cinesite Kate Hill .... animatronic model designer Bill Hirsch .... computer systems/video engineering: ILM David Hisanaga .... CG artist: ILM David Horsley .... CG sequence supervisor: ILM David Horsley .... digital effects sequence supervisor Ivo Horvat .... matte painter: ILM Carlos Huant .... mummy designer: ILM Michael Jantze .... concept artist: ILM Daniel Jeannette .... animation supervisor: ILM Benton Jew .... mummy designer: ILM Terry Jones .... animatronic model designer Randy Jonsson .... 3D matchmove artist: ILM Greg Juby .... CG artist: ILM Samson Kao .... CG artist: ILM Louis Katz .... CG artist: ILM Tom Kennedy .... visual effects producer: ILM Richard Kidd .... CG supervisor: Cinesite Lucy Killick .... visual effects coordinator Greg Killmaster .... CG artist: ILM Ed Kramer .... CG sequence supervisor: ILM Marshall Richard Krasser .... lead digital compositor: ILM (as Marshall Krasser) Erik Krumrey .... CG artist: ILM Vicky Kwan .... CG motion tracker: Cinesite Greg Kyle .... animator: ILM David Latour .... animator: ILM Alexander Laurant .... mummy designer: ILM (as Alex Laurant) Alexander Laurant .... visual effects art director: ILM (as Alex Laurant) Vincent Lavares .... 3D t.a. supervisor: Cinesite Julija Learie .... animator: ILM Toan-Vinh Le .... CG artist: ILM Janice Lew .... CG artist: ILM Jeffrey B. Light .... motion capture supervisor: ILM (as Jeff Light) Ariana Lingenfelser .... visual effects producer: Cinesite David Lingenfelser .... digital compositor: Cinesite Kevin Lingenfelser .... visual effects supervisor: Cinesite Stuart Lowder .... CG staff: ILM Michael Dean Ludlam .... CG sequence supervisor: ILM Margaret B. Lynch .... visual effects coordinator: ILM Jodie Maier .... 3D matchmove artist: ILM Jeff Mann .... character design supervisor: ILM Keith McCabe .... CG artist: ILM Ann McColgan .... CG staff: ILM W. Regan McGee .... digital paint and roto artist: ILM (as Regan McGee) Carl Miller .... camera assistant: ILM Richard Miller .... creature sculptor: ILM Aubry Mintz .... animator: ILM Terry Molatore .... viewpaint artist: ILM Mark Moore .... mummy designer: ILM Jim Morris .... senior staff: ILM Wendy Morton .... modelmaker: ILM Michelle Motta .... technical assistant: ILM Serena Naramore .... rotoscope artist: Cinesite Andy Newall .... vista vision camera operator Peter Nicolai .... visual effects coordinator: ILM Ken Nielsen .... digital effects artist Brian O'Connell .... mummy designer: ILM Michael Olague .... gaffer: ILM James Peterson .... CG animator: Cinesite Philip Peterson .... production engineering software: ILM Cary Phillips .... software research & development: ILM Josh Pines .... film scanning supervisor: ILM (as Joshua Pines) Nicolas Popravka .... software research & development: ILM Bob Powell .... CG artist: ILM Bruce Powell .... CG artist: ILM Mark Powers .... animator: ILM Tom Proost .... modelmaker: ILM Ari Rapkin .... production engineering software: ILM Bonnie Ricca .... technical assistant: ILM Erich Rigling .... concept artist: ILM (as Erik Rigling) Rick Rische .... matte painter: ILM (as Richard Rische) Sandy Ritts .... digital paint and roto artist: ILM Seth Rosenthal .... motion capture supervisor: ILM Jeff Saltzman .... 3D matchmove artist: ILM Mike Sanders .... motion capture engineer: ILM Kino Scialabba .... matte painter Marc Scott .... CG artist: ILM (as Marc J. Scott) Sandra Scott .... associate visual effects producer: ILM Marla I. Selhorn .... location matchmove artist: ILM (as Marla Selhorn) Tony Sgueglia .... digital data supervisor: Cinesite Rasha Shalaby .... digital artist: Pacific Title/Mirage Stacey Shear .... visual effects production assistant: ILM Amy Shepard .... digital paint and roto artist: ILM Dave Sidley .... animator: ILM H.B. Siegel .... senior staff: ILM Ken D. Smith .... visual effects producer: