list http://www.spout.com/ Recent community activity around The 400 Blows on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/The_400_Blows/132/default.aspx Title: The 400 Blows
Year: 1959
Director: François Truffaut
Plot: For his feature-film debut, critic-turned-director François Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Léaud as Antoine Doinel, Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police, who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness, which he reveals in a fragmented series of monologues. Originally intended as a 20-minute short, The 400 Blows was expanded into a feature when Truffaut decided to elaborate on his self-analysis. For the benefit of Truffaut's fellow film buffs, The 400 Blows is full of brief references to favorite directors, notably Truffaut's then-idol Jean Vigo. The film won the 1959 Best Director prize at the Cannes Film Festival, even though Truffaut had been declared persona non grata the year before for his inflammatory comments about the festival's commercialism. ~ Hal Erickson, All Movie Guide
Times Tagged: 14
Number of Lists: 51
Number of blog posts: 2
Number of discussion threads: 2
SpoutRating: 4
]]>Tue, 07 Jul 2009 20:28:00 GMTThe 400 Blows1959François TruffautFor his feature-film debut, critic-turned-director <a href="/players/P___114620/default.aspx" style='text-decoration:underline'>François Truffaut</a> drew inspiration from his own troubled childhood. The 400 Blows stars <a href="/players/P____44069/default.aspx" style='text-decoration:underline'>Jean-Pierre Léaud</a> as Antoine Doinel, Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (<a href="/players/P___207987/default.aspx" style='text-decoration:underline'>Guy Decomble</a>), Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (<a href="/players/P____59555/default.aspx" style='text-decoration:underline'>Albert Remy</a>) to finance his plans to leave home. The father angrily turns Antoine over to the police, who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness, which he reveals in a fragmented series of monologues. Originally intended as a 20-minute short, The 400 Blows was expanded into a feature when Truffaut decided to elaborate on his self-analysis. For the benefit of Truffaut's fellow film buffs, The 400 Blows is full of brief references to favorite directors, notably Truffaut's then-idol <a href="/players/P___115432/default.aspx" style='text-decoration:underline'>Jean Vigo</a>. The film won the 1959 Best Director prize at the Cannes Film Festival, even though Truffaut had been declared <i>persona non grata</i> the year before for his inflammatory comments about the festival's commercialism. ~ Hal Erickson, All Movie Guide14Tag Target (>10)51224http://www.spout.com/ProductImages/t77104mow9n.jpghttp://www.spout.com/films/The_400_Blows/132/default.aspxFilm http://www.spout.com/groups/Movie_Polls/Re_Which_of_these_from_Tim_Out_s_list_of_10_greate/657/43836/1/ShowPost.aspx Post By: tadiv
Post To: Movie Polls
Post Date: 9/9/2009 6:44:06 PM
Body: What a great poll - really tough choices... I had to review my ratings for the six that I have seen... My vote is cast for The 400 Blows. Tom
]]>Wed, 09 Sep 2009 22:44:06 GMTtadivMovie Polls9/9/2009 6:44:06 PMWhat a great poll - really tough choices... I had to review my ratings for the six that I have seen... My vote is cast for The 400 Blows. Tom http://www.spout.com/groups/Movie_Polls/Re_Which_of_these_film_movments_have_produced_film/657/40557/1/ShowPost.aspx Post By: Risselada
Post To: Movie Polls
Post Date: 2/19/2009 3:15:26 PM
Body: [quote user="pippin06"] This is out of my league too. I consider myself an average to above average filmgoer/viewer but am not sure if I've seen anything in any category (maybe I have and I didn't know it...but maybe not). Like I said, I saw a lot of French films in college, but who knows if they fall under New Wave or something like that... ...but maybe we could somehow start a discussion somewhere where people schooled in these film schools could make recommendations for beginners. That would be cool, right? Or, maybe it's already somewhere...anyone know? [/quote] Ok, well I'll try to give some insight on what I know about them and any recommendations I may have. Czechoslovakian New Wave may be one of the lesser movements listed here. It kind of started in the 60s. A discription from wikipedia says "Trademarks of the movement contain long