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    <title>Occupe-Toi d'Amelie's Recent Activity - Spout</title>
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      <title>Occupe-Toi d'Amelie's Recent Activity - Spout</title>
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      <title>Film:Occupe-Toi d'Amelie</title>
      <link>http://www.spout.com/films/Occupe_Toi_d_Amelie/103710/default.aspx</link><description><![CDATA[<table width='100%' style='font:10px/10px Helvetica, Arial, sans-serif;'><tr><td><img align='left' src='http://www.spout.com/images/no_image.jpg' hspace='10' style='height:80px;' /></td>
<td>
<strong>Title:</strong> Occupe-Toi d'Amelie<br/>
<strong>Year:</strong> 1949<br/>
<strong>Director:</strong> Claude Autant-Lara<br/>
<strong>Plot:</strong> This French comedy was released variously in the U.S. as Look After Amelie and Oh, Amelia. The eponymous heroine, played by <a href="/players/P____17063/default.aspx" style='text-decoration:underline'>Danielle Darrieux</a>, is the potential bride of playboy Marcel (Jean Dessally). He wants to marry her to land an inheritance. Marcel's plans are blown to bits when Amelie falls in love with a dashing prince (Aslan). These and all other plot convolutions are based on a 19th-century stage farce: indeed, Amelie, Marcel et. al. are presented as actors appearing in a production of that play. As the plot rolls merrily along, director Autant-Lara contrives to have members of the audiences climb on stage and participate in the action, resulting in a finale that wasn't in the script. Coming right after Autant-Lara's grim romantic melodrama <a href=/films/351940/default.aspx style='text-decoration:underline'>Le Diable au Corps</a>, Occupe-Toi D'Amelie was apparently the director's own method of letting his hair down. The film represented the return to the screen of <a href="/players/P____17063/default.aspx" style='text-decoration:underline'>Danielle Darrieux</a>, who'd only recently exonerated herself from a charge of collaborating with the Nazis during the Occupation. ~ Hal Erickson, All Movie Guide<br/>
</td></tr></table>]]></description><pubDate>Mon, 01 Jan 0001 05:00:00 GMT</pubDate><spout:Title>Occupe-Toi d'Amelie</spout:Title><spout:Year>1949</spout:Year><spout:Director>Claude Autant-Lara</spout:Director><spout:Plot>This French comedy was released variously in the U.S. as Look After Amelie and Oh, Amelia. The eponymous heroine, played by &lt;a href="/players/P____17063/default.aspx" style='text-decoration:underline'&gt;Danielle Darrieux&lt;/a&gt;, is the potential bride of playboy Marcel (Jean Dessally). He wants to marry her to land an inheritance. Marcel's plans are blown to bits when Amelie falls in love with a dashing prince (Aslan). These and all other plot convolutions are based on a 19th-century stage farce: indeed, Amelie, Marcel et. al. are presented as actors appearing in a production of that play. As the plot rolls merrily along, director Autant-Lara contrives to have members of the audiences climb on stage and participate in the action, resulting in a finale that wasn't in the script. Coming right after Autant-Lara's grim romantic melodrama &lt;a href=/films/351940/default.aspx style='text-decoration:underline'&gt;Le Diable au Corps&lt;/a&gt;, Occupe-Toi D'Amelie was apparently the director's own method of letting his hair down. The film represented the return to the screen of &lt;a href="/players/P____17063/default.aspx" style='text-decoration:underline'&gt;Danielle Darrieux&lt;/a&gt;, who'd only recently exonerated herself from a charge of collaborating with the Nazis during the Occupation. ~ Hal Erickson, All Movie Guide</spout:Plot><spout:FilmCoverURL>http://www.spout.com/images/no_image.jpg</spout:FilmCoverURL><spout:SpoutFilmDetailURL>http://www.spout.com/films/Occupe_Toi_d_Amelie/103710/default.aspx</spout:SpoutFilmDetailURL><spout:type>Film</spout:type></item>
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      <title>Spout Tag:lovetriangle</title>
      <link>http://www.spout.com/members/0/tags/lovetriangle/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/lovetriangle/MemberTagFilms.aspx'>lovetriangle</a>
<strong><br/> Number of films tagged:</strong> 2902</br><br/>
<strong>Number of people who tagged:</strong> 38</br><br/>
<strong>Number of times used:</strong> 75</br><br/>
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<strong><br/> Number of films tagged:</strong> 529</br><br/>
<strong>Number of people who tagged:</strong> 21</br><br/>
<strong>Number of times used:</strong> 40</br><br/>
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<strong><br/> Number of films tagged:</strong> 337</br><br/>
<strong>Number of people who tagged:</strong> 16</br><br/>
<strong>Number of times used:</strong> 21</br><br/>
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      <title>Spout Tag:conscam</title>
      <link>http://www.spout.com/members/0/tags/conscam/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/conscam/MemberTagFilms.aspx'>conscam</a>
<strong><br/> Number of films tagged:</strong> 2333</br><br/>
<strong>Number of people who tagged:</strong> 12</br><br/>
<strong>Number of times used:</strong> 19</br><br/>
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<strong><br/> Number of films tagged:</strong> 1331</br><br/>
<strong>Number of people who tagged:</strong> 11</br><br/>
<strong>Number of times used:</strong> 16</br><br/>
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<strong><br/> Number of films tagged:</strong> 364</br><br/>
<strong>Number of people who tagged:</strong> 10</br><br/>
<strong>Number of times used:</strong> 13</br><br/>
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