Pacific Title/Mirage Kenneth Smith .... digital color timing supervisor: ILM Kim Smith .... modelmaker: ILM Ben Snow .... CG supervisor: ILM Sharonne Solk .... animator: ILM Paul Spateri .... animatronic model designer J.D. Streett .... visual effects miniature pyrotechnics Mark Sullivan .... matte painter: ILM Steve Sullivan .... software research & development: ILM Pat Sweeney .... visual effects director of photography: Thebes and Hamunaptra collapse sequences, ILM Howard Swindell .... animatronic model designer Glen Sylvester .... animator: ILM (as Glenn Sylvester) Edward Taylor IV .... Digital Modeler: ILM Michelle Taylor .... key animatronic model designer Miles Teves .... mummy designer: ILM Derek Thompson .... mummy designer: ILM Si Duy Tran .... animator: ILM (as Si Tran) Pat Tubach .... digital compositor: Cinesite (as Patrick Tubach) Dennis Turner .... CG animation supervisor: ILM Lam Van To .... information systems: ILM Omz Velasco .... Digital Modeler: ILM Danny Wagner .... creature sculptor: ILM (as Daniel Wagner) John B. Wallace .... CG animator: Cinesite (as John B. Wallace III) Matt Wallin .... CG artist: ILM (as Matthew Wallin) R.D. Wegener .... digital compositor: ILM Steve Wright .... animatronic model designer Jeffrey Edward Baksinski .... motion & tracking supervisor: Cinesite (uncredited) Michael Cordova .... scanning and recording coordinator (uncredited) Erin M. Cullen .... roto artist (uncredited) Mykel Denis .... model maker (uncredited) Michael Ford .... technical animator (uncredited) Brian Gardner .... supervisor of technology (uncredited) Ray Gilberti .... effects director of photography (uncredited) Christopher Horvath .... technical director: ILM (uncredited) Evan Jacobs .... miniatures supervisor: Vision Crew Unlimited (uncredited) Wayne Kennedy .... model supervisor (uncredited) Karen Klein .... roto supervisor (uncredited) Kevin LaNeave .... digital asset coordinator (uncredited) Stewart Lew .... digital modeler: ILM (uncredited) Neil Lim Sang .... technical animator: ILM (uncredited) Matt Linder .... digital compositor (uncredited) Jay Mallet .... motion control operator (uncredited) Wendy Mashburn .... production manager: Vision Crew Unlimited (uncredited) Valerie McMahon .... digital artist (uncredited) Douglas Miller .... miniatures cinematography: Vision Crew Unlimited (uncredited) Ray Moody .... motion control loader (uncredited) Corinne Pooler .... digital artist (uncredited) Derek N. Prusak .... visual effects assistant cameraman (uncredited) Brian Sorbo .... digital compositor (uncredited) George Stevens .... model maker: Digital Domain (uncredited) Katrina Stovold .... digital plate restorator (uncredited) Vincent Toscano .... software development (uncredited) Matthew A. Ward .... art department intern: ILM (uncredited) Stunts Andy Bennett .... stunts Pavel Cajzl .... stunts (as Pavel Cajzi) Steve Caswell .... stunts Viktor Cervenka .... stunts George Cottle .... stunts Simon Crane .... stunt coordinator David Cronnelly .... stunts Graeme Crowther .... stunts Ricardo Cruz .... stunts (as Ricardo Cruz Moral) Wade Eastwood .... stunts Jamie Edgell .... stunts Paul Heasman .... stunts Mark Henson .... stunts Paul Herbert .... stunts Martin Hub .... stunts Dusan Hyska .... stunts Rob Inch .... stunts Paul Jennings .... stunts Pavel Kratky .... stunts (as Pavel Krathy) Derek Lea .... stunts Dimo Liptkovsky .... stunts (as Dimo Lipitkovsky) Sean McCabe .... stunts Jo McLaren .... stunts Peter Miles .... stunts Ray Nicholas .... stunts Jaroslav Peterka .... stunts G??bor Piroch .... stunts (as Gabor Piroch) Dinny Powell .... stunts Gary Powell .... stunts Jaroslav Psenicka .... stunts Angelo Ragusa .... stunts (as Angelo Regusa) Mark Southworth .... stunts Julian Spencer .... stunts Aine Stacey .... stunt department assistant Tom Struthers .... stunts