unscripted dialogues, dark and absurd humour, and the casting of nonactors." I don't know if I've actually seen any, but some of the more popular ones are available from the Criterion Collection like The Shop on Main Street (which people have mentioned on Spout before), Closely Watched Trains, and lots of Milos Forman's (One Flew Over the Cuckoo's Nest, The Man on the Moon, Amadeus) early work like Loves of a Blonde and The Fireman's Ball. Dogme 95 was an official movement started by Lars Von Trier and a few other Danish filmmakers that had specific rules about it. You could actually submit your film to them to be labeled as an official Dogma 95 film. You can probably find the rules online somewhere, but it involved using only digital film and found locations, props, and costumes. You aren't supposed to add any special effects. The full rules are of course available at good old wikipedia. The most famous of the films would probably The Celebration, The Idiots, and my favorite, Julien Donkey-Boy. The French New Wave is a pretty broad movement usually referring to the iconoclastic filmmakers from France. I think the tail end of the 50s is really when this started to get into full swing. Like Tennenbaums mentioned earlier, Jean Luc-Godard and François Truffaut are often the most identifiable filmmakers with the movement, although there are probably dozens if not more who have been lumped into this movement. SkyPilot mentioned Jean-Pierre Melville's Bob le Flambeur. I have seen that one and was disappointed. I've also seen Godard's Breathless and Truffaut's Jules and Jim both of which I did not enjoy. Truffaut's The 400 Blows I appreciated a bit more, but still not a favorite. Some people throw Éric Rohmer into this category as well, although some argue his style is considerably different and stems from somewhere other than many other of the French New Wave filmmakers. I have enjoyed what little I've seen of his work. Expressionism was a movement in Europe in the early 20th century. It stressed intense emotion conveyed through exaggerated and distorted style and forms. The Germans took this movement and put it in film. I'm sure you recognize famous directors like F. W. Murnau and Fritz Lang. Some of these films had extremely expressionistic and highly unrealistic visuals like The Cabinet of Dr. Caligari. Some like The Last Laugh were just more more distorted versions of reality. With all the Dracula talk that has happend on Spout at times I'm guessing you've also heard of Nosferatu. Some of Lang's works that came a bit later that are well known might also count like M and Metropolis. When I looked into it, I can't really define Iranian New Wave any better than just saying it's basically films that were made in Iran. I guess the most popular filmmaker is Abbas Kiarostami. Look him up and you may recognize a lot of his films. Maybe not. I have seen two films from Majid Majidi and would recommend The Color of Paradise. It's kind of recent though so I don't really know if it's a good representation of the first wave of the Iranian New Wave. Italian neorealism is what it probably sounds like. Italian films that stressed trying to give a realistic depiction of every day working class people. They did this by shootings things on location and often with non-actors. And a lot of the the "boring" action of normal life that might not find it's way into other films is here. Although I sure don't find it boring. The time frame we are looking at is the later forties. The most famous example is Vittorio De Sica's The Bicycle Thief which I would highly recommend, although De Sica's Shoeshine and Umberto D are also amazing. Other big name directors are Luchino Visconti and Roberto Rossellini. The Japanese New Wave like the French New Wave were a bunch of iconoclastic filmmakers that started with works being released around the end of the 50s through the 70s. You could put Seijun Suzuki in this category who is one of my favorite directors. Tokyo Drifter, Fighting Elegy, Branded to Kill, and Youth of the Beast are all fims of his that I love and are available on the Criterion Collection. Hiroshi Teshigahara also has some of his movies released through Criterion, one of which, Woman in the Dunes, I just saw recently and is amazing. Shohei Imamura also has some of his movies available through Criterion (this is basically just a big Criterion ad). Nagisa Oshima is probably the biggest