Marc Cass .... stunts (uncredited) George Lane Cooper .... stunts (uncredited) Joss Gower .... stunt double (uncredited) Mark Henson .... stunt double: Mr. Fraser (uncredited) Jo McLaren .... stunt double: Rachel Weisz (uncredited) Peter Pedrero .... stunt double (uncredited) Andreas Petrides .... stunts (uncredited) Nick Powell .... stunts (uncredited) Joey Preston .... stunts (uncredited) Cedric Proust .... stunt wrangler (uncredited) Seon Rogers .... stunts (uncredited) Lex Ruddiman .... stunt wrangler (uncredited) Robert Schofield .... stunts (uncredited) Lee Sheward .... stunts (uncredited) Stuart Stark .... utility stunts (uncredited) Leo Stransky .... stunts (uncredited) Justin Neal Thompson .... stunt double (uncredited) Peter White .... stunts (uncredited) Raliegh Wilson .... stunts (uncredited) Eugenio Alonso Yenes .... stunt wrangler (uncredited) Camera and Electrical Department Mik Allen .... clapper loader: second unit Kenneth Atherfold .... camera grip: second unit (as Kenny Atherfold) Marc Atherfold .... clapper loader: second unit Duncan Barbour .... crane operator: second unit Roddy Barron .... camera operator: "b" camera Adam Biddle .... first assistant camera: "a" camera David Bruce .... electrician (as Dave Bruce) David Bruce .... generator operator (as Dave Bruce) David Budd .... camera operator: second unit Rocky Burnes .... rigging electrician Steve Casey .... electrician Michael Chambers .... rigging gaffer Mark Clarke .... electrician Alan Coates .... generator operator: second unit Steven Davis .... electrical rigger Kevin Day .... gaffer Gary Donague .... best boy electric (as Gary Donoghue) John Dunphy .... electrician Lester Dunton .... video playback operator Martin Evans .... rigging electrician Mike Evans .... focus puller: second unit Shaun Evans .... second assistant camera: "a" camera John Flemming .... key grip Jim Folley .... crane operator: second unit Steve Foster .... gaffer: second unit Dave Freeth .... camera technician Pat Garrett .... camera grip: second unit Alan Grayley .... electrician: second unit Andrew Haddock .... video playback operator: second unit Keith Hamshere .... still photographer Harvey Harrison .... director of photography: second unit Mark Hutton .... electrician Mark Hutton .... generator operator Philip Kenyon .... crane grip: Morocco second unit (as Phil Kenyon) Simon Lucas .... electrician Clive Mackey .... first assistant camera: "b" camera Ginger McCarthy .... electrical rigger Neil Munro .... electrician Spencer Murray .... clapper loader: second unit Gary Nagle .... electrician Gary Nagle .... generator operator James Offord .... camera intern Ben Perry .... second assistant camera: "b" camera Bernie Pochetty .... rigging electrician Frederick Reynolds .... electrical rigger Kenny Richards .... electrical rigger: second unit David Rist .... camera grip (as Dave Rist) Steve Roberts .... best boy electric: second unit Anthony Rubini .... electrical rigger Derek Russell .... camera grip Ian Speed .... camera technician Peter Taylor .... camera operator: second unit Tony Turner .... camera grip: second unit Martin Ward .... video playback operator: second unit Les Weighell .... rigging electrician (as Les Weighill) David Worley .... camera operator Stephen Yates .... crane operator: Morocco Danny Espey .... electrician (uncredited) Pat Garrett .... key grip: second unit (uncredited) Ron Nicholls .... grip (uncredited) Dathi Sveinbjarnarson .... video assistant (uncredited) Casting Department Leor Mendel .... casting assistant Amy Taksen .... casting: USA (as Amy Taksen Somers) Costume and Wardrobe Department Ann Beverly .... assistant costume designer Tim Guthrie .... costume assistant Wei Liang .... costume maker David Murphy .... wardrobe supervisor Dianne Murphy .... assistant wardrobe supervisor (as Diane Murphy) William Steggle .... costume assistant Ros Ward .... costume buyer Berenice Wright .... costume assistant E. Yan .... costume maker Silvana Sacco .... costume assistant (uncredited) Editorial Department Gary Burritt .... negative cutter Ray Bushey III .... apprentice editor David Cook .... editorial production assistant Ian Differ .... assistant editor Tzarina V. Edillon .... assistant editor Damon Fowler .... editorial production assistant Michael Gay .... second assistant editor (as Michael D. Gay) Sara Hegarty .... editorial production assistant Andrew MacRitchie .... first assistant editor Jim May .... assistant editor: avid Bob McMillian .... color timer Meghan L. Noble .... first assistant editor Mark Sanger .... assistant editor Kelly Matsumoto .... additional editor (uncredited) Music Department Robert Bayless .... assistant music editor (as Bob Bayless) Bruce Botnick .... music mixer Alexander Courage .... orchestrator Sienna Finklea .... assistant temp music editor Vic Fraser .... music preparation Jerry Goldsmith .... conductor Isobel Griffiths .... orchestra contractor Darrell Hall .... music editor Kenneth Hall .... supervising music editor (as Kenny Hall) Peter Mills .... music engineer Steve Orchard .... music engineer Mike Ross-Trevor .... music recordist (as Mike Ross Trevor) Nick Vidar .... music programmer Jerry Goldsmith .... music producer (uncredited) Transportation Department Phil Allchin .... transportation manager: UK Nigel Birtchnell .... unit driver John Coleman .... unit driver Arthur Dunne .... transportation manager: Morocco (as Arthur Dunn) Phil Knight .... unit driver Dave Manning .... unit driver (as David Manning) Maurice Newsome .... unit driver Hicham Regragui .... transportation manager: Morocco (as Hicham Regragui) Chris Streeter .... unit driver Other crew Ahab Afifi .... translator: Arabic Amanda Amphlett .... creature assistant Derek Atherton .... armorer Simon Atherton .... armorer Rosaling Backhouse .... creature assistant Rebecca Baldwin .... assistant: Mr. Jacks Howard Baral .... post-production accountant Blixa Bargeld .... mummy growling Najib Bennani .... accountant: Morocco Tony Bianchi .... technical advisor: bi-plane Terry Blyther .... location manager: Morocco John Boskill .... fitness trainer Stuart Bray .... mould maker Chris Burgess .... office production assistant Gilly Case .... location manager: UK Gilles Castera .... location manager: Morocco Gilles Charvin .... location manager: Morocco Sylvie Chesneau .... script supervisor Kenneth Clarke .... mould maker Tania Clarke .... assistant production coordinator Roger Collins .... stand-in Natasha Coombs .... script supervisor: second unit Shirley Cooper .... fabrication supervisor: mummy Alice Dawson .... assistant production accountant David Deane .... safety officer Patsy de Lord .... production coordinator (as Patsy De Lord) Tommy Dunne .... assistant armorer Jake Edmonds .... safety officer Angelina Fontana .... assistant: Mr. Daniel Geoff Freeman .... unit publicist Driss Gaidi .... location manager: Morocco Pedro Garc??a Garc??a .... horse trainer: Morocco (as Pedro Garcia Garcia) Richard Goodwin .... office production assistant Sally Grace .... dialogue coach Nicky Gregory .... nurse Anya Gripari .... set production assistant Luis M. Guti??rrez Santos .... horse trainer: Morocco (as Luis Gutierez Santos) Jackie Hallatt .... fabricator (as Jackie Hallett) Joanna Hamer .... stand-in Hind Hanif .... production coordinator: Morocco Barbara Harley .... assistant: Ms. Carr Abigail Haughton .... fabrication assistant Sarah Hunt .... assistant production accountant Rachel Impy .... fabrication assistant Michael Jones .... hat maker Andy Lee .... foam supervisor Iain Lowe .... head supervising rigger Siobhan Lyons .... location coordinator Nadia Mattera .... office production assistant