name from this moment in my mind and I'm rather embarassed to say I still haven't seen any of his films. Mumblecore core is the newest term on this list and has gotten a lot of press on Spout, so maybe you've heard of it. I don't know if I've really seen any movies that would fit this category hardcore, but you probably recognize the trend in independent cinema. I think it has a lot to do with young adults living in big cities. Very low budget. Lots of slang and hip music and culture references with a realistic style. Correct me if I'm wrong on this. Joe Swanberg had a short film series on Spout for a while I think. New French Extremity is the other really new term here. I just came across the name recently to refer to a recent wave of confrontational French films ove the past decade or so. You know how we had a group here on spout called "extreme films"? Well a lot of these would probably fit in nice there. They show you the extreme fifth, cruelty, and violence of humanity often in graphic detail. You may recognize a lot of these names. Gaspar Noé's Irreversible is one of the most well known state side I think. It's the one that runs backwards. I've seen his I Stand Alone and let me say it's pretty striking and depression, very confrontational to the dark and depressing side of the human condition. Other examples are some of Claire Denis' and Leos Carax's recent work, Bruno Dumont (The Life of Jesus, Humanité), Catherine Breillat (Fat Girl). Maybe you have also heard of the infamous Baise-moi (Fuck Me). If you listen to a lot of the horror fans we have on the site too you may hear them rave about many of the violent horror films comming out of France recently. These could probably fit in well too. The most well known now being High Tension. As for New German Cinema, you've heard of Werner Herzog right?? He's one of my favorites (check out The Mystery of Kaspar Hauser, Aguirre: The Wrath of God, Stroszek, Fitzcarraldo). Well he and some other German folks such as R. W. Fassbinder (Ali: Fear Eats the Soul, The Marriage of Maria Braun, The Bitter Tears of Petra Von Kant (the guy made well over fourty films in a span of sixteen years including the fifteen hour long Berlin Alexanderplatz)), Wim Wenders (Wings of Desire, Paris, Texas), Volker Schlöndorff (The Tin Drum) and several others started making the first original movies starting in the late 60s since before the rise of the Nazis (Werner Herzog even made a remake of the classic German film Nosferatu). Finally Germany was a force in the world of Cinema making original and revolutionary films again. Anyone have anything to add?
]]>Thu, 19 Feb 2009 20:15:26 GMTRisseladaMovie Polls2/19/2009 3:15:26 PM[quote user="pippin06"] This is out of my league too. I consider myself an average to above average filmgoer/viewer but am not sure if I've seen anything in any category (maybe I have and I didn't know it...but maybe not). Like I said, I saw a lot of French films in college, but who knows if they fall under New Wave or something like that... ...but maybe we could somehow start a discussion somewhere where people schooled in these film schools could make recommendations for beginners. That would be cool, right? Or, maybe it's already somewhere...anyone know? [/quote] Ok, well I'll try to give some insight on what I know about them and any recommendations I may have. Czechoslovakian New Wave may be one of the lesser movements listed here. It kind of started in the 60s. A discription from wikipedia says "Trademarks of the movement contain long unscripted dialogues, dark and absurd humour, and the casting of nonactors." I don't know if I've actually seen any, but some of the more popular ones are available from the Criterion Collection like The Shop on Main Street (which people have mentioned on Spout before), Closely Watched Trains, and lots of Milos Forman's (One Flew Over the Cuckoo's Nest, The Man on the Moon, Amadeus) early work like Loves of a Blonde and The Fireman's Ball. Dogme 95 was an official movement started by Lars Von Trier and a few other Danish filmmakers that had specific rules about it. You could actually submit your film to them to be labeled as an official Dogma 95 film. You can probably find the rules online somewhere, but it involved using only digital film and found locations, props, and costumes. You aren't supposed to add any special effects. The full rules are of course available at good