Michael McGinn .... movement coordinator: mummy Jennifer Meyer .... assistant: Mr. Jacks (as Jennifer Moyer) Tracy Milham .... creature assistant Ali Moshref .... assistant production accountant Day Murch .... fabricator Lyn Nicholson .... coordinator Kevin O'Brien .... stand-in Maggie Phelan .... financial controller Nick Phillips .... technician: second unit Justin Pitkethly .... creature assistant Gary Pollard .... creature designer: live action mummy Greg Powell .... horse master Nick Powell .... sword master (as Nicholas Powell) Saffron Powell .... creature assistant Frances Richardson .... first assistant accountant James Richardson .... accounting intern Ian Robinson .... laboratory contact Caroline Roemmele .... production assistant: Morocco Pascal Rossignol .... stand-in Lex Ruddiman .... horse trainer: chariots Rodney Rushton .... car fabricator Carl Schmidt .... assistant armorer Stuart Tyson Smith .... egyptology consultant (as Dr. Stuart Smith) Alistair Thompson .... production accountant Raymond Tricker .... supervising mould maker Sarah Trowse .... location accountant: Morocco Martin Turk .... fitness trainer Jonathon Whaley .... pilot: bi-plane (as Jonathan Whaley) Lucy Williams .... assistant location manager: UK Ginnette Wilson .... assistant production accountant Keith Wilson .... foam technician Anna Worley .... script supervisor: second unit Eugenio Alonso Yenes .... horse trainer: Morocco Mustapha Adidou .... location assistant (uncredited) Judy Britten .... shipping coordinator: Morocco (uncredited) Jon R. Brown .... production runner (uncredited) Lois Carruth .... assistant: Mr. Goldsmith (uncredited) Kyle Cooper .... title designer: main and end titles (uncredited) Steve Dent .... assistant horse master (uncredited) Douglas W. McHenry .... post-production accountant (uncredited) Joel Proust Originally posted on:The Enlightened Xombee http://www.spout.com/members/0/tags/love/MemberTagFilms.aspxlove
Number of films tagged: 12478

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]]>Fri, 11 Dec 2009 01:28:29 GMT124783381480Tag http://www.spout.com/members/0/tags/Loved-It/MemberTagFilms.aspxLoved-It
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]]>Sat, 15 Aug 2009 03:09:32 GMT7032435Tag http://www.spout.com/members/0/tags/forbiddenlove/MemberTagFilms.aspxforbiddenlove
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]]>Mon, 16 Mar 2009 13:03:45 GMT11511830Tag http://www.spout.com/members/0/tags/curse/MemberTagFilms.aspxcurse
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]]>Sat, 02 Aug 2008 12:40:16 GMT191725Tag http://www.spout.com/members/0/tags/archaeology/MemberTagFilms.aspxarchaeology
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]]>Sat, 15 Aug 2009 02:22:58 GMT3731622Tag http://www.spout.com/members/0/tags/mummy/MemberTagFilms.aspxmummy
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]]>Mon, 12 Oct 2009 04:48:04 GMT1431416Tag http://www.spout.com/members/0/tags/egypt/MemberTagFilms.aspxegypt
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]]>Tue, 30 Jun 2009 13:07:18 GMT1011119Tag http://www.spout.com/members/0/tags/adventurer/MemberTagFilms.aspxadventurer
Number of films tagged: 681

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]]>Mon, 08 Jun 2009 13:02:54 GMT681814Tag http://www.spout.com/members/0/tags/punishment/MemberTagFilms.aspxpunishment
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]]>Tue, 22 Sep 2009 15:27:29 GMT129812Tag http://www.spout.com/members/0/tags/tomb/MemberTagFilms.aspxtomb
Number of films tagged: 128

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]]>Mon, 12 Oct 2009 04:48:03 GMT12866Tag http://www.spout.com/members/0/tags/expedition/MemberTagFilms.aspxexpedition
Number of films tagged: 391

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]]>Tue, 20 Jan 2009 18:13:08 GMT39156Tag