old wikipedia. The most famous of the films would probably The Celebration, The Idiots, and my favorite, Julien Donkey-Boy. The French New Wave is a pretty broad movement usually referring to the iconoclastic filmmakers from France. I think the tail end of the 50s is really when this started to get into full swing. Like Tennenbaums mentioned earlier, Jean Luc-Godard and Fran&ccedil;ois Truffaut are often the most identifiable filmmakers with the movement, although there are probably dozens if not more who have been lumped into this movement. SkyPilot mentioned Jean-Pierre Melville's Bob le Flambeur. I have seen that one and was disappointed. I've also seen Godard's Breathless and Truffaut's Jules and Jim both of which I did not enjoy. Truffaut's The 400 Blows I appreciated a bit more, but still not a favorite. Some people throw &Eacute;ric Rohmer into this category as well, although some argue his style is considerably different and stems from somewhere other than many other of the French New Wave filmmakers. I have enjoyed what little I've seen of his work. Expressionism was a movement in Europe in the early 20th century. It stressed intense emotion conveyed through exaggerated and distorted style and forms. The Germans took this movement and put it in film. I'm sure you recognize famous directors like F. W. Murnau and Fritz Lang. Some of these films had extremely expressionistic and highly unrealistic visuals like The Cabinet of Dr. Caligari. Some like The Last Laugh were just more more distorted versions of reality. With all the Dracula talk that has happend on Spout at times I'm guessing you've also heard of Nosferatu. Some of Lang's works that came a bit later that are well known might also count like M and Metropolis. When I looked into it, I can't really define Iranian New Wave any better than just saying it's basically films that were made in Iran. I guess the most popular filmmaker is Abbas Kiarostami. Look him up and you may recognize a lot of his films. Maybe not. I have seen two films from Majid Majidi and would recommend The Color of Paradise. It's kind of recent though so I don't really know if it's a good representation of the first wave of the Iranian New Wave. Italian neorealism is what it probably sounds like. Italian films that stressed trying to give a realistic depiction of every day working class people. They did this by shootings things on location and often with non-actors. And a lot of the the "boring" action of normal life that might not find it's way into other films is here. Although I sure don't find it boring. The time frame we are looking at is the later forties. The most famous example is Vittorio De Sica's The Bicycle Thief which I would highly recommend, although De Sica's Shoeshine and Umberto D are also amazing. Other big name directors are Luchino Visconti and Roberto Rossellini. The Japanese New Wave like the French New Wave were a bunch of iconoclastic filmmakers that started with works being released around the end of the 50s through the 70s. You could put Seijun Suzuki in this category who is one of my favorite directors. Tokyo Drifter, Fighting Elegy, Branded to Kill, and Youth of the Beast are all fims of his that I love and are available on the Criterion Collection. Hiroshi Teshigahara also has some of his movies released through Criterion, one of which, Woman in the Dunes, I just saw recently and is amazing. Shohei Imamura also has some of his movies available through Criterion (this is basically just a big Criterion ad). Nagisa Oshima is probably the biggest name from this moment in my mind and I'm rather embarassed to say I still haven't seen any of his films. Mumblecore core is the newest term on this list and has gotten a lot of press on Spout, so maybe you've heard of it. I don't know if I've really seen any movies that would fit this category hardcore, but you probably recognize the trend in independent cinema. I think it has a lot to do with young adults living in big cities. Very low budget. Lots of slang and hip music and culture references with a realistic style. Correct me if I'm wrong on this. Joe Swanberg had a short film series on Spout for a while I think. New French Extremity is the other really new term here. I just came across the name recently to refer to a recent wave of confrontational French films ove the past decade or so. You know how we had a group here on spout called "extreme films"? Well a lot of these would probably fit in nice there. They show you the extreme fifth, cruelty, and violence of humanity often in graphic detail. You may recognize a lot of these names. Gaspar No&eacute;'s Irreversible is one of the most well known state side I think. It's the one that runs backwards. I've seen his I Stand Alone and let me say it's pretty striking and depression, very confrontational to the dark and depressing side of the human condition. Other examples are some of Claire Denis' and Leos Carax's recent work, Bruno Dumont (The Life of Jesus, Humanit&eacute;), Catherine Breillat (Fat Girl). Maybe you have also heard of the infamous Baise-moi (Fuck Me). If you listen to a lot of the horror fans we have on the site too you may hear them rave about many of the violent horror films comming out of France recently. These could probably fit in well too. The most well known now being High Tension. As for New German Cinema, you've heard of Werner Herzog right?? He's one of my favorites (check out The Mystery of Kaspar Hauser, Aguirre: The Wrath of God, Stroszek, Fitzcarraldo). Well he and some other German folks such as R. W. Fassbinder (Ali: Fear Eats the Soul, The Marriage of Maria Braun, The Bitter Tears of Petra Von Kant (the guy made well over fourty films in a span of sixteen years including the fifteen hour long Berlin Alexanderplatz)), Wim Wenders (Wings of Desire, Paris, Texas), Volker Schl&ouml;ndorff (The Tin Drum) and several others started making the first original movies starting in the late 60s since before the rise of the Nazis (Werner Herzog even made a remake of the classic German film Nosferatu). Finally Germany was a force in the world of Cinema making original and revolutionary films again. Anyone have anything to add? http://www.spout.com/groups/Weekly_Theme/Weekly_Theme_for_July_29_Locked_Up/625/33154/1/ShowPost.aspx Post By: leeroy711
Post To: Weekly Theme
Post Date: 7/27/2008 11:21:05 PM
Body: I got this idea from watching The 400 Blows this weekend. It only took me about 5 minutes to come up with a pretty long list of films that have to do with being incarcerated in some sense. Some films use this setting as the backdrop of some grave injustice such as false accusation such as Jim Sheridan’s fantastic film, In The Name Of The Father. Sometimes the jail cell is used in comedies like Jim Jarmusch’s Down By Law. Other times we just deal with the emotional and mental drama associated with dealing with your loss of personal freedom such as in American History X and The 25th Hour. And I haven’t even mentioned escape films, like The Shawshank Redemption and Brute Force which is somewhat of a sub-genre in itself. So, with the plethora of films we’ve seen dealing with being locked up in mind, let’s hear about which are some of your favorites. More specifically, what is your favorite scene, shot inside a jail cell or detention center of some sort? For me, there are two scenes that have touched me for drastically different reasons. The first is the triumphant moment in which Luke (Paul Newman) in Cool Hand Luke chokes down his 50th egg. You really can’t help but to rejoice and laugh at the same time with this one. The second one for me is one of the most unforgettable scenes of all time. The moment that Giuseppe (Pete Postelthwaite) dies in In The Name Of The Father leads into a great shot. All of the inmates light pieces of paper and throw them out of their cell windows yelling, “Giuseppe’s dead!” The prison walls look as though they are crying tears of flames. Well, that’s what I’ve got, let’s hear it. Remember, I also want to know about some of your favorite specific scenes as well. Emery
]]>Mon, 28 Jul 2008 03:21:05 GMTleeroy711Weekly Theme7/27/2008 11:21:05 PMI got this idea from watching The 400 Blows this weekend. It only took me about 5 minutes to come up with a pretty long list of films that have to do with being incarcerated in some sense. Some films use this setting as the backdrop of some grave injustice such as false accusation such as Jim Sheridan&rsquo;s fantastic film, In The Name Of The Father. Sometimes the jail cell is used in comedies like Jim Jarmusch&rsquo;s Down By Law. Other times we just deal with the emotional and mental drama associated with dealing with your loss of personal freedom such as in American History X and The 25th Hour. And I haven&rsquo;t even mentioned escape films, like The Shawshank Redemption and Brute Force which is somewhat of a sub-genre in itself. So, with the plethora of films we&rsquo;ve seen dealing with being locked up in mind, let&rsquo;s hear about which are some of your favorites. More specifically, what is your favorite scene, shot inside a jail cell or detention center of some sort? For me, there are two scenes that have touched me for drastically different reasons. The first is the triumphant moment in which Luke (Paul Newman) in Cool Hand Luke chokes down his 50th egg. You really can&rsquo;t help but to rejoice and laugh at the same time with this one. The second one for me is one of the most unforgettable scenes of all time. The moment that Giuseppe (Pete Postelthwaite) dies in In The Name Of The Father leads into a great shot. All of the inmates light pieces of paper and throw them out of their cell windows yelling, &ldquo;Giuseppe&rsquo;s dead!&rdquo; The prison walls look as though they are crying tears of flames. Well, that&rsquo;s what I&rsquo;ve got, let&rsquo;s hear it. Remember, I also want to know about some of your favorite specific scenes as well. Emery http://www.spout.com/blogs/jakestevens/archive/2007/12/10/22685.aspx Post By: JakeStevens
Post To: JakeStevens Blog
Post Date: 12/10/2007 1:38:33 AM
Body: I find it difficult to talk to my peers about this film - they only see it as a old, boring French film with really long, boring takes that go nowhere. I couldn't disagree with them more. The literal coldness of the film (it obviously takes place in the winter season) matches the chilliness of Antoine's parents and teachers, who completely misunderstand and label him as a misfit. There seems to be no hope for Antoine, as even when he earnestly attempts to become a better student, his attempts are shot down by his teacher and reported to his parents, who deride him for fooling them once again. Even though it sounds like a real downer of a film, there are a few comedic touches here and there, and the ending (controversial to my classmates) speaks volumes without saying anything at all. I'm shocked to find that this is Truffaut's debut film, and I'm curious to see the rest of his oeuvre, as this is the first film of his that I've seen. Genius filmmaking.
]]>Mon, 10 Dec 2007 06:38:33 GMTJakeStevensJakeStevens Blog12/10/2007 1:38:33 AMI find it difficult to talk to my peers about this film - they only see it as a old, boring French film with really long, boring takes that go nowhere. I couldn&#39;t disagree with them more. The literal coldness of the film (it obviously takes place in the winter season) matches the chilliness of Antoine&#39;s parents and teachers, who completely misunderstand and label him as a misfit. There seems to be no hope for Antoine, as even when he earnestly attempts to become a better student, his attempts are shot down by his teacher and reported to his parents, who deride him for fooling them once again. Even though it sounds like a real downer of a film, there are a few comedic touches here and there, and the ending (controversial to my classmates) speaks volumes without saying anything at all. I&#39;m shocked to find that this is Truffaut&#39;s debut film, and I&#39;m curious to see the rest of his oeuvre, as this is the first film of his that I&#39;ve seen. Genius filmmaking. http://www.spout.com/blogs/chesterfilms/archive/2007/5/18/8964.aspx Post By: chesterfilms
Post To: chesterfilms Blog
Post Date: 5/18/2007 2:07:23 AM
Body: The Antoine Doinel films follow the Doinel character from boyhood to manhood with 400 Blows, Antoine and Colette, Stolen Kisses, Bed and Board, & Love on the Run. Even though this is not a documentary like the Seven Up films, I got a similar feeling watching the same actor portray the same character within a 20+ year period. It is very interesting to watch a real actor grow up on film.
]]>Fri, 18 May 2007 06:07:23 GMTchesterfilmschesterfilms Blog5/18/2007 2:07:23 AMThe Antoine Doinel films follow the Doinel character from boyhood to manhood with 400 Blows, Antoine and Colette, Stolen Kisses, Bed and Board, &amp; Love on the Run. Even though this is not a documentary like the Seven Up films, I got a similar feeling watching the same actor portray the same character within a 20+ year period. It is very interesting to watch a real actor grow up on film. http://www.spout.com/members/0/tags/family/MemberTagFilms.aspxfamily
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